Gladiator (soundtrack)

Gladiator is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled Gladiator: Music From the Motion Picture. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

Track listing

Commercial success

Well-reviewed by critics (popular score review sites Filmtracks, Moviewave, and Scorereviews all give it overall positive reviews) and fans (370 Amazon.com reviews with a 4.5 avg. rating) alike, this score has attained admirable commercial stock in the film music world. Not since James Horner's Titanic soundtrack (which sold millions) had a movie score been in such high demand.

We Are

We Are may refer to:

See also

Hans Zimmer

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Hans Florian Zimmer (German pronunciation: [hans ˌfloːʁi̯aːn ˈtsɪmɐ]; born 12 September 1957) is a German composer and record producer. Since the 1980s, he has composed music for over 150 films. His works include The Lion King, for which he won Academy Award for Best Original Score in 1994, the Pirates of the Caribbean series, The Thin Red Line, Gladiator, The Last Samurai, The Dark Knight Trilogy, Inception, and Interstellar.

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios and works with other composers through the company that he founded, Remote Control Productions.

Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, three Classical BRIT Awards, two Golden Globes, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.

Lisa Gerrard

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Lisa Gerrard (born 12 April 1961) is an Irish-Australian musician, singer and composer who rose to prominence as part of the music group Dead Can Dance with music partner Brendan Perry.

Since her career began in 1981, Gerrard has been involved in a wide range of projects. She received a Golden Globe Award for the music score to the film Gladiator, on which she collaborated with Hans Zimmer on such songs as "Now We Are Free." With respect to such work she has said, "I sing in the language of the Heart. It's an invented language that I've had for a very long time. I believe I started singing in it when I was about 12. Roughly that time. And I believed that I was speaking to God when I sang in that language."

In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer).

Early life

Lisa Gerrard was born on 12 April 1961 in Melbourne and grew up in the suburb of Prahran with her Irish immigrant parents. Speaking about her upbringing she has said that she grew up with "Mediterranean music blaring out of the houses" and that this influenced her music, particularly on later Dead Can Dance albums and in her solo and collaborative works.

Gladiator

A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.