- published: 15 Mar 2015
- views: 57661040
In baseball, there are two legal pitching positions: the windup, and the set. Colloquially, the set is often referred to as "the stretch", although this term actually only refers to one part of the pitching motion when pitching from the set.
Each type of pitching position has its strengths and weaknesses. Compared to the set, the windup has a relatively slower execution, so therefore is better suited for situations in which there are no baserunners, or when the lead runner is on third base, since it is difficult to steal home plate. Conversely, a pitch from the set, having a relatively faster execution, is preferred when there are baserunners. Faster execution is important to prevent stolen bases. A pitcher may also use other techniques to prevent stealing; these are ways of holding the runner on and include the pickoff, the pitchout and the slide step.
However, some pitchers, particularly relief pitchers, are more comfortable pitching from the set position, and thus use it regardless of the situation.
Set or The Set may refer to:
A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collections of pitches or pitch-classes, but theorists have extended its use to other types of musical entities, so that one may speak of sets of durations or timbres, for example.
A set by itself does not necessarily possess any additional structure, such as an ordering. Nevertheless, it is often musically important to consider sets that are equipped with an order relation (called segments); in such contexts, bare sets are often referred to as "unordered", for the sake of emphasis.
Two-element sets are called dyads, three-element sets trichords (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called tetrachords (or tetrads), pentachords (or pentads), hexachords (or hexads), heptachords (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g.,), octachords (octads), nonachords (nonads), decachords (decads), undecachords, and, finally, the dodecachord.
Set construction is the process by which a construction manager undertakes to build full scale scenery suitable for viewing by camera, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
In computing, associative containers refer to a group of class templates in the standard library of the C++ programming language that implement ordered associative arrays. Being templates, they can be used to store arbitrary elements, such as integers or custom classes. The following containers are defined in the current revision of the C++ standard: set
, map
, multiset
, multimap
. Each of these containers differ only on constraints placed on their elements.
The associative containers are similar to the unordered associative containers in C++ standard library, the only difference is that the unordered associative containers, as their name implies, do not order their elements.
map
and set
each key must be unique. multimap
and multiset
do not have this restriction.map
and multimap
each element is composed from a key and a mapped value. In set
and multiset
each element is key; there are no mapped values.The Naked Truth is the fourth studio album by rapper Lil' Kim, released on September 27, 2005. This album was released on the first day of Kim's sentencing, in which she went to jail for nearly a year on perjury charges. It was her last studio album released by Atlantic Records before deciding to part ways in 2008. Two official singles were released from the album: "Lighters Up" as the lead single released in September 2005 while "Whoa" served as the second and final single in February 2006. The Naked Truth is still the only female rap album to be rated with 5 mics by The Source.
The album received generally positive reviews and was given a score of 66 out of 100 by Metacritic, with 5 star ratings from The Source (in which she became the first female rapper to ever receive the coveted 5 mics rating as a solo artist), Vibe Magazine, and The Village Voice and less than favorable reviews from The New York Times and Allmusic. Blender Magazine gave the album four stars calling it her 'strongest work since her pheromone-thick 1996 debut'. While the album did receive several 5 star ratings, Pitchfork Media journalist Jess Harvell, who gave the album a positive 7.8 rating stated "The Naked Truth may be better than 80% of the other rap albums to be released in 2005, but that doesn't make it another Ready to Die."
Quiet is a solo EP released by Jim Ward. It is the first time Ward has released an album of solo material, although he has previously released two solo songs on compilation discs. It was released November 6, 2007 by Ward's own Civil Defense League record label. The album was marketed and distributed by Doghouse Records.
All songs written and composed by Jim Ward.
Diynamic’s head honcho took the floor for the last two hours of our second Tulum broadcast playing both old classics and new unreleased demos. Get the full tracklist at http://blrrm.tv/solomun ► Shop Boiler Room clothing: https://blrrm.tv/shop ► Listen to Boiler Room’s archive on Apple Music: https://apple.co/BoilerRoom ► Subscribe to Boiler Room: https://blrrm.tv/YT
This math video tutorial provides a basic introduction into the intersection of sets and union of sets as it relates to venn diagrams. It explains how to find the intersection of two sets as well as the union of two sets. This video contains plenty of examples and practice problems on intersection and union of sets. My E-Book: https://amzn.to/3B9c08z Video Playlists: https://www.video-tutor.net Homework Help: https://bit.ly/Find-A-Tutor Subscribe: https://bit.ly/37WGgXl Support & Donations: https://www.patreon.com/MathScienceTutor Youtube Membership: https://www.youtube.com/channel/UCEWpbFLzoYGPfuWUMFPSaoA/join Disclaimer: Some of the links associated with this video may generate affiliate commissions on my behalf. As an amazon associate, I earn from qualifying purchases that...
