A Cock and Bull Story (2005)

Actors: Gillian Anderson (actress), Shirley Henderson (actress), Steve Coogan (actor), Rob Brydon (actor), Steve Coogan (actor), Ronni Ancona (actress), David Walliams (actor), Steve Coogan (actor), Mark Williams (actor), Stephen Fry (actor), Stephen Fry (actor), Rob Brydon (actor), Ian Hart (actor), Henry Normal (producer), Jack Shepherd (actor),

Plot: Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Keywords: actor-playing-himself, assistant, baby, based-on-novel, battle, boots, breaking-the-fourth-wall, child-nudity, circumcision, diaper
Genres: Comedy, Drama,
Taglines: Because everyone loves an accurate period piece. He's About To Play The Role Of His Life.

Quotes:

Jennie: 'Fear Eats The Soul,' there's more truth in that title than most whole films.

Tony Wilson: Why "Tristram Shandy"? This is the book that many people said is unfilmable.::Steve Coogan: I think that's the attraction. "Tristram Shandy" was a post-modern classic written before there was any modernism to be post about. So it was way ahead of its time and, in fact, for those who haven't heard of it, it was actually listed as number eight on the Observer's top 100 books of all time.::Tony Wilson: That was a *chronological* list.

Rob Brydon: [Rob shows Steve his teeth] What do you think? Have a look at the color.::Steve Coogan: I saw the color the last time I looked. It registered.::Rob Brydon: It's what they call "not white." What color would you call it?::Steve Coogan: I would, I'd concur with "not white." I'd go further.::Rob Brydon: I mean, it's not yellow.::Steve Coogan: I, you know, I mean, there's a sliding scale, isn't there, you know.::Rob Brydon: Hint of yellow.::Steve Coogan: I think you're closest to...::Rob Brydon: Barley meadow. Tuscan sunset.::Steve Coogan: You're getting laughs, but it's not making your teeth look any better.

Steve Coogan: [Steve is hanging upside down in the model womb] How about filming the other way around, the right way up, and then just flip the image?::Leo: Well, maybe, but I'd have to have a word with Mark about that. I mean, I think he wanted the realism.::Steve Coogan: He wants realism?::Leo: Yeah.::Steve Coogan: Yeah, I'm a grown man, talking to the camera, in a fucking womb!

Steve Coogan: Do you know there's a good Groucho Marx story about, see, he meets a woman with seven children and says "Why've you got seven kids?" and she says "Because I love my husband." And he says, "Well, I love my cigar, but I take it out now and again."

Steve Coogan: Given that the story's about Walter's love for his son, I really think that Walter should be there at the birth.::Joe: It's the 18th Century. Men just didn't do that. You're a 21st Century man, but Walter can't be.::Steve Coogan: He talks to the fucking camera. He can be emotional. If you saw Walter for an instant holding the baby in his arms, then you would forgive him all his flaws.::Joe: Yeah, but it would look terrible. It'd be like the scene in Robin Hood where Kevin Costner delivers a baby.::Steve Coogan: Because he's got a stupid mullet haircut.

Rob Brydon: [Rob shows Steve his teeth] What do you think? I've had them done.::Steve Coogan: I know you have.::Rob Brydon: What do you think? Feel that one. There's no crevice. Feel it.::Steve Coogan: Don't ask me to feel your teeth.::Rob Brydon: Just close your eyes and feel it.::Steve Coogan: No. It's your fucking teeth. Christ!::Rob Brydon: What is the matter with you? You've got such a thing about, whenever there's a hint of something gay, you immediately...::Steve Coogan: What? This has nothing to do with "gay". I'm very cautious.::Rob Brydon: That's what it is. You don't want to touch another man's teeth, because you're worried you might be attracted to me. Just touch my teeth.

Steve Coogan: I've got to be able to kick and stretch. That's what foeti do.::Leo: Yeah, but not when they're full term.::Steve Coogan: He wants realism. Yeah. I'm a grown man, talking to the camera, in a womb.

Rob Brydon: The thing is, I can't act...::Steve Coogan: I know that.::Rob Brydon: ...with Gillian Anderson. I have a sexual thing for Gillian Anderson.

Tristram Shandy: That is a child actor, pretending to be me. I'll be able to play myself later. I think I could probably get away with being eighteen, nineteen. Until then, I'll be played by a series of child actors. This was the best of a bad bunch.

The Matrix Revisited (2001)

Actors: Joel Silver (producer), Joel Silver (actor), Eric Matthies (producer), Hugo Weaving (actor), Carrie-Anne Moss (actress), Laurence Fishburne (actor), Woo-ping Yuen (actor), Laurence Fishburne (actor), Don Davis (actor), Hugo Weaving (actor), Lorenzo di Bonaventura (actor), Keanu Reeves (actor), Keanu Reeves (actor), Josh Oreck (director), Adam Locke-Norton (composer),

Plot: An "extras-only" DVD, packed with documentaries and behind-the-scenes footage from the filming of the ground-breaking 1999 movie "The Matrix". Includes a rare interview with the elusive writer/directors, the Wachowski Brothers; insights from the cast and crew into the production process; and a preview of things to come: a series of anime films and two sequels.

Keywords: action-violence, actor, actor-playing-himself, actress, alternative-reality, archive-footage, behind-the-scenes, choreography, fan-culture, fight
Genres: Documentary,