- published: 01 Sep 2020
- views: 2607664
Memoria was the term for aspects involving memory in Western classical rhetoric. The word is Latin, and can be translated as "memory."
It was one of five canons in classical rhetoric (the others being inventio, dispositio, elocutio, and pronuntiatio) concerned with the crafting and delivery of speeches and prose.
The art of rhetoric grew out of oratory, which was the central medium for intellectual and political life in ancient Greece. Legal proceedings, political debates, philosophical inquiry were all conducted through spoken discourse. Many of the great texts from that age were not written texts penned by the authors we associate them with, but were instead orations written down by followers and students. In Roman times, while there was a much greater body of written work, oration was still the medium for critical debate. Unlike public speakers of today, who use notes or who read their speeches, good orators were expected to deliver their speeches without such aids.
Memoria was the discipline of recalling the arguments of a discourse. It generally received less attention from writers than other parts of rhetoric, as there is less to be said about the subject. However, the need to memorize speeches did influence the structure of discourse to some extent. For example, as part of dispositio, some attention was paid to creating structures (such as the divisio, an outline of the major arguments of a discourse) that would also aid memory. Some writers also discussed the use of various mnenomic devices to assist speakers.
Memoria is the third studio album of Argentine band Erreway. The songs were written by Maria Cristina de Giacomi and Carlos Nilson, who also wrote for the albums "Señales (2002) and Tiempo (2003). The album was released in June 2004, and sold 500,000 copies only in South America. The songs "Asignatura Pendiente", "Vivo Como Vivo", "De Aquí, de Allá", "Solo Sé" and "Memoria" were used in the Erreway movie Erreway: 4 Caminos (2004).
Memoria refers to one of five canons in classical rhetoric.
Memoria or Memorias (Spanish), or Memórias (Portuguese) may also refer to:
Transcription factor RFX4 is a protein that in humans is encoded by the RFX4 gene.
This gene is a member of the regulatory factor X gene family, which encodes transcription factors that contain a highly-conserved winged helix DNA binding domain. The protein encoded by this gene is structurally related to regulatory factors X1, X2, X3, and X5. It has been shown to interact with itself as well as with regulatory factors X2 and X3, but it does not interact with regulatory factor X1. This protein may be a transcriptional repressor rather than a transcriptional activator. Three transcript variants encoding different isoforms have been described for this gene.
This article incorporates text from the United States National Library of Medicine, which is in the public domain.
MHC class II regulatory factor RFX1 is a protein that, in humans, is encoded by the RFX1 gene located on the short arm of chromosome 19.
The RFX1 gene is a member of the regulatory factor X (RFX) gene family, which encodes transcription factors that contain five conserved domains including a highly conserved, centrally located, winged helix DNA binding domain as well as a dimerization domain located in the C-terminal region of the sequence. Apart from the five conserved domains, the RFX proteins diverge significantly. The DNA binding and dimerization domains of the RFX family proteins show no similarities to the other domains with the same functions in other proteins.
The RFX protein family is conserved in S. pombe, S. cerevisiae, C. elegans, mice and humans. There are seven known RFX proteins in humans, five in mice, and one in C. elegans as well as one in each of the two species of yeast.
The protein encoded by this gene is structurally related to regulatory factors X2, X3, X4, and X5. It is a transcriptional activator that can bind DNA as a monomer or as a heterodimer with RFX family members X2, X3, and X5, but not with X4. This protein binds to the Xboxes of MHC class II genes and is essential for their expression. Also, it can bind to an inverted repeat that is required for expression of hepatitis B virus genes. The RFX proteins were originally cloned and characterized due to their high affinity for a cis-acting promoter sequence, called the Xbox, found in all MHC class II genes.
DNA-binding protein RFX5 is a protein that in humans is encoded by the RFX5 gene.
A lack of MHC-II expression results in a severe immunodeficiency syndrome called MHC-II deficiency, or the bare lymphocyte syndrome (BLS; MIM 209920). At least 4 complementation groups have been identified in B-cell lines established from patients with BLS. The molecular defects in complementation groups B, C, and D all lead to a deficiency in RFX, a nuclear protein complex that binds to the X box of MHC-II promoters. The lack of RFX binding activity in complementation group C results from mutations in the RFX5 gene encoding the 75-kD subunit of RFX (Steimle et al., 1995). RFX5 is the fifth member of the growing family of DNA-binding proteins sharing a novel and highly characteristic DNA-binding domain called the RFX motif. Multiple alternatively spliced transcript variants have been found but the full-length natures of only two have been determined.
Poca is a town in Putnam County, West Virginia, United States. The population was 974 at the 2010 census. Poca is a part of the Huntington-Ashland, WV-KY-OH, Metropolitan Statistical Area (MSA). As of the 2010 census, the MSA had a population of 287,702. New definitions from February 28, 2013 placed the population at 363,000.
Poca is located at 38°27′41″N 81°48′56″W / 38.46139°N 81.81556°W / 38.46139; -81.81556 (38.461343, -81.815592). It is sited at the confluence of the Kanawha River and the Pocatalico River.
