- published: 01 Jul 2009
- views: 8811
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Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913
I made the conversion to digital from an old LP
- published: 03 Sep 2016
- views: 678
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Recorded 1913. Unlike many other sopranos of her era Farrar's voice recorded very well, as you can hear in this example.
- published: 17 Nov 2008
- views: 16975
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Farrar interpreta el papel de la gitana.
- published: 13 Jun 2008
- views: 12520
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
- published: 07 Aug 2011
- views: 5596
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January 13, 1927 / (one of Farrar's unpublished electricals)
******************************
- published: 06 Feb 2010
- views: 5907
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will entwine our hands"...
The two voices work well together, too... neither dominates, at least in the recording...
Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed.
Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her.
"Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting."
* Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").
-------------------------------------
Antonio Scotti (1866-1936)
An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry.
On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni.
Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting:
http://www.youtube.com/watch?v=ZTKh_ygUxuU
He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters.
http://www.youtube.com/watch?v=xYhfwVl4IWY
- published: 13 Dec 2011
- views: 2233
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one of Farrar's unpublished electricals)
- published: 05 Jul 2009
- views: 2730
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
This is a short preview. A DVD with the film is available as part of our Silent Gems Collection of rare films. Please follow the above link to see the collection.
"The Woman God Forgot" is a historical drama starring Geraldine Farrar, Wallace Reid, Raymond Hatton, Hobart Bosworth, Walter Long, Theodore Kosloff and many others. The events in the film occur in early 16th century when the Aztec empire succumbed to the Spaniards. The film was created by the renowned director Cecil B. DeMille.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
- published: 10 Jul 2016
- views: 1890
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Geraldine Farrar
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following among young women, who were nicknamed "Gerry-flappers".
Biography
Farrar was born in Melrose, Massachusetts, the daughter of baseball player Sidney Farrar, and his wife, Henrietta Barnes. At 5 she began studying music in Boston and by 14 was giving recitals. Later she studied voice with the American soprano Emma Thursby in New York, in Paris, and finally with the Italian baritone Francesco Graziani in Berlin. Farrar created a sensation at the Berlin Hofoper with her debut as Marguerite in Charles Gounod's Faust in 1901 and remained with the company for three years, during which time she continued her studies with famed German soprano Lilli Lehmann. (She had been recommended to Lehmann by another famous soprano of the previous generation, Lillian Nordica.). She appeared in the title roles of Ambroise Thomas' Mignon and Jules Massenet's Manon, as well as Juliette in Gounod's Roméo et Juliette. Her admirers in Berlin included Crown Prince Wilhelm of Germany, with whom she is believed to have had a relationship beginning in 1903.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Geraldine_Farrar
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Farrar
Farrar may refer to:
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Farrar
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Geraldine
Geraldine may refer to:
People
Places
Other
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Geraldine
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Madama Butterfly
Madama Butterfly (IPA: [maˈdaːma ˈbatterflai]; Madame Butterfly) is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The opera is based in part on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based partially on stories told to Long by his sister Jennie Correll and partially on the semi-autobiographical 1887 French novel Madame Chrysanthème by Pierre Loti. Long's version was dramatized by David Belasco as a one-act play, Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved on to London, where Puccini saw it in the summer of that year.
The original version of the opera, in two acts, had its premiere on 17 February 1904 at Teatro alla Scala in Milan. It was poorly received, despite such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in its lead roles; this was due in part to a late completion by Puccini, and thus inadequate time for rehearsals. Puccini revised the opera, splitting Act II into two (with the Humming Chorus as a bridge to what became Act III) and making other changes. Success ensued, starting with the first performance, on 28 May 1904 in Brescia.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Madama_Butterfly
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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Metropolitan Opera
Coordinates: 40°46′22″N 73°59′3″W / 40.77278°N 73.98417°W / 40.77278; -73.98417
The Metropolitan Opera, commonly referred to as "the Met", is a company based in New York City, resident at the Metropolitan Opera House at the Lincoln Center for the Performing Arts. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. The music director is James Levine. It was founded in 1880 as an alternative to the previously established Academy of Music opera house.
The Metropolitan Opera is the largest classical music organization in North America. It presents about 27 different operas each year in a season which lasts from late September through May. The operas are presented in a rotating repertory schedule with up to seven performances of four different works staged each week. Performances are given in the evening Monday through Saturday with a matinée on Saturday. Several operas are presented in new productions each season. Sometimes these are borrowed from or shared with other opera houses. The rest of the year's operas are given in revivals of productions from previous seasons. The 2012-13 season comprised 209 performances of 28 operas.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Metropolitan_Opera
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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4:07Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo"
Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo" -
4:54Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
Giacomo Puccini LA BOHÈME "Sì, mi chiamano Mimì" - Disco acustico Victor - Matrice C 12742-1 - Numero di catalogo 88413 - Data dell'incisione 20 dicembre 1912. Soprano americano GERALDINE FARRAR (Melrose 28.2.1882 - Ridgefield 11.3.1967) -
3:28Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913 I made the conversion to digital from an old LP -
3:09Geraldine Farrar sings the Jewel Song from Faust
Geraldine Farrar sings the Jewel Song from FaustGeraldine Farrar sings the Jewel Song from Faust
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Recorded 1913. Unlike many other sopranos of her era Farrar's voice recorded very well, as you can hear in this example. -
2:31Geraldine Farrar canta Carmen
Geraldine Farrar canta CarmenGeraldine Farrar canta Carmen
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Farrar interpreta el papel de la gitana. -
4:04Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice. -
3:24American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January 13, 1927 / (one of Farrar's unpublished electricals) ****************************** -
3:41Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts: "Là ci darem la mano" — "There we will entwine our hands"... The two voices work well together, too... neither dominates, at least in the recording... Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed. Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her. "Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting." * Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it"). ------------------------------------- Antonio Scotti (1866-1936) An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry. On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni. Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting: http://www.youtube.com/watch?v=ZTKh_ygUxuU He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters. http://www.youtube.com/watch?v=xYhfwVl4IWY -
3:47(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one of Farrar's unpublished electricals) -
3:31Geraldine Farrar My Old Kentucky Home 1910
Geraldine Farrar My Old Kentucky Home 1910Geraldine Farrar My Old Kentucky Home 1910
One if thebetter version s amongst the thousands -
5:25"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD. http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562 This is a short preview. A DVD with the film is available as part of our Silent Gems Collection of rare films. Please follow the above link to see the collection. "The Woman God Forgot" is a historical drama starring Geraldine Farrar, Wallace Reid, Raymond Hatton, Hobart Bosworth, Walter Long, Theodore Kosloff and many others. The events in the film occur in early 16th century when the Aztec empire succumbed to the Spaniards. The film was created by the renowned director Cecil B. DeMille. Copyright Disclaimer Under Section 107 of the Copyright Act 1976: "Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." -
3:22Geraldine Farrar - Gypsy Song from "Carmen"
Geraldine Farrar - Gypsy Song from "Carmen" -
2:57American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
American Soprano Geraldine Farrar ~ Old Folks At Home (1932)American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: December 15, 1932 / (unpublished experimental 33 rpm) -
3:47Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Giacomo Puccini - TOSCA "Vissi d'arte" Soprano statunitense GERALDINE FARRAR -
10:05GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INTGERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres. -
2:54Geraldine Farrar: "Ancora un passo or via..." - 1907
Geraldine Farrar: "Ancora un passo or via..." - 1907Geraldine Farrar: "Ancora un passo or via..." - 1907
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly". 1907. -
1:35Jeanie Macpherson / Geraldine Farrar Fight Scene: Carmen 1915
Jeanie Macpherson / Geraldine Farrar Fight Scene: Carmen 1915Jeanie Macpherson / Geraldine Farrar Fight Scene: Carmen 1915
This is the fight scene between Jeanie Macpherson and Geraldine Farrar in the 1915 film Carmen, directed by Cecil B. De Mille. -
2:39American Soprano Geraldine Farrar ~ Drowsy Poppies (1927)
American Soprano Geraldine Farrar ~ Drowsy Poppies (1927)American Soprano Geraldine Farrar ~ Drowsy Poppies (1927)
American soprano Geraldine Farrar (1882-1967) / Drowsy Poppies (Gilmour) / Recorded: 1927 -- -
4:12Massanet: Manon - Enrico Caruso and Geraldine Farrar (1912)
Massanet: Manon - Enrico Caruso and Geraldine Farrar (1912)Massanet: Manon - Enrico Caruso and Geraldine Farrar (1912)
Act II of the opera Manon by Jules Massanet: Manon! On l'appelle Manon More info Manon: http://en.wikipedia.org/wiki/Manon More info Caruso: http://www.enricocaruso.dk More info Geraldine Farrar: http://en.wikipedia.org/wiki/Geraldine_Farrar -
3:48Geraldine FARRAR. Thais. Jules Massenet.
Geraldine FARRAR. Thais. Jules Massenet.Geraldine FARRAR. Thais. Jules Massenet.
Te souvient-li du lumineux voyage. Recorded 1918. -
4:30Seguidille Geraldine Farrar
Seguidille Geraldine FarrarSeguidille Geraldine Farrar
-
3:20Carmen...Habanera... Geraldine Farrar
Carmen...Habanera... Geraldine Farrar -
3:47
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Giacomo Puccini - TOSCA "Vissi d'arte" Soprano statunitense GERALDINE FARRAR -
4:33Geraldine Farrar - Seguidille (Carmen(CleanedAudio
Geraldine Farrar - Seguidille (Carmen(CleanedAudioGeraldine Farrar - Seguidille (Carmen(CleanedAudio
Geraldine Farrar - Seguidille (Carmen(CleanedAudio Created with http://tovid.io -
4:03Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudioGeraldine Farrar - Madama Butterfly (Puccini(CleanedAudio
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio Created with http://tovid.io
Farrar, Geraldine Filmography
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2013, role: actress , character name: Maria Rosa
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1980, role: actress
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1951, role: actress , character name: Herself
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1931, role: actress , character name: Herself
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1921, role: actress , character name: Herself
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1920, role: actress , character name: Herself
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1920, role: actress , character name: Herself
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1920, role: actress , character name: Concha Perez
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1920, role: actress , character name: Lilla Gravert
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1919, role: actress , character name: Marcia Warren
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1919, role: actress , character name: Muriel Barnes
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1919, role: actress , character name: Cora Lamont
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1919, role: actress , character name: Lady Isabelle Channing
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1919, role: actress , character name: Dolores de Cordova
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1918, role: actress , character name: Pancha O'Brien
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1918, role: actress , character name: Miss Columbia
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1918, role: actress , character name: Rosalie Dean
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1917, role: actress , character name: Tecza
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1917, role: actress , character name: Marcia Manot
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1916, role: actress , character name: Jeanne d'Arc
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1916, role: actress , character name: Maria Rosa
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1915, role: actress , character name: Renee Dupree
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1915, role: actress , character name: Carmen
Matching books:
Geraldine Farrar
ALBUMS
- La Traviata (Metropolitan Opera Orchestra feat conductor: Ettore Panizza) released: 1998
- Prima Voce: Caruso released: 1992
- Divas Volume 2 (1909-1940) released: 1991
La Traviata (Metropolitan Opera Orchestra feat conductor: Ettore Panizza)
Released 1998- add to main playlist Play in Full Screen Broadcast Commentary
- add to main playlist Play in Full Screen La Traviata: Prelude
- add to main playlist Play in Full Screen La Traviata: Act I. Introduction "Dell'invito trascorsa"
- add to main playlist Play in Full Screen La Traviata: Act I. Brindisi "Libiamo ne'lieti calici"
- add to main playlist Play in Full Screen La Traviata: Act I. Waltz and Duet "Che è ciò"
- add to main playlist Play in Full Screen La Traviata: Act I. "Un dì felice"
- add to main playlist Play in Full Screen La Traviata: Act I. Scene and Aria "È strano!... è strano!..."
- add to main playlist Play in Full Screen La Traviata: Act I. "Ah fors'è lui"
- add to main playlist Play in Full Screen La Traviata: Act I. "Follie! Follie!"
- add to main playlist Play in Full Screen La Traviata: Act I. "Sempre libera"
- add to main playlist Play in Full Screen Broadcast Commentary
- add to main playlist Play in Full Screen Interval talk
- add to main playlist Play in Full Screen La Traviata: Act II. Scene and Aria "Lunge da lei"
- add to main playlist Play in Full Screen La Traviata: Act II. "De' miei bollenti spiriti"
- add to main playlist Play in Full Screen La Traviata: Act II. "Scene and Duet "Alfredo? - Per Parigi or partiva"
- add to main playlist Play in Full Screen La Traviata: Act II. "Pura siccome un angelo"
- add to main playlist Play in Full Screen La Traviata: Act II. "Dite alla giovine"
- add to main playlist Play in Full Screen La Traviata: Act II. Scene "Dammi forza, o cielo"
Prima Voce: Caruso
Released 1992- add to main playlist Play in Full Screen Massenet / Manon · Il Sogno (1904)
- add to main playlist Play in Full Screen Puccini / Tosca · E lucevan le stelle (1904)
- add to main playlist Play in Full Screen Donizetti / L'Elisir d'Amore · Una furtiva lagrima (1904)
- add to main playlist Play in Full Screen Verdi / Il Trovatore · Di quella pira (1906)
- add to main playlist Play in Full Screen Meyerbeer / L'Africana · O Paradiso (1907)
- add to main playlist Play in Full Screen Leoncavallo / Pagliacci · Vesti la giubba (1907)
- add to main playlist Play in Full Screen Donizetti / Don Sebastiano · Deserto in terra solo (1908)
- add to main playlist Play in Full Screen Verdi / Rigoletto · Questa o quella (1908)
- add to main playlist Play in Full Screen Verdi / La forza del Destino · O tu che in seno agli angeli (1909)
- add to main playlist Play in Full Screen Goldmark/ La Regina di Saba: Magiche Note (1909)
- add to main playlist Play in Full Screen Leoncavallo / Pagliacci · No! Pagliaccio non son (1910)
- add to main playlist Play in Full Screen Verdi / Aida · Celeste Aida (1911)
- add to main playlist Play in Full Screen Massenet / Manon · Ah! fuyez douce image (1911)
- add to main playlist Play in Full Screen Verdi / Un ballo in Maschera · Di tu se fedele (1911)
- add to main playlist Play in Full Screen Verdi / Un ballo in Maschera · Va se m'è forza (1911)
- add to main playlist Play in Full Screen Gomez / Lo Schiavo · Quando nascesti tu (1911)
- add to main playlist Play in Full Screen Verdi / Rigoletto · Parmi veder le lagrime (1913)
- add to main playlist Play in Full Screen Puccini / Manon Lescaut · Donna non vidi mai (1913)
- add to main playlist Play in Full Screen Donizetti / Il Duca d'Alba · Angelo casto e bel (1915)
- add to main playlist Play in Full Screen Halévy / La Juive · Rachel, quand du Seigneur (1920)
Divas Volume 2 (1909-1940)
Released 1991- add to main playlist Play in Full Screen I Puritani, Bellini Vien, Diletto
- add to main playlist Play in Full Screen Le Nozze di Figaro, Mozart Non So Piu
- add to main playlist Play in Full Screen Tosca, Pucccini, Vissi D'Arte
- add to main playlist Play in Full Screen Rigoletto, Verdi, Caro Nome
- add to main playlist Play in Full Screen Les Contes D'Hoffmann, Offenbach, Les Oiseaux Dan La Charmille
- add to main playlist Play in Full Screen Jocelyn, Godard, Berceuse
- add to main playlist Play in Full Screen Die Entfuhrung Aus Dem Serail, Mozart, Matern Aller Arten
- add to main playlist Play in Full Screen Carmen, Bizet, Kes Trubgkes Des Sistres
- add to main playlist Play in Full Screen Die Fledermaus, Strauss, Mein Herr
- add to main playlist Play in Full Screen Hamlet, Thomas, Ophelia's Aria
- add to main playlist Play in Full Screen La Forza Del Destino, Verdi, Pace, Pace Mio Dio
- add to main playlist Play in Full Screen Tristan Und Isolde, Wagner, Liebestod
- add to main playlist Play in Full Screen Werther, Massenet, Va! Laisse Couler Mes Larmes
- add to main playlist Play in Full Screen La Perichole, Offenbach, Tu Nes Pas Beau
- add to main playlist Play in Full Screen Ponce, Estrellita
- add to main playlist Play in Full Screen Die Walkure, Wagner, Du Bist Der Lenz
- add to main playlist Play in Full Screen Die Walkure, Wagner, Ho-Jo-To-Ho
- add to main playlist Play in Full Screen Lodoletta, Mascagni, Flammen, Perdonami
Born: 1882-02-28
Died: 1967-03-11
developed with YouTube
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Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
Giacomo Puccini LA BOHÈME "Sì, mi chiamano Mimì" - Disco acustico Victor - Matrice C 12742-1 - Numero di catalogo 88413 - Data dell'incisione 20 dicembre 1912. Soprano americano GERALDINE FARRAR (Melrose 28.2.1882 - Ridgefield 11.3.1967)
published: 08 Dec 2013 -
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913 I made the conversion to digital from an old LP
published: 03 Sep 2016 -
Geraldine Farrar sings the Jewel Song from Faust
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Recorded 1913. Unlike many other sopranos of her era Farrar's voice recorded very well, as you can hear in this example.
published: 17 Nov 2008 -
Geraldine Farrar canta Carmen
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Farrar interpreta el papel de la gitana.
published: 13 Jun 2008 -
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing...
published: 07 Aug 2011 -
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January 13, 1927 / (one of Farrar's unpublished electricals) ******************************
published: 06 Feb 2010 -
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts: "Là ci darem la mano" — "There we will entwine our hands"... The two voices work well together, too... neither dominates, at least in the recording... Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in...
published: 13 Dec 2011 -
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one of Farrar's unpublished electricals)
published: 05 Jul 2009 -
Geraldine Farrar My Old Kentucky Home 1910
One if thebetter version s amongst the thousands
published: 19 Jun 2015 -
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD. http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562 This is a short preview. A DVD with the film is available as part of our Silent Gems Collection of rare films. Please follow the above link to see the collection. "The Woman God Forgot" is a historical drama starring Geraldine Farrar, Wallace Reid, Raymond Hatton, Hobart Bosworth, Walter Long, Theodore Kosloff and many others. The events in the film occur in early ...
published: 10 Jul 2016 -
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American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: December 15, 1932 / (unpublished experimental 33 rpm)
published: 06 Feb 2010 -
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Giacomo Puccini - TOSCA "Vissi d'arte" Soprano statunitense GERALDINE FARRAR
published: 28 Feb 2017 -
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
published: 12 May 2017 -
Geraldine Farrar: "Ancora un passo or via..." - 1907
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly". 1907.
published: 03 Jun 2009 -
Jeanie Macpherson / Geraldine Farrar Fight Scene: Carmen 1915
This is the fight scene between Jeanie Macpherson and Geraldine Farrar in the 1915 film Carmen, directed by Cecil B. De Mille.
published: 29 May 2011 -
American Soprano Geraldine Farrar ~ Drowsy Poppies (1927)
American soprano Geraldine Farrar (1882-1967) / Drowsy Poppies (Gilmour) / Recorded: 1927 --
published: 22 Jun 2011 -
Massanet: Manon - Enrico Caruso and Geraldine Farrar (1912)
Act II of the opera Manon by Jules Massanet: Manon! On l'appelle Manon More info Manon: http://en.wikipedia.org/wiki/Manon More info Caruso: http://www.enricocaruso.dk More info Geraldine Farrar: http://en.wikipedia.org/wiki/Geraldine_Farrar
published: 05 Jul 2009 -
Geraldine FARRAR. Thais. Jules Massenet.
Te souvient-li du lumineux voyage. Recorded 1918.
published: 06 Jan 2012 -
Seguidille Geraldine Farrar
published: 28 May 2014 -
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Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Giacomo Puccini - TOSCA "Vissi d'arte" Soprano statunitense GERALDINE FARRAR
published: 28 Feb 2017 -
Geraldine Farrar - Seguidille (Carmen(CleanedAudio
Geraldine Farrar - Seguidille (Carmen(CleanedAudio Created with http://tovid.io
published: 26 Sep 2016 -
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio Created with http://tovid.io
published: 26 Sep 2016
developed with YouTube
Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo"
- Order: Reorder
- Duration: 4:07
- Updated: 01 Jul 2009
- views: 8811
Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
- Order: Reorder
- Duration: 4:54
- Updated: 08 Dec 2013
- views: 3286
Giacomo Puccini LA BOHÈME "Sì, mi chiamano Mimì" - Disco acustico Victor - Matrice C 12742-1 - Numero di catalogo 88413 - Data dell'incisione 20 dicembre 1...
