The fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with its roots in the art of improvisation. Because of this, like the impromptu, it seldom approximates the textbook rules of any strict musical form.
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms (Field 2001).
If there is only this one existence
Be this the darkest of my days
If i am meant to indure
Let the world falter
Beyond the confines of man
Too bound to see the light of the world
In this earthly paradise
Where truth shall rise above all
This is where i belong
All that search and question
May they find and know
As opposed to eternal bliss
In the confines above
This one existence, mirrored in time
This one entity of a mind
Upon a world of despair,
seeking for its place