Jerry Saltz

Jerry Saltz (born February 19, 1951) is an American art critic. Since 2006, he has been senior art critic and columnist for New York magazine. Formerly the senior art critic for The Village Voice, he has been nominated for the Pulitzer Prize in Criticism three times. He has also served as a visiting critic at The School of Visual Arts, Columbia University, Yale University, and The School of the Art Institute of Chicago and the New York Studio Residency Program, and was the sole advisor for the 1995 Whitney Biennial. He lives in New York City with his wife Roberta Smith, senior art critic for the New York Times.

Art criticism

In an article in Artnet magazine, Saltz codified his outlook: "All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks."

New York

New York is a state in the Northeastern United States and is the United States' 27th-most extensive, fourth-most populous, and seventh-most densely populated state. New York is bordered by New Jersey and Pennsylvania to the south and Connecticut, Massachusetts, and Vermont to the east. The state has a maritime border in the Atlantic Ocean with Rhode Island, east of Long Island, as well as an international border with the Canadian provinces of Quebec to the north and Ontario to the west and north. The state of New York, with an estimated 19.8 million residents in 2015, is often referred to as New York State to distinguish it from New York City, the state's most populous city and its economic hub.

With an estimated population of nearly 8.5 million in 2014, New York City is the most populous city in the United States and the premier gateway for legal immigration to the United States. The New York City Metropolitan Area is one of the most populous urban agglomerations in the world. New York City is a global city, exerting a significant impact upon commerce, finance, media, art, fashion, research, technology, education, and entertainment, its fast pace defining the term New York minute. The home of the United Nations Headquarters, New York City is an important center for international diplomacy and has been described as the cultural and financial capital of the world, as well as the world's most economically powerful city. New York City makes up over 40% of the population of New York State. Two-thirds of the state's population lives in the New York City Metropolitan Area, and nearly 40% live on Long Island. Both the state and New York City were named for the 17th century Duke of York, future King James II of England. The next four most populous cities in the state are Buffalo, Rochester, Yonkers, and Syracuse, while the state capital is Albany.

Jerry

Jerry may refer to:

See also

Roberta Smith

Roberta Smith is an American art critic for the New York Times and a lecturer on contemporary art.

Born in New York City and raised in Lawrence, Kansas, Smith studied at Grinnell College in Iowa. Her career in the arts started in 1968 while an undergraduate summer intern at the Corcoran Gallery of Art in Washington D.C. The following year she was awarded a fellowship to participate in the Independent Study Program (ISP) at the Whitney Museum where she met Donald Judd and became interested in minimal art.

After graduation, she returned to New York City in 1971 to take a secretarial job at the Museum of Modern Art, followed by part-time assistant jobs to Judd and Paula Cooper in 1972. While at the Paula Cooper Gallery she wrote exhibition reviews for Artforum, and subsequently for Art in America, the Village Voice and other publications as well. She began writing for the New York Times in 1986.

Smith has written numerous essays for catalogues and monographs on contemporary artists, and wrote the featured essay in the Judd catalogue raisonné published by the National Gallery of Canada in 1975. She writes not only about contemporary art but about the visual arts in general, including decorative arts, popular and outsider art, design and architecture. In 2003 the College Art Association awarded her the Frank Jewett Mather Award for Art Criticism.

Visual art of the United States

Visual art of The United States or American art is visual art made in the United States or by American artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally-made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

But in the later 18th century two American artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that was original and matched the huge scale of American landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural America was the American craft movement, which began as a reaction to the industrial revolution.