LATA MANGESHKAR - BANGLE KE PEECHE - SAMADHI 1972
SONG:BANGLE KE PEECHE
MUSIC:
R.D.BURMAN
LYRICS:MAJROOH SULTANPURI
SINGER:
LATA MANGESHKAR
FILM:SAMADHI
Samadhi is a
1972 Hindi film directed by
Prakash Mehra. The film stars
Dharmendra in a dual role as father and son,
Asha Parekh and
Jaya Bhaduri as the love interests.
Music is by
R.D. Burman and lyrics by
Majrooh Sultanpuri.The film became a "semi-hit" at the box office
Asha Parekh (2
October 1942) is a
Bollywood actress, director, and producer. She was one of the top stars in
Hindi films from
1959 to
1973 and is said to have starred in more hit films than any other actress.Asha Parekh was born into a middle-class
Gujarati household .
Parekh started her career as a child artiste under the screen name
Baby Asha Parekh in the film
Aasmaan (
1952). Famed film director
Bimal Roy saw her dance at a stage
function and cast her at the tender age of twelve in
Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from
Vijay Bhatt's
Goonj Uthi Shehnai (1959) in favor of actress
Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer
Subodh Mukherjee and writer-director
Nasir Hussain cast her as the heroine in
Dil Deke Dekho (1959) opposite
Shammi Kapoor which made her a huge star.
The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar
Kisi Se
Hota Hai (
1961),
Phir Wohi Dil Laya Hoon (
1963),
Teesri Manzil (1966),
Baharon Ke Sapne (
1967),
Pyar Ka Mausam (
1969), and
Caravan (
1971). She also did a cameo role for his film
Manzil Manzil (
1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director
Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films:
Do Badan (1966),
Chirag (1969), and
Main Tulsi Tere Aangan Ki (1978).
Director Shakti Samanta gave her more dramatic roles in her other favorite films,
Pagla Kahin Ka (
1970), and
Kati Patang (1970), the latter earned her the
Film fare
Best Actress Award. Many important directors repeated her several times in their films, such as
Vijay Anand,
Mohan Segal and
J.P. Dutta.
After her days as a leading lady ended, she took on supporting roles as bhabhi (sister-in-law) and mother, but she called this the "awkward phase" of her career. So she stopped acting in films, and her friends recommended that she become a television director.
Asha stopped acting in
1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Film fare
Lifetime Achievement Award in
2002. And she has continued to receive other
Lifetime Achievement Awards:
Kalakar Award in 2004;
International Indian Film Academy Awards in
2006;
Pune International Film Festival Award (
2007);
Ninth Annual Bollywood Award (2007) in
Long Island, New York. She received the
Living Legend Award from the
Federation of
Indian Chambers of Commerce and
Industry(
FICCI).
Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." She said she hadn't seen Nasir Hussain the last year of his life, as he became reclusive because of his wife's death, but she did speak to him on the phone the day before he died in 2002. A devastated Asha attended his funeral.
Today, she concentrates on her dance academy
Kara Bhavan, which has produced many skilled dancers. The Asha Parekh
Hospital in
Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes.
When asked if she missed having a husband and children, her response was: "I don`t think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that
I am happy I am not married and don`t have kids, because I don`t think I would have been able to cope up with them."