Feng Shui 2 (stylized, Feng Shui 二) is a 2014 Philippine supernatural horror film. It is the sequel of the first film in 2004. Kris Aquino reprise her role as Joy Ramirez and Coco Martin as Lester Anonuevo, the new owner of the 'cursed bagua'. The Film co-stars Cherry Pie Picache, Carmi Martin, Ian Veneracion, and Joonee Gamboa. The film focuses on Lester (Martin) who, upon getting the cursed bagua, starts to get all the luck and prosperity he could get in his life, but with deadly consequences. This film is Star Cinema's official entry to the 2014 Metro Manila Film Festival.
It is also the first Filipino movie to be rendered in 4D and was exclusively shown at the XD Theater of SM Mall of Asia under a partnership of SM Lifestyle Entertainment and Star Cinema.
After the horrific events of the first film ten years prior, the 'cursed bagua' went into possession of Lester (Martin), a jack-of-all-trades. He is willing to do every single job offered to him, even dirty and illegal works. But after the arrival of the 'cursed bagua' in his life, everything is about to change. But soon, he realizes that all the luck he is getting has deadly consequences.
Feng Shui is a 2012 Chinese film directed by Wang Jing.
In Chinese mythology and folklore, Fēng (封, lit. "mound; hump") was an edible monster that resembles a two-eyed lump of meat and magically grows back as fast as it is eaten. Early Chinese texts also referred to this legendary food with the names Shìròu (視肉, "look like meat"), Ròuzhī (肉芝, "meat excrescence"), and Tàisuì (太歲, "great year; Jupiter"). Ròulíngzhī (肉靈芝, "meat Lingzhi mushroom") is a modern name popularized by Chinese news media reporting on purported discoveries of Feng throughout China, including a widely-publicized Xi'an television reporter who misidentified a sex toy as a roulingzhi monster.
Fēng (封, lit. "hump") meant "mound, tumulus, raise a mound; altar; earth up (a plant); wall, bank of field; boundary embankment, fief" in Old Chinese (Schuessler 2007: 237); and means "to seal; bank (a fire); confer (title/territory/etc.) upon, feudal; envelope" in Modern Standard Chinese (DeFrancis 2003: 259). Feng occurs in other Chinese mythological names. Fengzhbu (封豬, with "pig; swine") or Bifeng (伯封, with "elder brother; uncle"), the son of Kui and Xuanqi (玄妻, "Dark Consort"), was named owing to his "swinish" wickedness. Wolfram Eberhard (1968: 59) says, Fengzhu translates "pig with a hump" because feng means "hump", although commentaries often interpret the word as "big".
A coin is a piece of hard material used primarily as a medium of exchange or legal tender. They are standardized in weight, and produced in large quantities at a mint in order to facilitate trade. They are most often issued by a government.
Coins are usually metal or alloy, or sometimes made of synthetic materials. They are usually disc shaped. Coins made of valuable metal are stored in large quantities as bullion coins. Other coins are used as money in everyday transactions, circulating alongside banknotes. Usually the highest value coin in circulation (i.e. excluding bullion coins) is worth less than the lowest-value note. In the last hundred years, the face value of circulation coins has occasionally been lower than the value of the metal they contain, for example due to inflation. If the difference becomes significant, the issuing authority may decide to withdraw these coins from circulation, or the public may decide to melt the coins down or hoard them (see Gresham's law).
Exceptions to the rule of face value being higher than content value also occur for some bullion coins made of silver or gold (and, rarely, other metals, such as platinum or palladium), intended for collectors or investors in precious metals. Examples of modern gold collector/investor coins include the British sovereign minted by the United Kingdom, the American Gold Eagle minted by the United States, the Canadian Gold Maple Leaf minted by Canada, and the Krugerrand, minted by South Africa. While the Eagle, Maple Leaf, and Sovereign coins have nominal (purely symbolic) face values; the Krugerrand does not.
37coins was a bitcoin wallet provider headquartered in Sunnyvale, California. The company launched on December 31, 2013, and announced its closing August 12, 2015. The company created bitcoin technologies for emerging markets such as the Philippines and Singapore, where access to smartphone and desktop PC apps is limited.
Users of 37coins could send and receive bitcoins to their bitcoin wallets, called SMSwallets. The SMSwallets were controlled by SMS/text commands sent from simple feature phones, such as a Nokia 100. Using the system, bitcoins could be sent and received from any bitcoin wallets.
The company developed an SMS gateway system, called SMSgateway. It was an android application that ran on Android phones and connect a country's local SMS network to the internet. By relaying messages between the SMSwallets and the 37coins server, gateway operators earned a small commission from each transaction that passed through their gateway. There were gateways in over 18 countries.
Lucky may refer to:
Lucky is the eighth full-length release from Towa Tei released in 2013. The music stays in the same electronic style as his previous work, Sunny. The album includes collaborations with artists such as Yukihiro Takahashi, Ayaka Nakata, Predawn, Taprikk Sweezee, Ringo Sheena.
The cover was painting by Yayoi Kusama who also participates on the last track, "Love Forever", saying a little poem.
In this house the decor is obvious up scour.
See clearly the theory of less is more.
A plant a pet and books on the shelf.
And a frame on the wall where you can,
Picture yourself,
And you're welcome to stay.
But even your company must complement.
The Feng Shui.
Even down to what I have on.
They do wonder to what.
Extent I have gone.
Tailored and tapered couture to the curb.
Demanding the attention.
that it does deserve.
Fabrics for the forecast of the day
I admit it
Everything is fitted to fall in Feng Shui.
More importantly the way that I move.
If I'm in your town, my needles down,
on the groove.
On site they know my song.
It ain't slow and it sho ain't long.
You see I do not play.
Forgive me father, I was forced,
Out of Feng Shui.
A flow as subtle as a summer breeze.
Like the whispering winds and
The talking trees.
To big to be boxed in, it bobs and weaves.
It evolves, it solves, it gives and receives.
And everything I say is
calculated appropriated