Hans

Hans may refer to:

See also

Hans Heiling

Hans Heiling is a German Romantic opera in 3 acts with prologue by Heinrich Marschner with a libretto by Eduard Devrient, who also sang the title role at the première at the Königliche Hofoper (now Berlin State Opera), Berlin, on 24 May 1833, and went on to become Marschner's most successful opera. The opera brought the composer a considerable reputation, although this did not materially affect his position in Hanover, where he was music director of the Court Theatre. Like Marschner's other great success, Der Vampyr, the plot of Hans Heiling makes great use of supernatural elements. As with several of his operas, Hans Heiling is based on a folk legend.

Roles

Synopsis

Prologue

After falling in love with the mortal Anna, Hans Heiling plans to leave the underworld empire of Erdgeister to wed her. Ignoring the attempts of his mother the Queen to persuade him to stay, he takes some jewels and a magic book enabling him to retain power over his underworld subjects.

Act 1

Scene 1

Heiling ascends to the earth to find his would-be bride. Heiling finds Anna and her mother, who encourages Anna to accept the advances of the rich stranger. During a moment alone Anna looks inside his book, which immediately fills her with terror. Heiling burns the book on her demand and reluctantly accompanies Anna to the village festival.

Francisco Araiza

José Francisco Araiza Andrade (born 4 October 1950), is a Mexican operatic tenor and lied singer who has sung as soloist in leading concert halls and in leading tenor operatic roles in the major opera houses of Europe and North America during the course of a lengthy career. Born in Mexico City, he studied singing at the Conservatorio Nacional de Música de México and later in Germany, with Mozartian tenor Richard Holm, and lieder interpretation with Erik Werba. He made his operatic debut in 1970 in Mexico City as First Prisoner in Beethoven's Fidelio. Araiza initially came to international prominence singing in Mozart and Rossini operas, but in the 1980s broadened his repertoire to include Italian and French lyric tenor roles and Wagnerian roles such as Lohengrin and Walther von Stolzing. He was made a Kammersänger of the Vienna State Opera in 1988. Now retired from the opera stage, he teaches singing and serves on the juries of several international singing competitions.

Nikolaus Harnoncourt

Nikolaus Harnoncourt (Nikolaus Count de la Fontaine und d'Harnoncourt-Unverzagt, born 6 December 1929) is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire has since widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt is also the author of several books, mostly on subjects of performance history and musical aesthetics.

Biography

Harnoncourt was born in Berlin, Germany. He was raised in Graz, Austria, and studied music in Vienna. His mother, Ladislaja Gräfin von Meran, Freiin von Brandhoven, was the granddaughter of the Habsburg Archduke Johann, the 13th child of the Emperor Leopold II. He is thus descended from various Holy Roman Emperors and other European royalty. His father, Eberhard de la Fontaine Graf d'Harnoncourt-Unverzagt, was an engineer working in Berlin who had two children from a previous marriage. Two years after Nikolaus's birth, his brother Philipp was born. The family eventually moved to Graz, where Eberhard had obtained a post in the state-government (Landesregierung) of Styria.

Peter Keller

Peter Keller may refer to: