- published: 06 Jul 2016
- views: 646
PLOS (for Public Library of Science) is a nonprofit open access scientific publishing project aimed at creating a library of open access journals and other scientific literature under an open content license. It launched its first journal, PLOS Biology, in October 2003 and publishes seven journals, as of October 2015. The organization is based in San Francisco, California, and has a European editorial office in Cambridge, England. The publications are primarily funded by payments from the authors.
The Public Library of Science began in 2000 with an online petition initiative by Nobel Prize winner Harold Varmus, formerly director of the National Institutes of Health and at that time director of Memorial Sloan–Kettering Cancer Center; Patrick O. Brown, a biochemist at Stanford University; and Michael Eisen, a computational biologist at the University of California, Berkeley, and the Lawrence Berkeley National Laboratory. The petition called for all scientists to pledge that from September 2001 they would discontinue submission of papers to journals that did not make the full text of their papers available to all, free and unfettered, either immediately or after a delay of no more than 6 months. Although tens of thousands signed the petition, most did not act upon its terms; and in August 2001, Brown and Eisen announced they would start their own non-profit publishing operation. In December 2002, the Gordon and Betty Moore Foundation awarded PLOS a $9 million grant, which it followed in May 2006 with a $1 million grant to help PLOS achieve financial sustainability and launch new free-access biomedical journals.
Stefani Joanne Angelina Germanotta (/ˈstɛfəniː dʒɜːrməˈnɒtə/ STEF-ə-nee jur-mə-NOT-ə; born March 28, 1986), known professionally as Lady Gaga, is an American singer, songwriter, and actress. She is known for her self-empowering messages, fashion, and live performances. Gaga initially performed in theater, appearing in high school plays, and studied at CAP21 through New York University's Tisch School of the Arts before dropping out to pursue a musical career. After leaving a rock band, participating in the Lower East Side's avant garde performance art circuit, and being dropped from a contract with Def Jam Recordings, Gaga worked as a songwriter for Sony/ATV Music Publishing. There, recording artist Akon noticed her vocal abilities and helped her to sign a joint deal with Interscope Records and his own KonLive Distribution.
Her debut album The Fame (2008) was a critical and commercial success that produced global chart-topping singles such as "Just Dance" and "Poker Face". A follow-up EP, The Fame Monster (2009), was met with a similar reception and released the successful singles "Bad Romance", "Telephone", and "Alejandro". Her second full-length album Born This Way was released in 2011, topping the charts in more than 20 countries, including the United States, where it sold over one million copies in its first week. The album produced the number-one single "Born This Way". Her third album Artpop, released in 2013, topped the US charts and included the successful single "Applause". In 2014, Gaga released a collaborative jazz album with Tony Bennett titled Cheek to Cheek, which became her third consecutive number one in the United States. For her work in the television series American Horror Story: Hotel, Gaga won a Golden Globe Award in 2016.
PLOS Musical Productions presents Miss Saigon at Frankston Arts Centre July 2016 Tickets www.plos.asn.au Phone 9784 1060
A tale about the pressure to publish in fashionable, high-impact journals and the relief that can be found by publishing in an open-access journal such as PLOS One. This is parody of Lady Gaga's Applause: http://www.youtube.com/watch?v=pco91kroVgQ Released at MCB Follies December 6th, 2013.
Talk given by J. David Creswell, a professor in the Psychology department, on editing and publishing in PLoS One journals. Part 1 of the "Open Scholarship for Graduate Students and Early Career Researchers", event on International Open Access Week held at Carnegie Mellon University on October 22, 2013.
