Worship Music

Worship Music may refer to:

Music

Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."

MUSIC-N

MUSIC-N refers to a family of computer music programs and programming languages descended from or influenced by MUSIC, a program written by Max Mathews in 1957 at Bell Labs. MUSIC was the first computer program for generating digital audio waveforms through direct synthesis. It was one of the first programs for making music (in actuality, sound) on a digital computer, and was certainly the first program to gain wide acceptance in the music research community as viable for that task. The world's first computer-controlled music was generated in Australia by programmer Geoff Hill on the CSIRAC computer which was designed and built by Trevor Pearcey and Maston Beard. However, CSIRAC produced sound by sending raw pulses to the speaker, it did not produce standard digital audio with PCM samples, like the MUSIC-series of programs.

Design

All MUSIC-N derivative programs have a (more-or-less) common design, made up of a library of functions built around simple signal-processing and synthesis routines (written as opcodes or unit generators). These simple opcodes are then constructed by the user into an instrument (usually through a text-based instruction file, but increasingly through a graphical interface) that defines a sound which is then "played" by a second file (called the score) which specifies notes, durations, pitches, amplitudes, and other parameters relevant to the musical informatics of the piece. Some variants of the language merge the instrument and score, though most still distinguish between control-level functions (which operate on the music) and functions that run at the sampling rate of the audio being generated (which operate on the sound). A notable exception is ChucK, which unifies audio-rate and control-rate timing into a single framework, allowing arbitrarily fine time granularity and also one mechanism to manage both. This has the advantage of more flexible and readable code as well as drawbacks of reduced system performance.

Soaking music

Soaking Music otherwise known as Soaking Prayer music or Soaking Worship music, is a subgenre of Christian Music, and is commonly used to denote songs that are used during contemplative prayer in prayer houses and other “soaking” Christian meetings. The description broadly encompasses any Christian music that is conducive to these types of gatherings.

Description

The purpose of Soaking Music is "setting aside of oneself to focus and meditate on God for renewal of strength and peace"

It is a relatively new genre on the Christian music scene. It finds its origins in the likes of the Toronto revival. Popularized by the recent upsurgence of local prayer houses, it has developed to incorporate some typical characteristics such as spontaneous singing, free praise, and instrumental sections. Often spontaneous in nature, the style somewhat resembles the feel of Easy Listening. It explores Christian themes, often focusing on the attributes of Jesus Christ and His achievements. Defining features include an unstructured approach with plenty of space and a relaxing mood. Simple and melodic lines are used with a strong presence of repetition. Sudden changes or upbeat, driving rhythms are often avoided.

I Believe (Ayaka song)

"I Believe" is the first single from female Japanese artist, Ayaka. It entered the Oricon charts at the tenth spot and slowly rose to number three, having a total of 236,012 sales. It was used as the drama Rondo's theme song.

Sing Chew, a female singer from Singapore, and Eric Martin did a cover of this song.

Track listing