- published: 23 Feb 2013
- views: 17937
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The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
━━━━━━━━━━━━━━━
失敗トレードには大きな意味合いがあります。
ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。
日々の検証とバックテストは自分を大きく成長させてくれます。
━━━━━━━━━━━━━━━
以下、Sさんから送っていただいたエントリー
↓ ↓ ↓
『エントリー日誌』
2016-07-14 木曜日 15:00
【通貨ペア:ユーロドル1H足:売り: 結果 -18pips】
■エントリーの根拠
・1.101〜1.111のレンジ。レンジ上限からの下降を狙った売りエントリー。
【利確】
利確ライン設定せず（1.106付近目標）
【損切】
17（1.111の水平線の上・直近の高値ヒゲのチョイ上)
━━━━━━━
結果から自分のトレードを振り返ってみて、、、
━━━━━━━
負けトレード。
根拠が弱かった。
4H足レベルで1.1018～1.117付近のレンジと見てとれる。
っとすれば、レンジ中ほどの中途半端な位置でのエントリーになっている。
長期足から、若しくは超長期足から全体の流れを把握していかないと同じようなミスをすることになる。
反省トレード。。。
～～～～～～～～～～～～～～～～～～～～
※のりまるコメント
■上位足で見て「ヒゲが長く」落ち着きのないチャートになっていたので難しい場面だった。
■1.115をレジスタンスとして見ていけると、ここまで引きつけてからエントリーを考えたほうがより良いエントリーにつながったか。
→やや中途半端な部分でのエントリーになった。
■直前までの動きを見ても、持ち合いの様相が見て取れるので
この部分をどちらかに抜けるまで我慢できると良かった。
～～～～～～～～～～～～～～～～～～～～
パチンコで勝ったその後に。。。http://h-tokumaru.com/
- published: 25 Jul 2016
- views: 51
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 09 Feb 2013
- views: 7826
Elliot
Elliot (also spelled Eliot,Elliott,Eliott and Elyot) is a personal name which can serve as either a surname or a given name. Although the given name was historically given to males, females named Elliot have increased from 414 in 2009 to 770 in 2013. The origin of the surname is obscure, perhaps due to much of the genealogy of the Eliott clan being burnt in the destruction of the castle at Stobs in 1712 AD. The clan society usually accepts that the name originated from the town and river Elliot in Angus, Scotland. Some other sources suggest it may be derived from a French form of Elias, which is itself derived from the biblical name "Elijah". Yet other sources claim that the Scottish surnames (Eliott, Elliot) originate from the Ellot Scottish border-clan, from a transformation of the name Elwold. There are also records in the Domesday Book of the name spelled "Ailiet", thought to originate from an old English name "Æþelgeat" (meaning "noble gate") and leading to the English and Scottish given name spelled "Elyat", which in turn leads to the modern alternative spelling of the name "Elyot".
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Elliot
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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85:10Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress CanyonSuspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29 -
20:27FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】 ━━━━━━━━━━━━━━━ 失敗トレードには大きな意味合いがあります。 ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。 日々の検証とバックテストは自分を大きく成長させてくれます。 ━━━━━━━━━━━━━━━ 以下、Sさんから送っていただいたエントリー ↓ ↓ ↓ 『エントリー日誌』 2016-07-14 木曜日 15:00 【通貨ペア:ユーロドル1H足:売り: 結果 -18pips】 ■エントリーの根拠 ・1.101〜1.111のレンジ。レンジ上限からの下降を狙った売りエントリー。 【利確】 利確ライン設定せず（1.106付近目標） 【損切】 17（1.111の水平線の上・直近の高値ヒゲのチョイ上) ━━━━━━━ 結果から自分のトレードを振り返ってみて、、、 ━━━━━━━ 負けトレード。 根拠が弱かった。 4H足レベルで1.1018～1.117付近のレンジと見てとれる。 っとすれば、レンジ中ほどの中途半端な位置でのエントリーになっている。 長期足から、若しくは超長期足から全体の流れを把握していかないと同じようなミスをすることになる。 反省トレード。。。 ～～～～～～～～～～～～～～～～～～～～ ※のりまるコメント ■上位足で見て「ヒゲが長く」落ち着きのないチャートになっていたので難しい場面だった。 ■1.115をレジスタンスとして見ていけると、ここまで引きつけてからエントリーを考えたほうがより良いエントリーにつながったか。 →やや中途半端な部分でのエントリーになった。 ■直前までの動きを見ても、持ち合いの様相が見て取れるので この部分をどちらかに抜けるまで我慢できると良かった。 ～～～～～～～～～～～～～～～～～～～～ パチンコで勝ったその後に。。。http://h-tokumaru.com/ -
89:40Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
-
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production va...
