- published: 31 Mar 2016
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Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep Poet of Music."
The Nocturnes | Chopin Night Music: "Of the tenderness, the charm, the awe and mystery which are to be found in the Nocturnes... Oh, those Nocturnes! Tones of infinite sadness! There is Music in them which fathoms the depths, which plunges us into the immensity; emotional force that rends our hearts; Horrible despair, bordering on the overwhelming immanence of death itsel; Divine ecstasy interrupted by a wail of sorrow, and again by a soft caress. And all is so sincere; the sincerity of one whose heart bleeds; whose soul is overflowing with tenderness!"
George Mathias, student of Chopin
00:00:00 I. Chopin Nocturnes London Recital in 2010. Chopin's 200th birthday
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.4 in F major, Op.15, No.1
Nocturne No.5 in F-sharp major, Op.15, No.2
Nocturne No.6 in G minor, Op.15, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.17 in B major, Op.62, No.1
Nocturne No.18 in E major, Op.62, No.2
Nocturne No.19 in E minor, Op.72, No.1
Nocturne No.20 in C-sharp minor, Op. posthume
Nocturne No.11 in G minor, Op.37, No.1 (Encore)
Late Night Prom, Royal Albert Hall, London, 2010.
01:08:13 II. Chopin Nocturnes Poland Recital in 2014
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.14 in F-sharp minor, Op.48, No.2
Nocturne No.20 in C-sharp minor, Op. posthume
Poland Recital, Warsaw, 2014.
"The Royal Albert Hall is a wonderful and inspiring place to be, but acoustically it can very strange. Loud sounds bounce around that vast space like balls on a pin-ball machine. Yet for quiet music it can be magical. The sounds go straight from source to ear, so they have a lovely miniaturised clarity like the distant figures in a Van Eyck painting. That unexpected intimacy accounts for some of the intensity of Maria Joao Pires’s recital of Chopin Nocturnes on Wednesday. But it would have counted for nothing without her special poetry. She’s a tiny, almost bird-like figure, and she seemed even smaller in that huge space, which was packed with more people than I’ve ever seen for a late-night Prom. It must be daunting for a pianist, but Pires seemed perfectly at ease, as if she was playing for a few friends at home. That gives her performances an air of total sincerity. [...] Pires wants to get at the poetic heart of the music, and here she did that time after time. The word Nocturne implies something dreamy and indistinct, but Pires’ performances reminded us that the expressive range of Chopin’s pieces is much bigger than that. There was the total rapt stillness of the early Bb minor Nocturne, uncannily clear, like a moonlit landscape. There was the fascinating uncertainty of the G major Nocturne Op. 15, which she poised so perfectly on the cusp between hesitancy and impetuous ardour. The late Nocturne in E major suddenly becomes stormy at its mid-point, but Pires managed to project this while suggesting it was only a momentary flurry – maybe only a dream – while the night-time stillness was still continuing, somewhere beyond our hearing. That is artistry of a very special order." The Telegraph 2010
"The evening turned out to be a special one for piano fans. The Portuguese pianist Maria João Pires made a rare appearance with a generous selection of Chopin's nocturnes as the late-night event. Received wisdom suggests the Albert Hall is too big for such music, but in this case the sonic unpredictability of the venue conspired with the pianist herself to refute it. Pires's playing was unostentatious but commanding, controlled yet free-flying in its sensitivity to the fluidity of Chopin's lines, and in its responsiveness to the scope of pieces still sometimes marked down as delicate miniatures." The Guardian 2010
“I can’t think of a pianist with a more ideal command of Chopin’s style. Pires trips through the roulades with filigree dexterity, but her tone is so thoughtful, serious and weighty that they arrive with immense emotional profundity.”
The Times, London, June 2007
MARIA JOÃO PIRES born in Lisbon on 23 July 1944 and played her first recital aged five. She studied composition and music theory at the Lisbon Conservatory, followed by further studies in Munich and Hanover, Germany. She made her London debut in 1986 at the Queen Elizabeth Hall.
From Portugal, with Love
__
• Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2
__
00:10 • Largo - Allegro
09:15 • Adagio
16:55 • Allegretto
__
• Maria João Pires: piano
__
- published: 24 Feb 2014
- views: 89938
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital.
Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2015.