Giacomo Puccini LA BOHÈME "Sì, mi chiamano Mimì" - Disco acustico Victor - Matrice C 12742-1 - Numero di catalogo 88413 - Data dell'incisione 20 dicembre 1912.
Soprano americano GERALDINE FARRAR (Melrose 28.2.1882 - Ridgefield 11.3.1967)
https://wn.com/Soprano_Geraldine_Farrar_La_Bohème_Sì,_Mi_Chiamano_Mimì_(1912)
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
- Order: Reorder
- Duration: 3:28
- Updated: 03 Sep 2016
- views: 678
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913
I made the conversion to digital from an old LP
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913
I made the conversion to digital from an old LP
https://wn.com/Geraldine_Farrar_Vissi_D’Arte_(Puccini,_La_Tosca)_N.Y._1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913
I made the conversion to digital from an old LP
- published: 03 Sep 2016
- views: 678
Geraldine Farrar sings the Jewel Song from Faust
- Order: Reorder
- Duration: 3:09
- Updated: 17 Nov 2008
- views: 16975
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Re...
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Recorded 1913. Unlike many other sopranos of her era Farrar's voice recorded very well, as you can hear in this example.
https://wn.com/Geraldine_Farrar_Sings_The_Jewel_Song_From_Faust
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me voir si belle en ce miroir" or the "Jewel Song" from Gounod's Faust. Recorded 1913. Unlike many other sopranos of her era Farrar's voice recorded very well, as you can hear in this example.
- published: 17 Nov 2008
- views: 16975
Geraldine Farrar canta Carmen
- Order: Reorder
- Duration: 2:31
- Updated: 13 Jun 2008
- views: 12520
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Fa...
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Farrar interpreta el papel de la gitana.
https://wn.com/Geraldine_Farrar_Canta_Carmen
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágenes son de la película de Cecil B. DeMille, Carmen (1915), en la que Farrar interpreta el papel de la gitana.
- published: 13 Jun 2008
- views: 12520
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
- Order: Reorder
- Duration: 4:04
- Updated: 07 Aug 2011
- views: 5596
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first ...
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
https://wn.com/Geraldine_Farrar_The_Metropolitan_Opera's_First_Butterfly_Un_Bel_Dì,_Rec._1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
- published: 07 Aug 2011
- views: 5596
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
- Order: Reorder
- Duration: 3:24
- Updated: 06 Feb 2010
- views: 5907
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January...
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January 13, 1927 / (one of Farrar's unpublished electricals)
******************************
https://wn.com/American_Soprano_Geraldine_Farrar_Midnight_Bells_~_Im_Chambre_Séparée_(1927)
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The Opera Ball (Der Opernball) / Heuberger; Kreisler) / Recorded: January 13, 1927 / (one of Farrar's unpublished electricals)
******************************
- published: 06 Feb 2010
- views: 5907
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
- Order: Reorder
- Duration: 3:41
- Updated: 13 Dec 2011
- views: 2233
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will en...
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will entwine our hands"...
The two voices work well together, too... neither dominates, at least in the recording...
Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed.
Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her.
"Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting."
* Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").
-------------------------------------
Antonio Scotti (1866-1936)
An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry.
On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni.
Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting:
http://www.youtube.com/watch?v=ZTKh_ygUxuU
He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters.
http://www.youtube.com/watch?v=xYhfwVl4IWY
https://wn.com/Là_Ci_Darem_La_Mano_Antonio_Scotti_Geraldine_Farrar_(1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will entwine our hands"...
The two voices work well together, too... neither dominates, at least in the recording...
Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed.
Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her.
"Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting."
* Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").
-------------------------------------
Antonio Scotti (1866-1936)
An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry.
On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni.
Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting:
http://www.youtube.com/watch?v=ZTKh_ygUxuU
He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters.
http://www.youtube.com/watch?v=xYhfwVl4IWY
- published: 13 Dec 2011
- views: 2233
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
- Order: Reorder
- Duration: 3:47
- Updated: 05 Jul 2009
- views: 2730
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one o...
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one of Farrar's unpublished electricals)
https://wn.com/(Lehar)_American_Soprano_Geraldine_Farrar_Rest_With_The_Dew_Of_The_Dawning_(1927)
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: Rest with the Dew of the Dawnning / Recorded: January 12, 1927 / (one of Farrar's unpublished electricals)
- published: 05 Jul 2009
- views: 2730
Geraldine Farrar My Old Kentucky Home 1910
- Order: Reorder
- Duration: 3:31
- Updated: 19 Jun 2015
- views: 730
One if thebetter version s amongst the thousands
One if thebetter version s amongst the thousands
https://wn.com/Geraldine_Farrar_My_Old_Kentucky_Home_1910
One if thebetter version s amongst the thousands
- published: 19 Jun 2015
- views: 730
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
- Order: Reorder
- Duration: 5:25
- Updated: 10 Jul 2016
- views: 1890
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. Th...
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
This is a short preview. A DVD with the film is available as part of our Silent Gems Collection of rare films. Please follow the above link to see the collection.
"The Woman God Forgot" is a historical drama starring Geraldine Farrar, Wallace Reid, Raymond Hatton, Hobart Bosworth, Walter Long, Theodore Kosloff and many others. The events in the film occur in early 16th century when the Aztec empire succumbed to the Spaniards. The film was created by the renowned director Cecil B. DeMille.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
https://wn.com/The_Woman_God_Forgot_(1917)_Director_Cecil_Demille_With_Geraldine_Farrar
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
This is a short preview. A DVD with the film is available as part of our Silent Gems Collection of rare films. Please follow the above link to see the collection.
"The Woman God Forgot" is a historical drama starring Geraldine Farrar, Wallace Reid, Raymond Hatton, Hobart Bosworth, Walter Long, Theodore Kosloff and many others. The events in the film occur in early 16th century when the Aztec empire succumbed to the Spaniards. The film was created by the renowned director Cecil B. DeMille.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
- published: 10 Jul 2016
- views: 1890
Geraldine Farrar - Gypsy Song from "Carmen"
- Order: Reorder
- Duration: 3:22
- Updated: 06 Nov 2016
- views: 161
American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
- Order: Reorder
- Duration: 2:57
- Updated: 06 Feb 2010
- views: 1882
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: December 15, 1932 / (unpublished experimental 33 rpm)
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: December 15, 1932 / (unpublished experimental 33 rpm)
https://wn.com/American_Soprano_Geraldine_Farrar_~_Old_Folks_At_Home_(1932)
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: December 15, 1932 / (unpublished experimental 33 rpm)
- published: 06 Feb 2010
- views: 1882
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
- Order: Reorder
- Duration: 3:47
- Updated: 28 Feb 2017
- views: 208
Giacomo Puccini - TOSCA "Vissi d'arte"
Soprano statunitense GERALDINE FARRAR
- published: 28 Feb 2017
- views: 208
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
- Order: Reorder
- Duration: 10:05
- Updated: 12 May 2017
- views: 59
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although h...
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
https://wn.com/Geraldine_Farrar_Interviews_Giovanni_Martinelli_1933_Met_Int
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
- published: 12 May 2017
- views: 59
Geraldine Farrar: "Ancora un passo or via..." - 1907
- Order: Reorder
- Duration: 2:54
- Updated: 03 Jun 2009
- views: 2646
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly".
1907.
- published: 03 Jun 2009
- views: 2646
Jeanie Macpherson / Geraldine Farrar Fight Scene: Carmen 1915
- Order: Reorder
- Duration: 1:35
- Updated: 29 May 2011
- views: 13766
This is the fight scene between Jeanie Macpherson and Geraldine Farrar in the 1915 film Carmen, directed by Cecil B. De Mille.
This is the fight scene between Jeanie Macpherson and Geraldine Farrar in the 1915 film Carmen, directed by Cecil B. De Mille.
https://wn.com/Jeanie_Macpherson_Geraldine_Farrar_Fight_Scene_Carmen_1915
This is the fight scene between Jeanie Macpherson and Geraldine Farrar in the 1915 film Carmen, directed by Cecil B. De Mille.
- published: 29 May 2011
- views: 13766
American Soprano Geraldine Farrar ~ Drowsy Poppies (1927)
- Order: Reorder
- Duration: 2:39
- Updated: 22 Jun 2011
- views: 388
American soprano Geraldine Farrar (1882-1967) / Drowsy Poppies (Gilmour) / Recorded: 1927 --
- published: 22 Jun 2011
- views: 388
Massanet: Manon - Enrico Caruso and Geraldine Farrar (1912)
- Order: Reorder
- Duration: 4:12
- Updated: 05 Jul 2009
- views: 3509
Act II of the opera Manon by Jules Massanet: Manon! On l'appelle Manon
More info Manon: http://en.wikipedia.org/wiki/Manon
More info Caruso: http://www.enric...
Act II of the opera Manon by Jules Massanet: Manon! On l'appelle Manon
More info Manon: http://en.wikipedia.org/wiki/Manon
More info Caruso: http://www.enricocaruso.dk
More info Geraldine Farrar: http://en.wikipedia.org/wiki/Geraldine_Farrar
https://wn.com/Massanet_Manon_Enrico_Caruso_And_Geraldine_Farrar_(1912)
Act II of the opera Manon by Jules Massanet: Manon! On l'appelle Manon
More info Manon: http://en.wikipedia.org/wiki/Manon
More info Caruso: http://www.enricocaruso.dk
More info Geraldine Farrar: http://en.wikipedia.org/wiki/Geraldine_Farrar
- published: 05 Jul 2009
- views: 3509
Geraldine FARRAR. Thais. Jules Massenet.
- Order: Reorder
- Duration: 3:48
- Updated: 06 Jan 2012
- views: 975
Te souvient-li du lumineux voyage.
Recorded 1918.
Te souvient-li du lumineux voyage.
Recorded 1918.
https://wn.com/Geraldine_Farrar._Thais._Jules_Massenet.
Seguidille Geraldine Farrar
- Order: Reorder
- Duration: 4:30
- Updated: 28 May 2014
- views: 53
- published: 28 May 2014
- views: 53
Carmen...Habanera... Geraldine Farrar
- Order: Reorder
- Duration: 3:20
- Updated: 28 Aug 2017
- views: 17
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
- Order: Reorder
- Duration: 3:47
- Updated: 28 Feb 2017
- views: 152
Giacomo Puccini - TOSCA "Vissi d'arte"
Soprano statunitense GERALDINE FARRAR
- published: 28 Feb 2017
- views: 152
Geraldine Farrar - Seguidille (Carmen(CleanedAudio
- Order: Reorder
- Duration: 4:33
- Updated: 26 Sep 2016
- views: 0
Geraldine Farrar - Seguidille (Carmen(CleanedAudio
Created with http://tovid.io
- published: 26 Sep 2016
- views: 0
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio
- Order: Reorder
- Duration: 4:03
- Updated: 26 Sep 2016
- views: 2
Geraldine Farrar - Madama Butterfly (Puccini(CleanedAudio
Created with http://tovid.io
- published: 26 Sep 2016
- views: 2
-
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Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Metropolitan Opera Intermission Feature 2nd February 1935 featuring Geraldine Farrar from live broadcast of Die Walküre
published: 26 Jun 2017 -
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts: "Là ci darem la mano" — "There we will entwine our hands"... The two voices work well together, too... neither dominates, at least in the recording... Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in...
published: 13 Dec 2011 -
GERALDINE FARRAR e GIUSEPPE DE LUCA - Zazà - "Non so capir...(Il bacio) - 1920
Ruggero Leoncavallo ZAZÁ "Non so capir..." (Il bacio) - Disco acustico Victor, Camden New Jersey, matrice B 23586-1 - numero di catalogo 87568 - data dell'incisione 19 gennaio 1920. Soprano americano GERALDINE FARRAR (1882-1967) Baritono italiano GIUSEPPE DE LUCA (1878-1950)
published: 23 Aug 2013 -
Geraldine Farrar NBC Radio Intermission Programme from Box 42 at the MET
"The three Marguerites" Geraldine Farrar in a Live Intermission programme from Box No. 42 at Metropolitan Opera House New York on 16th March 1935 during an actual broadcast of Verdi's "Aida" NBC Radio Transcription
published: 26 Oct 2017 -
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage. Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
published: 01 May 2017 -
-
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Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing...
published: 07 Aug 2011 -
Geraldine Farrar: "Ancora un passo or via..." - 1907
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly". 1907.
published: 03 Jun 2009 -
Geraldine Farrar *Vinyl Giovanni Martinelli Carmen Halt there! Who goes there?
published: 13 Aug 2010 -
GERALDINE FARRAR - CARMEN FRAGMENT 1929 BROADCAST
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice.] She had a large following among young women, who were nicknamed "Gerry-flappers"
published: 12 May 2017 -
Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
published: 16 May 2017 -
Geraldine Farrar - Air des bijoux (Gounod : Faust ; Act 3)- 1913
"Jewel Song " 宝石の歌 78rpm / U.S.Victor - 88147, recorded 2/27, 1913 on Victrola J1-91 gramophone (Camden #2 Sound-box)
published: 04 Apr 2017 -
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde. February 2, 1935
published: 01 Aug 2017 -
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Geraldine Farrar & Antonio Scotti - Contes d' Hoffman Barcarole
- recorded 10/6/1909 From Offenbach's - The Tales of Hoffman Geraldine Farrar (February 28, 1882 March 11, 1967) was a soprano opera singer and film actress. Her striking beauty, lyrical voice and glamorous stage presence earned her a fanatical following among young women nicknamed "Gerry-flappers". She was, in best opera diva style, noted for her fiery temper and fiercely independent nature. She recorded extensively for the Victor Talking Machine Company and was often featured prominently in that firm's advertisements. She also appeared in silent movies, which were filmed between opera seasons. Farrar starred in more than a dozen films from 1915 to 1920, including Cecil B. De Mille's 1915 adaptation of Bizet's opera Carmen. Perhaps her most notable screen role was as Joan of Arc in ...
published: 07 Dec 2008 -
Geraldine Farrar - Kreisler: Star of Love
Recorded in 1920. Josef Pasternak, conductor From "Apple Blossoms", 1919 Music by Fritz Kreisler & Viktor Jacobi Lyricist, William LeBaron From fascinating liner notes by Ward Marston - http://www.marstonrecords.com This selection is not on his compilation. There were famous prima donnas before Geraldine Farrar. Maria Malibran, Jenny Lind, and Adelina Patti all achieved world fame. But none—not even Nellie Melba or Luisa Tetrazzini—reached a wider audience than the American soprano. Farrar was not only an international opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Oper...
published: 09 Jul 2012 -
Soprano GERALDINE FARRAR -Madama Butterfly "Sai cos'ebbe cuore...Che tua madre (1909)
Giacomo Puccini MADAMA BUTTERFLY - "Sai cos'ebbe cuore... Che tua madre..." - Disco acustico Victor - Matrice B 8269-1 - Numero di catalogo 87055 - Data dell'incisione 2 ottobre 1909. Soprano americano GERALDINE FARRAR (1882-1967)
published: 07 Apr 2014 -
developed with YouTube
GERALDINE FARRAR LIVE BROADCASTS 1931 - 1936
- Order: Reorder
- Duration: 39:42
- Updated: 12 May 2017
- views: 12
Geraldine farrar gave many met intermission features directly from a box during met performances in the early 1930;s.
here are a few extracts that survive....
Geraldine farrar gave many met intermission features directly from a box during met performances in the early 1930;s.
here are a few extracts that survive....
https://wn.com/Geraldine_Farrar_Live_Broadcasts_1931_1936
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
- Order: Reorder
- Duration: 1:46
- Updated: 26 Jun 2017
- views: 132
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
https://wn.com/Met_Opera_Intermission_Feature_2_February_1935_Geraldine_Farrar
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
- published: 26 Jun 2017
- views: 132
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
- Order: Reorder
- Duration: 3:41
- Updated: 13 Dec 2011
- views: 2233
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will en...
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will entwine our hands"...
The two voices work well together, too... neither dominates, at least in the recording...
Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed.
Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her.
"Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting."
* Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").
-------------------------------------
Antonio Scotti (1866-1936)
An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry.
On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni.
Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting:
http://www.youtube.com/watch?v=ZTKh_ygUxuU
He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters.
http://www.youtube.com/watch?v=xYhfwVl4IWY
https://wn.com/Là_Ci_Darem_La_Mano_Antonio_Scotti_Geraldine_Farrar_(1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately begins his seductive arts:
"Là ci darem la mano" — "There we will entwine our hands"...
The two voices work well together, too... neither dominates, at least in the recording...
Geraldine Farrar (1882-1967) was not only a champagne glass smashing opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the nine decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Paris, and Warsaw. She appeared in the first Met performance of Puccini's Madama Butterfly in 1907 and remained a member of the company until her retirement in 1922 at the age of 40. Her performances at the Met included 95 appearances as Madama Butterfly and 58 as Carmen in 16 seasons. The title role in Puccini's Tosca, which she had added to her repertoire in 1909, was another one of her favorite Met parts. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prime donne have enjoyed.
Farrar triumphed in an age of vocal titans. She sang with—and held her own against—Caruso, Chaliapin, Lehmann, Plançon, Fremstad, Stracciari, Eames, Martinelli, and Amato. Richard Strauss, Gustav Mahler, and Arturo Toscanini* coached her and conducted her performances. Theatrical artists like Sarah Bernhardt and David Belasco encouraged and counseled her.
"Today," she argued, "people want something more than a voice." Farrar called herself "an actress who happens to be appearing in opera" and added, "I leave mere singing to the warblers. I am more interested in acting."
* Farrar had a seven-year love affair with Arturo Toscanini. Her ultimatum, that he leave his wife and children and marry her, resulted in Toscanini's abrupt resignation as principal conductor of the Metropolitan Opera in 1915. He returned to Italy. Farrar was close friends with Enrico Caruso and there has been speculation that they too had a love affair, but no substantial evidence of this has surfaced. It is said that Caruso coined her motto: Farrar farà ("Farrar will do it").
-------------------------------------
Antonio Scotti (1866-1936)
An Italian-born baritone, he made his debut in Naples in 1889, then performed in Malta, Madrid, Buenos Aires and Moscow. He first appeared at La Scala in Milan in 1898, and thereafter primarily sang in the U.S. and England. Scotti was known for his smooth delivery, fine legato, and vocal ability in the upper register. He made his American debut in Chicago in 1899. From 1899 to 1933 he was immensely popular at the Metropolitan Opera, both for his acting and for his vocal artistry.
On December 27, 1899 he made his first appearance in New York City at the Metropolitan Opera, undertaking the title role in Mozart's Don Giovanni. He would become an audience favorite at the Met, earning acclaim for his graceful singing of belcanto music as well as for the touch of elegance that he brought to his Verdi and verismo interpretations. Scotti appeared at Covent Garden in London for the first time in 1899, singing Don Giovanni.
Scotti can be heard singing snatches of "O sommo Carlo" in part of a clearly exciting performance of Ernani that was recorded live at the Met on faint and crackly Mapleson Cylinders in 1903. He is partnered by Marcella Sembrich and Edouard de Reszke, with Luigi Mancinelli conducting:
http://www.youtube.com/watch?v=ZTKh_ygUxuU
He also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I in 1914. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company and Columbia Phonograph Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and accurate in its execution of difficult vocal ornaments. A striking person on stage and off, Scotti was equally adept at portraying dramatic and comic characters.
http://www.youtube.com/watch?v=xYhfwVl4IWY
- published: 13 Dec 2011
- views: 2233
GERALDINE FARRAR e GIUSEPPE DE LUCA - Zazà - "Non so capir...(Il bacio) - 1920
- Order: Reorder
- Duration: 2:35
- Updated: 23 Aug 2013
- views: 432
Ruggero Leoncavallo ZAZÁ "Non so capir..." (Il bacio) - Disco acustico Victor, Camden New Jersey, matrice B 23586-1 - numero di catalogo 87568 - data dell'...
Ruggero Leoncavallo ZAZÁ "Non so capir..." (Il bacio) - Disco acustico Victor, Camden New Jersey, matrice B 23586-1 - numero di catalogo 87568 - data dell'incisione 19 gennaio 1920.