published: 23 Feb 2013 -
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】 ━━━━━━━━━━━━━━━ 失敗トレードには大きな意味合いがあります。 ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。 日々の検証とバックテストは自分を大きく成長させてくれます。 ━━━━━━━━━━━━━━━ 以下、Sさんから送っていただいたエントリー ↓ ↓ ↓ 『エントリー日誌』 2016-07-14 木曜日 15:00 【通貨ペア:ユーロドル1H足:売り: 結果 -18pips】 ■エントリーの根拠 ・1.101〜1.111のレンジ。レンジ上限からの下降を狙った売りエントリー。 【利確】 利確ライン設定せず（1.106付近目標） 【損切】 17（1.111の水平線の上・直近の高値ヒゲのチョイ上) ━━━━━━━ 結果から自分のトレードを振り返ってみて、、、 ━━━━━━━ 負けトレード。 根拠が弱かった。 4H足レベルで1.1018～1.117付近のレンジと見てとれる。 っとすれば、レンジ中ほどの中途半端な位置でのエントリーになっている。 長期足から、若しくは超長期足から全体の流れを把握していかないと同じようなミスをすることになる。 反省トレード。。。 ～～～～～～～～～～～～～～～～～～～～ ※のりまるコメント ■上位足で見て「ヒゲが長く」落ち着きのないチャートになっていたので難しい場面だった。 ■1.115をレジスタンスとして見ていけると、ここまで引きつけてからエントリーを考えたほうがより良いエントリーにつながったか。 →やや中途半端な部分でのエントリーになった。 ■直前までの動きを見ても、持ち合いの様相が見て取れるので この部分をどちらかに抜けるまで我慢できると良かった。 ...
published: 25 Jul 2016 -
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production va...
published: 09 Feb 2013
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
- Order: Reorder
- Duration: 85:10
- Updated: 23 Feb 2013
- views: 17937
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the ma...
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
https://wn.com/Suspense_19_Deacon_Street_A_Week_Ago_Wednesday_The_House_In_Cypress_Canyon
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 23 Feb 2013
- views: 17937
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
- Order: Reorder
- Duration: 20:27
- Updated: 25 Jul 2016
- views: 51
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
━━━━━━━━━━━━━━━
失敗トレードには大きな意味合いがあります。
ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。
日々の検証とバックテストは自分を大きく成長させてくれます。
...
