Australian politics, society & culture

Arts & Letters

The Drones
Australian ugliness
Gareth Liddiard on The Drones’ ‘Feelin Kinda Free’
By Anwen Crawford
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Still from Sherpa
Blind obsession
The economics of Everest in Jennifer Peedom’s ‘Sherpa’
By Luke Davies
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Felled by grace
Helen Garner’s work collected in ‘Everywhere I Look’
By Anna Goldsworthy
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Cover
‘The Diemenois’ by JW Clennett
Hunter Publishers; $39.95
By Michael Lucy
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‘The High Places’ by Fiona McFarlane
Hamish Hamilton; $32.99
By Brenda Walker
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‘In Other Words’ by Jhumpa Lahiri
Bloomsbury; $29.99
By Helen Elliott
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Grayson Perry’s ‘My Pretty Little Art Career’
Museum of Contemporary Art Australia, Sydney, until 1 May 2016
By Julie Ewington
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Rihanna
Songs for the 3 am
Rihanna’s ‘ANTI’ and Future’s ‘EVOL’
By Anwen Crawford
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Trumbo image
Black lists
Doing the right thing in Jay Roach’s ‘Trumbo’ and László Nemes’ ‘Son of Saul’
By Luke Davies
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Steven Avery
The art of manipulation
True crime and entertainment in Netflix’s ‘Making a Murderer’
By Anna Goldsworthy
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Crown Sydney image
Twelve of a kind
Why is Australia planning so many new casinos?
By David Neustein
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‘Second Half First’ by Drusilla Modjeska
Knopf; $39.99
By Brenda Walker
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‘Journey to Horseshoe Bend’ by TGH Strehlow
Giramondo Publishing; $26.95
By Barry Hill
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‘The Noise of Time’ by Julian Barnes
Jonathan Cape; $32.99
By Stephanie Bishop
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We are all savages
Survival tactics in ‘The Revenant’ and ‘The Big Short’
By Luke Davies
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One of the great Australian albums
The Triffids’ ‘Born Sandy Devotional’ 30 years on
By Anwen Crawford
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Spies like Oz
John Blaxland’s ‘The Protest Years: The Official History of ASIO 1963–1975’
By David McKnight
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The last of his kind
Stravinsky’s works, collected
By Andrew Ford
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