Eddie (text editor)

Eddie is a text editor which was first released in 1997 for BeOS, and later ported to Linux and Mac OS X. It was written by Pavel Císler, formerly a senior developer at Be, who later worked for Eazel and currently works for Apple and continues to develop Eddie as his pet project, now on Mac OS X. Inspired by the classic Macintosh' Macintosh Programmer's Workshop editor, it is primarily intended for working with C and C++ development. However, Eddie supports syntax colouring for HTML, JavaScript, .kon/.widget, Perl, and many other formats. Eddie supports a Worksheet – provides a well-appointed shell that enables the power of bash and the convenience of editing in a normal text window mode.

Plugins

Eddie (Louie)

"Eddie" is the ninth episode of the second season of Louie. It first aired on the FX channel in the United States on August 11, 2011.

Plot

After finishing a stand-up set, Louie runs into his old friend and colleague Eddie Mack (Doug Stanhope), whom he has not seen for years. Louie is happy to see his friend, but when Eddie becomes unnecessarily aggressive towards a fellow comedian, it becomes clear that something is wrong. It turns out Eddie is struggling with his career, lives in his car and drinks heavily. The two go out together, get drunk, and Eddie does an impromptu set at an open mic event. As the evening comes to an end, Eddie tells Louie that he's planning to end it. Louie thinks he is talking about his stand-up career, but Eddie is actually planning to commit suicide, and sought out Louie because he wanted someone to say goodbye to. Louie initially states that he has struggled with determining his purpose in life and had to discover it for himself and everyone must discover their own purpose. Louie at first attempts to dissuade him stating for instance," You know what, it's not your life. It's life. Life is bigger than you. If you can imagine that. Life isn't something that you possess; it's something that you take part in, and you witness." While Louie is expressing his concerns, they are both promptly interrupted by a random couple arguing within earshot and thus distracting them in the process. The moment ends in an awkward silence. It then becomes clear to Eddie that he is going to have to figure out for himself if he has a significant reason to live. The two part ways with the issue unresolved, and it is not revealed what eventually happens to Eddie.

List of Guilty Gear characters

This is an index of characters from the Guilty Gear fighting game series.

Creation and influences

Daisuke Ishiwatari has cited Kazushi Hagiwara's manga Bastard‼, and the fighting game Street Fighter II as influence to the Guilty Gear series. However, he noted that the majority of other fighting games were just recycling the character's same skins or style, and so he wanted every character "to be unique in their own way."Kazuhiko Shimamoto's characters was also noted as an inspiration for the men characters, with Ishiwatari saying they needed to be "chivalrous person-like characters", and citing Anji Mito "the most closest to this type". The female ones, on the other hand, have not followed a standard, with he only saying that they needed look like real women.

There are many musical references in the Guilty Gear series, including various characters' names and moves, which were inspired by rock and heavy metal bands like Queen, Guns N' Roses, and Metallica. For instance, the main character, Sol Badguy, was named after Queen's lead vocalist, Freddie Mercury. Both his real name, Frederick, and his last name were influenced by the singer, whose nickname was "Mr. Badguy".

Bolero (horse)

Bolero (1975-1986) was a dressage horse and an influential sire. He stood 16.1 hands (65 inches, 165 cm).

Pedigree

Bolero was by the English Thoroughbred stallion Black Sky, who was imported to Germany in 1972. Black Sky was a grandson of the great stallion Djebel, who also sired the very influential My Babu, a stallion seen in many show jumpers and hunters pedigrees in the United States. Black Sky stood at the private stud farm of Schmidt-Ankum, and his offspring were generally talented dressage horses with good rideability, but with very little jumping talent.

Bolero's dam, Baroness, was registered with the Hanoverian Verband. She was half-Thoroughbred through her sire, the large-framed stallion Bleep. Her dam's side includes Hyperion, who in turn traces to Bay Ronald. The dam-sire of Baroness was the stallion Athos, who was known as a broodmare sire of dressage horses, and her damline (Athos-Fliegerstern) also produced the stallions Grenadier, Hitchcock, and Winner.

This breeding combination of a Thoroughbred stallion to a mare that was by a Thoroughbred was prohibited by the Hanoverian studbook at the time, due to the belief that the offspring would be unsuccessful.

Bolero, Sarajevo

Bolero, Sarajevo or shortened Bolero is the name of a theatre show produced by the East West Theatre Company from Bosnia and Herzegovina and Tala Dance Center from Croatia. Authors, choreographer Tamara Curic from Zagreb, Croatia and director Haris Pasovic, created a dance performance in which Sarajevo and choreography impressed with Maurice Béjart's work are in interaction. They were largely inspired by the flux of Sarajevo, Ravel’s music and 'Béjartesque' swinging bodies. Performance included dancers from Zagreb who regularly collaborate with the TALA Dance Centre, actors of the East West Theatre Company from Sarajevo, and the members of the Sarajevo National Theatre’s Ballet Company.

Haris Pasovic, Sarajevo theater director and drama professor at the Academy of Performing Arts, injected this predominantly dance production with occasional humorous monologues, in which the people of Sarajevo tell intimate stories about their post-war lives. This performance was created to commemorate the siege of Sarajevo during the Bosnian War.

Les Uns et les Autres

Les Uns et les Autres is a 1981 French film by Claude Lelouch. The film is a musical epic and it is widely considered as the director's best work with Un Homme et une Femme. It won the Technical Grand Prize at the 1981 Cannes Film Festival. In the United States, it was distributed under the name Boléro in reference to Maurice Ravel's orchestral piece, used in the film. The film was very successful in France with 3,234,549 admissions and was the 6th highest grossing film of the year.

Plot

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1980s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes.

In Moscow, 1936, an aspiring dancer Tatiana marries a man, Boris, who will give her a son just before he is killed during World War II. In Berlin, Karl Kremer’s success as a pianist is confirmed when he receives praise from Hitler – something which will haunt him throughout his life. In Paris, a young violinist Anne falls in love with a Jewish pianist, Simon Meyer; they marry and produce a son, but they end up on a train bound for a Nazi concentration camp. In New York, Jack Glenn is making his name with his popular jazz band. Twenty years on, their children are reliving their experiences, and Anne Meyer continues her hopeless quest to find the son she was forced to abandon.