Soprano americano GERALDINE FARRAR (1882-1967)
Baritono italiano GIUSEPPE DE LUCA (1878-1950)
https://wn.com/Geraldine_Farrar_E_Giuseppe_De_Luca_Zazà_Non_So_Capir...(Il_Bacio)_1920
Ruggero Leoncavallo ZAZÁ "Non so capir..." (Il bacio) - Disco acustico Victor, Camden New Jersey, matrice B 23586-1 - numero di catalogo 87568 - data dell'incisione 19 gennaio 1920.
Soprano americano GERALDINE FARRAR (1882-1967)
Baritono italiano GIUSEPPE DE LUCA (1878-1950)
- published: 23 Aug 2013
- views: 432
Geraldine Farrar NBC Radio Intermission Programme from Box 42 at the MET
- Order: Reorder
- Duration: 8:40
- Updated: 26 Oct 2017
- views: 50
"The three Marguerites"
Geraldine Farrar in a Live Intermission programme from Box No. 42 at Metropolitan Opera House New York on 16th March 1935 during an actu...
"The three Marguerites"
Geraldine Farrar in a Live Intermission programme from Box No. 42 at Metropolitan Opera House New York on 16th March 1935 during an actual broadcast of Verdi's "Aida"
NBC Radio Transcription
https://wn.com/Geraldine_Farrar_Nbc_Radio_Intermission_Programme_From_Box_42_At_The_Met
"The three Marguerites"
Geraldine Farrar in a Live Intermission programme from Box No. 42 at Metropolitan Opera House New York on 16th March 1935 during an actual broadcast of Verdi's "Aida"
NBC Radio Transcription
- published: 26 Oct 2017
- views: 50
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Order: Reorder
- Duration: 2:23:32
- Updated: 01 May 2017
- views: 683
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Me...
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
https://wn.com/Rosa_Ponselle_1937_Carmen_Live_Performance_In_Restored_Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
- published: 01 May 2017
- views: 683
Geraldine FARRAR. Les Contes D´Hoffmann. Offenbach.
- Order: Reorder
- Duration: 2:55
- Updated: 06 Jan 2012
- views: 406
Geraldine Farrar & Giovanni Martinelli _" Cest toi ! " (1915)
- Order: Reorder
- Duration: 4:26
- Updated: 15 Mar 2014
- views: 132
Bizet : Carmen- Act 4 " You here ! "
78rpm / U.S.Victor-8019 A
recorded 5/19, 1915
on Columbia #121 gramophone (Columbia Mica Soundbox)
Bizet : Carmen- Act 4 " You here ! "
78rpm / U.S.Victor-8019 A
recorded 5/19, 1915
on Columbia #121 gramophone (Columbia Mica Soundbox)
https://wn.com/Geraldine_Farrar_Giovanni_Martinelli_Cest_Toi_(1915)
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
- Order: Reorder
- Duration: 4:04
- Updated: 07 Aug 2011
- views: 5596
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first ...
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
https://wn.com/Geraldine_Farrar_The_Metropolitan_Opera's_First_Butterfly_Un_Bel_Dì,_Rec._1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
- published: 07 Aug 2011
- views: 5596
Geraldine Farrar: "Ancora un passo or via..." - 1907
- Order: Reorder
- Duration: 2:54
- Updated: 03 Jun 2009
- views: 2646
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly".
1907.
- published: 03 Jun 2009
- views: 2646
Geraldine Farrar *Vinyl Giovanni Martinelli Carmen Halt there! Who goes there?
- Order: Reorder
- Duration: 5:14
- Updated: 13 Aug 2010
- views: 325
GERALDINE FARRAR - CARMEN FRAGMENT 1929 BROADCAST
- Order: Reorder
- Duration: 2:30
- Updated: 12 May 2017
- views: 16
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the inti...
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice.] She had a large following among young women, who were nicknamed "Gerry-flappers"
https://wn.com/Geraldine_Farrar_Carmen_Fragment_1929_Broadcast
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice.] She had a large following among young women, who were nicknamed "Gerry-flappers"
- published: 12 May 2017
- views: 16
Carmen 1915 Geraldine Farrar Cecil B Demille
- Order: Reorder
- Duration: 56:20
- Updated: 16 May 2017
- views: 283
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
https://wn.com/Carmen_1915_Geraldine_Farrar_Cecil_B_Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
- published: 16 May 2017
- views: 283
Geraldine Farrar - Air des bijoux (Gounod : Faust ; Act 3)- 1913
- Order: Reorder
- Duration: 3:14
- Updated: 04 Apr 2017
- views: 86
"Jewel Song " 宝石の歌
78rpm / U.S.Victor - 88147, recorded 2/27, 1913
on Victrola J1-91 gramophone (Camden #2 Sound-box)
"Jewel Song " 宝石の歌
78rpm / U.S.Victor - 88147, recorded 2/27, 1913
on Victrola J1-91 gramophone (Camden #2 Sound-box)
https://wn.com/Geraldine_Farrar_Air_Des_Bijoux_(Gounod_Faust_Act_3)_1913
"Jewel Song " 宝石の歌
78rpm / U.S.Victor - 88147, recorded 2/27, 1913
on Victrola J1-91 gramophone (Camden #2 Sound-box)
- published: 04 Apr 2017
- views: 86
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
- Order: Reorder
- Duration: 1:43
- Updated: 01 Aug 2017
- views: 140
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
https://wn.com/Intermission_Feature_With_Geraldine_Farrar_Duiring_Kirsten_Flagstad's_Debut_At_The_Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
- published: 01 Aug 2017
- views: 140
Geraldine Farrar - Mi chiamano Mimi 私の名はミミ (Puccini : Boheme) -1912
- Order: Reorder
- Duration: 4:34
- Updated: 16 Oct 2016
- views: 230
Geraldine Farrar & Antonio Scotti - Contes d' Hoffman Barcarole
- Order: Reorder
- Duration: 2:44
- Updated: 07 Dec 2008
- views: 3995
- recorded 10/6/1909
From Offenbach's - The Tales of Hoffman
Geraldine Farrar (February 28, 1882 March 11, 1967) was a soprano opera singer and film actres...
- recorded 10/6/1909
From Offenbach's - The Tales of Hoffman
Geraldine Farrar (February 28, 1882 March 11, 1967) was a soprano opera singer and film actress. Her striking beauty, lyrical voice and glamorous stage presence earned her a fanatical following among young women nicknamed "Gerry-flappers".
She was, in best opera diva style, noted for her fiery temper and fiercely independent nature. She recorded extensively for the Victor Talking Machine Company and was often featured prominently in that firm's advertisements. She also appeared in silent movies, which were filmed between opera seasons. Farrar starred in more than a dozen films from 1915 to 1920, including Cecil B. De Mille's 1915 adaptation of Bizet's opera Carmen. Perhaps her most notable screen role was as Joan of Arc in the 1917 film Joan the Woman.
Antonio Scotti (January 25, 1866-February 26, 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 30 years but also sang with great success at London's Royal Opera House, Covent Garden.
Scotti also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and exceptionally accurate in its execution of vocal ornaments.
https://wn.com/Geraldine_Farrar_Antonio_Scotti_Contes_D'_Hoffman_Barcarole
- recorded 10/6/1909
From Offenbach's - The Tales of Hoffman
Geraldine Farrar (February 28, 1882 March 11, 1967) was a soprano opera singer and film actress. Her striking beauty, lyrical voice and glamorous stage presence earned her a fanatical following among young women nicknamed "Gerry-flappers".
She was, in best opera diva style, noted for her fiery temper and fiercely independent nature. She recorded extensively for the Victor Talking Machine Company and was often featured prominently in that firm's advertisements. She also appeared in silent movies, which were filmed between opera seasons. Farrar starred in more than a dozen films from 1915 to 1920, including Cecil B. De Mille's 1915 adaptation of Bizet's opera Carmen. Perhaps her most notable screen role was as Joan of Arc in the 1917 film Joan the Woman.
Antonio Scotti (January 25, 1866-February 26, 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 30 years but also sang with great success at London's Royal Opera House, Covent Garden.
Scotti also made intermittent visits to commercial recording studios from 1902 until the outbreak of World War I. Records which he cut for the British Gramophone and Typewriter Company and the American Victor Talking Machine Company have been reissued on CD. Featuring a range of solo arias and some operatic duets with Caruso, Marcella Sembrich and Geraldine Farrar, these records of Scotti's confirm that he was a stylish, well-trained and aristocratic singer. His voice was not particularly large or resonant; but it was rock steady, smooth toned and exceptionally accurate in its execution of vocal ornaments.
- published: 07 Dec 2008
- views: 3995
Geraldine Farrar - Kreisler: Star of Love
- Order: Reorder
- Duration: 3:20
- Updated: 09 Jul 2012
- views: 1058
Recorded in 1920. Josef Pasternak, conductor
From "Apple Blossoms", 1919
Music by Fritz Kreisler & Viktor Jacobi
Lyricist, William LeBaron
From fascinating l...
Recorded in 1920. Josef Pasternak, conductor
From "Apple Blossoms", 1919
Music by Fritz Kreisler & Viktor Jacobi
Lyricist, William LeBaron
From fascinating liner notes by Ward Marston - http://www.marstonrecords.com
This selection is not on his compilation.
There were famous prima donnas before Geraldine Farrar. Maria Malibran, Jenny Lind, and Adelina Patti all achieved world fame. But none—not even Nellie Melba or Luisa Tetrazzini—reached a wider audience than the American soprano. Farrar was not only an international opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the eight decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Salzburg, Paris, and Warsaw. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prima donnas have enjoyed.
Giulio Gatti-Casazza divided sopranos on the Metropolitan Opera's roster between "magnificent voices" and "women of outstanding personalities." In the former category, the Met's general director placed Olive Fremstad, Lillian Nordica, Emma Eames, and Rosa Ponselle. In the latter, he cited only Geraldine Farrar. In his memoirs, Gatti-Casazza dubbed Farrar the Met's "beniamina" or "pet child." He also claimed, "She was not the possessor of a voice that was particularly flowing and free, a thing which she admitted herself. But she had a will of iron and succeeded always in triumphing over all obstacles."
Read the rest at: http://www.marstonrecords.com/farrar/farrar_liner.htm
https://wn.com/Geraldine_Farrar_Kreisler_Star_Of_Love
Recorded in 1920. Josef Pasternak, conductor
From "Apple Blossoms", 1919
Music by Fritz Kreisler & Viktor Jacobi
Lyricist, William LeBaron
From fascinating liner notes by Ward Marston - http://www.marstonrecords.com
This selection is not on his compilation.
There were famous prima donnas before Geraldine Farrar. Maria Malibran, Jenny Lind, and Adelina Patti all achieved world fame. But none—not even Nellie Melba or Luisa Tetrazzini—reached a wider audience than the American soprano. Farrar was not only an international opera star, she made more than 200 recordings and appeared in 14 silent films. The first media diva claimed headlines in newspapers, graced countless covers of magazines, and shared her life story in two autobiographies. During her 16-season reign at the Metropolitan Opera, Farrar commanded higher fees and appeared in more new productions than any other leading soprano. She sang 671 performances of 34 roles in 29 operas, a record matched by no soprano in the eight decades since Farrar's retirement. Before arriving at the Met on the opening night of the 1906 season, Farrar made headlines in Berlin, Monte Carlo, Munich, Stockholm, Salzburg, Paris, and Warsaw. Physical glamour, vocal appeal, and star temperament guaranteed Farrar acclaim few prima donnas have enjoyed.
Giulio Gatti-Casazza divided sopranos on the Metropolitan Opera's roster between "magnificent voices" and "women of outstanding personalities." In the former category, the Met's general director placed Olive Fremstad, Lillian Nordica, Emma Eames, and Rosa Ponselle. In the latter, he cited only Geraldine Farrar. In his memoirs, Gatti-Casazza dubbed Farrar the Met's "beniamina" or "pet child." He also claimed, "She was not the possessor of a voice that was particularly flowing and free, a thing which she admitted herself. But she had a will of iron and succeeded always in triumphing over all obstacles."
Read the rest at: http://www.marstonrecords.com/farrar/farrar_liner.htm
- published: 09 Jul 2012
- views: 1058
Soprano GERALDINE FARRAR -Madama Butterfly "Sai cos'ebbe cuore...Che tua madre (1909)
- Order: Reorder
- Duration: 3:05
- Updated: 07 Apr 2014
- views: 271
Giacomo Puccini MADAMA BUTTERFLY - "Sai cos'ebbe cuore... Che tua madre..." - Disco acustico Victor - Matrice B 8269-1 - Numero di catalogo 87055 - Data del...
Giacomo Puccini MADAMA BUTTERFLY - "Sai cos'ebbe cuore... Che tua madre..." - Disco acustico Victor - Matrice B 8269-1 - Numero di catalogo 87055 - Data dell'incisione 2 ottobre 1909.
Soprano americano GERALDINE FARRAR (1882-1967)
https://wn.com/Soprano_Geraldine_Farrar_Madama_Butterfly_Sai_Cos'Ebbe_Cuore...Che_Tua_Madre_(1909)
Geraldine Farrar & Giovanni Martinelli _" Halte la! qui va la " (1915)
- Order: Reorder
- Duration: 4:28
- Updated: 15 Mar 2014
- views: 564
Bizet : Carmen- Act 2 "halt there! who goes there?
78rpm / U.S.Victor-8019 B
recorded 5/17, 1915
on HMV-163 gramophone(No.2 Soundbox)
Bizet : Carmen- Act 2 "halt there! who goes there?
78rpm / U.S.Victor-8019 B
recorded 5/17, 1915
on HMV-163 gramophone(No.2 Soundbox)
https://wn.com/Geraldine_Farrar_Giovanni_Martinelli_Halte_La_Qui_Va_La_(1915)
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Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
published: 16 May 2017 -
-
1900's American Opera female singers mix vol.1 (1902-1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist : Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture : SUZANNE ADAMS - Home, Sweet Home (1902) SUZANNE ADAMS - Romeo et Juliette - Valse (1903) Dueling Divas - Melba (1904) song #01 Dueling Divas (1904) song #02 EMMA EAMES - Dixie (1905) BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906) GERALDINE FARRAR - Ancora Un Passo or via... (1907) GERALDINE FARRA...
published: 05 Jan 2017 -
La olvidada de Dios (1917 USA) The woman God forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
published: 16 Jul 2017 -
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971 'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907). Schauspieler: Dollarprinzessin Alice: Gabriele Jacoby Olga: Tatjana Iwanowa John Couder: Horst Niendorf Freddy: Gerhart Lippert Daisy: Regina Lemnitz Hans von Schlick: Stefan Behrens Dora: Ingrid van Bergen Diener: Wolfgang Spier Tom: Ulrich Beiger Dick: Ulrich del Mestre Handlung: Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen. In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verlo...
published: 08 Nov 2017 -
The Golden Age At The Metropolitan 1907 to 1929 - part 1
Tracklist Side 1: A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi) Composed By – Giacomo Puccini Soprano Vocals – Lucrezia Bori A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild) Composed By – Georges Bizet Soprano Vocals – Emma Calvé A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other) Composed By – Giuseppe Verdi Tenor Vocals – Enrico Caruso A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music) Composed By – Giacomo Puccini Soprano Vocals – Geraldine Farrar A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name) Composed By – Giuseppe Verdi Soprano Vocals – Amelita Galli-Curci A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby) Bass Vocals – Marcel Journet Composed By – Gustave Charpentier ...
published: 24 Aug 2015 -
Charlie Chaplin (1915) (A Burlesque On Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella). Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar. Cast: Charles Chaplin - Darn Hosiery Edna Purviance - Carmen Jack Henderson - Lillas Pastia Leo White - Morales, Officer of the Guard John Rand (actor) - Escamillo the Toreador May White - Frasquita Bud Jamison - Soldier of the Guard Lawrence A. Bowes - Gypsy ...
published: 18 Apr 2017 -
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage. Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
published: 01 May 2017 -
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
I only enjoy the film and want others to experience it. All rights to Società Italiana Cines
published: 17 Apr 2015 -
Vingarne (1916)
published: 28 Aug 2016 -
The deerslayer (1913 USA)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
published: 03 Sep 2017 -
Carmen 1915 Cecil B DeMille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had . This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see . Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately . DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
published: 01 Jun 2017 -
Joan the Woman 1916
Joan the Woman - Wikipedia Directed by Cecil B. DeMille Produced by Jesse L. Lasky Cecil B. DeMille Written by Jeanie MacPherson Starring Geraldine Farrar Music by William Furst Cinematography Alvin Wyckoff Edited by Cecil B. DeMille Production company Cardinal Film Corporation Famous Players-Lasky Corporation Distributed by Paramount Pictures Release date December 25, 1916 (New York City premiere) Running time 138 minutes Country United States Language Silent (English intertitles) Budget $302,976 Box office $605,731 Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Sch...
published: 11 Nov 2017 -
"Excuse My Dust" (1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD. http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562 "Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others. A car company aims to find and damage their competitor's new engine. You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy...
published: 04 Dec 2017 -
A Burlesque On Carmen (1915) - Dir. Charles Chaplin
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
published: 18 Oct 2017 -
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Os Amores de Carmen (Burlesque on Carmen, 1915)
48. Os Amores de Carmen (Carmen/Burlesque on “Carmen”) http://blogchaplin.com/filmografia/essanay-studios/
published: 28 Sep 2014 -
Golden Voices in Song /1903-1924 (Originally Issued as Lane Audio T 11)
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use perm...
published: 18 May 2016 -
Act 1 of "Faust" by Charles Gounod (RCA Victor M-105)
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records. Cesar Vezzani as 'Faust' Marcel Journet as 'Mephistopheles' Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
published: 28 Jun 2017 -
Carmen (1915 USA)
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
published: 06 Jul 2017
developed with YouTube
Carmen 1915 Geraldine Farrar Cecil B Demille
- Order: Reorder
- Duration: 56:20
- Updated: 16 May 2017
- views: 283
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
https://wn.com/Carmen_1915_Geraldine_Farrar_Cecil_B_Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
- published: 16 May 2017
- views: 283
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
- Order: Reorder
- Duration: 39:42
- Updated: 23 Oct 2017
- views: 6
1900's American Opera female singers mix vol.1 (1902-1914)
- Order: Reorder
- Duration: 1:17:22
- Updated: 05 Jan 2017
- views: 337
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ;...
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist :
Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture :
SUZANNE ADAMS - Home, Sweet Home (1902)
SUZANNE ADAMS - Romeo et Juliette - Valse (1903)
Dueling Divas - Melba (1904) song #01
Dueling Divas (1904) song #02
EMMA EAMES - Dixie (1905)
BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906)
GERALDINE FARRAR - Ancora Un Passo or via... (1907)
GERALDINE FARRAR - Don Giovanni Batti batti, O Bel Masetto (1908)
ELIZABETH WHEELER - Vila Song (1909)
ELIZABETH WHEELER - Two LOve Songs (1909-1910) song #01
LILIAN NORDICA - Three Songs (1910)
GERALDINE FARRAR - My Old Kentucky Home (1910)
AGNES KIMBALL - Love & Music (1911)
JANET SPENCER - The Moon Drops Low (1911)
JANET SPENCER - Two Songs (1911) sung #01
LUCY ISABELLE MARSH with Victor Light Opera Company - Italian Street Song (1911)
LUCY ISABELLE MARSH - Sunshine Song (1912)
LUCY ISABELLE MARSH - Chanson Provençale (1912)
LOUISE HOMER - Che Faro Senza Euridice (1912)
ANNA CASE - Believe Me If All Those Endearing Young Charms (1912) (Edison cylinder)
LUCY ISABELLE MARSH - Ah, Fors'e Lui... Sempre Libera (1913)
ELEONORA DE CISNEROS - Ah, Quel Giorno (1913)
SOPHIE BRASLAU - Sweedish Love Song (1914)
ELSIE BAKER & OLIVE KLINE - Whispering Hope (1914)
2017 Ill rec compilations
https://wn.com/1900's_American_Opera_Female_Singers_Mix_Vol.1_(1902_1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist :
Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture :
SUZANNE ADAMS - Home, Sweet Home (1902)
SUZANNE ADAMS - Romeo et Juliette - Valse (1903)
Dueling Divas - Melba (1904) song #01
Dueling Divas (1904) song #02
EMMA EAMES - Dixie (1905)
BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906)
GERALDINE FARRAR - Ancora Un Passo or via... (1907)
GERALDINE FARRAR - Don Giovanni Batti batti, O Bel Masetto (1908)
ELIZABETH WHEELER - Vila Song (1909)
ELIZABETH WHEELER - Two LOve Songs (1909-1910) song #01
LILIAN NORDICA - Three Songs (1910)
GERALDINE FARRAR - My Old Kentucky Home (1910)
AGNES KIMBALL - Love & Music (1911)
JANET SPENCER - The Moon Drops Low (1911)
JANET SPENCER - Two Songs (1911) sung #01
LUCY ISABELLE MARSH with Victor Light Opera Company - Italian Street Song (1911)
LUCY ISABELLE MARSH - Sunshine Song (1912)
LUCY ISABELLE MARSH - Chanson Provençale (1912)
LOUISE HOMER - Che Faro Senza Euridice (1912)
ANNA CASE - Believe Me If All Those Endearing Young Charms (1912) (Edison cylinder)
LUCY ISABELLE MARSH - Ah, Fors'e Lui... Sempre Libera (1913)
ELEONORA DE CISNEROS - Ah, Quel Giorno (1913)
SOPHIE BRASLAU - Sweedish Love Song (1914)
ELSIE BAKER & OLIVE KLINE - Whispering Hope (1914)
2017 Ill rec compilations
- published: 05 Jan 2017
- views: 337
La olvidada de Dios (1917 USA) The woman God forgot
- Order: Reorder
- Duration: 1:17:08
- Updated: 16 Jul 2017
- views: 998
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farra...
