Faith (Pāli: saddhā, Sanskrit: śraddhā) is an initial acceptance of the Buddha's teaching prior to realising its truth for oneself. It is an important constituent element of all traditions of Buddhism, although the kind and nature of faith changes in the different schools. Other translations of saddhā/śraddhā include confidence and trust. According to received Pali-Buddhist tradition, some of the first words voiced by the Buddha after resolving to teach Dharma were, "Wide opened is the door of the Deathless to all who have ears to hear; let them send forth faith [saddhā] to meet it."
According to Guiliano Giustarini, "Saddhā is usually translated as faith, but it is not to be meant as a dogmatic belief." In the Kalama Sutta the Buddha himself argues against simply following authority, tradition or specious reasoning. Instead, a person should himself derive a moral judgement thus:
Even though one's own experience and judgement is emphasized in accepting Buddha and Buddhism, one should also heed to the counsel of the wise, meaning a Buddha or a Buddhist teacher well versed in the Buddhist teachings.
"Grilled Cheesus" is the third episode of the second season of the American television series Glee, and the twenty-fifth episode overall. It was written by Brad Falchuk, directed by Alfonso Gomez-Rejon, and premiered on the Fox network on October 5, 2010. Prior to its broadcast, series co-creator Ryan Murphy predicted the episode would be Glee's most controversial, as it focuses on religion and what God means to the members of the glee club. When Burt Hummel (Mike O'Malley) has a heart attack, the glee club rally around his son Kurt (Chris Colfer), attempting to support the Hummels through their various faiths. Meanwhile, club co-captain Finn Hudson (Cory Monteith) believes he has found the face of Jesus in a grilled cheese sandwich.
Murphy hoped to produce a balanced depiction of religion, and he, Falchuk and series co-creator Ian Brennan worked to ensure that there was an equality between pro and anti-religious sentiments expressed. The episode features seven cover versions of songs, each of which charted on the Billboard Hot 100, marking the series' one-week debut high in the US. Critics disagreed over the appropriateness of the musical performances, with some complaining of the tangential relationship between the numbers and religion, and others appreciating that the Glee versions brought new meaning to the songs.
This article lists the major and recurring fictional characters created by Joss Whedon for the television series, Buffy the Vampire Slayer. For detailed descriptions, see individual character pages.
The following characters were featured in the opening credits of the program.
The show's titular protagonist, Buffy is "The Slayer", one in a long line of young girls chosen by fate to battle evil forces in the form of vampires and demons. The Slayer has no jurisdiction over human crime. This calling mystically endows her with a limited degree of clairvoyance, usually in the form of prophetic dreams, as well as dramatically increased physical strength, endurance, agility, intuition, and speed and ease of healing. There traditionally has been only one Slayer alive at any given moment, with a new one called upon the event of her death.
Xander is a close friend of Buffy. Possessing no supernatural skills, Xander provides comic relief as well as a grounded, everyman perspective in the supernatural Buffyverse. In another departure from the usual conventions of television, Xander is notable for being an insecure and subordinate male in a world dominated by powerful females.
A chemical substance is a form of matter that has constant chemical composition and characteristic properties. It cannot be separated into components by physical separation methods, i.e., without breaking chemical bonds. Chemical substances can be chemical elements, chemical compounds, ions or alloys.
Chemical substances are often called 'pure' to set them apart from mixtures. A common example of a chemical substance is pure water; it has the same properties and the same ratio of hydrogen to oxygen whether it is isolated from a river or made in a laboratory. Other chemical substances commonly encountered in pure form are diamond (carbon), gold, table salt (sodium chloride) and refined sugar (sucrose). However, in practice, no substance is entirely pure, and chemical purity is specified according to the intended use of the chemical.
Chemical substances exist as solids, liquids, gases or plasma, and may change between these phases of matter with changes in temperature or pressure. Chemical reactions convert one chemical substance into another.
Chemicals is an extended play by the band Love and Death and was released on April 24, 2012.
The band's debut single, "Chemicals", was released in early May, while their debut EP of the same name released on April 24, 2012. Welch revealed that they would be releasing a cover of the song "Whip It" by Devo and a remix of "Paralyzed" by Har Meggido. The music video for "Chemicals" premiered on May 7, 2012.
"Chemicals" is the debut single from Love and Death ("Paralyzed" was released under the name 'Brian "Head" Welch'). The song is included on both Chemicals and Between Here & Lost, and was ranked No. 6 on the Billboard Hot Singles Sales chart.
According to JesusFreakHideout, the song seems to talk about Welch's substance addiction. Welch states that the composition refers to battling depression, chemical warfare and the cage that is drug addiction.
Liz Ramanand of Loudwire describes the song as being one of the strongest songs on Between Here & Lost, in that it leans toward being melodic and is catchy with ear shattering guitar verses.
The video begins with lead vocalist Brian Welch running from a man in a black hooded sweatshirt wearing a grotesque mask. The video then switches between various scenes of the band members having ropes tied around their hands. Bassist Michael Valentine is then captured by the man in the mask and taken into the alley.
Mix, mixes, mixture, or mixing may refer to:
With egos swelled, our minds are spent
So fixed on our entitlements
Yet we deserve nothing after all
An imminent system collapse
We've reached a point of no turning back
We can't keep on pretending nothing's wrong
Nothing can stop our momentum
The self-inflictions we've endured
But we can't stop begging for more
Oscillate between a rise and fall
The forces of a thousand years
We'll close our eyes and disappear