Hailing from Manhattan (Kansas that is) Ultimate Fakebook could have easily been pigeonholed as pop-punk, but they came from a far different place than yammering juveniles like Sum 41 and Good Charlotte. This exemplary trio also wisely avoided being circulated into the ersatz emo clusterfuck that was just about to break nationally.Unfortunately, as high caliber as they were, Ultimate Fakebook never did break nationally, despite a short-lived stint on Sony Records in 2000/01. This Will Be Laughing Week, the band’s second and by far finest album was originally released on the Lawrence, KS-based Noiseome Records in 1999. When UFB were scooped up a year later by the bigwigs, the lp was retooled with slightly altered and/or remixed versions of all tracks. I am preferable to the original Noiseome version of TWBLW, and that’s what I’ve posted. There’s a bittersweet, underdog vibe that imbues this album in a way that’s indigenous to UFB, and a dizzying array of killer hooks is their not-so-secret weapon. In fact, even the most cursory listen to “Little Apple Girl,” and “Soaked in Cinnamon,” will you make an instant fanatic.
UFB capped off their lil’ career off with a third album in 2002, Open Up and Say Awesome, followed up with the Before We Spark ep a year later. Needless to say, given today's musical climate, they’re achingly missed.
01-She Don't Even Know My Name
02-Tell Me What You Want (I'll Be Anything)
03-Of Course We Will
04-Brokÿn Nëedle
05-A Million Hearts
06-Soaked in Cinnamon
07-This Will Be Laughing Week
08-Little Apple Girl
09-I'm All Out of It Now
10-Glitter & Glue
11-Real Drums
12-Perfect Hair
Are you ready to rock, it's not a question baby...
This can now be found on iTunes, Emusic, and Amazon.
This is the follow-up album to Gary Myrick & the Figures eponymous debut from 1980. As you may know, that album spawned a minor new wave/power-pop hit in the form of “She Talks In Stereo,” still considered a classic in some small circles. As for Living In a Movie? Well, don’t judge a book by it’s cover…even if it’s cover seemingly suggests that Epic went full speed ahead and marketed Myrick as the next Rick Springfield. Hardly the case. Movie is a darker, heavier album than it’s predecessor, and depending how much you read into it, this is arguably a “concept” record. At any rate, this is his last album with The Figures. You can read more about his career 
If you can get past the somewhat frivolous album cover, you just might find Pollen's third effort to be a veritable jewel (or more appropriately, 'peach'). Pop-core bands like Gameface and All are telltale inspirations for this departed Tempe, AZ crew, even if they aren't as quick-witted as either of them. Bittersweet, without pitching themselves into full-bore emo territory, and subtle but never blunting their rigorous intensity, Pollen strike a mature, melodic-laden balance that's near-addictive.
A brief album review in a 1989 issue of Circus magazine, of all places, described Dallas' Buck Pets as a cross between Guns N Roses and Mudhoney...or was it the Sex Pistols and Mudhoney? One of those two I think. Anyway, it was enough for me to run to the nearest Sam Goodys to buy their 1989 debut LP, 
Yet another uno-single wonder that also made it onto the imitable Broken Rekids label during the '90s. The Bay Area-based Moons, featured in their lineup one Mr. Adam Pfahler, formally of Jawbreaker, on drums, but that's where the conicidences between these two bands start and end.
.jpg)