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
https://wn.com/La_Olvidada_De_Dios_(1917_Usa)_The_Woman_God_Forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
- published: 16 Jul 2017
- views: 998
Film Die Dollarprinzessin 1971
- Order: Reorder
- Duration: 1:26:43
- Updated: 08 Nov 2017
- views: 304
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall...
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907).
Schauspieler:
Dollarprinzessin Alice: Gabriele Jacoby
Olga: Tatjana Iwanowa
John Couder: Horst Niendorf
Freddy: Gerhart Lippert
Daisy: Regina Lemnitz
Hans von Schlick: Stefan Behrens
Dora: Ingrid van Bergen
Diener: Wolfgang Spier
Tom: Ulrich Beiger
Dick: Ulrich del Mestre
Handlung:
Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen.
In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verloren und ist daher nach Amerika ausgewandert. Er dient als Stallbursche bei John Couder und gibt Daisy, der Nichte seines Chefs, Reitunterricht. Er verliebt sich in seine Schülerin.
https://wn.com/Film_Die_Dollarprinzessin_1971
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907).
Schauspieler:
Dollarprinzessin Alice: Gabriele Jacoby
Olga: Tatjana Iwanowa
John Couder: Horst Niendorf
Freddy: Gerhart Lippert
Daisy: Regina Lemnitz
Hans von Schlick: Stefan Behrens
Dora: Ingrid van Bergen
Diener: Wolfgang Spier
Tom: Ulrich Beiger
Dick: Ulrich del Mestre
Handlung:
Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen.
In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verloren und ist daher nach Amerika ausgewandert. Er dient als Stallbursche bei John Couder und gibt Daisy, der Nichte seines Chefs, Reitunterricht. Er verliebt sich in seine Schülerin.
- published: 08 Nov 2017
- views: 304
The Golden Age At The Metropolitan 1907 to 1929 - part 1
- Order: Reorder
- Duration: 24:38
- Updated: 24 Aug 2015
- views: 424
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma...
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild)
Composed By – Georges Bizet
Soprano Vocals – Emma Calvé
A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other)
Composed By – Giuseppe Verdi
Tenor Vocals – Enrico Caruso
A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music)
Composed By – Giacomo Puccini
Soprano Vocals – Geraldine Farrar
A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name)
Composed By – Giuseppe Verdi
Soprano Vocals – Amelita Galli-Curci
A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby)
Bass Vocals – Marcel Journet
Composed By – Gustave Charpentier
A7 –Enrico Caruso Les Huguenots: Act 1 Bianca Al Par Di Neve Alpina (Fairer Than The Alpine Lily)
Composed By – Giacomo Meyerbeer
Tenor Vocals – Enrico Caruso
A1: Recorded February 12 1914 in Italian
A2: Recorded April 22 1907 in Italian
A3: Recorded March 16 1908 In Italian
A4: Recorded February 27 1913 In Italian
A5: Recorded February 2 1917 In Italian
A6: Recorded October 12 1926 In French
A7: Recorded November 7 1909 In Italian
Label: RCA Victor Red Seal – LCT 1006
Series: A Treasury Of Immortal Performances –
Format: Vinyl, LP, Compilation, Mono
Country: US
Genre: Classical
Style: Opera
https://wn.com/The_Golden_Age_At_The_Metropolitan_1907_To_1929_Part_1
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild)
Composed By – Georges Bizet
Soprano Vocals – Emma Calvé
A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other)
Composed By – Giuseppe Verdi
Tenor Vocals – Enrico Caruso
A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music)
Composed By – Giacomo Puccini
Soprano Vocals – Geraldine Farrar
A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name)
Composed By – Giuseppe Verdi
Soprano Vocals – Amelita Galli-Curci
A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby)
Bass Vocals – Marcel Journet
Composed By – Gustave Charpentier
A7 –Enrico Caruso Les Huguenots: Act 1 Bianca Al Par Di Neve Alpina (Fairer Than The Alpine Lily)
Composed By – Giacomo Meyerbeer
Tenor Vocals – Enrico Caruso
A1: Recorded February 12 1914 in Italian
A2: Recorded April 22 1907 in Italian
A3: Recorded March 16 1908 In Italian
A4: Recorded February 27 1913 In Italian
A5: Recorded February 2 1917 In Italian
A6: Recorded October 12 1926 In French
A7: Recorded November 7 1909 In Italian
Label: RCA Victor Red Seal – LCT 1006
Series: A Treasury Of Immortal Performances –
Format: Vinyl, LP, Compilation, Mono
Country: US
Genre: Classical
Style: Opera
- published: 24 Aug 2015
- views: 424
Charlie Chaplin (1915) (A Burlesque On Carmen)
- Order: Reorder
- Duration: 43:43
- Updated: 18 Apr 2017
- views: 55
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. C...
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella).
Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar.
Cast:
Charles Chaplin - Darn Hosiery
Edna Purviance - Carmen
Jack Henderson - Lillas Pastia
Leo White - Morales, Officer of the Guard
John Rand (actor) - Escamillo the Toreador
May White - Frasquita
Bud Jamison - Soldier of the Guard
Lawrence A. Bowes - Gypsy
Frank J. Coleman - Soldier
http://publicdomainmovies.net/movie/charlie-chaplins-a-burlesque-on-carmen
https://wn.com/Charlie_Chaplin_(1915)_(A_Burlesque_On_Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella).
Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar.
Cast:
Charles Chaplin - Darn Hosiery
Edna Purviance - Carmen
Jack Henderson - Lillas Pastia
Leo White - Morales, Officer of the Guard
John Rand (actor) - Escamillo the Toreador
May White - Frasquita
Bud Jamison - Soldier of the Guard
Lawrence A. Bowes - Gypsy
Frank J. Coleman - Soldier
http://publicdomainmovies.net/movie/charlie-chaplins-a-burlesque-on-carmen
- published: 18 Apr 2017
- views: 55
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Order: Reorder
- Duration: 2:23:32
- Updated: 01 May 2017
- views: 683
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Me...
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
https://wn.com/Rosa_Ponselle_1937_Carmen_Live_Performance_In_Restored_Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
- published: 01 May 2017
- views: 683
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
- Order: Reorder
- Duration: 44:38
- Updated: 17 Apr 2015
- views: 4566
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
https://wn.com/Rapsodia_Satanica_Nino_Oxilia_1917_(Satan's_Rhapsody)
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
- published: 17 Apr 2015
- views: 4566
Vingarne (1916)
- Order: Reorder
- Duration: 50:31
- Updated: 28 Aug 2016
- views: 1830
- published: 28 Aug 2016
- views: 1830
The deerslayer (1913 USA)
- Order: Reorder
- Duration: 58:58
- Updated: 03 Sep 2017
- views: 262
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interp...
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
https://wn.com/The_Deerslayer_(1913_Usa)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
- published: 03 Sep 2017
- views: 262
Carmen 1915 Cecil B DeMille
- Order: Reorder
- Duration: 1:02:27
- Updated: 01 Jun 2017
- views: 262
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This ...
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see .
Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately .
DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
https://wn.com/Carmen_1915_Cecil_B_Demille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see .
Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately .
DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
- published: 01 Jun 2017
- views: 262
Joan the Woman 1916
- Order: Reorder
- Duration: 2:16:53
- Updated: 11 Nov 2017
- views: 7
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar ...
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar
Music by William Furst
Cinematography Alvin Wyckoff
Edited by Cecil B. DeMille
Production company Cardinal Film Corporation Famous Players-Lasky Corporation
Distributed by Paramount Pictures
Release date December 25, 1916 (New York City premiere)
Running time 138 minutes
Country United States
Language Silent (English intertitles)
Budget $302,976
Box office $605,731
Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on
Friedrich Schiller's 1801 play Die Jungfrau von Orelans (The Maid of Orleans). This film was considered to be the "first cinematic spectacle about Joan of Arc."
This was the first film to use the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process") for certain scenes. This process is especially noticeable in the scene of Joan burning at the stake, the use
of red and yellow gave this a heightened dramatic effect. A print of the film still exists. DeMille has said that in the weeks before shooting he became obsessed with historical research, costume and
set design,and casting decisions.
Plot
A British officer (Bosworth) in World War I
has a dream of the life of Joan of Arc (Farrar). The officer pulls a sword out of the wall of the trench he is in, the sword used to belong to Joan of
Arc. Removing the sword conjures up the ghost of Joan, leading to her telling her story. The setting then changes to France where the story of Joan of
Arc is told, of her leading the French troops to victory and her subsequent burning at the stake. The story ends back in the trench with the officer deciding
to go on a suicide mission, using Joan's story and sword as inspiration
Cast
\• Geraldine Farrar as Jeanne d'Arc (Joan of Arc)
• Raymond Hatton as Charles VII
• Hobart Bosworth as Gen. La Hire
• Theodore Roberts as Cauchon
• Wallace Reid as Eric Trent 1431 / Eric Trent 1917
• Charles Clary as La Tremouille
• James Neill as Laxart
• Tully Marshall as L'Oiseleur
• Lawrence Peyton as Gaspard
• Horace B. Carpenter as Jacques d'Arc
• Cleo Ridgely as The king's favorite
• Lillian Leighton as Isambeau
• Marjorie Daw as Katherine
• Stephen Gray as Pierre
• Ernest Joy as Robert de Beaudricourt
• John Oaker as Jean de Metz
• Hugo B. Koch as Duke of Burgundy
• William Conklin as John of Luxembourg
• Walter Long as The executioner
• William Elmer as Guy Townes
• Emilius Jorgensen as Michael
• Donald Crisp
• Jack Hoxie
• Lucien Littlefield
• Nigel De Brulier as Man at trial (uncredited)
• Jack Holt (uncredited)
• Fred Kohler as L'Oiseleur's henchman (uncredited)
• Ramón Novarro as Starving Peasant (uncredited)
Release and reception
The film was released on December 25, 1916 and grossed $605,731 at the box office.The film has been criticized by some as propaganda for
World War I.The film begins and ends with the story of a British officer in the trenches fighting in World War I. He is prompted with the decision to participate in
a suicide mission. He discovers a sword that belonged to Joan, and after hearing her story, decides to go on the mission. Robin Blaetz in his book Studies
in Medievalism points out the sexism that exists in the film. While Joan was the inspiration for the British soldier's heroic acts, it is ultimately him
who is the hero in the end of the film. Blaetz points out that this sends the message that "women and war do not mix", alluding to the idea that in World War I women should stay behind the front
lines, but still be supportive of those at war.In his review of the film, Leonard Maltin said this was "DeMille's first historical epic is nicely mounted, spotlighting the heroism and sacrifice of Joan
of Arc (a miscast Farrar) as she evolves from peasant girl to saintlike figure and becomes involved with Englishman Reid. Fashioned as an accolade to France,
with the story bookended by sequences set during WW1 involving a soldier who is inspired by Joan's bravery. Some of the effects are in color."
Attempted film piracy
In 1917 three men were arrested for the theft of a print of the film from a New York film exchange, which they took to New Jersey for the making of a newmaster negative.
Both the missing print and the master were recovered. At that time there was an active criminal practice in making master negatives of American films for
shipment to other countries for the production of new prints,
an early example of motion picture piracy.
https://wn.com/Joan_The_Woman_1916
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar
Music by William Furst
Cinematography Alvin Wyckoff
Edited by Cecil B. DeMille
Production company Cardinal Film Corporation Famous Players-Lasky Corporation
Distributed by Paramount Pictures
Release date December 25, 1916 (New York City premiere)
Running time 138 minutes
Country United States
Language Silent (English intertitles)
Budget $302,976
Box office $605,731
Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on
Friedrich Schiller's 1801 play Die Jungfrau von Orelans (The Maid of Orleans). This film was considered to be the "first cinematic spectacle about Joan of Arc."
This was the first film to use the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process") for certain scenes. This process is especially noticeable in the scene of Joan burning at the stake, the use
of red and yellow gave this a heightened dramatic effect. A print of the film still exists. DeMille has said that in the weeks before shooting he became obsessed with historical research, costume and
set design,and casting decisions.
Plot
A British officer (Bosworth) in World War I
has a dream of the life of Joan of Arc (Farrar). The officer pulls a sword out of the wall of the trench he is in, the sword used to belong to Joan of
Arc. Removing the sword conjures up the ghost of Joan, leading to her telling her story. The setting then changes to France where the story of Joan of
Arc is told, of her leading the French troops to victory and her subsequent burning at the stake. The story ends back in the trench with the officer deciding
to go on a suicide mission, using Joan's story and sword as inspiration
Cast
\• Geraldine Farrar as Jeanne d'Arc (Joan of Arc)
• Raymond Hatton as Charles VII
• Hobart Bosworth as Gen. La Hire
• Theodore Roberts as Cauchon
• Wallace Reid as Eric Trent 1431 / Eric Trent 1917
• Charles Clary as La Tremouille
• James Neill as Laxart
• Tully Marshall as L'Oiseleur
• Lawrence Peyton as Gaspard
• Horace B. Carpenter as Jacques d'Arc
• Cleo Ridgely as The king's favorite
• Lillian Leighton as Isambeau
• Marjorie Daw as Katherine
• Stephen Gray as Pierre
• Ernest Joy as Robert de Beaudricourt
• John Oaker as Jean de Metz
• Hugo B. Koch as Duke of Burgundy
• William Conklin as John of Luxembourg
• Walter Long as The executioner
• William Elmer as Guy Townes
• Emilius Jorgensen as Michael
• Donald Crisp
• Jack Hoxie
• Lucien Littlefield
• Nigel De Brulier as Man at trial (uncredited)
• Jack Holt (uncredited)
• Fred Kohler as L'Oiseleur's henchman (uncredited)
• Ramón Novarro as Starving Peasant (uncredited)
Release and reception
The film was released on December 25, 1916 and grossed $605,731 at the box office.The film has been criticized by some as propaganda for
World War I.The film begins and ends with the story of a British officer in the trenches fighting in World War I. He is prompted with the decision to participate in
a suicide mission. He discovers a sword that belonged to Joan, and after hearing her story, decides to go on the mission. Robin Blaetz in his book Studies
in Medievalism points out the sexism that exists in the film. While Joan was the inspiration for the British soldier's heroic acts, it is ultimately him
who is the hero in the end of the film. Blaetz points out that this sends the message that "women and war do not mix", alluding to the idea that in World War I women should stay behind the front
lines, but still be supportive of those at war.In his review of the film, Leonard Maltin said this was "DeMille's first historical epic is nicely mounted, spotlighting the heroism and sacrifice of Joan
of Arc (a miscast Farrar) as she evolves from peasant girl to saintlike figure and becomes involved with Englishman Reid. Fashioned as an accolade to France,
with the story bookended by sequences set during WW1 involving a soldier who is inspired by Joan's bravery. Some of the effects are in color."
Attempted film piracy
In 1917 three men were arrested for the theft of a print of the film from a New York film exchange, which they took to New Jersey for the making of a newmaster negative.
Both the missing print and the master were recovered. At that time there was an active criminal practice in making master negatives of American films for
shipment to other countries for the production of new prints,
an early example of motion picture piracy.
- published: 11 Nov 2017
- views: 7
"Excuse My Dust" (1920)
- Order: Reorder
- Duration: 48:02
- Updated: 04 Dec 2017
- views: 135
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. Th...
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
"Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others.
A car company aims to find and damage their competitor's new engine.
You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy of silent movie stars by making a tax deductible contribution.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
https://wn.com/Excuse_My_Dust_(1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
"Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others.
A car company aims to find and damage their competitor's new engine.
You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy of silent movie stars by making a tax deductible contribution.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
- published: 04 Dec 2017
- views: 135
A Burlesque On Carmen (1915) - Dir. Charles Chaplin
- Order: Reorder
- Duration: 31:52
- Updated: 18 Oct 2017
- views: 11
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lur...
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
https://wn.com/A_Burlesque_On_Carmen_(1915)_Dir._Charles_Chaplin
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
- published: 18 Oct 2017
- views: 11
Carmen, Cecil B. DeMille
- Order: Reorder
- Duration: 57:20
- Updated: 03 Jan 2018
- views: 2
Os Amores de Carmen (Burlesque on Carmen, 1915)
- Order: Reorder
- Duration: 31:28
- Updated: 28 Sep 2014
- views: 650
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
https://wn.com/Os_Amores_De_Carmen_(Burlesque_On_Carmen,_1915)
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
- published: 28 Sep 2014
- views: 650
Golden Voices in Song /1903-1924 (Originally Issued as Lane Audio T 11)
- Order: Reorder
- Duration: 1:00:36
- Updated: 18 May 2016
- views: 205
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Ger...
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted.
https://wn.com/Golden_Voices_In_Song_1903_1924_(Originally_Issued_As_Lane_Audio_T_11)
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted.
- published: 18 May 2016
- views: 205
Act 1 of "Faust" by Charles Gounod (RCA Victor M-105)
- Order: Reorder
- Duration: 20:27
- Updated: 28 Jun 2017
- views: 44
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistophe...
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistopheles'
Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
https://wn.com/Act_1_Of_Faust_By_Charles_Gounod_(Rca_Victor_M_105)
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistopheles'
Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
- published: 28 Jun 2017
- views: 44
Carmen (1915 USA)
- Order: Reorder
- Duration: 57:20
- Updated: 06 Jul 2017
- views: 100
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la sop...
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
https://wn.com/Carmen_(1915_Usa)
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
- published: 06 Jul 2017
- views: 100
-
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
published: 12 May 2017 -
GIOVANNI MARTINELLI INTERVIEW with GERALDINE FARRAR - 1933
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
published: 02 Jan 2018 -
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde. February 2, 1935
published: 01 Aug 2017 -
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Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Metropolitan Opera Intermission Feature 2nd February 1935 featuring Geraldine Farrar from live broadcast of Die Walküre
published: 26 Jun 2017 -
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GERALDINE FARRAR 1934 - THE FOUR MARGUERITES 1934 MET INTERM
MET INTERMISSION FEATURES...... Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice."[1] She had a large following among young women, who were nicknamed "Gerry-flappers
published: 12 May 2017 -
VANESA MARTINELLI INTERVIEW
VANESA MARTINELLI INTERVIEW
published: 05 Sep 2008 -
Interview with Crystal Fighters on 'Star of Love'
published: 26 Jun 2012 -
Geraldine FARRAR. Thais. Jules Massenet.