www.theatrepeople.com - Monday 31st December 2012 - 5:00pm - Wednesday 2nd January 2013 - 7.30pm - Thursday 3rd January 2013 - 7.30pm - Friday 4th January 2013 - 7.30pm - Saturday 5th January 2013 - 1.30pm - Saturday 5th January 2013 - 7.30pm - Sunday 6th January 2013 - 1.30pm TICKETS 9784 1060 www.plos.asn.au
Starring Nadia Gianinotti and Andrew Perry comes the brilliantly adapted Mary Poppins from the beloved books by Australia’s own P.L. Travers and the classic 1964 Walt Disney film, Frankston Arts Centre in January 2016. Filmed and Edited by James Terry
PLOS Musical Production present Hairspray the Musical.... FRANKSTON ARTS CENTRE SHOW DATES Friday 27 July @ 8.00pm Saturday 28 July @ 8.00pm Sunday 29 July @ 2.00pm Tuesday 31 July @ 8.00pm Wednesday 1 August @ 8.00pm Thursday 2 August @ 8.00pm Friday 3 August @ 8.00pm Saturday 4 August @ 2.00pm PHONE - 9784 1060 ONLINE - http://artscentre.frankston.vic.gov.au/Whats_On/2012/august_2012/hairspray/index.aspx PRICES Adult -- $43.00 Concession -- PSSU -- $38.00 U/16 -- $29.00 Group 20+ -- $38.00 (Please note this is not us singing in this rehearsal video it is from the movie staring John Travolta - we have a larger orchestra and sound much better!!!)
Gif made by PvT. It's just a joke made with retarded Brazilians in online games.
From 'Dutch Tvashar Plumes' Label: PAN (Germany) If any of the artists, labels or copyright owners have a problem with any of the tracks I have uploaded please send me a message and i will remove them immediately!!! All the tracks that I upload are for promotional use only. Remember: If you like one of these tracks, support the producer and buy it! The purpose of this channel is to promote these producers, not to rip them off in any way
8/28/13 - A Senior PLOS Editor Speaks! Advice on Getting Published in PLOS One and Observations about Trends in Publishing Speaker: Elizabeth Silva, M.Sc. Ph.D., Associate Editor, PLOS One Challenges: Authors are frequently frustrated with the cycle of rejection at so-called "high impact journals" Increasing the reproducibility and utility of your work to the community at a time when methods sections have become vanishingly small, and retractions seem to be at an all time high The impact factor is a metric that we all know is flawed Big data: balancing data-sharing with privacy issues in an age where it is becoming impossible to guarantee anonymity Quick review of other issues in publishing that you need to be aware of What PLOS One provides: A new model in pub...
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Shorty I wanna know if you come over
If you don't mind girl put your legs up on my shoulders
Don't lie, I can see it in your eyes
You want for you and I to do the freaky things you like
When I put-put-put it on girl, when I put-put-put it on ya
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If that don't work for ya, I got another idea
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I find you, I can get it right there
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Can I lick it, can I stick it, can I touch it, can I grab it
Baby tell me can I have it? Ooh wee
Can I rub it, can I flip it, can I hold it, can I get it?
Anyway I wanna get it
Shorty I wanna know if you come over
If you don't mind girl put your legs up on my shoulders
Don't lie, I can see it in your eyes
You want for you and I to do those freaky things you like
When I put-put-put it on girl, when I put-put-put it on ya
When I put-put-put it on girl, when I put-put-put it on ya
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Let grade you, give you a report card
Your first test is, can you get it hard?
Show me how good you communicate when we start
Today's pop quiz, define your hot spot
Wanna see how good your balance is on top
Give you an A+ if you don't stop
This a big test, you looking kinda shocked
Either you get promoted, or you get dropped
Your final exam, show me your wet box
Ain't no tattle teller, I keep my mouth locked
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Shorty I wanna know if you come over
If you don't mind girl put your legs up on my shoulders
Don't lie, I can see it in your eyes
You want for you and I to do those freaky things you like
When I put-put-put it on girl, when I put-put-put it on ya
When I put-put-put it on girl, when I put-put-put it on ya
When I put-put-put it on girl, when I put-put-put it on ya
When I put-put-put it on ya, put-put-put it on ya, ooh wee