Robert Wilkins

Robert Timothy Wilkins (January 16, 1896 – May 26, 1987) was an American country blues guitarist and vocalist, of African American and Cherokee descent.

His distinction was his versatility; he could play ragtime, blues, minstrel songs, and gospel with equal facility.

Career

Wilkins was born in Hernando, Mississippi, 21 miles from Memphis. He performed in Memphis and north Mississippi during the 1920s and early 1930s, the same time as Furry Lewis, Memphis Minnie (whom he claimed to have tutored), and Son House. He also organized a jug band to capitalize on the "jug band craze" then in vogue. Though never attaining success comparable to the Memphis Jug Band, Wilkins reinforced his local popularity with a 1927 appearance on a Memphis radio station. From 1928 to 1936 he recorded for Victor and Brunswick Records, alone or with a single accompanist, like Sleepy John Estes, and unlike Gus Cannon of Cannon's Jug Stompers. He sometimes performed as Tom Wilkins or as Tim Oliver (his stepfather's name).

Delta blues

The Delta blues is one of the earliest styles of blues music. It originated in the Mississippi Delta, a region of the United States that stretches from Memphis, Tennessee in the north to Vicksburg, Mississippi in the south, Helena, Arkansas in the west to the Yazoo River on the east. The Mississippi Delta area is famous both for its fertile soil and its poverty. Guitar and harmonica are the dominant instruments used, with slide guitar (usually on the steel guitar) being a hallmark of the style. The vocal styles range from introspective and soulful to passionate and fiery. Delta blues is also regarded as a regional variation of country blues.

Origin

Although Delta blues certainly existed in some form or another at the turn of the 20th century, it was first recorded in the late 1920s, when record companies realized the potential African American market in Race records. The ‘major’ labels produced the earliest recordings and consisted mostly of one person singing and playing an instrument; however, the use of a band was more common during live performances. Current belief is that Freddie Spruell is the first Delta blues artist recorded, as he waxed "Milk Cow Blues" in Chicago in June 1926. Record company talent scouts made some of these early recordings on 'field trips' to the South; however, the labels invited some Delta blues performers to travel to northern cities to record. According to Dixon & Godrich [1981], Tommy Johnson and Ishman Bracey were recorded by Victor on that company's second field trip to Memphis, in 1928. Robert Wilkins was first recorded by Victor in Memphis in 1928, and Big Joe Williams and Garfield Akers also in Memphis (1929) by Brunswick/Vocalion.

Blind Willie

"Blind Willie" may refer to:

People

Media

Robert

The name Robert is a Germanic given name, from Proto-Germanic *χrōþi- "fame" and *berχta- "bright". Compare Old Dutch Robrecht and Old High German Hrodebert (a compound of hruod "fame, glory" and berht "bright"). It is also in use as a surname.

After becoming widely used in Continental Europe it entered England in its Old French form Robert, where an Old English cognate form (Hrēodbēorht, Hrodberht, Hrēodbēorð, Hrœdbœrð, Hrœdberð) had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto.

Similar to the name, Richard, "Robert" is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Danish, and Icelandic. It can be used as a French, Hungarian, Finnish, and Estonian name as well.

Variations

Trivia

Robert, and also the name Joseph, were in the top 10 most given boys' names in the US for 47 years, from 1925 to 1972.

In Italy during the Second World War, the form of the name, Roberto, briefly acquired a new meaning derived from, and referring to the Rome-Berlin-Tokyo Axis.

Blues

Blues is a genre and musical form that originated in African-American communities in the "Deep South" of the United States around the end of the 19th century. The genre developed from roots in traditional African music, combined with European American folk music. Blues incorporated spirituals, work songs, field hollers, shouts, and chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. The blue notes (or "worried notes") which are often thirds or fifths which are flatter in pitch than in other music styles, are also an important part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect called a groove.

Blues as a genre possesses other characteristics such as lyrics, bass lines, and instruments. The lyrics of early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating troubles experienced within African American society.