Te souvient-li du lumineux voyage. Recorded 1918.
published: 06 Jan 2012 -
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing...
published: 07 Aug 2011 -
Interview with Lady Petunia Cunningham-Clarke
Enjoy this revealing insight into the life of one of the UK's poshest and most aristocratic women, Lady Petunia Cunningham-Clarke. The interview was first broadcast live on Lucille's Lunchtime Show on Ratville FM. This broadcast has been sponsored by BD Enterprises, Inc. in association with Bongleburt Doppelganger (The World's Greatest Singer & Your No. 1 Favourite Singer of All Time). Please visit http://www.bongleburt.com for more details.
published: 06 Apr 2010 -
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage. Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
published: 01 May 2017 -
Faust final trio - Caruso-Farrar-Journet & McCormack-Melba-Sammarco (1910)
Here's an interesting comparison: the Faust final trio (Alerte! Alerte! Ou vous ete perdus!) with Enrico Caruso, Geraldine Farrar, and Marcel Journet, 12 January 1910 Victor recording, and the final trio with John McCormack, Nellie Melba, and Mario Sammarco, 11 May 1910 HMV recording. Two things to note: First of all, Caruso's voice was so large he was made to stand several feet away from Farrar and Journet, who were much closer to the recording horn than he was (this was a common occurrence when Caruso recorded with other artists). McCormack had a much smaller voice so he stood extremely close to the horn when recording. Second of all, Farrar's voice was considerably larger than Melba's. Therefore the difference between the sizes of Caruso and McCormack's voices may not be as apparent ...
published: 22 Sep 2009 -
HEDDA HOPPER INTERVIEWS MARIO LANZA 1951 wmv
Mario Lanza (born Alfred Arnold Cocozza; January 31, 1921 – October 7, 1959) was an American tenor of Italian ancestry, actor and Hollywood film star of the late 1940s and the 1950s. Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. Prior to that, the adult Lanza had sung only two performances of an opera. The following year (1948), however, he sang the role of Pinkerton in Puccini's Madama Butterfly in New Orleans. His film début for MGM was in That Midnight Kiss (1949) with Kathryn Grayson and Ethel Barrymore. A year later, in The Toast of New Orleans, his featured popular so...
published: 23 May 2017 -
La sommelière Géraldine Clément apprecie notre Lirac "la Fermade" sur des macarons au fois gras...
Degustation caveau de Lirac.
published: 16 Dec 2016 -
Boektrailer - De eerste vrouw - Susan Smit
Meeslepende, op feiten gebaseerde roman over de stormachtige liefde tussen twee van de grootste filmsterren van de twintigste eeuw, Lou Tellegen en Geraldine Farrar. Zij was de diva van de internationale operahuizen die had gezworen nooit te trouwen. Hij was de vechter, de gokker, de hartenbreker met het engelengezicht die furore maakte op het toneel. Samen vormden de Amerikaanse Geraldine Farrar en de Nederlander Lou Tellegen een van de meest legendarische artiestenkoppels aller tijden. In De eerste vrouw verbeeldt Susan Smit met trefzekere pen hun grenzeloze ambitie, hun twijfels, angsten en hartstochtelijke liefde die is gedoemd te mislukken. Maar tegelijkertijd is de roman het verhaal van een opwindende tijd waarin Europa in een gruwelijke oorlog haar onschuld verliest; de vrouwenbew...
published: 04 Oct 2016 -
geraldine
jessica geraldine
published: 18 Jul 2008 -
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Caruso & Farrar Duets: BUTTERFLY and MANON in Restored Sound
Enrico Caruso and Geraldine Farrar sing two duets: "O quant occho fisi" from Act I of Puccini's MADAME BUTTERFLY recorded March 10, 1908 NYC. Then "On l' appelle" from Act II of Massenet's MANON recorded December 30, 1912 NYC. Digitally transferred directly from an original 12-inch 78 rpm disc with applied Magix audio restoration software to reduce noise. No added reverb or artificial ambiance was used.
published: 21 Sep 2017
developed with YouTube
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
- Order: Reorder
- Duration: 10:05
- Updated: 12 May 2017
- views: 59
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although h...
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
https://wn.com/Geraldine_Farrar_Interviews_Giovanni_Martinelli_1933_Met_Int
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
- published: 12 May 2017
- views: 59
GIOVANNI MARTINELLI INTERVIEW with GERALDINE FARRAR - 1933
- Order: Reorder
- Duration: 10:05
- Updated: 02 Jan 2018
- views: 2
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although h...
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
https://wn.com/Giovanni_Martinelli_Interview_With_Geraldine_Farrar_1933
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres.
- published: 02 Jan 2018
- views: 2
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
- Order: Reorder
- Duration: 1:43
- Updated: 01 Aug 2017
- views: 140
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
https://wn.com/Intermission_Feature_With_Geraldine_Farrar_Duiring_Kirsten_Flagstad's_Debut_At_The_Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropolitan Opera House as Sieglinde.
February 2, 1935
- published: 01 Aug 2017
- views: 140
Geraldine Farrar - Gypsy Song from "Carmen"
- Order: Reorder
- Duration: 3:22
- Updated: 06 Nov 2016
- views: 161
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
- Order: Reorder
- Duration: 1:46
- Updated: 26 Jun 2017
- views: 132
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
https://wn.com/Met_Opera_Intermission_Feature_2_February_1935_Geraldine_Farrar
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
from live broadcast of Die Walküre
- published: 26 Jun 2017
- views: 132
Geraldine Farrar - Madama Butterfly (Puccini)
- Order: Reorder
- Duration: 4:08
- Updated: 22 Jul 2013
- views: 937
Soprano with orchestra In Italian
Un bel di vedremo (Some Day He'll Come)
(Act Ⅱ, Scene 1)
Victrola 88113
Victrola VV8-30, 関西蓄音機倶楽部
Soprano with orchestra In Italian
Un bel di vedremo (Some Day He'll Come)
(Act Ⅱ, Scene 1)
Victrola 88113
Victrola VV8-30, 関西蓄音機倶楽部
https://wn.com/Geraldine_Farrar_Madama_Butterfly_(Puccini)
GERALDINE FARRAR 1934 - THE FOUR MARGUERITES 1934 MET INTERM
- Order: Reorder
- Duration: 8:05
- Updated: 12 May 2017
- views: 65
MET INTERMISSION FEATURES......
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beaut...
MET INTERMISSION FEATURES......
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice."[1] She had a large following among young women, who were nicknamed "Gerry-flappers
https://wn.com/Geraldine_Farrar_1934_The_Four_Marguerites_1934_Met_Interm
MET INTERMISSION FEATURES......
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer and film actress, noted for her beauty, acting ability, and "the intimate timbre of her voice."[1] She had a large following among young women, who were nicknamed "Gerry-flappers
- published: 12 May 2017
- views: 65
VANESA MARTINELLI INTERVIEW
- Order: Reorder
- Duration: 9:36
- Updated: 05 Sep 2008
- views: 308
VANESA MARTINELLI INTERVIEW
VANESA MARTINELLI INTERVIEW
https://wn.com/Vanesa_Martinelli_Interview
VANESA MARTINELLI INTERVIEW
- published: 05 Sep 2008
- views: 308
Interview with Crystal Fighters on 'Star of Love'
- Order: Reorder
- Duration: 3:53
- Updated: 26 Jun 2012
- views: 2015
- published: 26 Jun 2012
- views: 2015
Geraldine FARRAR. Thais. Jules Massenet.
- Order: Reorder
- Duration: 3:48
- Updated: 06 Jan 2012
- views: 975
Te souvient-li du lumineux voyage.
Recorded 1918.
Te souvient-li du lumineux voyage.
Recorded 1918.
https://wn.com/Geraldine_Farrar._Thais._Jules_Massenet.
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
- Order: Reorder
- Duration: 4:04
- Updated: 07 Aug 2011
- views: 5596
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first ...
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
https://wn.com/Geraldine_Farrar_The_Metropolitan_Opera's_First_Butterfly_Un_Bel_Dì,_Rec._1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio-Cio-San for the first time at the Met, in 1907, was among the first of the great "singing actors," whose interest in cinema and realistic characterization dictated in large part her vocal presentations, which she considered simply a part—albeit an important part—of her performance. In this old recording, you will notice her white, open phonation, a voice sounding remarkably like that of a relatively untrained child singer. This is almost certainly intentional. She is realistically portraying a 15 year old girl with her voice as well as with her actions. Opera has today become, to a large extent, a purely vocal art; this was not necessarily the case back in the day when audiences were often seeing a stage drama for the first time—words and realistic presentation, especially in verismo opera, were crucial. What you hear in this recording, therefore, is not a typical representation of Farrar's voice.
- published: 07 Aug 2011
- views: 5596
Interview with Lady Petunia Cunningham-Clarke
- Order: Reorder
- Duration: 8:38
- Updated: 06 Apr 2010
- views: 383
Enjoy this revealing insight into the life of one of the UK's poshest and most aristocratic women, Lady Petunia Cunningham-Clarke. The interview was first broad...
Enjoy this revealing insight into the life of one of the UK's poshest and most aristocratic women, Lady Petunia Cunningham-Clarke. The interview was first broadcast live on Lucille's Lunchtime Show on Ratville FM.
This broadcast has been sponsored by BD Enterprises, Inc. in association with Bongleburt Doppelganger (The World's Greatest Singer & Your No. 1 Favourite Singer of All Time). Please visit http://www.bongleburt.com for more details.
https://wn.com/Interview_With_Lady_Petunia_Cunningham_Clarke
Enjoy this revealing insight into the life of one of the UK's poshest and most aristocratic women, Lady Petunia Cunningham-Clarke. The interview was first broadcast live on Lucille's Lunchtime Show on Ratville FM.
This broadcast has been sponsored by BD Enterprises, Inc. in association with Bongleburt Doppelganger (The World's Greatest Singer & Your No. 1 Favourite Singer of All Time). Please visit http://www.bongleburt.com for more details.
- published: 06 Apr 2010
- views: 383
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Order: Reorder
- Duration: 2:23:32
- Updated: 01 May 2017
- views: 683
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Me...
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
https://wn.com/Rosa_Ponselle_1937_Carmen_Live_Performance_In_Restored_Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
- published: 01 May 2017
- views: 683
Faust final trio - Caruso-Farrar-Journet & McCormack-Melba-Sammarco (1910)
- Order: Reorder
- Duration: 5:39
- Updated: 22 Sep 2009
- views: 17514
Here's an interesting comparison: the Faust final trio (Alerte! Alerte! Ou vous ete perdus!) with Enrico Caruso, Geraldine Farrar, and Marcel Journet, 12 Januar...
Here's an interesting comparison: the Faust final trio (Alerte! Alerte! Ou vous ete perdus!) with Enrico Caruso, Geraldine Farrar, and Marcel Journet, 12 January 1910 Victor recording, and the final trio with John McCormack, Nellie Melba, and Mario Sammarco, 11 May 1910 HMV recording.
Two things to note: First of all, Caruso's voice was so large he was made to stand several feet away from Farrar and Journet, who were much closer to the recording horn than he was (this was a common occurrence when Caruso recorded with other artists). McCormack had a much smaller voice so he stood extremely close to the horn when recording. Second of all, Farrar's voice was considerably larger than Melba's. Therefore the difference between the sizes of Caruso and McCormack's voices may not be as apparent as it would be live, but it is still obvious that Caruso produced a far more powerful sound.
The reason I posted this was to address the people who think one can't judge Caruso's greatness based on 'those old acoustic recordings.' The point is, some of John McCormack's best recordings (such as this one) were ACOUSTIC, made during the same time Caruso was recording for Victor. Tito Schipa is another example. In my opinion, his GREATEST recordings were made with HMV in the years between 1913 and 1921, all ACOUSTIC. No one ever complains that we cant judge McCormack and Schipa's greatness based on 'those old acoustic recordings,' so why complain about judging Caruso?
Enjoy the recordings, and I hope you find my argument valid, or at least interesting. Feel free to contribute to the discussion if you want to put your 2 cents worth in this matter.
https://wn.com/Faust_Final_Trio_Caruso_Farrar_Journet_Mccormack_Melba_Sammarco_(1910)
Here's an interesting comparison: the Faust final trio (Alerte! Alerte! Ou vous ete perdus!) with Enrico Caruso, Geraldine Farrar, and Marcel Journet, 12 January 1910 Victor recording, and the final trio with John McCormack, Nellie Melba, and Mario Sammarco, 11 May 1910 HMV recording.
Two things to note: First of all, Caruso's voice was so large he was made to stand several feet away from Farrar and Journet, who were much closer to the recording horn than he was (this was a common occurrence when Caruso recorded with other artists). McCormack had a much smaller voice so he stood extremely close to the horn when recording. Second of all, Farrar's voice was considerably larger than Melba's. Therefore the difference between the sizes of Caruso and McCormack's voices may not be as apparent as it would be live, but it is still obvious that Caruso produced a far more powerful sound.
The reason I posted this was to address the people who think one can't judge Caruso's greatness based on 'those old acoustic recordings.' The point is, some of John McCormack's best recordings (such as this one) were ACOUSTIC, made during the same time Caruso was recording for Victor. Tito Schipa is another example. In my opinion, his GREATEST recordings were made with HMV in the years between 1913 and 1921, all ACOUSTIC. No one ever complains that we cant judge McCormack and Schipa's greatness based on 'those old acoustic recordings,' so why complain about judging Caruso?
Enjoy the recordings, and I hope you find my argument valid, or at least interesting. Feel free to contribute to the discussion if you want to put your 2 cents worth in this matter.
- published: 22 Sep 2009
- views: 17514
HEDDA HOPPER INTERVIEWS MARIO LANZA 1951 wmv
- Order: Reorder
- Duration: 3:05
- Updated: 23 May 2017
- views: 118
Mario Lanza (born Alfred Arnold Cocozza; January 31, 1921 – October 7, 1959) was an American tenor of Italian ancestry, actor and Hollywood film star of the lat...
Mario Lanza (born Alfred Arnold Cocozza; January 31, 1921 – October 7, 1959) was an American tenor of Italian ancestry, actor and Hollywood film star of the late 1940s and the 1950s.
Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. Prior to that, the adult Lanza had sung only two performances of an opera. The following year (1948), however, he sang the role of Pinkerton in Puccini's Madama Butterfly in New Orleans.
His film début for MGM was in That Midnight Kiss (1949) with Kathryn Grayson and Ethel Barrymore. A year later, in The Toast of New Orleans, his featured popular song "Be My Love" became his first million-selling hit. In 1951, he played the role of tenor Enrico Caruso, his idol, in the biopic The Great Caruso, which produced another million-seller with "The Loveliest Night of the Year" (a song which used the melody of Sobre las Olas). The Great Caruso was the top-grossing film that year.
The title song of his next film, Because You're Mine, was his final million-selling hit song. The song went on to receive an Academy Award nomination for Best Original Song. After recording the soundtrack for his next film, The Student Prince, he embarked upon a protracted battle with studio head Dore Schary arising from artistic differences with director Curtis Bernhardt, and was eventually dismissed by MGM.
Lanza was known to be "rebellious, tough, and ambitious." During most of his film career, he suffered from addictions to overeating and alcohol which had a serious effect on his health and his relationships with directors, producers and, occasionally, other cast members. Hollywood columnist Hedda Hopper writes that "his smile, which was as big as his voice, was matched with the habits of a tiger cub, impossible to housebreak." She adds that he was the "last of the great romantic performers". He made three more films before dying of an apparent pulmonary embolism at the age of 38. At the time of his death in 1959 he was still "the most famous tenor in the world".[6] Author Eleonora Kimmel concludes that Lanza "blazed like a meteor whose light lasts a brief moment in time"
https://wn.com/Hedda_Hopper_Interviews_Mario_Lanza_1951_Wmv
Mario Lanza (born Alfred Arnold Cocozza; January 31, 1921 – October 7, 1959) was an American tenor of Italian ancestry, actor and Hollywood film star of the late 1940s and the 1950s.
Lanza began studying to be a professional singer at the age of 16. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. Prior to that, the adult Lanza had sung only two performances of an opera. The following year (1948), however, he sang the role of Pinkerton in Puccini's Madama Butterfly in New Orleans.
His film début for MGM was in That Midnight Kiss (1949) with Kathryn Grayson and Ethel Barrymore. A year later, in The Toast of New Orleans, his featured popular song "Be My Love" became his first million-selling hit. In 1951, he played the role of tenor Enrico Caruso, his idol, in the biopic The Great Caruso, which produced another million-seller with "The Loveliest Night of the Year" (a song which used the melody of Sobre las Olas). The Great Caruso was the top-grossing film that year.
The title song of his next film, Because You're Mine, was his final million-selling hit song. The song went on to receive an Academy Award nomination for Best Original Song. After recording the soundtrack for his next film, The Student Prince, he embarked upon a protracted battle with studio head Dore Schary arising from artistic differences with director Curtis Bernhardt, and was eventually dismissed by MGM.
Lanza was known to be "rebellious, tough, and ambitious." During most of his film career, he suffered from addictions to overeating and alcohol which had a serious effect on his health and his relationships with directors, producers and, occasionally, other cast members. Hollywood columnist Hedda Hopper writes that "his smile, which was as big as his voice, was matched with the habits of a tiger cub, impossible to housebreak." She adds that he was the "last of the great romantic performers". He made three more films before dying of an apparent pulmonary embolism at the age of 38. At the time of his death in 1959 he was still "the most famous tenor in the world".[6] Author Eleonora Kimmel concludes that Lanza "blazed like a meteor whose light lasts a brief moment in time"
- published: 23 May 2017
- views: 118
La sommelière Géraldine Clément apprecie notre Lirac "la Fermade" sur des macarons au fois gras...
- Order: Reorder
- Duration: 0:57
- Updated: 16 Dec 2016
- views: 11
Degustation caveau de Lirac.
Degustation caveau de Lirac.
https://wn.com/La_Sommelière_Géraldine_Clément_Apprecie_Notre_Lirac_La_Fermade_Sur_Des_Macarons_Au_Fois_Gras...
Boektrailer - De eerste vrouw - Susan Smit
- Order: Reorder
- Duration: 1:20
- Updated: 04 Oct 2016
- views: 2130
Meeslepende, op feiten gebaseerde roman over de stormachtige liefde tussen twee van de grootste filmsterren van de twintigste eeuw, Lou Tellegen en Geraldine Fa...
Meeslepende, op feiten gebaseerde roman over de stormachtige liefde tussen twee van de grootste filmsterren van de twintigste eeuw, Lou Tellegen en Geraldine Farrar.
Zij was de diva van de internationale operahuizen die had gezworen nooit te trouwen. Hij was de vechter, de gokker, de hartenbreker met het engelengezicht die furore maakte op het toneel. Samen vormden de Amerikaanse Geraldine Farrar en de Nederlander Lou Tellegen een van de meest legendarische artiestenkoppels aller tijden.
In De eerste vrouw verbeeldt Susan Smit met trefzekere pen hun grenzeloze ambitie, hun twijfels, angsten en hartstochtelijke liefde die is gedoemd te mislukken. Maar tegelijkertijd is de roman het verhaal van een opwindende tijd waarin Europa in een gruwelijke oorlog haar onschuld verliest; de vrouwenbeweging voorzichtig voet aan de grond krijgt, en een massamedium het levenslicht ziet dat de wereld voorgoed zal veranderen: de film.
Met deze wervelende, op historisch feitenmateriaal gebaseerde roman zal Smit opnieuwhaar vele lezers in het hart weten te raken.
Kijk voor meer informatie op: www.susansmit.nl/eerstevrouw
https://wn.com/Boektrailer_De_Eerste_Vrouw_Susan_Smit
Meeslepende, op feiten gebaseerde roman over de stormachtige liefde tussen twee van de grootste filmsterren van de twintigste eeuw, Lou Tellegen en Geraldine Farrar.
Zij was de diva van de internationale operahuizen die had gezworen nooit te trouwen. Hij was de vechter, de gokker, de hartenbreker met het engelengezicht die furore maakte op het toneel. Samen vormden de Amerikaanse Geraldine Farrar en de Nederlander Lou Tellegen een van de meest legendarische artiestenkoppels aller tijden.
In De eerste vrouw verbeeldt Susan Smit met trefzekere pen hun grenzeloze ambitie, hun twijfels, angsten en hartstochtelijke liefde die is gedoemd te mislukken. Maar tegelijkertijd is de roman het verhaal van een opwindende tijd waarin Europa in een gruwelijke oorlog haar onschuld verliest; de vrouwenbeweging voorzichtig voet aan de grond krijgt, en een massamedium het levenslicht ziet dat de wereld voorgoed zal veranderen: de film.
Met deze wervelende, op historisch feitenmateriaal gebaseerde roman zal Smit opnieuwhaar vele lezers in het hart weten te raken.
Kijk voor meer informatie op: www.susansmit.nl/eerstevrouw
- published: 04 Oct 2016
- views: 2130
geraldine
- Order: Reorder
- Duration: 9:41
- Updated: 18 Jul 2008
- views: 5102
jessica geraldine
jessica geraldine
https://wn.com/Geraldine
jessica geraldine
- published: 18 Jul 2008
- views: 5102
Geraldine Farrar *Vinyl Carmen Gypsy Song Chanson Boheme
- Order: Reorder
- Duration: 3:15
- Updated: 13 Aug 2010
- views: 694
Caruso & Farrar Duets: BUTTERFLY and MANON in Restored Sound
- Order: Reorder
- Duration: 7:57
- Updated: 21 Sep 2017
- views: 109
Enrico Caruso and Geraldine Farrar sing two duets: "O quant occho fisi" from Act I of Puccini's MADAME BUTTERFLY recorded March 10, 1908 NYC. Then "On l' appell...
