Breath of Fire II (Japanese: ブレス オブ ファイアII 使命の子, Hepburn: Buresu obu Faia Tsū: Shimei no Ko, Breath of Fire II: The Destined Child) is a role-playing video game developed and published by Capcom. First released in 1994, the game was licensed to Laguna for European release in 1996. It is the second entry in the Breath of Fire series. It was later ported to Game Boy Advance and re-released worldwide. The game has been rated by the ESRB for release on Wii's Virtual Console and was released in North America on August 27, 2007. Nintendo of Europe's website mistakenly announced it for release on July 27, 2007, but it was in fact released two weeks later, on August 10, 2007.
Unlike later installments in the series, Breath of Fire II is a direct sequel to Breath of Fire. Set 500 years after the original game, the story centers on an orphan named Ryu Bateson, whose family vanished mysteriously long ago. After his friend is falsely accused of a crime, Ryu embarks on a journey to clear his name.
Jean Seberg is a musical biography with a book by Julian Barry, lyrics by Christopher Adler, and music by Marvin Hamlisch. It is based on the life of the late American actress and was first performed at the National Theatre in London December 1, 1983.
The plot covers her life and career from her first screen appearance in the 1957 Otto Preminger film Saint Joan to her acclaim in France prompted by her appearance in Breathless to her support of the Black Panthers to her mysterious 1979 death in Paris at the age of forty.
The production underwent major problems and faced criticism during its developmental and rehearsal stages. The original choreographer was fired and two of the stars suffered ankle injuries. One of them was replaced, resulting in the opening being delayed. Supporters of the National Theatre were dismayed that it was staging the premiere of what was primarily an American musical, and rumors that it was a disaster spread through London.
In an interview with Stephen Holden of The New York Times, Hamlisch said, "A project like Jean seems awfully risky to a producer. . . . I have to keep reminding myself that A Chorus Line was initially considered weird and off the wall. It was A Chorus Line that convinced me that if you give an audience a theatrical moment, whether it's funny or mean or satiric, they'll accept it as long as it's theatrical. You mustn't underestimate an audience's intelligence."
"Jean" is a popular song from 1969. It was written by the American poet and composer Rod McKuen who also recorded a version of the song.
The song was the theme to the film adaptation of Muriel Spark's The Prime of Miss Jean Brodie, which starred noted British film actress Maggie Smith. Smith won an Academy Award for Best Actress for her portrayal of the lead character in the film, Jean Brodie. The song was performed by songwriter McKuen, who was nominated for an Academy Award in the category Best Original Song. Although released as a single in the summer of 1969, McKuen's version of the song failed to reach the American music charts. Sergio Franchi performed the song on the January 3, 1971, broadcast of The Ed Sullivan Show, subsequently released on a rare Franchi DVD.
"Jean" was also recorded by the American singer Oliver. Earlier in 1969, Oliver had reached #3 on the Billboard pop and easy listening charts with his version of "Good Morning Starshine," a song from the musical Hair. While working on an album with producer Bob Crewe (which would also be called Good Morning Starshine), "Jean" was selected as a song for the record and subsequently chosen as the follow-up single. It became another hit for the singer, reaching #2 on the pop chart and spending four weeks at #1 on the adult contemporary chart. Oliver would later describe his cover version of the song: "We had no idea it would be a single. It was a 3/4 ballad in the psychedelic era...it was a beautiful arrangement."
Luc may refer to:.
In geography:
In education:
People:
In other fields:
LUC may refer to:
Lucé may refer to the following places in France:
Luc is a commune in the Hautes-Pyrénées department in south-western France.
Ens vam retrobar una nit d'estiu en un cicle especial de cinema francès a la fresca.
El meu plan era tornar aviat però al final tot es va anar allargant i els dos vam decidir sortir de gresca.
Se'ns va fer tard.
Va dir: "No agafis pas el cotxe. Si vols et pots quedar, que al pis hi tinc quarto exprés per convidats".
"Et deixo aquí sobre un cobrellit perquè ara no però després fot rasca, ja veuràs.
Si tens gana o vols aigua tu mateix pots fer com si fossis a casa".
La manera com va dir bona nit i va picar l'ullet era fàcilment mal interpetable.
Vaig augurar una nit per a la posteritat, fer un cim, fer un vuit mil, fer quelcom difícilment igualable.
Però allà no passava res, només aquell silenci trencat pel meu somier.
Potser no era el seu tipus, millor que no fes res.
I en una paret al fons imprès en blanc i negre hi havia un pòster d'en Godard.
Potser ell em podria dir-me perquè em ballava el cap.
Ai Jean-Luc!, ai Jean-Luc!, vull entendre-ho però no puc.
Ell va dir que en casos com aquests no es tracta de ser més guapo o més lleig sinó d'estar convençut de fer-ho.
Jo vaig dir-li: "Ja, però si ara hi vaig i ella no vol després què? Després tot això acaba siguent un rotllo patatero".
Em va convidar a fumar i en un plano-seqüència una frase magistral "Una dona és una dona. No et preocupis, tant se val".
L'endemà vam esmorzar, ni tan sols vaig mirar-la i a l'hora de marxar ella em va fer un petó que encara no sé interpretar.