Piano Sonata No. 32 in C minor, Op. 111
I. Maestoso
II. Allegro con brio ed appassionato
III. Arietta. Adagio molto semplice e cantabile
Without doubt, this is one of the greatest piano sonatas ever written. While there are quite a few of Beethoven's own that are more popular, perhaps only one or two of them rival this one in sheer profundity. This sonata's stormy first movement and its ensuing lengthy Arietta, which makes up the theme and variations second panel, take the listener into soundworlds previously unexplored by other composers, making this work one of the most influential musical creations ever. Not only did it help shape the course of piano music, it influenced the orchestral compositions of Franck, Wagner, Mahler, and many others. Prokofiev modeled the structure of his Symphony No. 2 directly on the sonata -- an Allegro followed by a long theme-and-variations second movement. The sonata begins with a grim introduction (Maestoso), typical of the composer's serious style, because it starts the narrative with a question, or dilemma, with dark, emphatic chords followed by trills, which introduce an added element of uncertainty. One might wonder whether the remainder of the movement will search out some answer to the apparent question, as in the "Pathétique," but that does not happen. It seems that a lack of a resolution reflects the composer's realization that vicissitudes of life may inspire questions which cannot be answered. The main body of the first movement, marked Allegro con brio ed appassionato, begins in a sinister vein on the bass notes with the appearance of the main theme, itself a dark, hesitant creation. After it is presented in full, the tempo slows, ushering in another idea. Tranquil and reassuring, this new idea is short-lived, and the main theme returns. After the narrative is repeated, with some alterations, the development section begins. Here, in the midst of much brilliant contrapuntal writing, the mood darkens, and an element of dramatic tension is introduced as the main theme goes through several transformations. When the alternate theme appears after a climactic episode, the atmosphere changes from somber to mysterious. There is no reprise as such, since the main material is not repeated, but rather is reviewed in partial form before reaching a final climax, after which the music fades slowly.
The second movement (Adagio molto semplice e cantabile) opens with one of the composer's most serene creations in any genre. The theme sounds peaceful and angelic, but almost static, too, in its glacial pacing. It strikes one as not the kind of melody that might yield variations of sundry character. This theme and the first three variations form the first section of the movement, wherein the atmosphere and character of the music change from the sublime to the almost giddily joyous and back to the sublime. It is the fourth variation that marks the second half of the movement, the most profound music in this work. After a series of trills, this section begins with the variation slowly emerging from a haze and transporting the listener to the highest levels of musical experience. Some view this long closing section as a "farewell" by the composer. Indeed, Beethoven seems to fashion a musical language transcending terrestrial constraints, and the notes appear to be ascending into the heavens as the ending approaches.
- published: 01 Jun 2016
- views: 101
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto /
followed by a short film by Frank Scheffers: Voyage to Cythera
- published: 11 Jun 2009
- views: 2141871
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam.
- published: 15 Oct 2010
- views: 335990
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483
Find Deutsche Grammophon on Facebook and Twitter:
http://www.facebook.com/deutschegrammophon
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- published: 02 Nov 2009
- views: 149712
-
Fryderyk Franciszek Chopin (1810 - 1849)
Nocturnos
Maria João Pires, piano
[00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1
[05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2
[10:04] Nº 3 en Si mayor, Opus 9 Nº 3
[16:43] Nº 4 en Fa mayor, Opus 15 Nº 1
[21:04] Nº 5 en Fa ♯ mayor, Opus 15 Nº 2
[24:31] Nº 6 en sol menor, Opus 15 Nº 3
[28:56] Nº 7 en do ♯ menor, Opus 27 Nº 1
[34:07] Nº 8 en Re ♭ mayor, Opus 27 Nº 2
[40:44] Nº 9 en sol menor, Opus 32 Nº 1
[45:38] Nº 10 en La ♭ mayor, Opus 32 Nº 2
[50:26] Nº 11 en sol menor, Opus 37 Nº 1
[56:13] Nº 12 en Sol mayor, Opus 37 Nº 2
[1:02:08] Nº 13 en do menor, Opus 48 Nº 1
[1:08:55] Nº 14 en fa ♯ menor, Opus 48 Nº 2
[1:16:15] Nº 15 en fa menor, Opus 55 Nº 1
[1:20:52] Nº 16 en Mi ♭ mayor, Opus 55 Nº 2
[1:25:44] Nº 17 en Si mayor, Opus 62 Nº 1
[1:32:10] Nº 18 en Mi mayor, Opus 62 Nº 2
[1:38:08] Nº 19 en mi menor, Opus 72 Nº 1
[1:42:16] Nº 20 en do ♯ menor, Opus póstumo
[1:46:18] Nº 21 en do menor, Opus póstumo
-
Pinturas de Dante Gabriel Rossetti (1828-1882),
de la Hermandad Prerrafaelita.