Enrico Caruso and Geraldine Farrar sing two duets: "O quant occho fisi" from Act I of Puccini's MADAME BUTTERFLY recorded March 10, 1908 NYC. Then "On l' appelle" from Act II of Massenet's
MANON recorded December 30, 1912 NYC.
Digitally transferred directly from an original 12-inch 78 rpm disc with applied Magix audio restoration software to reduce noise. No added reverb or artificial ambiance was used.
https://wn.com/Caruso_Farrar_Duets_Butterfly_And_Manon_In_Restored_Sound
Enrico Caruso and Geraldine Farrar sing two duets: "O quant occho fisi" from Act I of Puccini's MADAME BUTTERFLY recorded March 10, 1908 NYC. Then "On l' appelle" from Act II of Massenet's
MANON recorded December 30, 1912 NYC.
Digitally transferred directly from an original 12-inch 78 rpm disc with applied Magix audio restoration software to reduce noise. No added reverb or artificial ambiance was used.
- published: 21 Sep 2017
- views: 109
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Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
published: 16 May 2017 -
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1900's American Opera female singers mix vol.1 (1902-1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist : Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture : SUZANNE ADAMS - Home, Sweet Home (1902) SUZANNE ADAMS - Romeo et Juliette - Valse (1903) Dueling Divas - Melba (1904) song #01 Dueling Divas (1904) song #02 EMMA EAMES - Dixie (1905) BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906) GERALDINE FARRAR - Ancora Un Passo or via... (1907) GERALDINE FARRA...
published: 05 Jan 2017 -
La olvidada de Dios (1917 USA) The woman God forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
published: 16 Jul 2017 -
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971 'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907). Schauspieler: Dollarprinzessin Alice: Gabriele Jacoby Olga: Tatjana Iwanowa John Couder: Horst Niendorf Freddy: Gerhart Lippert Daisy: Regina Lemnitz Hans von Schlick: Stefan Behrens Dora: Ingrid van Bergen Diener: Wolfgang Spier Tom: Ulrich Beiger Dick: Ulrich del Mestre Handlung: Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen. In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verlo...
published: 08 Nov 2017 -
The Golden Age At The Metropolitan 1907 to 1929 - part 1
Tracklist Side 1: A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi) Composed By – Giacomo Puccini Soprano Vocals – Lucrezia Bori A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild) Composed By – Georges Bizet Soprano Vocals – Emma Calvé A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other) Composed By – Giuseppe Verdi Tenor Vocals – Enrico Caruso A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music) Composed By – Giacomo Puccini Soprano Vocals – Geraldine Farrar A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name) Composed By – Giuseppe Verdi Soprano Vocals – Amelita Galli-Curci A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby) Bass Vocals – Marcel Journet Composed By – Gustave Charpentier ...
published: 24 Aug 2015 -
Charlie Chaplin (1915) (A Burlesque On Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella). Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar. Cast: Charles Chaplin - Darn Hosiery Edna Purviance - Carmen Jack Henderson - Lillas Pastia Leo White - Morales, Officer of the Guard John Rand (actor) - Escamillo the Toreador May White - Frasquita Bud Jamison - Soldier of the Guard Lawrence A. Bowes - Gypsy ...
published: 18 Apr 2017 -
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage. Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
published: 01 May 2017 -
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
I only enjoy the film and want others to experience it. All rights to Società Italiana Cines
published: 17 Apr 2015 -
Vingarne (1916)
published: 28 Aug 2016 -
The deerslayer (1913 USA)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
published: 03 Sep 2017 -
Carmen 1915 Cecil B DeMille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had . This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see . Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately . DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
published: 01 Jun 2017 -
Joan the Woman 1916
Joan the Woman - Wikipedia Directed by Cecil B. DeMille Produced by Jesse L. Lasky Cecil B. DeMille Written by Jeanie MacPherson Starring Geraldine Farrar Music by William Furst Cinematography Alvin Wyckoff Edited by Cecil B. DeMille Production company Cardinal Film Corporation Famous Players-Lasky Corporation Distributed by Paramount Pictures Release date December 25, 1916 (New York City premiere) Running time 138 minutes Country United States Language Silent (English intertitles) Budget $302,976 Box office $605,731 Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Sch...
published: 11 Nov 2017 -
"Excuse My Dust" (1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD. http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562 "Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others. A car company aims to find and damage their competitor's new engine. You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy...
published: 04 Dec 2017 -
A Burlesque On Carmen (1915) - Dir. Charles Chaplin
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
published: 18 Oct 2017 -
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Os Amores de Carmen (Burlesque on Carmen, 1915)
48. Os Amores de Carmen (Carmen/Burlesque on “Carmen”) http://blogchaplin.com/filmografia/essanay-studios/
published: 28 Sep 2014 -
Golden Voices in Song /1903-1924 (Originally Issued as Lane Audio T 11)
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use perm...
published: 18 May 2016 -
Act 1 of "Faust" by Charles Gounod (RCA Victor M-105)
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records. Cesar Vezzani as 'Faust' Marcel Journet as 'Mephistopheles' Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
published: 28 Jun 2017 -
Carmen (1915 USA)
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
published: 06 Jul 2017
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Carmen 1915 Geraldine Farrar Cecil B Demille
- Order: Reorder
- Duration: 56:20
- Updated: 16 May 2017
- views: 283
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
https://wn.com/Carmen_1915_Geraldine_Farrar_Cecil_B_Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of Prosper Merimee's novel.
- published: 16 May 2017
- views: 283
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
- Order: Reorder
- Duration: 39:42
- Updated: 23 Oct 2017
- views: 6
1900's American Opera female singers mix vol.1 (1902-1914)
- Order: Reorder
- Duration: 1:17:22
- Updated: 05 Jan 2017
- views: 337
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ;...
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist :
Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture :
SUZANNE ADAMS - Home, Sweet Home (1902)
SUZANNE ADAMS - Romeo et Juliette - Valse (1903)
Dueling Divas - Melba (1904) song #01
Dueling Divas (1904) song #02
EMMA EAMES - Dixie (1905)
BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906)
GERALDINE FARRAR - Ancora Un Passo or via... (1907)
GERALDINE FARRAR - Don Giovanni Batti batti, O Bel Masetto (1908)
ELIZABETH WHEELER - Vila Song (1909)
ELIZABETH WHEELER - Two LOve Songs (1909-1910) song #01
LILIAN NORDICA - Three Songs (1910)
GERALDINE FARRAR - My Old Kentucky Home (1910)
AGNES KIMBALL - Love & Music (1911)
JANET SPENCER - The Moon Drops Low (1911)
JANET SPENCER - Two Songs (1911) sung #01
LUCY ISABELLE MARSH with Victor Light Opera Company - Italian Street Song (1911)
LUCY ISABELLE MARSH - Sunshine Song (1912)
LUCY ISABELLE MARSH - Chanson Provençale (1912)
LOUISE HOMER - Che Faro Senza Euridice (1912)
ANNA CASE - Believe Me If All Those Endearing Young Charms (1912) (Edison cylinder)
LUCY ISABELLE MARSH - Ah, Fors'e Lui... Sempre Libera (1913)
ELEONORA DE CISNEROS - Ah, Quel Giorno (1913)
SOPHIE BRASLAU - Sweedish Love Song (1914)
ELSIE BAKER & OLIVE KLINE - Whispering Hope (1914)
2017 Ill rec compilations
https://wn.com/1900's_American_Opera_Female_Singers_Mix_Vol.1_(1902_1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume one , in a long play compilation mix of 24 songs , from 1902 to 1914 ; playlist :
Compilation des meilleures pièces de chanteuses américaines de l'opéra des années 1900 (sopranos, mezzo-sopranos et contraltos) , volume un, réunies dans un collage audio long jeu sans inetrruption de 24 chansons, de 1902 à 1914, année où débuta la première guerre mondiale ; liste de lecture :
SUZANNE ADAMS - Home, Sweet Home (1902)
SUZANNE ADAMS - Romeo et Juliette - Valse (1903)
Dueling Divas - Melba (1904) song #01
Dueling Divas (1904) song #02
EMMA EAMES - Dixie (1905)
BESSIE ABOTT - (Three 2M Edison cylinders) song #01 (1905-1906)
GERALDINE FARRAR - Ancora Un Passo or via... (1907)
GERALDINE FARRAR - Don Giovanni Batti batti, O Bel Masetto (1908)
ELIZABETH WHEELER - Vila Song (1909)
ELIZABETH WHEELER - Two LOve Songs (1909-1910) song #01
LILIAN NORDICA - Three Songs (1910)
GERALDINE FARRAR - My Old Kentucky Home (1910)
AGNES KIMBALL - Love & Music (1911)
JANET SPENCER - The Moon Drops Low (1911)
JANET SPENCER - Two Songs (1911) sung #01
LUCY ISABELLE MARSH with Victor Light Opera Company - Italian Street Song (1911)
LUCY ISABELLE MARSH - Sunshine Song (1912)
LUCY ISABELLE MARSH - Chanson Provençale (1912)
LOUISE HOMER - Che Faro Senza Euridice (1912)
ANNA CASE - Believe Me If All Those Endearing Young Charms (1912) (Edison cylinder)
LUCY ISABELLE MARSH - Ah, Fors'e Lui... Sempre Libera (1913)
ELEONORA DE CISNEROS - Ah, Quel Giorno (1913)
SOPHIE BRASLAU - Sweedish Love Song (1914)
ELSIE BAKER & OLIVE KLINE - Whispering Hope (1914)
2017 Ill rec compilations
- published: 05 Jan 2017
- views: 337
La olvidada de Dios (1917 USA) The woman God forgot
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- Duration: 1:17:08
- Updated: 16 Jul 2017
- views: 998
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farra...
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
https://wn.com/La_Olvidada_De_Dios_(1917_Usa)_The_Woman_God_Forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en versión de Cecil B. De Mille. Espectáculo asegurado. Con Geraldine Farrar como la princesa Tecza, Raymond Hatton y Hobart Bosworth. A señalar la aparición de Ramón Novarro, que no figura en los créditos. (Emitida por la Rai3, una de las pocas cadenas europeas que programa cine mudo)
- published: 16 Jul 2017
- views: 998
Film Die Dollarprinzessin 1971
- Order: Reorder
- Duration: 1:26:43
- Updated: 08 Nov 2017
- views: 304
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall...
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907).
Schauspieler:
Dollarprinzessin Alice: Gabriele Jacoby
Olga: Tatjana Iwanowa
John Couder: Horst Niendorf
Freddy: Gerhart Lippert
Daisy: Regina Lemnitz
Hans von Schlick: Stefan Behrens
Dora: Ingrid van Bergen
Diener: Wolfgang Spier
Tom: Ulrich Beiger
Dick: Ulrich del Mestre
Handlung:
Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen.
In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verloren und ist daher nach Amerika ausgewandert. Er dient als Stallbursche bei John Couder und gibt Daisy, der Nichte seines Chefs, Reitunterricht. Er verliebt sich in seine Schülerin.
https://wn.com/Film_Die_Dollarprinzessin_1971
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter der Regie von Klaus Überall nach der Operette des Komponisten Leo Fall (1907).
Schauspieler:
Dollarprinzessin Alice: Gabriele Jacoby
Olga: Tatjana Iwanowa
John Couder: Horst Niendorf
Freddy: Gerhart Lippert
Daisy: Regina Lemnitz
Hans von Schlick: Stefan Behrens
Dora: Ingrid van Bergen
Diener: Wolfgang Spier
Tom: Ulrich Beiger
Dick: Ulrich del Mestre
Handlung:
Der amerikanische Multimillionär John Couder beabsichtigt wieder zu heiraten. Er bewundert den europäischen Adel und deshalb muss seine nächste Frau zumindest eine Gräfin sein. Sein Bruder Tom und sein Neffe Dick sollen in Europa eine zu ihm passende adelige Dame suchen.
In Deutschland hat Freiherr Hans von Schlick sein gesamtes Vermögen verloren und ist daher nach Amerika ausgewandert. Er dient als Stallbursche bei John Couder und gibt Daisy, der Nichte seines Chefs, Reitunterricht. Er verliebt sich in seine Schülerin.
- published: 08 Nov 2017
- views: 304
The Golden Age At The Metropolitan 1907 to 1929 - part 1
- Order: Reorder
- Duration: 24:38
- Updated: 24 Aug 2015
- views: 424
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma...
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild)
Composed By – Georges Bizet
Soprano Vocals – Emma Calvé
A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other)
Composed By – Giuseppe Verdi
Tenor Vocals – Enrico Caruso
A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music)
Composed By – Giacomo Puccini
Soprano Vocals – Geraldine Farrar
A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name)
Composed By – Giuseppe Verdi
Soprano Vocals – Amelita Galli-Curci
A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby)
Bass Vocals – Marcel Journet
Composed By – Gustave Charpentier
A7 –Enrico Caruso Les Huguenots: Act 1 Bianca Al Par Di Neve Alpina (Fairer Than The Alpine Lily)
Composed By – Giacomo Meyerbeer
Tenor Vocals – Enrico Caruso
A1: Recorded February 12 1914 in Italian
A2: Recorded April 22 1907 in Italian
A3: Recorded March 16 1908 In Italian
A4: Recorded February 27 1913 In Italian
A5: Recorded February 2 1917 In Italian
A6: Recorded October 12 1926 In French
A7: Recorded November 7 1909 In Italian
Label: RCA Victor Red Seal – LCT 1006
Series: A Treasury Of Immortal Performances –
Format: Vinyl, LP, Compilation, Mono
Country: US
Genre: Classical
Style: Opera
https://wn.com/The_Golden_Age_At_The_Metropolitan_1907_To_1929_Part_1
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
Composed By – Giacomo Puccini
Soprano Vocals – Lucrezia Bori
A2 –Emma Calvé Carmen: Act 1 Habanera (Love Is Like A Wood-Bird Wild)
Composed By – Georges Bizet
Soprano Vocals – Emma Calvé
A3 –Enrico Caruso Rigoletto: Act 1 Questa O Quella (The One Is As Fair As The Other)
Composed By – Giuseppe Verdi
Tenor Vocals – Enrico Caruso
A4 –Geraldine Farrar Tosca: Act 2 Vissi D'Arte (Love And Music)
Composed By – Giacomo Puccini
Soprano Vocals – Geraldine Farrar
A5 –Amelita Galli-Curci Rigoletto: Act 2 Caro Nome (Dearest Name)
Composed By – Giuseppe Verdi
Soprano Vocals – Amelita Galli-Curci
A6 –Marcel Journet Louise: Act 4 Berceuse (Lullaby)
Bass Vocals – Marcel Journet
Composed By – Gustave Charpentier
A7 –Enrico Caruso Les Huguenots: Act 1 Bianca Al Par Di Neve Alpina (Fairer Than The Alpine Lily)
Composed By – Giacomo Meyerbeer
Tenor Vocals – Enrico Caruso
A1: Recorded February 12 1914 in Italian
A2: Recorded April 22 1907 in Italian
A3: Recorded March 16 1908 In Italian
A4: Recorded February 27 1913 In Italian
A5: Recorded February 2 1917 In Italian
A6: Recorded October 12 1926 In French
A7: Recorded November 7 1909 In Italian
Label: RCA Victor Red Seal – LCT 1006
Series: A Treasury Of Immortal Performances –
Format: Vinyl, LP, Compilation, Mono
Country: US
Genre: Classical
Style: Opera
- published: 24 Aug 2015
- views: 424
Charlie Chaplin (1915) (A Burlesque On Carmen)
- Order: Reorder
- Duration: 43:43
- Updated: 18 Apr 2017
- views: 55
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. C...
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella).
Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar.
Cast:
Charles Chaplin - Darn Hosiery
Edna Purviance - Carmen
Jack Henderson - Lillas Pastia
Leo White - Morales, Officer of the Guard
John Rand (actor) - Escamillo the Toreador
May White - Frasquita
Bud Jamison - Soldier of the Guard
Lawrence A. Bowes - Gypsy
Frank J. Coleman - Soldier
http://publicdomainmovies.net/movie/charlie-chaplins-a-burlesque-on-carmen
https://wn.com/Charlie_Chaplin_(1915)_(A_Burlesque_On_Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, released in 1915 and then later recut into a different version in 1916. Charlie Chaplin played Darn Hosiery and Edna Purviance played Carmen (novella).
Carmen was very popular at this time and two films under this title had already been released in 1915, one by Carmen (1915 Raoul Walsh film) where Theda Bara played Carmen and one by Carmen (1915 Cecil B. DeMille film) where the part was played by Geraldine Farrar.
Cast:
Charles Chaplin - Darn Hosiery
Edna Purviance - Carmen
Jack Henderson - Lillas Pastia
Leo White - Morales, Officer of the Guard
John Rand (actor) - Escamillo the Toreador
May White - Frasquita
Bud Jamison - Soldier of the Guard
Lawrence A. Bowes - Gypsy
Frank J. Coleman - Soldier
http://publicdomainmovies.net/movie/charlie-chaplins-a-burlesque-on-carmen
- published: 18 Apr 2017
- views: 55
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Order: Reorder
- Duration: 2:23:32
- Updated: 01 May 2017
- views: 683
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Me...
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
https://wn.com/Rosa_Ponselle_1937_Carmen_Live_Performance_In_Restored_Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and by playing for silent films in theaters. She made her debut at the Met in 1918 singing with Caruso in Verdi's LA FORZA DEL DESTINO. She later sang the title role in Bizet's CARMEN and succeeded Geraldine Farrar as "the" Carmen of the era. The live performance presented here dates from April 17, 1937, and turned out to be her final operatic performance on the stage.
Digitally transferred from sources made from the original acetates with applied Magix audio restoration software to reduce noise and add a mild stereo effect in the mid-tones. There is no added reverb or artificial ambiance.
- published: 01 May 2017
- views: 683
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
- Order: Reorder
- Duration: 44:38
- Updated: 17 Apr 2015
- views: 4566
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
https://wn.com/Rapsodia_Satanica_Nino_Oxilia_1917_(Satan's_Rhapsody)
I only enjoy the film and want others to experience it.
All rights to Società Italiana Cines
- published: 17 Apr 2015
- views: 4566
Vingarne (1916)
- Order: Reorder
- Duration: 50:31
- Updated: 28 Aug 2016
- views: 1830
- published: 28 Aug 2016
- views: 1830
The deerslayer (1913 USA)
- Order: Reorder
- Duration: 58:58
- Updated: 03 Sep 2017
- views: 262
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interp...
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
https://wn.com/The_Deerslayer_(1913_Usa)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces. Dirigido por Hal Reid (que también actúa) y Laurence Trimble. Interpretado por Wallace Reid, Harry T. Morey y Ethel Dunn. Filmada en los escenarios naturales donde JFC situó la historia.
- published: 03 Sep 2017
- views: 262
Carmen 1915 Cecil B DeMille
- Order: Reorder
- Duration: 1:02:27
- Updated: 01 Jun 2017
- views: 262
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This ...
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see .
Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately .
DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
https://wn.com/Carmen_1915_Cecil_B_Demille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. Lasky Feature Play Company, USA. By 1915 Geraldine Farrar had .
This adaptation of Carmen by Cecil B. de Mille is less convincing than the one realised by Ernst Lubitsch three years later (see .
Classic Film 1915 The Cheat Cecil B DeMille A venal, spoiled stockbroker's wife impulsively embezzles $10000 from the charity she chairs and desperately .
DeMille became famous making slightly provocative films about beautiful women and modern love affairs. In Old Wives for New, Charles Murdock feels .
- published: 01 Jun 2017
- views: 262
Joan the Woman 1916
- Order: Reorder
- Duration: 2:16:53
- Updated: 11 Nov 2017
- views: 7
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar ...
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar
Music by William Furst
Cinematography Alvin Wyckoff
Edited by Cecil B. DeMille
Production company Cardinal Film Corporation Famous Players-Lasky Corporation
Distributed by Paramount Pictures
Release date December 25, 1916 (New York City premiere)
Running time 138 minutes
Country United States
Language Silent (English intertitles)
Budget $302,976
Box office $605,731
Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on
Friedrich Schiller's 1801 play Die Jungfrau von Orelans (The Maid of Orleans). This film was considered to be the "first cinematic spectacle about Joan of Arc."
This was the first film to use the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process") for certain scenes. This process is especially noticeable in the scene of Joan burning at the stake, the use
of red and yellow gave this a heightened dramatic effect. A print of the film still exists. DeMille has said that in the weeks before shooting he became obsessed with historical research, costume and
set design,and casting decisions.