Subscribe to our channel: https://lnk.to/YTA_B Stream us on Spotify: https://Anjunabeats.lnk.to/AboveBeyondSpotifyYo Recorded live on Hong Kong's Victoria Harbour aboard the Aqualuna Above & Beyond present Group Therapy 300 live from Hong Kong Our deep warm up set, recorded on Friday, September 28 with our family, friends and crew in attendance. With thanks to Nomobo, and Live Nation Electronic Asia. Tracklist: (00:00) 1. Above & Beyond ‘Group Therapy Intro’ (Anjunabeats) https://open.spotify.com/track/77nk5FW932tMW2rw9h1Eje?si=ybRuprljQgybNgW5Eg4zwQ (00:31) 02. Dee Montero feat. Meliha ‘Headspace’ (Anjunadeep) https://open.spotify.com/track/7ySZUWlMdrgm5sz5fRk3mH?si=e7hzjcytQw6ZWeriCwjqLQ (06:36) 3. Ben Böhmer & Koelle ‘Almost Home’ (Anjunadeep) https://open.spotify.com/track/2R...
Siga nosso novo Instagram: @gr6explodeoriginal Artista: Musica: Produção: Letra: Produzido por GR6 Filmes Faça seu vídeo clipe com a GR6 Filmes (11) 2201-3648 Este videofonograma é um produto original e próprio da Gravadora e Editora. A cópia dele ou o reenvio do mesmo resultará em grandes implicações ao seu canal do youtube ou até a exclusão do mesmo. GR6 EXPLODE ® @gr6filmesoficial @gr6music #Gr6Explode #Gr6Filmes Ano 2021
Describes empty, singleton, finite, infinite, universal, equalsets, equivalent sets, subsets, proper subsets, superset, proper superset, power set.
What’s happening in this movie clip? Chucky (Brad Dourif) is chasing Andy and Kyle in a toy manufacturing industry where all the dolls are made. The evil doll kills the guard who was on duty. After that, Andy and Kyle manage to put Chucky in a machine that burns it. They’re relieved that the nightmare is finally over… Until Kyle is knocked unconscious by the dead body of the guard. Chucky is still alive. Rent or buy Child’s Play here: https://amzn.to/3gL5jPN What’s the movie about? Andy’s mother is admitted to a psychiatric hospital so he is placed in foster care. Chucky (Brad Dourif) is not far behind. His goal to possess Andy’s body is not over. Credits: © 1990 Universal Pictures Like this video if you want to see more episodes and tell us what you thought in the comments below. D...
Siga nosso novo Instagram: @gr6explodeoriginal Artista: Hariel, NK, Leozinho ZS, Joãozinho VT, Lele JP, Marks Mc Brunim Dt Musica: Set Vila Clara Produção: DJ Boy Produzido por GR6 Filmes Faça seu vídeo clipe com a GR6 Filmes (11) 2201-3648 Este videofonograma é um produto original e próprio da Gravadora e Editora. A cópia dele ou o reenvio do mesmo resultará em grandes implicações ao seu canal do youtube ou até a exclusão do mesmo. GR6 EXPLODE ® @gr6filmesoficial @gr6music #Gr6Explode #Gr6Filmes Ano 2021
Parçanın telif hakları saklıdır ve izinsiz paylaşılması yasaktır. https://facebook.com/canfezaresmi https://twitter.com/canfezaorhangul https://instagram.com/cinfeza canfezaofficial@gmail.com Altyapı&Ney;: Ömer Oral Kanun: Cihan Güz Mix&Mastering;: Erhan Özyakışır İllüstrasyon: Yasin Avcı
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Blisko 3-godzinny Ultra Retro Mix 2021 przed Wami! 50. wyselekcjonowanych numerów granych zarówno w wersjach oryginalnych jak i odświeżonych, a wszystko to dla jeszcze przyjemniejszego odbioru. Autorem seta retro jest Simon M. Pod tym pseudonimem kryje się Szymon Musialik - DJ i prezenter radiowy. Zapalony fan muzyki retro w każdym wydaniu. Swoją historię z "Muzyką, która ma duszę" rozpoczął na samym początku lat dwutysięcznych. Wtedy też rozpoczął się zbiór pierwszych jakże charakterystycznych płyt z tytułem "Future Trance", których kolekcja zwiększała coraz to bardziej poziom utożsamiania się z tym segmentem rynku muzycznego. Efektem tej więzi jest Ultra Retro Mix 2021 z największymi gwiazdami tamtych czasów na pokładzie. Więcej na: TikTok: https://vm.tiktok.com/ZMed8ugPh/ Instagram:...
In baseball, there are two legal pitching positions: the windup, and the set. Colloquially, the set is often referred to as "the stretch", although this term actually only refers to one part of the pitching motion when pitching from the set.
Each type of pitching position has its strengths and weaknesses. Compared to the set, the windup has a relatively slower execution, so therefore is better suited for situations in which there are no baserunners, or when the lead runner is on third base, since it is difficult to steal home plate. Conversely, a pitch from the set, having a relatively faster execution, is preferred when there are baserunners. Faster execution is important to prevent stolen bases. A pitcher may also use other techniques to prevent stealing; these are ways of holding the runner on and include the pickoff, the pitchout and the slide step.
However, some pitchers, particularly relief pitchers, are more comfortable pitching from the set position, and thus use it regardless of the situation.
[Listen to this]
[Eazy E:] Yo Ren !
[MC Ren:] Whassup ?
[Eazy E: Take] [one] [MC Ren: Yo] [Hit it]
[MC Ren:]
Ruthless, plenty of that and much more
So at the party, Ren is controllin the floor
that you step and do your danceroutine
It ain't a dream my man, you're in a gangsta scene
with a villain doin damage on a 24 track
With confusion to finish my conclusion
Arhytomatic rhymes from a radio cat
You can't take what I got coz I'll be takin it right back
[Ruthless gangsta] Cold killin
You wanna know what it's means ? [definition...villain]
With the stupid dope rhyme
So once you hear one line you can tell it's mine
With a baseball cap that's black that I'm wearin
and a look that keeps you all starin
and wondering why I'm invincible
But when you hear my rhyme, it's convincible
I don't take no shorts while I'm constructin the ground
that makes y'all move around to my hell of a sound
Girls drool on me like a dyin
[Dr.Dre: Yo Ren, tell'em what they do when you start rhymin]
I go to the party. I hip a hop the spot
I dunno what it is, but the girls get hot
aspirin like they're on fire and
their so-called boyfriends with'em are retirin
And for this reason I'm a walkin threath
So when I'm on stage I want...[Ssssht]
[Eazy E: Quiet on tha set]
[Light, camera, action]
[Eazy E: N.W.A. take] [two]
[MC Ren:]
Now to get started with my musical profession
A gangsta or villain in mine is in session
The way that I'm referrin to this makes ya move ya butt
but don't stand in a daze, yeah you should know what's up
Anyway I keep the clappin along
coz nothing bad could go wrong because this song is so strong
[?? huh ?? I'm ???] who could ask for anything more
when N.W.A. is cold rockin the floor
like stupid, actin like a retard
waitin for a bumrush, gettin to the good part
It tips me so with temptation
writin my lyrics with this hyped information
Just look at the center of the stage where the spotlight shines
[Eazy E: Boy you should have known by now] It's mine !
Unpredictable, keepin you extremely enjoyed
It's irresistable, meanin that you can't avoid
And while I'm on stage, look forward to sweat
but after I rip it up I want...[Ssssht]
[Eazy E: Quiet on tha set]
[Light, camera, action]
[Eazy E: N.W.A. take] [three]
[MC Ren:]
I can be loud as hell, think I will ? [Never]
[Ssssht] [Eazy E: Quiet on tha set] Yeah I like that better
[?? huh ?? As what I can do ??] I think I earn respect
And if I didn't from you, that's what I expect
coz if it ain't ruff it ain't me
So who really cares how you want me to be
See, I'm just me standin at the top of the pile
and doin soft known tunes it ain't my style
And this concludes our program
of how N.W.A. makes a ruthless jam
Now first we take an average drum
Give it to Dre, and the boy gets dumb
It's no secret, that I sit alone at night
Pick up a pad and pen and begin to write
all kinda lyrics that's promised to play
to make everybody say:
[They can be cold and ruthless no question about that,
but sometimes it's more complicated...]
[Eazy E: Yo Dre] [You know what I want you to do ?]
[Public Enemy: Bring that beat back, bring that beat back]
Now MC Ren is here workin like super glue
No matter what I do, I'm always thinkin o' you
Coz I'm the pusher, supplyin the fix
And this jam's so dope, it don't need a remix
But I'm makin obstacles of enemy traps
to catch any MC's with the weak-ass raps
Crucifyin their [?? huh ??] like just for usin my name
The definition is pain, but that's the thing o' the game
If they try to retreat, I catch'em one at a time
coz they're comittin a crime, and still promotin a rhyme
So, you're in the back of me just listen and learn
because you'll all get a chance or maybe a turn
Now my sideman wants to give a preview
so at my next concert I wanna see you
there not sittin in a chair
standin on yo feet, with yo hand in the air
Now I'm about to get out but I'll be back
But next time expect the more funkier track
deep down for your enjoyment to hear more percussion
with lyrics that's smooth to start some discussion
The beat that I'm [?? hype ??] and you know that's bad
Now continue to dance coz I'm thru with tha set