Close (We Stroke the Flames) is the second single from German synthpop group Camouflage's fourth album Bodega Bohemia, released in 1993. The song was remixed for single release, adding a much more radio-friendly drum and synth track to the mostly-acoustic album version.
CD single (Germany, 1993) / 12" single (Germany, 1993)
Track 1 remixed by Fischerman.
"Close (to the Edit)" was a single by Art of Noise, released on various formats in May 1984. It was closely related to their earlier single (and hip-hop club hit) "Beat Box", though the two tracks were developed as separate pieces from an early stage.
The first release of a version of "Close (to the Edit)" was as a nominal remix of "Beat Box" under the title "Beat Box (Diversion Two)". This was then re-edited and partly remixed with different effects applied, to become the version of "Close (to the Edit)" which appeared on the subsequent album Who's Afraid of the Art of Noise?. Paul Morley's sleevenotes for the single simplify the relationship between "Diversion Two" and "Close", noting only that 20 seconds were "snipped out".
The song takes its title from Close to the Edge by Yes, and also samples "Leave It" by the same group. The single heavily features the recorded sample of a car, a Volkswagen Golf owned by a neighbour of band member J. J. Jeczalik, stalling and restarting. It also contains a (re-sung) vocal sample from the song "Beer Barrel Polka", as performed by The Andrews Sisters. The short spoken-word vocal and the "Hey!" sample - used in a number of songs most notably in "Firestarter" by The Prodigy and "Back in the Day" by Christina Aguilera (uncredited) - was the voice of Camilla Pilkington-Smyth.
Close is a solo album by American rock musician Sean Bonniwell, credited under the moniker T. S. Bonniwell, who formerly was the creative force behind the innovative garage rock band The Music Machine. The album was released on August 4, 1969, by Capitol Records (see 1969 in music). It marked a total departure from Bonniwell's rebellious protopunk period with The Music Machine, to a soft rock crooning style. In addition, the album blended folk rock and orchestrated influences, and was inspired by Bonniwell's stints in the pre-Music Machine groups, the Wayfarers and the Ragamuffins, along with his desire to be more poetically inclined. The song,"Where Am I to Go", was released as a single ahead of the album, but failed to chart. Like its attendant single, Close was also somewhat commercially unsuccessful, and was the last recording by Bonniwell for the next 20 years.
Melanie is a feminine given name derived from the Greek μελανία (melania), "blackness" and that from μέλας (melas), meaning "dark". Borne in its Latin form by two saints: Melania the Elder and her granddaughter Melania the Younger, the name was introduced to England by the Normans in its French form Melanie. However the name only became common in English usage in the 1930s due to the popularity of Margaret Mitchell's 1936 novel Gone with the Wind and its 1939 film adaptation, as one of the novel's main characters was named Melanie Hamilton. The name's popularity increased until the 1970s since remaining constant. Melanie was the 80th most popular name for girls born in the United States in 2007 and, as Mélanie, it was the 86th most popular name for girls born in France in 2004.
Even Worse is the fifth studio album by "Weird Al" Yankovic, released in 1988. The album was the fifth produced by former The McCoys guitarist Rick Derringer. Recorded between November 1987 and February 1988, this album helped to revitalize Yankovic's career after the critical and commercial disappointment of his previous album Polka Party! (1986).
The music on Even Worse is built around parodies and pastiches of pop and rock music of the mid-1980s. Half of the album is made up of parodies, featuring jabs at Michael Jackson, George Harrison, Tiffany, Los Lobos' version of the folk song "La Bamba", and Billy Idol. The other half of the album is original material, featuring many "style parodies", or musical imitations that come close to, but do not copy, existing artists. These style parodies include imitations of specific artists such as Oingo Boingo, Beastie Boys, and James Taylor. Even Worse has the distinction of being one of two albums by Yankovic lacking any polka renditions of pop songs or medleys, the other being his debut album "Weird Al" Yankovic (1983). This album's title and cover art are spoofs of Michael Jackson's 1987 album Bad.
Melanie is a 1982 Canadian film starring Glynnis O'Connor, Burton Cummings and Don Johnson.
Melanie (O'Connor) travels to Los Angeles in an effort to regain custody of her son from her ex-husband (Johnson). Her illiteracy poses a major obstacle. She meets a faded musician (Cummings) with whom she develops a relationship.
Filming began in Toronto on 2 June 1980. Additional filming was conducted in Los Angeles.
Roger Ebert noted that Melanie was "an uneven and sometimes frustrating but very alive movie".
Melanie earned seven nominations for the 4th Genie Awards winning three of these:
While walking through life I would never fall
If I could be close to it all and all,
If I could be close to it all.
If I had my dream it would not fall down
If I could live high on the ground,
The sound of high is a good one to many around
When they wanna be close to it all,
And I wanna be close to it all and all,
I wanna be close to it all.
The village sugar takers,
Madison Avenue pink dream makers,
They try to escape from it all,
But instead they build walls, that's all
But they wanna be close to it all.
If I had my dream I would fill a hall
And tell all the people tear down the wall
That keeps them from being a part of it all
'Cause they gotta get close to it all.
The village sugar takers,
Madison Avenue pink dream makers,
They try to escape from it all,
But instead they build walls, that's all
But they wanna be close to it all.
There's just one more thing that I wanna say:
Everyone has got their own special way
That keeps them from getting too close to the day,
Accept and be part of it all and all;
Everyone tear down your own little wall
That keeps you from being a part of it all
'Cause you gotta be one with the one and all,
And everyone tear down your own little wall
That keeps you from being a part of it all
'Cause you gotta be one with the one and all,