FEAT (album)

FEAT (pronounced "F-E-A-T") is the first studio album by Chicago-based record production duo The Hood Internet. It was released on Decon on October 2, 2012. The album features guest appearances from A.C. Newman, Cadence Weapon, and Class Actress, among others. Music videos were created for "Won't Fuck Us Over", "One for the Record Books", and "More Fun".

The remix album, FEAT Remixes, was released on December 18, 2012.

Reception

At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 54% based on 6 reviews, indicating "mixed or average reviews".

Track listing

References

External links

Greeks (finance)

In mathematical finance, the Greeks are the quantities representing the sensitivity of the price of derivatives such as options to a change in underlying parameters on which the value of an instrument or portfolio of financial instruments is dependent. The name is used because the most common of these sensitivities are denoted by Greek letters (as are some other finance measures). Collectively these have also been called the risk sensitivities,risk measures or hedge parameters.

Use of the Greeks

The Greeks are vital tools in risk management. Each Greek measures the sensitivity of the value of a portfolio to a small change in a given underlying parameter, so that component risks may be treated in isolation, and the portfolio rebalanced accordingly to achieve a desired exposure; see for example delta hedging.

The Greeks in the Black–Scholes model are relatively easy to calculate, a desirable property of financial models, and are very useful for derivatives traders, especially those who seek to hedge their portfolios from adverse changes in market conditions. For this reason, those Greeks which are particularly useful for hedging—such as delta, theta, and vega—are well-defined for measuring changes in Price, Time and Volatility. Although rho is a primary input into the Black–Scholes model, the overall impact on the value of an option corresponding to changes in the risk-free interest rate is generally insignificant and therefore higher-order derivatives involving the risk-free interest rate are not common.

Lotna

Lotna is a Polish war film released in 1959 and directed by Andrzej Wajda.

Overview

This highly symbolic movie is both the director's tribute to the long and glorious history of the Polish cavalry, as well as a more ambiguous portrait of the passing of an era. Wajda was the son of a Polish Cavalry officer who was murdered by the Soviets during the Katyn massacre.

The horse Lotna represents the entire Romantic tradition in culture, a tradition that had a huge influence in the course of Polish history and the formation of Polish literature. Lotna is Wajda's meditation on the historical breaking point that was 1939, as well as a reflection on the ending of an entire era for literature and culture in Poland and in Europe as a whole. Writing of the film, Wajda states that it "held great hopes for him, perhaps more than any other." Sadly, Wajda came to think of Lotna "a failure as a film."

The film remains highly controversial, as Wajda includes a mythical scene in which Polish horsemen suicidally charge a unit of German tanks, an event that never actually happened.

Speed (1936 film)

Speed is a 1936 Metro-Goldwyn-Mayer action film starring James Stewart in his first starring role, and Wendy Barrie. Although only a low-budget "B" movie, the film was notable for its realistic cinematography by Lester White, incorporating scenes from the Indianapolis 500 race and on-location shooting at the Muroc dry lake bed, used for high-speed racing by "hot rodders" in the 1930s. Advance publicity trumpeted that Stewart drove the specially-prepared "Falcon" to 140 mph (230 km/h).

Plot

Auto mechanic Terry Martin (James Stewart), the chief car tester for Emery Motors in Detroit, is working on his own time to perfect a revolutionary design for a new carburetor. Automotive engineer Frank Lawson (Weldon Heyburn) is a rival for the attention of Jane Mitchell (Wendy Barrie), who has just been hired to work in the publicity department. Terry has little formal education and resents inferences that his knowledge of cars is inferior to that of the trained Lawson. He nearly loses his job when he makes a jealous spectacle of himself at a company dinner dance that Jane attends with Frank.

Maude Harcheb

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Maude Gabrielle Harcheb (born in Cannes on 1 July 1987) mostly known by her mononymous name Maude is a French singer and dancer who took part in season 5 of the popular French reality television series Les Anges de la téléréalité broadcast on NRJ 12 channel. Maude's first album #HoldUp was released on 1 September 2014.

Life and career

Originally kabyle and Sicilian, she studied literature. Since the age of 4, she devoted herself to her first passion: dance. She took early during ballet and modern jazz. Very quickly, her artistic passion turned to singing. At 16, she started to take classes to improve its accuracy and closer to her dream of becoming a singer. She then entered music school. Her father is a guitarist. In March 2013 she appeared on Les Anges de la téléréalité as an "anonymous angel" pursuing the aim of making a hit record in the United States. She recorded "Love Is What You Make of It." in a Fort Lauderdale (Florida) studio and the song produced and written by Richard Zahniser and Tommy Hubbard charted in France after released on 16 April 2013.

Maude (TV series)

Maude is an American sitcom that was originally broadcast on the CBS network from September 12, 1972 until April 23, 1978.

Maude stars Beatrice Arthur as Maude Findlay, an outspoken, middle-aged, politically liberal woman living in suburban Tuckahoe, Westchester County, New York, with her fourth husband, household appliance store owner Walter Findlay (Bill Macy). Maude embraces the tenets of women's liberation, always votes for Democratic Party candidates, strongly supports legal abortion, and advocates for civil rights and racial and gender equality. However, her overbearing and sometimes domineering personality often gets her into trouble when speaking out on these issues.

The program was a spin-off of All in the Family, on which Beatrice Arthur had made two appearances as the character of Maude, Edith Bunker's cousin; like All in the Family, Maude was a sitcom with topical storylines created by producer Norman Lear.

Unusual for a U.S. sitcom, several episodes (such as "Maude's Night Out" and "The Convention") featured only the characters of Maude and Walter, in what amounted to half-hour "two-hander" teleplays. Season 4's "The Analyst" was a solo episode for Beatrice Arthur, who delivered a soul-searching, episode-length monologue to a silent psychiatrist.