According to the United States Census Bureau, the town has a total area of 0.76 square miles (1.97 km2), of which, 0.59 square miles (1.53 km2) is land and 0.17 square miles (0.44 km2) is water.
As of the census of 2010, there were 974 people, 395 households, and 290 families residing in the town. The population density was 1,650.8 inhabitants per square mile (637.4/km2). There were 415 housing units at an average density of 703.4 per square mile (271.6/km2). The racial makeup of the town was 98.7% White, 0.5% African American, 0.2% Asian, and 0.6% from two or more races. Hispanic or Latino of any race were 0.6% of the population.
Titulo : ''Ne'e Memoria'' Mixed & Mastered : El-Chapo Studio (Sanloco beat) Singers : Pasaribu,Erick & Milus Song Writer : Varela & Alex Pasaribu Suporta Maximu : Mita Amaral Directed & Editing Video : ON SHOOT Production Link Behind The Scene :https://www.youtube.com/watch?v=XBWexYKAa2s&t;=159s Special Thanks to : Mita Amaral Jhony Gomes Kiki Ferreira Thyago Menezes Lulu Menezes Lelya Menezes Connect With Us : @hau_alexpasaribu @Callme_miluss @erick_hornay17 @ki28_f.e.r.r.e.i.r.a Lirik : Iha Ne'eba O diak Ga lae?? O Iha Ne'ebe Hau Nein Hatene O Iha Ne'eba O Diak Ga la...Doben?? Husik Hau mesak Iha ne Moras Ne O Nein Komprende Moras Ne O nunka Sente...Doben. PreReff: Maske O laos Hau nia Maibe domin Nafatin Ba O Maske O Hadomi Nia Hau So Bele Reja Hodi Bele Kuidado O Iha Fa...
Muzika Terseiru husi ami , espera belun sira bele Haksolok rona muzika ida nee. keta haluha supporta nafatin ami liu husi subscribe like no share i fo mos komentariu obrigado . .................... SLOW BUT SURE ...................... TITULO : MEMORIA ARTIST : Ricky98 , Claudio Salem , ELM Carvalho RECORDED : EL CHAPO STUDIO VIDEO EDITOR : Octaviano ximenes Ribeiro Contac us : Instagram : @ricky https://www.instagram.com/ricky_soares017/ @elmcarvalho https://www.instagram.com/elm_carvalhooo17/ @claudio https://www.instagram.com/claudio_salem17/
Fate/Zero 第一季片尾曲 --- 「MEMORIA」 作詞 - Eir,安田史生 / 作曲 - 安田史生 / 編曲 - 下川佳代 / 歌 - 藍井エイル Background image: http://3.bp.blogspot.com/-sB7tnsJE8CU/TpMft3uMTWI/AAAAAAAABnM/Sn080-f1fas/s1600/Fate_Zero_ED_07A.jpg This video is for promotional purpose without profit. 本影片只作宣傳,並無營利。
Indochine - Babel Babel - Ecouter / Commander : https://indochine.lnk.to/BabelBabel Arena Tour (2025), infos et réservations : https://indo.fr Clip réalisé par Asia Argento Paroles : Nicola Sirkis Musique : Mickaël Furnon Arrangeur : Olivier Gerard Cinematography by Nicola Pecorini - Produced by Gabriele Mainetti - Editing and Color Correction by Filippo Barbieri - Art Direction by Eugenia Di Napoli - Costumes by Nicoletta Ercoli - Makeup and Prosthetics by Fill Conte - Hair by Simone Di Fazio - Sound Design by Mirko Perri - VFX by Edi Milan - Cast: Alessandro Tedeschi, Barbara Ronchi, Anna-Lou Castoldi, Nicola Civetta, Alessandro Federico, Barbara Alberti, Angelica Di Majo, Asia Argento Site officiel : http://www.indo.fr Facebook : https://www.facebook.com/Indochineofficiel Twitter: htt...
Memoria was the term for aspects involving memory in Western classical rhetoric. The word is Latin, and can be translated as "memory."
It was one of five canons in classical rhetoric (the others being inventio, dispositio, elocutio, and pronuntiatio) concerned with the crafting and delivery of speeches and prose.
The art of rhetoric grew out of oratory, which was the central medium for intellectual and political life in ancient Greece. Legal proceedings, political debates, philosophical inquiry were all conducted through spoken discourse. Many of the great texts from that age were not written texts penned by the authors we associate them with, but were instead orations written down by followers and students. In Roman times, while there was a much greater body of written work, oration was still the medium for critical debate. Unlike public speakers of today, who use notes or who read their speeches, good orators were expected to deliver their speeches without such aids.
Memoria was the discipline of recalling the arguments of a discourse. It generally received less attention from writers than other parts of rhetoric, as there is less to be said about the subject. However, the need to memorize speeches did influence the structure of discourse to some extent. For example, as part of dispositio, some attention was paid to creating structures (such as the divisio, an outline of the major arguments of a discourse) that would also aid memory. Some writers also discussed the use of various mnenomic devices to assist speakers.