Wu wei (Chinese: 無爲; a variant and derivatives: traditional Chinese: 無為; simplified Chinese: 无为; pinyin: wú wéi; Japanese: 無為; Korean: 무위; Vietnamese: Vô vi; English, lit. non-doing) is an important concept in Taoism that literally means non-action or non-doing. In the Tao te Ching, Laozi explains that beings (or phenomena) that are wholly in harmony with the Tao behave in a completely natural, uncontrived way. As the planets revolve around the sun, they "do" this revolving, but without "doing" it. As trees grow, they simply grow without trying to grow. Thus knowing how and when to act is not knowledge in the sense that one would think, "now I should do this," but rather just doing it, doing the natural thing. The goal of spiritual practice for the human being is, according to Laozi, the attainment of this natural way of behaving .

Wu may be translated as not have or without; Wei may be translated as do, act, serve as, govern or effort. The literal meaning of wu wei is "without action", "without effort", or "without control", and is often included in the paradox wei wu wei: "action without action" or "effortless doing". The practice of wu wei and the efficacy of wei wu wei are fundamental tenets in Chinese thought and have been mostly emphasized by the Taoist school. One cannot actively pursue wu wei. It is more a mere observation of one's behavior after they have accepted themselves for who they are and release conscious control over their lives to the infinite Tao.

Pierre Bensusan (born 30 October 1957) is a French-Algerian guitarist. As sephardic Jews, his family came from Spain, Spanish Morocco and French Algeria. The genre of his acoustic guitar music is often characterized as Celtic, Folk, World music, New Age, or Chamber jazz. He has also published three books of music and tablature. A wide variety of musical styles and influences can be heard in his music.

Born in 1957 in Oran, French Algeria, he moved to Paris with his family when he was four years old. He took up the piano at the age of seven and, at the age of eleven, began to teach himself guitar. He signed the contract for his first album, Près de Paris, when he was just seventeen; it was released one year later, winning him the Grand Prix du Disque at the Montreux Festival. His many influences include Davey Graham, Larry Carlton, Django Reinhardt, Martin Carthy, Nic Jones, Ry Cooder, Big Bill Broonzy, Reverend Gary Davis, Mississippi John Hurt, Doc Watson, Jimi Hendrix, John McLaughlin, Bert Jansch, John Renbourn, Ralph Towner, Wes Montgomery, Pat Metheny and Paco de Lucía.

Enjott Schneider (born Norbert Jürgen Schneider 25 May 1950 in Weil am Rhein) is a German composer, musicologist, and music educator. As a composer he is best known for his film work, having won the Bavarian Film Award for Best Film Score in 1990, the Filmband in Gold in 1991, and the Deutscher Fernsehpreis in 2007, the latter for his work on March of Millions. He has also composed a good deal of concert music, and occasional pieces as well.

Terence James Stannus Gray (14 September 1895 – 5 January 1986), better known by the pen name Wei Wu Wei, was a 20th century Taoist philosopher and writer.

Between the years 1958 and 1974 eight books and articles in various periodicals appeared under the pseudonym "Wei Wu Wei" (Wu wei, a Taoist term which translates as action that is non-action). The identity of the author was not revealed at the time of publication for reasons outlined in the Preface to the first book Fingers Pointing Towards the Moon (Routledge and Kegan Paul, 1958). Eventually it was revealed that the author had been Terence Gray. His pseudoname actually means wei wu wei from taoism. Terence James Stannus Gray was born in Felixstowe, Suffolk, England on 14 September 1895, the son of Harold Stannus Gray and a member of a well-established Irish family. He was raised on an estate at the Gog-Magog Hills outside Cambridge, England. He received a thorough education at Ascham St Vincent's School, Eastbourne, Eton and Oxford University. Early in life he pursued an interest in Egyptology which culminated in the publication of two books on ancient Egyptian history and culture in 1923. This was followed by a period of involvement in the arts in Britain in the 1920s and 1930s as a theorist, theatrical producer, creator of radical 'dance-dramas', publisher of several related magazines and author of two related books. He was a major influence on many noted dramatists, poets and dancers of the day, including his cousin Ninette de Valois, founder of the Royal Ballet (which in fact had its origins in his own dance troupe at the Cambridge Festival Theatre which he leased from 1926–33).

Li Wu (李悟) (died January 10, 826), né Li Liao (李寮), formally the Prince of Jiàng (絳王), was an imperial prince of the Chinese dynasty Tang Dynasty who, after the assassination of his nephew Emperor Jingzong, was poised to take the throne, but was then himself killed in the armed conflict between the eunuchs who supported him and those who supported Emperor Jingzong's younger brother Li Han, who took the throne as Emperor Wenzong.

Li Wu was the sixth son of Emperor Xianzong. It is not known when he was born, and his mother's identity is lost to history. He must have been born, however, in or before 805, as in 805, the same year when Emperor Xianzong's grandfather Emperor Dezong died and was succeeded by Emperor Xianzong's father Emperor Shunzong, he was created the Prince of Wen'an. He was originally named Li Liao, but his name was changed to Li Wu when Emperor Xianzong changed the names of many of his sons in 812.

On January 9, 827, Li Wu's nephew Emperor Jingzong, the son of Li Wu's older brother Emperor Muzong, was assassinated by a group of imperial guard officers and eunuchs, led by the officer Su Zuoming (蘇佐明) and the eunuch Liu Keming (劉克明), who were fearful of his violent temper. Liu ordered the imperial scholar Lu Sui to draft a will for Emperor Jingzong putting Li Wu in charge of the affairs of state. The next day, this will was publicly read, and Li Wu met with the imperial officials in person.