Freelancers (film)

Freelancers is a 2012 crime-drama film directed by Jessy Terrero, and stars 50 Cent, Forest Whitaker, and Robert De Niro. Filming took place in New York City, New York. It had a limited release in theaters in Los Angeles and New York on August 10, 2012 and was released on DVD and Blu-ray on August 21, 2012.

Plot

With his two best friends, Jonas Maldonado, the son of a slain NYPD officer, joins the police academy. After graduating, he's taken under the wing of his father's former partner, Captain Joe Sarcone, who invites him to join the Street Vice Crime Task Force. Under Sarcone's tutelage, he becomes part of a rogue task force that consists of dirty cops. After he learns from the District Attorney's office that his father was murdered by Sarcone after turning state's evidence, Maldonado frames Sarcone for a theft from powerful mob boss Gabriel Baez. Baez orders Maldonado to kill one of his friends as a sign of loyalty, which he reluctantly does. With Baez's help, Maldonado then kills the dirty cops responsible for his father's death. At the end, the District Attorney's office approaches Maldonado, urges him not to take Sarcone's place as Baez's right-hand man, and Maldonado ponders whether to go straight or not.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: