- published: 14 Feb 2016
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In philosophy and logic, the concept of a possible world is used to express modal claims. The concept of possible worlds is common in contemporary philosophical discourse and has also been disputed.
Those theorists who use the concept of possible worlds consider the actual world to be one of the many possible worlds. For each distinct way the world could have been, there is said to be a distinct possible world; the actual world is the one we in fact live in. Among such theorists there is disagreement about the nature of possible worlds; their precise ontological status is disputed, and especially the difference, if any, in ontological status between the actual world and all the other possible worlds. One position on these matters is set forth in David Lewis's modal realism (see below). There is a close relation between propositions and possible worlds. We note that every proposition is either true or false at any given possible world; then the modal status of a proposition is understood in terms of the worlds in which it is true and worlds in which it is false. The following are among the assertions we may now usefully make:
Brian Peter George St. John le Baptiste de la Salle Eno (born 15 May 1948), commonly known as Brian Eno or simply as Eno ( /ˈiːnoʊ/[citation needed]), is an English musician, composer, record producer, singer, and visual artist, known as one of the principal innovators of ambient music.
Eno studied at Colchester Institute art school in Essex, England, taking inspiration from minimalist painting. During his time on the art course at the Institute, he also gained experience in playing and making music through teaching sessions held in the adjacent music school.
He joined the band Roxy Music as keyboard and synthesiser player in the early 1970s. Roxy Music's success in the glam rock scene came quickly, but Eno soon tired of touring and of conflicts with lead singer Bryan Ferry.
Eno's solo music has explored more experimental musical styles and ambient music. It has also been extremely influential, pioneering ambient and generative music, innovating production techniques, and emphasising "theory over practice". He also introduced the concept of chance music to popular audiences, partially through collaborations with other musicians.
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