The Graves may refer to:
The Graves is a 2009 horror film. Described as a "supernatural survival shocker," it is written and directed by veteran comic book creator Brian Pulido and produced by Mischief Maker Studios, and Ronalds Brothers Productions.
The story centers on two sisters (Clare Grant and Jillian Murray) who visit the Skull City Mine roadside attraction in the desert. Their plight turns into a fight for survival against menaces both human and supernatural.
On their last weekend together, Megan and Abby Graves become lost in a remote part of the Arizona desert where they are lured to Skull City, an abandoned mine town; however, Skull City is anything but abandoned—and there’s no way out.
The Graves is an aggregation of rock outcroppings in Massachusetts Bay, Massachusetts, United States. Situated some 11 miles (18 km) offshore of downtown Boston, it is the outermost island in the Boston Harbor Islands National Recreation Area. It is the location of The Graves Light, at 113 feet (34 m) tall the tallest lighthouse in Boston Harbor, and an important navigation aid for traffic to and from the port. The island has a permanent size of 1.8 acres, and rises to a height of 15 feet (4.6 m) above sea level; there is only aquatic vegetation on the island. The island is privately owned and the beacon and foghorn are managed by the Coast Guard, and is not open to the public.
The Graves are named after Thomas Graves, a prominent early trader of colonial Massachusetts and a rear admiral in the English Navy who was killed in action against the Dutch in 1653.
The Graves are northeast of the Roaring Bulls and far northwest of Three and One-half Fathom Ledge. The Commonwealth of Massachusetts ceded jurisdiction of The Graves, which lay outside the jurisdiction of any town, to the Federal Government on April 22, 1903, so that a lighthouse could be built on the ledge. The United States Lighthouse Service operated Graves Light until 1939, when it was merged into the United States Coast Guard. Graves Light was declared surplus property and sold by auction to a private owner in 2013."General Services Administration, Invitation for Bids" (PDF). General Services Administration. Retrieved October 14, 2013. .
Charge or charged may refer to:
Charge was originally produced as a youth television show aimed at showcasing viewer's user-generated content. It was broadcast on the Media Trust’s Community Channel on Sky channel 539, Virgin TV channel 233 and Freeview channel 87 in the UK.
After the second series it was decided to expand charge into a separate youth strand on the Community Channel and it ran in this form for two series.
Targeted at 16- to 25-year-olds, the first two series were dedicated to showcasing viewer's originally produced content and featured a mixture of music videos, drama, comedy and documentary. Series 3 and 4 concentrated on dealing with a different issue each week that affect young people and featured studio guests and series produced by young television producers including The House and True Tube.
There were a number of special produced for Charge including Street Crime UK – a series of short documentaries from around the UK looking at knife and gun crime, and McConville Reports following a young trainee journalist’s quest to interview the leaders of Britain’s leading parties.
In basketball, a personal foul is a breach of the rules that concerns illegal personal contact with an opponent. It is the most common type of foul in basketball. A foul out occurs when a player exceeds his or her personal foul limit for a game and is disqualified from participation in the remainder of the game.
Players routinely initiate illegal contact to purposely affect the play, hoping it is seen as too minor to be called a foul. The threshold is subjective and varies among officials and from game to game. Most contact fouls are not regarded as unsportsmanlike. However, a contact foul involving excessive or unjustified contact is classed as an unsportsmanlike foul (or in the NBA, flagrant foul)
Basketball has always had the concept of fouls. In 1891, James Naismith's original 13 rules defined a foul as:
Graves (/ˈɡrɑːv/; from French: 'gravelly land') is an important subregion of the Bordeaux wine region. Graves is situated on the left bank of the Garonne river, in the upstream part of the region, southeast of the city Bordeaux and stretch over 50 kilometres (31 mi). Graves is the only Bordeaux subregion which is famed for all three of Bordeaux' three main wine types—reds, dry whites and sweet wines—although red wines dominate the total production. Graves AOC is also the name of one Appellation d'origine contrôlée (AOC) which covers most, but not all of the Graves subregion.
The area encompasses villages including Sauternes, Pessac, Talence, Léognan, Martillac, Saint-Morillon, and Portets.
The name Graves derives from its intensely gravelly soil. The soil is the result of glaciers from the Ice Age, which also left white quartz deposits that can still be found in the soil of some of the top winemaking estates.
The Graves is considered the birthplace of claret. Graves wine production for export dates back to Eleanor of Aquitaine, who married Henry II, King of England, creating a flourishing trade between both countries: wine versus coal and iron. In the Middle Ages, the wines that were first exported to England were produced in this area. At that time, the Médoc subregion north of the city Bordeaux still consisted of marshland unsuitable for viticulture, while Graves were naturally better-drained.
Our history speaks in thunder from a thousand village halls
In blood and sweat and sacrifice, in honouring every call
So the forces gathered against the thorn a-piercing in their side
A brave new world is beckoning so the olden world must die.
In the offices of the city, at all the tables of oak and power
The snares are laid and baited for the approaching of the hour
A hundred justifications and the presses are ready to roll
The gateways to the nation they are firmly under control
Ch: On, on, on, cried the leaders at the back
We went galloping down the blackened hills
And into the gaping trap
The bridges are burnt behind us and there's waiting guns ahead
Into the valley of death rode the brave hundreds
We called for some assistance from the friends that we had known
But this is the 1980s and we were on our own
We never felt like heroes or martyrs to a cause
Just battle-weary soldiers in a bloody civil war
The massacre now is over and the order new enshrined
While a quarter of the nation are abandoned far behind
Their leaders offer the cliché words, so righteous in defeat
But no one needs morality when there isn't enough to eat
The unity bond is broken and the loyalty songs are fake
I'll screw my only brother for even a glimpse at a piece of the cake
We only cry in private here behind the shuttered glass
When we think of the charge of this brigade, the severing of the past
Ch: On, on, on, cried the leaders at the back
We went galloping down the blackened hills
And into the gaping trap
The bridges are burnt behind us and there's waiting guns ahead