Part1:
http://youtu.be/iiRxvPO79RA
Part3: http://youtu.be/k0O03Afr0TQ
Part4: http://youtu.be/N_vvUSod2Dk
Beautiful and naïve
Maggy Lunel arrives in
Paris completely broke. She becomes an artist's model and the toast of Paris, attracting the attention of Picasso-like painter
Julien Mistral, an arrogant and selfish man who places his work above everything. Their paths diverge as Mistral's art catches the eye of a rich
American woman who becomes his patroness and eventually his wife. During the war years in
France, Mistral collaborates with the Nazis in order to continue with his work, a decision that will come back to haunt him years later
. In the meantime, Maggy has a daughter named
Teddy who grows up and falls in love with Mistral with whom she has a child named
Fauve. As Mistral ages, he comes to terms with his selfish past and wartime betrayal through his art, leaving a beautiful legacy for his daughter, Fauve.
The Mistral story begins in 1925 in Paris. There is no doubt about the setting because an accordion can be heard playing while
Jean Sablon sings, in
French, ''
April in Paris.'' Maggy is played by
Stefanie Powers, a beautiful actress in her early 40's.
Walking around a
Montmartre neighborhood, which features saucy young women swinging their hips in classic operetta fashion, Maggy wants to become an artists' model.
Enter Mistral, in flowing hair and a cape, played with a certain intense je ne sais quoi by
Stacy Keach. He takes the shy country bumpkin home to pose for him.
That is the beginning of a story that will tempestuously involve Mistral with Maggy, her daughter Teddy (
Stephanie Dunnam) and her granddaughter Fauve (
Philippine Leroy Beaulieu). The only other major character is
Kate, an American heiress of ''considerable wealth'' who manages to take Mistral away from Maggy, marry him and bear him a daughter whom, with unerring instinct, he loathes. Kate is portrayed to fresh-faced clawing perfection by
Lee Remick.
The more important marginal characters include
Madame Paula (
Stephane Audran), the former model who befriends Maggy, offering the practical advice that the artist needs her as much as she needs him.
And then there is
Avigdor (
Ian Richardson), the art dealer who, on first seeing Mistral's work, observes that ''he has found a style but he has not yet found something more important - passion.'' That's where
Maggie will come in.
When a heartbroken Maggy loses Mistral to the scheming Kate, she finds herself being wooed by the wealthy
Perry Kilkullen (
Timothy Dalton), a dashing Irish-American banker who wants to console her with ''diamond bracelets up to your shoulders and chinchilla to the floor.'' The
Irish, Perry explains, are scrappy and love a good fight, adore beautiful women and will do anything for justice and freedom.
Maggy and Perry are very happy together and they have a daughter, the one called Teddy, but there is a bit of trouble in paradise. Perry's Irish-
Catholic wife in
New York is not keen on giving him a divorce. As she puts it in one of her more reasonable moments, ''You and your bastard disgust me - may you all rot in hell!''
Moving to
America, Maggy and her daughter unexpectedly find themselves alone and penniless. But not to worry. Trying to sell her jewelry, Maggy uses a Yiddish colloquialism not usually considered ''respectable'' in casual conversation. The previously cold jeweler looks at her warmly and asks, ''You're a
Jewish girl?'' Assured that this is so, he says, ''I have a friend in the fashion business, you want I should call him?'' And from there, needless to say, Maggy goes on to establish the most successful modeling agency in the world.
Meanwhile, Mistral is becoming more successful and more vile. He collaborates with the Nazis to get paints and canvases for his work. He refuses to help his dealer Avigdor, who is Jewish and fleeing from the
German troops. These are the transgressions he will have to atone for in the last part of the story, and, sure enough, his paintings, which started out looking like rip-offs of
Lautrec and
Van Gogh, end up in the distinctive style of
Chagall. Mistral has found true love with Teddy (He: ''
I've been waiting for you forever.'' She: ''
You make me feel alive.'') and their child Fauve will become the true Mistral's daughter while the thwarted Kate will scream, ''May you fry in everlasting hell.'' Fauve will fall in love with Avigdor's son, who, upon hearing her use the word chutzpah, asks in all sincerity, ''Where'd you learn
Hebrew?'' Maggy wonders if this isn't a case of history repeating itself.
The directors of ''
Mistral's Daughter'' are
Douglas Hickox and
Kevin Connor.
The script was put together by
Rosemary Anne Sisson and
Terence Feely. The sumptuously gaudy production is said to have cost $15 million.
Judith Krantz (
Judith Tarcher) -born on January 9, 1928-is a Jewish-American novelist who writes in the romance genre. Her works include
Scruples,
Princess Daisy, and
Till We Meet Again.
- published: 23 Jan 2015
- views: 29325