- published: 13 Nov 2010
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The robe à la polonaise or polonaise is a woman's garment of the later 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national costume, consisting of a gown with a cutaway, draped and swagged overskirt, worn over an underskirt or petticoat. From the late nineteenth century, the term polonaise also described a fitted overdress which extended into long panels over the underskirt, but was not necessarily draped or swagged.
As early as the 1720s, English painters had begun to portray fashionable ladies dressed in romanticized versions of the costume of a century earlier, as depicted in portraits by Van Dyck and Rubens. By the 1770s, elements of this style began to appear in fashionable dress, including the wide-brimmed hat (dubbed the "Rubens hat" in the Fashionable Magazine of 1786) and bunched-up skirts..
About the same time, French fashion adopted a number of styles of English origin, such as the close-bodied gown which they called robe à l'anglaise, and the fullness of the skirts at the back waist and over the hips. One way to "create the fashionable bulk at the back and sides of the dress was to kilt up the overskirt by means of interior or exterior loops, buttons or tassels to form swags of material. This style ... was known as à la polonaise."