Plot
A British officer (Bosworth) in World War I
has a dream of the life of Joan of Arc (Farrar). The officer pulls a sword out of the wall of the trench he is in, the sword used to belong to Joan of
Arc. Removing the sword conjures up the ghost of Joan, leading to her telling her story. The setting then changes to France where the story of Joan of
Arc is told, of her leading the French troops to victory and her subsequent burning at the stake. The story ends back in the trench with the officer deciding
to go on a suicide mission, using Joan's story and sword as inspiration
Cast
\• Geraldine Farrar as Jeanne d'Arc (Joan of Arc)
• Raymond Hatton as Charles VII
• Hobart Bosworth as Gen. La Hire
• Theodore Roberts as Cauchon
• Wallace Reid as Eric Trent 1431 / Eric Trent 1917
• Charles Clary as La Tremouille
• James Neill as Laxart
• Tully Marshall as L'Oiseleur
• Lawrence Peyton as Gaspard
• Horace B. Carpenter as Jacques d'Arc
• Cleo Ridgely as The king's favorite
• Lillian Leighton as Isambeau
• Marjorie Daw as Katherine
• Stephen Gray as Pierre
• Ernest Joy as Robert de Beaudricourt
• John Oaker as Jean de Metz
• Hugo B. Koch as Duke of Burgundy
• William Conklin as John of Luxembourg
• Walter Long as The executioner
• William Elmer as Guy Townes
• Emilius Jorgensen as Michael
• Donald Crisp
• Jack Hoxie
• Lucien Littlefield
• Nigel De Brulier as Man at trial (uncredited)
• Jack Holt (uncredited)
• Fred Kohler as L'Oiseleur's henchman (uncredited)
• Ramón Novarro as Starving Peasant (uncredited)
Release and reception
The film was released on December 25, 1916 and grossed $605,731 at the box office.The film has been criticized by some as propaganda for
World War I.The film begins and ends with the story of a British officer in the trenches fighting in World War I. He is prompted with the decision to participate in
a suicide mission. He discovers a sword that belonged to Joan, and after hearing her story, decides to go on the mission. Robin Blaetz in his book Studies
in Medievalism points out the sexism that exists in the film. While Joan was the inspiration for the British soldier's heroic acts, it is ultimately him
who is the hero in the end of the film. Blaetz points out that this sends the message that "women and war do not mix", alluding to the idea that in World War I women should stay behind the front
lines, but still be supportive of those at war.In his review of the film, Leonard Maltin said this was "DeMille's first historical epic is nicely mounted, spotlighting the heroism and sacrifice of Joan
of Arc (a miscast Farrar) as she evolves from peasant girl to saintlike figure and becomes involved with Englishman Reid. Fashioned as an accolade to France,
with the story bookended by sequences set during WW1 involving a soldier who is inspired by Joan's bravery. Some of the effects are in color."
Attempted film piracy
In 1917 three men were arrested for the theft of a print of the film from a New York film exchange, which they took to New Jersey for the making of a newmaster negative.
Both the missing print and the master were recovered. At that time there was an active criminal practice in making master negatives of American films for
shipment to other countries for the production of new prints,
an early example of motion picture piracy.
https://wn.com/Joan_The_Woman_1916
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Cecil B. DeMille
Written by Jeanie MacPherson
Starring Geraldine Farrar
Music by William Furst
Cinematography Alvin Wyckoff
Edited by Cecil B. DeMille
Production company Cardinal Film Corporation Famous Players-Lasky Corporation
Distributed by Paramount Pictures
Release date December 25, 1916 (New York City premiere)
Running time 138 minutes
Country United States
Language Silent (English intertitles)
Budget $302,976
Box office $605,731
Joan the Woman is a 1916 American epicsilentdrama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc.The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on
Friedrich Schiller's 1801 play Die Jungfrau von Orelans (The Maid of Orleans). This film was considered to be the "first cinematic spectacle about Joan of Arc."
This was the first film to use the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process") for certain scenes. This process is especially noticeable in the scene of Joan burning at the stake, the use
of red and yellow gave this a heightened dramatic effect. A print of the film still exists. DeMille has said that in the weeks before shooting he became obsessed with historical research, costume and
set design,and casting decisions.
Plot
A British officer (Bosworth) in World War I
has a dream of the life of Joan of Arc (Farrar). The officer pulls a sword out of the wall of the trench he is in, the sword used to belong to Joan of
Arc. Removing the sword conjures up the ghost of Joan, leading to her telling her story. The setting then changes to France where the story of Joan of
Arc is told, of her leading the French troops to victory and her subsequent burning at the stake. The story ends back in the trench with the officer deciding
to go on a suicide mission, using Joan's story and sword as inspiration
Cast
\• Geraldine Farrar as Jeanne d'Arc (Joan of Arc)
• Raymond Hatton as Charles VII
• Hobart Bosworth as Gen. La Hire
• Theodore Roberts as Cauchon
• Wallace Reid as Eric Trent 1431 / Eric Trent 1917
• Charles Clary as La Tremouille
• James Neill as Laxart
• Tully Marshall as L'Oiseleur
• Lawrence Peyton as Gaspard
• Horace B. Carpenter as Jacques d'Arc
• Cleo Ridgely as The king's favorite
• Lillian Leighton as Isambeau
• Marjorie Daw as Katherine
• Stephen Gray as Pierre
• Ernest Joy as Robert de Beaudricourt
• John Oaker as Jean de Metz
• Hugo B. Koch as Duke of Burgundy
• William Conklin as John of Luxembourg
• Walter Long as The executioner
• William Elmer as Guy Townes
• Emilius Jorgensen as Michael
• Donald Crisp
• Jack Hoxie
• Lucien Littlefield
• Nigel De Brulier as Man at trial (uncredited)
• Jack Holt (uncredited)
• Fred Kohler as L'Oiseleur's henchman (uncredited)
• Ramón Novarro as Starving Peasant (uncredited)
Release and reception
The film was released on December 25, 1916 and grossed $605,731 at the box office.The film has been criticized by some as propaganda for
World War I.The film begins and ends with the story of a British officer in the trenches fighting in World War I. He is prompted with the decision to participate in
a suicide mission. He discovers a sword that belonged to Joan, and after hearing her story, decides to go on the mission. Robin Blaetz in his book Studies
in Medievalism points out the sexism that exists in the film. While Joan was the inspiration for the British soldier's heroic acts, it is ultimately him
who is the hero in the end of the film. Blaetz points out that this sends the message that "women and war do not mix", alluding to the idea that in World War I women should stay behind the front
lines, but still be supportive of those at war.In his review of the film, Leonard Maltin said this was "DeMille's first historical epic is nicely mounted, spotlighting the heroism and sacrifice of Joan
of Arc (a miscast Farrar) as she evolves from peasant girl to saintlike figure and becomes involved with Englishman Reid. Fashioned as an accolade to France,
with the story bookended by sequences set during WW1 involving a soldier who is inspired by Joan's bravery. Some of the effects are in color."
Attempted film piracy
In 1917 three men were arrested for the theft of a print of the film from a New York film exchange, which they took to New Jersey for the making of a newmaster negative.
Both the missing print and the master were recovered. At that time there was an active criminal practice in making master negatives of American films for
shipment to other countries for the production of new prints,
an early example of motion picture piracy.
- published: 11 Nov 2017
- views: 7
"Excuse My Dust" (1920)
- Order: Reorder
- Duration: 48:02
- Updated: 04 Dec 2017
- views: 135
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. Th...
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
"Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others.
A car company aims to find and damage their competitor's new engine.
You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy of silent movie stars by making a tax deductible contribution.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
https://wn.com/Excuse_My_Dust_(1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time available films with our stars, as well as other silent masterpieces. These are high quality films that are hard to find anywhere else. Please use the link below to see the Silent Gems Collection of rare films on DVD.
http://www.ebay.com/sch/yorkmba99/m.html?item=131684404495&ssPageName;=STRK%3AMESELX%3AIT&rt;=nc&_trksid=p2047675.l2562
"Excuse My Dust" is an action comedy directed by Sam Wood featuring Wallace Reid, Ann Little, Theodore Roberts, Tully Marshall, Guy Oliver, Otto Brower, Wallace Reid Jr., Walter Long and others.
A car company aims to find and damage their competitor's new engine.
You can visit our website silent-hall-of-fame.org for more great silent gems. Please support the legacy of silent movie stars by making a tax deductible contribution.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
"Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
- published: 04 Dec 2017
- views: 135
A Burlesque On Carmen (1915) - Dir. Charles Chaplin
- Order: Reorder
- Duration: 31:52
- Updated: 18 Oct 2017
- views: 11
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lur...
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
https://wn.com/A_Burlesque_On_Carmen_(1915)_Dir._Charles_Chaplin
This is a parody of two "Carmen"s, Bizet's opera and a movie (1915) starring Geraldine Farrar. Smugglers come ashore. Their leader sends the gypsy Carmen to lure Don Jose (called Darn Hosiery) away so they can get the contraband to town. There are grand swordfights, deaths, returns to life.
- published: 18 Oct 2017
- views: 11
Carmen, Cecil B. DeMille
- Order: Reorder
- Duration: 57:20
- Updated: 03 Jan 2018
- views: 2
Os Amores de Carmen (Burlesque on Carmen, 1915)
- Order: Reorder
- Duration: 31:28
- Updated: 28 Sep 2014
- views: 650
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
https://wn.com/Os_Amores_De_Carmen_(Burlesque_On_Carmen,_1915)
48. Os Amores de Carmen
(Carmen/Burlesque on “Carmen”)
http://blogchaplin.com/filmografia/essanay-studios/
- published: 28 Sep 2014
- views: 650
Golden Voices in Song /1903-1924 (Originally Issued as Lane Audio T 11)
- Order: Reorder
- Duration: 1:00:36
- Updated: 18 May 2016
- views: 205
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Ger...
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted.
https://wn.com/Golden_Voices_In_Song_1903_1924_(Originally_Issued_As_Lane_Audio_T_11)
Artists:Enrico Caruso,Jose Mardones,Emma Calve,Titta Ruffo,Luisa Tetrazzini,Edmund Clement,Frieda Hempel,Pasquale Amato,Alma Gluck,Clara Butt,Antonio Scotti,Geraldine Farrar,Mattia Battistini,Mary Garden,Lousie Homer,Emmy Destinn,Riccardo Stracciari,Josefina Huguet,Giusseppe Campanari,Amelita Galli-Curci & Reinald Werrenrath-22 sides of 78 rpm records Lane Audio Research Digital Sound Processing By Donald H. Holmes-2016 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted.
- published: 18 May 2016
- views: 205
Act 1 of "Faust" by Charles Gounod (RCA Victor M-105)
- Order: Reorder
- Duration: 20:27
- Updated: 28 Jun 2017
- views: 44
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistophe...
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistopheles'
Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
https://wn.com/Act_1_Of_Faust_By_Charles_Gounod_(Rca_Victor_M_105)
Henri Büsser conducts the Paris Opera Chorus and Orchestra in this 1931 recording by Victor Records.
Cesar Vezzani as 'Faust'
Marcel Journet as 'Mephistopheles'
Journet recorded Faust selections acoustically for Victor Records along with Enrico Caruso and Geraldine Farrar, but thankfully recording progressed with the advancement of sound technology to capture this great artist interpreting one of his greatest roles, that of Mephistopheles.
- published: 28 Jun 2017
- views: 44
Carmen (1915 USA)
- Order: Reorder
- Duration: 57:20
- Updated: 06 Jul 2017
- views: 100
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la sop...
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
https://wn.com/Carmen_(1915_Usa)
Llevada a la pantalla por un joven Cecil B. DeMille, esta adaptación de la novela de Mérimée fue el primer film importante del director. Interpretado por la soprano Geraldine Farrar, junto a Wallace Reid y Pedro de Córdoba. Una brillante restauración con virados y espléndida banda sonora. (Ver en este mismo canal las cuatro versiones mudas de 'Carmen' dirigidas por Lubitsch, Feyder , Chaplin y Turchi)
- published: 06 Jul 2017
- views: 100
- Playlist
- Chat
- Playlist
- Chat
4:07
Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo"
Farrar sings Butterfly's aria
published: 01 Jul 2009
Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo"
Geraldine Farrar - Madama Butterfly: "Un bel di, vedremo"
- Report rights infringement
- published: 01 Jul 2009
- views: 8811
4:54
Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
Giacomo Puccini LA BOHÈME "Sì, mi chiamano Mimì" - Disco acustico Victor - Matrice C 12...
published: 08 Dec 2013
Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
Soprano GERALDINE FARRAR - La Bohème - "Sì, mi chiamano Mimì" (1912)
- Report rights infringement
- published: 08 Dec 2013
- views: 3286
3:28
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) - N.Y. Feb. 27, 1913
I made the conve...
published: 03 Sep 2016
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
Geraldine Farrar - Vissi d’Arte (Puccini, La Tosca) N.Y. 1913
- Report rights infringement
- published: 03 Sep 2016
- views: 678
3:09
Geraldine Farrar sings the Jewel Song from Faust
Legendary soprano Geraldine Farrar (1882-1967) sings Marguerite's aria "Ah! Je ris de me v...
published: 17 Nov 2008
Geraldine Farrar sings the Jewel Song from Faust
Geraldine Farrar sings the Jewel Song from Faust
- Report rights infringement
- published: 17 Nov 2008
- views: 16975
2:31
Geraldine Farrar canta Carmen
Geraldine Farrar canta "Les tringles des sistres tintaient" de Carmen de Bizet. Las imágen...
published: 13 Jun 2008
Geraldine Farrar canta Carmen
Geraldine Farrar canta Carmen
- Report rights infringement
- published: 13 Jun 2008
- views: 12520
4:04
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio...
published: 07 Aug 2011
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
- Report rights infringement
- published: 07 Aug 2011
- views: 5596
3:24
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
American soprano Geraldine Farrar (1882-1967) / Midnight Bells (Im chambre séparée) / The ...
published: 06 Feb 2010
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
American Soprano Geraldine Farrar: Midnight Bells ~ Im chambre séparée (1927)
- Report rights infringement
- published: 06 Feb 2010
- views: 5907
3:41
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately...
published: 13 Dec 2011
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
- Report rights infringement
- published: 13 Dec 2011
- views: 2233
3:47
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
American soprano Geraldine Farrar (1882-1967) / from "Frasquita" (Lehar) / Passion Rose: R...
published: 05 Jul 2009
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
(LEHAR): American Soprano Geraldine FARRAR: Rest with the Dew of the Dawning (1927)
- Report rights infringement
- published: 05 Jul 2009
- views: 2730
3:31
Geraldine Farrar My Old Kentucky Home 1910
One if thebetter version s amongst the thousands
published: 19 Jun 2015
Geraldine Farrar My Old Kentucky Home 1910
Geraldine Farrar My Old Kentucky Home 1910
- Report rights infringement
- published: 19 Jun 2015
- views: 730
5:25
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time av...
published: 10 Jul 2016
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
"The Woman God Forgot" (1917) director Cecil DeMille with Geraldine Farrar
- Report rights infringement
- published: 10 Jul 2016
- views: 1890
3:22
Geraldine Farrar - Gypsy Song from "Carmen"
Victor 78 rpm recording of the Gypsy Song from the opera "Carmen."
published: 06 Nov 2016
Geraldine Farrar - Gypsy Song from "Carmen"
Geraldine Farrar - Gypsy Song from "Carmen"
- Report rights infringement
- published: 06 Nov 2016
- views: 161
2:57
American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
American soprano Geraldine Farrar (1882-1967) / Old Folks At Home (Foster) / Recorded: De...
published: 06 Feb 2010
American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
American Soprano Geraldine Farrar ~ Old Folks At Home (1932)
- Report rights infringement
- published: 06 Feb 2010
- views: 1882
3:47
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Giacomo Puccini - TOSCA "Vissi d'arte"
Soprano statunitense GERALDINE FARRAR
published: 28 Feb 2017
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
Soprano GERALDINE FARRAR - Tosca "Vissi d'arte" (1913)
- Report rights infringement
- published: 28 Feb 2017
- views: 208
- Playlist
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39:42
GERALDINE FARRAR LIVE BROADCASTS 1931 - 1936
Geraldine farrar gave many met intermission features directly from a box during met perfor...
published: 12 May 2017
GERALDINE FARRAR LIVE BROADCASTS 1931 - 1936
GERALDINE FARRAR LIVE BROADCASTS 1931 - 1936
- Report rights infringement
- published: 12 May 2017
- views: 12
1:46
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
fro...
published: 26 Jun 2017
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
- Report rights infringement
- published: 26 Jun 2017
- views: 132
3:41
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Don Giovanni's villa. Don Giovanni is immediately attracted to Zerlina, and he immediately...
published: 13 Dec 2011
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
Là ci darem la mano - Antonio Scotti & Geraldine Farrar (1909)
- Report rights infringement
- published: 13 Dec 2011
- views: 2233
2:35
GERALDINE FARRAR e GIUSEPPE DE LUCA - Zazà - "Non so capir...(Il bacio) - 1920
Ruggero Leoncavallo ZAZÁ "Non so capir..." (Il bacio) - Disco acustico Victor, Camden...
published: 23 Aug 2013
GERALDINE FARRAR e GIUSEPPE DE LUCA - Zazà - "Non so capir...(Il bacio) - 1920
GERALDINE FARRAR e GIUSEPPE DE LUCA - Zazà - "Non so capir...(Il bacio) - 1920
- Report rights infringement
- published: 23 Aug 2013
- views: 432
8:40
Geraldine Farrar NBC Radio Intermission Programme from Box 42 at the MET
"The three Marguerites"
Geraldine Farrar in a Live Intermission programme from Box No. 42 ...
published: 26 Oct 2017
Geraldine Farrar NBC Radio Intermission Programme from Box 42 at the MET
Geraldine Farrar NBC Radio Intermission Programme from Box 42 at the MET
- Report rights infringement
- published: 26 Oct 2017
- views: 50
2:23:32
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and...
published: 01 May 2017
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Report rights infringement
- published: 01 May 2017
- views: 683
2:55
Geraldine FARRAR. Les Contes D´Hoffmann. Offenbach.
Antomio Scotti, baritone.
Belle nuit, o nuit d´amour.
Recorded 1909.
published: 06 Jan 2012
Geraldine FARRAR. Les Contes D´Hoffmann. Offenbach.
Geraldine FARRAR. Les Contes D´Hoffmann. Offenbach.
- Report rights infringement
- published: 06 Jan 2012
- views: 406
4:26
Geraldine Farrar & Giovanni Martinelli _" Cest toi ! " (1915)
Bizet : Carmen- Act 4 " You here ! "
78rpm / U.S.Victor-8019 A
recorded 5/19, 1915
on Colu...
published: 15 Mar 2014
Geraldine Farrar & Giovanni Martinelli _" Cest toi ! " (1915)
4:04
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio...
published: 07 Aug 2011
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
- Report rights infringement
- published: 07 Aug 2011
- views: 5596
2:54
Geraldine Farrar: "Ancora un passo or via..." - 1907
Farrar sings Butterfly's entrance from Puccini's opera "Madama Butterfly".
1907.
published: 03 Jun 2009
Geraldine Farrar: "Ancora un passo or via..." - 1907
Geraldine Farrar: "Ancora un passo or via..." - 1907
- Report rights infringement
- published: 03 Jun 2009
- views: 2646
5:14
Geraldine Farrar *Vinyl Giovanni Martinelli Carmen Halt there! Who goes there?
Public Domain
published: 13 Aug 2010
Geraldine Farrar *Vinyl Giovanni Martinelli Carmen Halt there! Who goes there?
Geraldine Farrar *Vinyl Giovanni Martinelli Carmen Halt there! Who goes there?