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
━━━━━━━━━━━━━━━
失敗トレードには大きな意味合いがあります。
ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。
日々の検証とバックテストは自分を大きく成長させてくれます。
━━━━━━━━━━━━━━━
以下、Sさんから送っていただいたエントリー
↓ ↓ ↓
『エントリー日誌』
2016-07-14 木曜日 15:00
【通貨ペア:ユーロドル1H足:売り: 結果 -18pips】
■エントリーの根拠
・1.101〜1.111のレンジ。レンジ上限からの下降を狙った売りエントリー。
【利確】
利確ライン設定せず（1.106付近目標）
【損切】
17（1.111の水平線の上・直近の高値ヒゲのチョイ上)
━━━━━━━
結果から自分のトレードを振り返ってみて、、、
━━━━━━━
負けトレード。
根拠が弱かった。
4H足レベルで1.1018～1.117付近のレンジと見てとれる。
っとすれば、レンジ中ほどの中途半端な位置でのエントリーになっている。
長期足から、若しくは超長期足から全体の流れを把握していかないと同じようなミスをすることになる。
反省トレード。。。
～～～～～～～～～～～～～～～～～～～～
※のりまるコメント
■上位足で見て「ヒゲが長く」落ち着きのないチャートになっていたので難しい場面だった。
■1.115をレジスタンスとして見ていけると、ここまで引きつけてからエントリーを考えたほうがより良いエントリーにつながったか。
→やや中途半端な部分でのエントリーになった。
■直前までの動きを見ても、持ち合いの様相が見て取れるので
この部分をどちらかに抜けるまで我慢できると良かった。
～～～～～～～～～～～～～～～～～～～～
パチンコで勝ったその後に。。。http://h-tokumaru.com/
https://wn.com/Fx失敗トレード考察23_ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFx】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
━━━━━━━━━━━━━━━
失敗トレードには大きな意味合いがあります。
ここをしっかりと振り返るか否かで、後のトレードスキルに雲泥の差が出るものと思ってください。
日々の検証とバックテストは自分を大きく成長させてくれます。
━━━━━━━━━━━━━━━
以下、Sさんから送っていただいたエントリー
↓ ↓ ↓
『エントリー日誌』
2016-07-14 木曜日 15:00
【通貨ペア:ユーロドル1H足:売り: 結果 -18pips】
■エントリーの根拠
・1.101〜1.111のレンジ。レンジ上限からの下降を狙った売りエントリー。
【利確】
利確ライン設定せず（1.106付近目標）
【損切】
17（1.111の水平線の上・直近の高値ヒゲのチョイ上)
━━━━━━━
結果から自分のトレードを振り返ってみて、、、
━━━━━━━
負けトレード。
根拠が弱かった。
4H足レベルで1.1018～1.117付近のレンジと見てとれる。
っとすれば、レンジ中ほどの中途半端な位置でのエントリーになっている。
長期足から、若しくは超長期足から全体の流れを把握していかないと同じようなミスをすることになる。
反省トレード。。。
～～～～～～～～～～～～～～～～～～～～
※のりまるコメント
■上位足で見て「ヒゲが長く」落ち着きのないチャートになっていたので難しい場面だった。
■1.115をレジスタンスとして見ていけると、ここまで引きつけてからエントリーを考えたほうがより良いエントリーにつながったか。
→やや中途半端な部分でのエントリーになった。
■直前までの動きを見ても、持ち合いの様相が見て取れるので
この部分をどちらかに抜けるまで我慢できると良かった。
～～～～～～～～～～～～～～～～～～～～
パチンコで勝ったその後に。。。http://h-tokumaru.com/
- published: 25 Jul 2016
- views: 51
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
- Order: Reorder
- Duration: 89:40
- Updated: 09 Feb 2013
- views: 7826
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the ma...
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
https://wn.com/Suspense_A_Friend_To_Alexander_The_Fountain_Plays_Sorry,_Wrong_Number_2
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.
http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
- published: 09 Feb 2013
- views: 7826
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85:10
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
The program's heyday was in the early 1950s, when radio actor, producer and director Ellio...
published: 23 Feb 2013
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
- Report rights infringement
- published: 23 Feb 2013
- views: 17937
20:27
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
━━━━━━━━━━━━━━━
失敗トレードには大きな意味合いがあります。
ここをしっか...
published: 25 Jul 2016
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】
- Report rights infringement
- published: 25 Jul 2016
- views: 51
89:40
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
The program's heyday was in the early 1950s, when radio actor, producer and director Ellio...
published: 09 Feb 2013
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
Suspense: A Friend to Alexander / The Fountain Plays / Sorry, Wrong Number 2
- Report rights infringement
- published: 09 Feb 2013
- views: 7826
Suspense: 19 Deacon Street / A Week Ago Wednesday ...
FX失敗トレード考察23 ヒゲが多く落ち着きのないチャートの中で【正攻法で負けないFX】...
