Light Yagami (Japanese: 夜神 月, Hepburn: Yagami Raito) is a fictional character and the protagonist of the manga series Death Note, created by Tsugumi Ohba and Takeshi Obata. He is a bored young genius who finds the Death Note dropped by the Shinigami Ryuk by pure chance. Using the notebook, which allows its owner to kill anyone simply by knowing their name and face, Light becomes a mass-murderer known as Kira (キラ) in an attempt to create and rule a utopia cleansed of criminals, with him at the helm as a "god".
In the anime adaptation, he is voiced by Mamoru Miyano in the Japanese version and by Brad Swaile in the English; in the live-action film series, he is portrayed by Tatsuya Fujiwara, in the TV drama, he is portrayed by Masataka Kubota and, in the American film, he will be portrayed by Nat Wolff.
Tsugumi Ohba, the story writer of Death Note, said that his editor suggested the family name "Yagami" for Light. Ohba said that he did not feel "too concerned" about the meaning of the name (the Kanji for "Yagami" are "night" and "god"); he said that after he created the final scene in the manga he "liked" that the final scene created "deeper significance" in the name, of Kira worshippers worshipping him at night under the light of the moon.
Light is a science fiction novel by M. John Harrison published in 2002. It received the James Tiptree, Jr. Award and a BSFA nomination in 2002, and was shortlisted for the Arthur C. Clarke Award in 2003.
The book centres on the lives of three individuals — the physicist (and serial killer) Michael Kearney, on the verge of a breakthrough in theoretical physics sometime in 1999; Seria Mau Genlicher, the cybernetically-altered female pilot of a "K-ship", and the ex-space pilot and adventurer Ed Chianese. Seria Mau and Ed's stories take place in the year 2400 AD.
The lives of these three individuals are linked in many ways, though most tangibly by the presence of a mysterious creature called The Shrander, who appears in many guises to all three characters throughout the novel (with anagrammatic names of Sandra Shen and Dr. Haends). They are also linked by the Kefahuchi Tract, a space-time anomaly described as "a singularity without an event horizon", an object of awe and wonder that has been the ruin of many civilisations attempting to decode its mysteries.
A window is an opening in a wall, door, roof or vehicle that allows the passage of light and, if not closed or sealed, air and sound.
Modern windows are usually glazed or covered in some other transparent or translucent material. Windows are held in place by frames. Many glazed windows may be opened, to allow ventilation, or closed, to exclude inclement weather. Windows often have a latch or similar mechanism to lock the window shut.
Types include the eyebrow window, fixed windows, single-hung and double-hung sash windows, horizontal sliding sash windows, casement windows, awning windows, hopper windows, tilt and slide windows (often door-sized), tilt and turn windows, transom windows, sidelight windows, jalousie or louvered windows, clerestory windows, skylights, roof windows, roof lanterns, bay windows, oriel windows, thermal, or Diocletian, windows, picture windows, emergency exit windows, stained glass windows, French windows, and double- and triple paned windows.
The Romans were the first known to use glass for windows, a technology likely first produced in Roman Egypt, in Alexandria ca. 100 AD. Paper windows were economical and widely used in ancient China, Korea and Japan. In England, glass became common in the windows of ordinary homes only in the early 17th century whereas windows made up of panes of flattened animal horn were used as early as the 14th century. Modern-style floor-to-ceiling windows became possible only after the industrial plate glass making processes were perfected.
Prayer is an important activity in Christianity, and there are several different forms of Christian prayer.
Christian prayers are diverse: they can be completely spontaneous, or read entirely from a text, like the Anglican Book of Common Prayer. The most common prayer among Christians is the "Lord's Prayer", which according to the gospel accounts (e.g. Matthew 6:9-13) is how Jesus taught his disciples to pray. "The Lord's Prayer" is a model for prayers of adoration, confession and petition in Christianity.
A broad, three stage characterization of prayer begins with vocal prayer, then moves on to a more structured form in terms of meditation, then reaches the multiple layers of contemplation, or intercession.
There are two basic settings for Christian prayer: corporate (or public) and private. Corporate prayer includes prayer shared within the worship setting or other public places. These prayers can be formal written prayers or informal extemporaneous prayers. Private prayer occurs with the individual praying either silently or aloud within a private setting. Prayer exists within multiple different worship contexts and may be structured differently. These types of contexts may include:
Prayer is the active effort to communicate with a deity or higher being.
Prayer or Prayers may also refer to:
In music:
Other uses:
Coppélia is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll). In Greek, κοπελιά means girl, young lady. Coppélia premiered on 25 May 1870 at the Théâtre Impérial l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilde. Its first flush of success was interrupted by the Franco-Prussian War and the Siege of Paris (which also led to the early death of Giuseppina Bozzacchi, on her 17th birthday), but eventually it became the most-performed ballet at the Opéra.
Modern-day productions are traditionally derived from the revivals staged by Marius Petipa for the Imperial Ballet of St. Petersburg in the late 19th century. Petipa's choreography was documented in the Stepanov method of choreographic notation at the turn of the 20th century. These notations were later used to stage the St. Petersburg version for such companies as the Vic-Wells Ballet (precursor of today's Royal Ballet).
one two three
looking at me
so much to fix
seven eight nine
are you here all the time?
the light keeps coming through the holes in my mind
but i'll probably never fill them 'cause i've never got the time
your light is a thing that puts my life at ease
and my heart would ever break if you ever left me
nine eight seven
going to heaven
six five four
i need more
three two one