- Report rights infringement
- published: 13 Aug 2010
- views: 325
2:30
GERALDINE FARRAR - CARMEN FRAGMENT 1929 BROADCAST
Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American soprano opera singer...
published: 12 May 2017
GERALDINE FARRAR - CARMEN FRAGMENT 1929 BROADCAST
GERALDINE FARRAR - CARMEN FRAGMENT 1929 BROADCAST
- Report rights infringement
- published: 12 May 2017
- views: 16
56:20
Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of P...
published: 16 May 2017
Carmen 1915 Geraldine Farrar Cecil B Demille
Carmen 1915 Geraldine Farrar Cecil B Demille
- Report rights infringement
- published: 16 May 2017
- views: 283
3:14
Geraldine Farrar - Air des bijoux (Gounod : Faust ; Act 3)- 1913
"Jewel Song " 宝石の歌
78rpm / U.S.Victor - 88147, recorded 2/27, 1913
on Victrola J1-91 gramo...
published: 04 Apr 2017
Geraldine Farrar - Air des bijoux (Gounod : Faust ; Act 3)- 1913
Geraldine Farrar - Air des bijoux (Gounod : Faust ; Act 3)- 1913
- Report rights infringement
- published: 04 Apr 2017
- views: 86
- Playlist
- Chat
56:20
Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of P...
published: 16 May 2017
Carmen 1915 Geraldine Farrar Cecil B Demille
Carmen 1915 Geraldine Farrar Cecil B Demille
- Report rights infringement
- published: 16 May 2017
- views: 283
39:42
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
THESE BROADCASTS WERE RECORDED IN THE MET OPERA HOUSE.....
published: 23 Oct 2017
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
1:17:22
1900's American Opera female singers mix vol.1 (1902-1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume ...
published: 05 Jan 2017
1900's American Opera female singers mix vol.1 (1902-1914)
1900's American Opera female singers mix vol.1 (1902-1914)
- Report rights infringement
- published: 05 Jan 2017
- views: 337
1:17:08
La olvidada de Dios (1917 USA) The woman God forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en ve...
published: 16 Jul 2017
La olvidada de Dios (1917 USA) The woman God forgot
La olvidada de Dios (1917 USA) The woman God forgot
- Report rights infringement
- published: 16 Jul 2017
- views: 998
1:26:43
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter ...
published: 08 Nov 2017
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971
- Report rights infringement
- published: 08 Nov 2017
- views: 304
24:38
The Golden Age At The Metropolitan 1907 to 1929 - part 1
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
...
published: 24 Aug 2015
The Golden Age At The Metropolitan 1907 to 1929 - part 1
The Golden Age At The Metropolitan 1907 to 1929 - part 1
- Report rights infringement
- published: 24 Aug 2015
- views: 424
43:43
Charlie Chaplin (1915) (A Burlesque On Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, rel...
published: 18 Apr 2017
Charlie Chaplin (1915) (A Burlesque On Carmen)
Charlie Chaplin (1915) (A Burlesque On Carmen)
- Report rights infringement
- published: 18 Apr 2017
- views: 55
2:23:32
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and...
published: 01 May 2017
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
- Report rights infringement
- published: 01 May 2017
- views: 683
44:38
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
I only enjoy the film and want others to experience it.
All rights to Società Italiana Ci...
published: 17 Apr 2015
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
- Report rights infringement
- published: 17 Apr 2015
- views: 4566
50:31
Vingarne (1916)
published: 28 Aug 2016
Vingarne (1916)
Vingarne (1916)
- Report rights infringement
- published: 28 Aug 2016
- views: 1830
58:58
The deerslayer (1913 USA)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces...
published: 03 Sep 2017
The deerslayer (1913 USA)
The deerslayer (1913 USA)
- Report rights infringement
- published: 03 Sep 2017
- views: 262
1:02:27
Carmen 1915 Cecil B DeMille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. La...
published: 01 Jun 2017
Carmen 1915 Cecil B DeMille
Carmen 1915 Cecil B DeMille
- Report rights infringement
- published: 01 Jun 2017
- views: 262
2:16:53
Joan the Woman 1916
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Ceci...
published: 11 Nov 2017
Joan the Woman 1916
Joan the Woman 1916
- Report rights infringement
- published: 11 Nov 2017
- views: 7
48:02
"Excuse My Dust" (1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time av...
published: 04 Dec 2017
"Excuse My Dust" (1920)
"Excuse My Dust" (1920)
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- published: 04 Dec 2017
- views: 135
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10:05
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. H...
published: 12 May 2017
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
GERALDINE FARRAR INTERVIEWS- GIOVANNI MARTINELLI 1933 MET INT
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- published: 12 May 2017
- views: 59
10:05
GIOVANNI MARTINELLI INTERVIEW with GERALDINE FARRAR - 1933
Giovanni Martinelli (October 22, 1885 – February 2, 1969) was an Italian operatic tenor. H...
published: 02 Jan 2018
GIOVANNI MARTINELLI INTERVIEW with GERALDINE FARRAR - 1933
GIOVANNI MARTINELLI INTERVIEW with GERALDINE FARRAR - 1933
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- published: 02 Jan 2018
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1:43
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Metropo...
published: 01 Aug 2017
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
Intermission feature with Geraldine Farrar duiring Kirsten Flagstad's debut at the Met
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- published: 01 Aug 2017
- views: 140
3:22
Geraldine Farrar - Gypsy Song from "Carmen"
Victor 78 rpm recording of the Gypsy Song from the opera "Carmen."
published: 06 Nov 2016
Geraldine Farrar - Gypsy Song from "Carmen"
Geraldine Farrar - Gypsy Song from "Carmen"
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- published: 06 Nov 2016
- views: 161
1:46
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Metropolitan Opera Intermission Feature
2nd February 1935 featuring Geraldine Farrar
fro...
published: 26 Jun 2017
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
Met Opera Intermission Feature 2 February 1935 Geraldine Farrar
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- published: 26 Jun 2017
- views: 132
4:08
Geraldine Farrar - Madama Butterfly (Puccini)
Soprano with orchestra In Italian
Un bel di vedremo (Some Day He'll Come)
(Act Ⅱ, Scene 1)...
published: 22 Jul 2013
Geraldine Farrar - Madama Butterfly (Puccini)
Geraldine Farrar - Madama Butterfly (Puccini)
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- published: 22 Jul 2013
- views: 937
8:05
GERALDINE FARRAR 1934 - THE FOUR MARGUERITES 1934 MET INTERM
MET INTERMISSION FEATURES......
Geraldine Farrar (February 28, 1882 – March 11, 1967) was ...
published: 12 May 2017
GERALDINE FARRAR 1934 - THE FOUR MARGUERITES 1934 MET INTERM
GERALDINE FARRAR 1934 - THE FOUR MARGUERITES 1934 MET INTERM
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- published: 12 May 2017
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9:36
VANESA MARTINELLI INTERVIEW
VANESA MARTINELLI INTERVIEW
published: 05 Sep 2008
VANESA MARTINELLI INTERVIEW
VANESA MARTINELLI INTERVIEW
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- published: 05 Sep 2008
- views: 308
3:53
Interview with Crystal Fighters on 'Star of Love'
published: 26 Jun 2012
Interview with Crystal Fighters on 'Star of Love'
Interview with Crystal Fighters on 'Star of Love'
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- published: 26 Jun 2012
- views: 2015
3:48
Geraldine FARRAR. Thais. Jules Massenet.
Te souvient-li du lumineux voyage.
Recorded 1918.
published: 06 Jan 2012
Geraldine FARRAR. Thais. Jules Massenet.
Geraldine FARRAR. Thais. Jules Massenet.
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- published: 06 Jan 2012
- views: 975
4:04
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
I need to alert listeners to the fact that Geraldine Farrar (1882-1967), who portrayed Cio...
published: 07 Aug 2011
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
Geraldine Farrar: The Metropolitan Opera's First Butterfly: "Un bel dì," Rec. 1908
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- published: 07 Aug 2011
- views: 5596
8:38
Interview with Lady Petunia Cunningham-Clarke
Enjoy this revealing insight into the life of one of the UK's poshest and most aristocrati...
published: 06 Apr 2010
Interview with Lady Petunia Cunningham-Clarke
Interview with Lady Petunia Cunningham-Clarke
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- published: 06 Apr 2010
- views: 383
2:23:32
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and...
published: 01 May 2017
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
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- published: 01 May 2017
- views: 683
5:39
Faust final trio - Caruso-Farrar-Journet & McCormack-Melba-Sammarco (1910)
Here's an interesting comparison: the Faust final trio (Alerte! Alerte! Ou vous ete perdus...
published: 22 Sep 2009
Faust final trio - Caruso-Farrar-Journet & McCormack-Melba-Sammarco (1910)
Faust final trio - Caruso-Farrar-Journet & McCormack-Melba-Sammarco (1910)
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- published: 22 Sep 2009
- views: 17514
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56:20
Carmen 1915 Geraldine Farrar Cecil B Demille
Public domain mark 1.0. Geraldine Farrar stars in Cecil B. Demille's 1915 adaptation of P...
published: 16 May 2017
Carmen 1915 Geraldine Farrar Cecil B Demille
Carmen 1915 Geraldine Farrar Cecil B Demille
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- published: 16 May 2017
- views: 283
39:42
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
THESE BROADCASTS WERE RECORDED IN THE MET OPERA HOUSE.....
published: 23 Oct 2017
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936
1:17:22
1900's American Opera female singers mix vol.1 (1902-1914)
1900's american opera best female singers (soprano, mezzo-soprano and contralto) , volume ...
published: 05 Jan 2017
1900's American Opera female singers mix vol.1 (1902-1914)
1900's American Opera female singers mix vol.1 (1902-1914)
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- published: 05 Jan 2017
- views: 337
1:17:08
La olvidada de Dios (1917 USA) The woman God forgot
El reino azteca y la heróica lucha de Moctezuma contra los conquistadores españoles, en ve...
published: 16 Jul 2017
La olvidada de Dios (1917 USA) The woman God forgot
La olvidada de Dios (1917 USA) The woman God forgot
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- published: 16 Jul 2017
- views: 998
1:26:43
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971
'Die Dollarprinzessin' ist eine Operettenverfilmung unter ...
published: 08 Nov 2017
Film Die Dollarprinzessin 1971
Film Die Dollarprinzessin 1971
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- published: 08 Nov 2017
- views: 304
24:38
The Golden Age At The Metropolitan 1907 to 1929 - part 1
Tracklist Side 1:
A1 –Lucrezia Bori La Boheme: Act 1 Mi Chiamano Mimi (My Name Is Mimi)
...
published: 24 Aug 2015
The Golden Age At The Metropolitan 1907 to 1929 - part 1
The Golden Age At The Metropolitan 1907 to 1929 - part 1
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- published: 24 Aug 2015
- views: 424
43:43
Charlie Chaplin (1915) (A Burlesque On Carmen)
Burlesque on Carmen is Charlie Chaplin's thirteenth and last film for Essanay Studios, rel...
published: 18 Apr 2017
Charlie Chaplin (1915) (A Burlesque On Carmen)
Charlie Chaplin (1915) (A Burlesque On Carmen)
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- published: 18 Apr 2017
- views: 55
2:23:32
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
The legendary soprano Rosa Ponselle (1897-1981) began her singing career in vaudeville and...
published: 01 May 2017
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
Rosa Ponselle: 1937 CARMEN Live Performance in Restored Sound
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- published: 01 May 2017
- views: 683
44:38
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
I only enjoy the film and want others to experience it.
All rights to Società Italiana Ci...
published: 17 Apr 2015
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rhapsody)
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- published: 17 Apr 2015
- views: 4566
50:31
Vingarne (1916)
published: 28 Aug 2016
Vingarne (1916)
Vingarne (1916)
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- published: 28 Aug 2016
- views: 1830
58:58
The deerslayer (1913 USA)
Primera adaptación del relato de J. Fenimore Cooper, llevado al cine media docena de veces...
published: 03 Sep 2017
The deerslayer (1913 USA)
The deerslayer (1913 USA)
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- published: 03 Sep 2017
- views: 262
1:02:27
Carmen 1915 Cecil B DeMille
Carmen”,1915, directed by Cecil B. DeMille, is a silent drama film produced by Jesse L. La...
published: 01 Jun 2017
Carmen 1915 Cecil B DeMille
Carmen 1915 Cecil B DeMille
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- published: 01 Jun 2017
- views: 262
2:16:53
Joan the Woman 1916
Joan the Woman - Wikipedia
Directed by Cecil B. DeMille
Produced by Jesse L. Lasky Ceci...
published: 11 Nov 2017
Joan the Woman 1916
Joan the Woman 1916
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- published: 11 Nov 2017
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48:02
"Excuse My Dust" (1920)
Silent Hall of Fame has created a Silent Gems Collection of rare and for the first time av...
published: 04 Dec 2017
"Excuse My Dust" (1920)
"Excuse My Dust" (1920)
- Report rights infringement
- published: 04 Dec 2017
- views: 135
Carmen 1915 Geraldine Farrar Cecil B Demille...
GERALDINE FARRAR LIVE BROADCASTS 1931- 1936...
1900's American Opera female singers mix vol.1 (19...
La olvidada de Dios (1917 USA) The woman God forgo...
Film Die Dollarprinzessin 1971...
The Golden Age At The Metropolitan 1907 to 1929 - ...
Charlie Chaplin (1915) (A Burlesque On Carmen)...
Rosa Ponselle: 1937 CARMEN Live Performance in Res...
Rapsodia Satanica - Nino Oxilia - 1917 (Satan's Rh...
Vingarne (1916)...
The deerslayer (1913 USA)...
Carmen 1915 Cecil B DeMille...
Joan the Woman 1916...
"Excuse My Dust" (1920)...
A Burlesque On Carmen (1915) - Dir. Charles Chapli...
Carmen, Cecil B. DeMille...
Os Amores de Carmen (Burlesque on Carmen, 1915)...
Golden Voices in Song /1903-1924 (Originally Issu...
Act 1 of "Faust" by Charles Gounod (RCA Victor M-...
Carmen (1915 USA)...
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Trump Brags About Size of His 'Nuclear Button' In Tweet Responding To North Korea
Edit WorldNews.com 03 Jan 2018
United States President Donald Trump taunted North Korea on Tuesday evening, warning leader Kim Jong Un about the U.S. nuclear capabilities as tensions escalate between the two countries, according to CNN ... Trump sent out several tweets on Tuesday that addresses a number of issues including how the New York Times has covered his administration, the protests in Iran, and the ongoing conflict in the Middle East ... ... ... -WN.com, Maureen Foody....
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Cliffside Bus Crash in Peru Leaves At Least 36 Dead
Edit WorldNews.com 03 Jan 2018
Peruvian police announced on Tuesday that at least 36 people died after a bus fell down a cliff onto a rocky beach while driving on a narrow stretch of highway that's locally known as the "Devil's Curve," according to Voice of America ... The blue bus ended up resting on a narrow, isolated portion of the shore next to the Pacific, with many passengers thrown from the wreck among the rocks ... "There is a large number of fatal victims," Col....
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Freed Canadian Hostage Joshua Boyle Faces 15 Criminal Charges
Edit WorldNews.com 02 Jan 2018
The Canadian man who was freed last year after spending five years in captivity after he and his wife were abducted in Afghanistan was arrested in Ottawa on Tuesday and now faces several charges including assault and forcible confinement, according to CBC ... A publication ban was imposed to prevent the name of the alleged victims from being identified. “Mr. Boyle is presumed innocent. He’s never been in trouble before ......
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North Korea to open hotline with South to discuss Winter Olympics
Edit CNN 03 Jan 2018
(CNN)North Korea says it will open its hotline to South Korea for the first time in almost two years on Wednesday at 3.00 p.m local time (1.30 a.m. ET) ... Read More ... Developing story - more to come. ....
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Archaeologists Find 2,700-Year-Old Seal Of Jerusalem Governor
Edit WorldNews.com 03 Jan 2018
On Monday, archaeologists revealed they had unearthed a small clay seal they believe belonged to the governor of Jerusalem 2,700 years ago during the late First Temple period, IFL Science reports."This is the first time that such a sealing is found in an authorized excavation ... – Shlomit Weksler-BdolahThere are two references to a governor of Jerusalem in The Bible....
Basketball: Lewiston sidesteps stubborn Mt. Blue
Edit Lewiston Sun Journal 03 Jan 2018
Mt. Blue’s James Anderson, center, looks for a teammate to pass to as he is double teamed by Lewiston’s Abdinur Mohamed, left and Yasin Mohamud during the second half of Tuesday’s game in Lewiston. (Russ Dillingham/Sun Journal). LEWISTON — Mt ... That’s what we have done all vacation,” Lewiston coach Tim Farrar said ... Advertisement ... He is a senior that put in a lot of time and really turned his life around,” Farrar said ... Mt ... ....
James Wilkins
Edit Fort Smith Times Record 03 Jan 2018
James Owen Wilkins, 60, of Booneville passed away in a hospital in Springfield, Mo., on Dec. 31, 2017. He was born Jan. 2, 1957, in Killeen, Texas ... He enjoyed working on his farm, anything having to do with cars, traveling and walking through antique malls.He was preceded in death by his parents, Owen and Geraldine Wilkins.He is survived by his wife, Doris (Marshall) [...] ... ....
Dorothy Reed
Edit Fort Smith Times Record 03 Jan 2018
Dorothy Virgina Reed, 80, of Van Buren died Tuesday, Jan. 2, 2018, in her home ... Thursday at Bryant Cemetery in Cove City under the direction of Ocker Funeral Home in Van Buren.She is survived by two daughters, Geraldine Capps and Carolyn Perkins, both of Van Buren; a brother, Vernon Lowery of Van Buren; six grandchildren; and five great-grandchildren.Visitation will be [...] ... ....
EUGENE J. BARANOWSKI
Edit Sanilac County News 03 Jan 2018
Eugene J. Baranowski, age 74, of Carsonville, passed away on Thursday, December 21, 2017 at Autumnwood of Deckerville after a long battle with prostate cancer ... He married Geraldine Krause on August 7, 1999 in Applegate ... Password ... Note....
We Can’t Measure Pain. Is That Fueling the Opioid Crisis?
Edit The Daily Beast 03 Jan 2018
John Farrar, a professor of epidemiology at the Hospital of the University of Pennsylvania, is a bit skeptical a pain-measuring device would really put a significant dent in the opioid crisis ... “The only way we’re going to know about whether a patient has pain is by asking.” Too many factors play into how a person experiences pain, and Farrar ......
Cicero’s November ‘Super Seniors’ Recognized
Edit Public Technologies 03 Jan 2018
Each month during a meeting of the Cicero Town Board, officials recognize the achievements of citizens who have reached the age of 90 or above through the 'Super Seniors' program organized by Town Collector Fran Reitz ... Mary DeCarolis, 93; Antonia Guerrero, 90; Evelyn Mayer, 91; and Geraldine Mesek, 95 ... (noodl. 42001868) ....
Kauffman, Rita Marie (nee McAdams)
Edit Atlantic City 03 Jan 2018
Rita is lovingly remembered by her husband of 3 years Morton L. Bates ... Kauffman, Jr., Greg Kauffman, Jane Conolly, Joanne Buber, Regina Myers, 13 grandchildren and her siblings Joseph McAdams, William McAdams, Marianne Hathaway, Jack McAdams, Kathy Pacheco and Geraldine McAdams ... Kauffman, Sr ... Mass 12pm Friday at St....
Obit: Macy Rogers
Edit Times Free Press 03 Jan 2018
Macy Pope Rogers, 94, of Ooltewah passed away Dec. 31, 2017 in a local healthcare center. She was born in Geraldine, Ala. but had made her home in Chattanooga for the past 70 years. She was a faithful member of Grace Bible Church for 40 years and attended regularly until her illness prevented her from being present ... ....
Backyard chickens now allowed in Edwardsville
Edit The Intelligencer 03 Jan 2018
Edwardsville residents are now able to obtain backyard hens. With five aldermen in favor and three against, the ordinance gained approval at Tuesday’s City Council meeting ... As stated in the ordinance, backyard hen applicants must meet several requirements prior to obtaining the chickens ... Aldermen Chris Farrar, Craig Louer, Stack, SJ Morrison and Krause were in favor of the ordinance’s approval ... ....
COLLEGE BASKETBALL: Lady Hawks fall short of GSC win against West Florida, 60-54
Edit Rome News-Tribune 03 Jan 2018
A slow first period came back to bite the Shorter University women Tuesday night as their battle to get a conference win came up short again. The Lady Hawks were outscored 11-4 in the opening 10 minutes and visiting West Florida took a 60-54 win in the Gulf South Conference contest at Shorter’s Winthrop-King Centre ... Khalyl Watters finished with 16 points, while Jeremiah Buford had 13, Sandro Noel had 12 and AJ Farrar added 10 ... ....
Happy ending for horse that collapsed during New Year’s Day parade
Edit Metro UK 03 Jan 2018
Marty slipped on the tarmac and fell to the ground during the New Year’s Day parade (Picture. Alamy). A horse that was pictured having fallen over during the New Year’s Day Parade through central London has made a good recovery. Marty, who was 14, caused concern during the parade after he was pictured lying on the ground next to his carriage with handlers tending to him ... Director Geraldine Bone said ... Alamy) ... ....
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