Pseudoarchaeology — also known as alternative archaeology, fringe archaeology, fantastic archaeology, or cult archaeology — refers to interpretations of the past from outside of the archaeological science community, which reject the accepted datagathering and analytical methods of the discipline. These pseudoscientific interpretations involve the use of artifacts, sites or materials to construct scientifically insubstantial theories to supplement the pseudoarchaeologists' claims. Methods include exaggeration of evidence, dramatic or romanticized conclusions, and fabrication of evidence.
There is no one singular pseudoarchaeological theory, but many different interpretations of the past that are at odds from those developed by persons who know and understand the data. Some of these revolve around the idea that prehistoric and ancient human societies were aided in their development by intelligent extraterrestrial life, an idea propagated by those such as Swiss author Erich von Däniken in books such as Chariots of the Gods? (1968) and Italian author Peter Kolosimo. Others instead hold that there were human societies in the ancient period that were significantly technologically advanced, such as Atlantis, and this idea has been propagated by figures like Graham Hancock in his Fingerprints of the Gods (1995).
o... yo
Y'all respect my tour bus
We got whores with no drawers ready to do all four of us!
Wildin, bustin big bags of Ruffles
Show money, rubber band'd up in the duffle
With dirtball niggaz that steal cake from stores
Boostin niggaz that pop tags in the mall
True spot hoggers, used a few stockings
Niggaz hand over the cash when heat's to they noggin
I sing a lil' lullaby, who gon' testify
the way a gruesome murder been televised?
Stupid! My name still ring in the streets though
Eighty-six, used to slip crack through the peephole
Biscuit like vaseline if I was a crook
In rap I'm past the cream, brand more lean
If you niggaz complain of sore throats
Shove the gun in they mouth, throat got scratched
They suckin on Halls yo
Yeah, yo
Yo this verse is like leavin the gas on
Hog-tie a nigga for his bread, have the Hefty bag on
By any means, a cheddar king
Got a '98 kid's voice on smooth like Lenny Green
Word to my mother I air y'all niggaz out
Bigger chromers for the one who got the bigger mouth
("Shout, shout, I'm talking to you, c'mon!")
Go 'head and try me, you know you a bird
You could be on (Gangland) wit'cha face all blurred
Skull deaded up slumped over the curb
Just watch next time how you write your words
Leave you hangin like your last name
Or a old man's nuts that sag with no shame
Payback's a bitch; yeah I smash y'all berries
'fore they find you dead in your (Little House on the Prairie)
Yo, I can do this on crutches black with no legs
Both arms in a sling, push me on stage
Style still linger in the air like Glade
Girls my early 20's I used to run trains
Chill I got next, go behind Dirt
Sometimes I had to chill instead get neck
Rich chandelier gown all over my flesh
'Bout to throw ladies to Haiti, peace to Wyclef
Blowed y'all cream never throw dollar bills up
You know we window baggin that krillz up
Fingertips hurt puttin that work in
Move that white in bulk nigga like Jergens
New rappers need to skip town
This the East coast music, Grandpa Ghost is around
Icon tellin y'all now