[http://es.wikipedia.org/wiki/Dante_Ga...]
Modelo de las pinturas: Elizabeth Siddal (1829-1862)
[http://es.wikipedia.org/wiki/Elizabet...]
Hermandad Prerrafaelita:
[http://es.wikipedia.org/wiki/Hermanda...]
---
- published: 08 Oct 2014
- views: 37613
Maria João Pires (Portuguese pronunciation: [mɐˈɾiɐ ʒuˈɐ̃w ˈpiɾɨʃ]; born in Lisbon, Portugal, July 23, 1944) is a Portuguese pianist.
Her first recital was at the age of five, and at the age of seven she was already playing Mozart Piano Concertos publicly. Two years later she received Portugal's top prize for young musicians. In the following years, she studied with Professor Campos Coelho at the Lisbon Conservatory, taking courses in composition, theory, and history of music. She continued her studies in Germany, first in the Musikakademie of Munich with Rosl Schmidt and then in Hanover with Karl Engel.
International fame came in 1970, when she won the Beethoven Bicentennial Competition in Brussels. She has since then regularly performed with major orchestras throughout the world, interpreting works by Bach, Beethoven, Schumann, Schubert, Mozart, Brahms, Chopin and many other classical and romantic composers. She appears regularly with major world orchestras in Europe, America, Canada, Israel and Japan.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Maria_João_Pires
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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112:00Frédéric Chopin - The Nocturnes | Maria João Pires Recital
Frédéric Chopin - The Nocturnes | Maria João Pires RecitalFrédéric Chopin - The Nocturnes | Maria João Pires Recital
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep Poet of Music." The Nocturnes | Chopin Night Music: "Of the tenderness, the charm, the awe and mystery which are to be found in the Nocturnes... Oh, those Nocturnes! Tones of infinite sadness! There is Music in them which fathoms the depths, which plunges us into the immensity; emotional force that rends our hearts; Horrible despair, bordering on the overwhelming immanence of death itsel; Divine ecstasy interrupted by a wail of sorrow, and again by a soft caress. And all is so sincere; the sincerity of one whose heart bleeds; whose soul is overflowing with tenderness!" George Mathias, student of Chopin 00:00:00 I. Chopin Nocturnes London Recital in 2010. Chopin's 200th birthday Nocturne No.1 in B-flat minor, Op.9, No.1 Nocturne No.2 in E-flat major, Op.9, No.2 Nocturne No.3 in B major, Op.9, No.3 Nocturne No.4 in F major, Op.15, No.1 Nocturne No.5 in F-sharp major, Op.15, No.2 Nocturne No.6 in G minor, Op.15, No.3 Nocturne No.7 in C-sharp minor, Op.27, No.1 Nocturne No.8 in D-flat major, Op.27, No.2 Nocturne No.17 in B major, Op.62, No.1 Nocturne No.18 in E major, Op.62, No.2 Nocturne No.19 in E minor, Op.72, No.1 Nocturne No.20 in C-sharp minor, Op. posthume Nocturne No.11 in G minor, Op.37, No.1 (Encore) Late Night Prom, Royal Albert Hall, London, 2010. 01:08:13 II. Chopin Nocturnes Poland Recital in 2014 Nocturne No.1 in B-flat minor, Op.9, No.1 Nocturne No.2 in E-flat major, Op.9, No.2 Nocturne No.3 in B major, Op.9, No.3 Nocturne No.7 in C-sharp minor, Op.27, No.1 Nocturne No.8 in D-flat major, Op.27, No.2 Nocturne No.14 in F-sharp minor, Op.48, No.2 Nocturne No.20 in C-sharp minor, Op. posthume Poland Recital, Warsaw, 2014. "The Royal Albert Hall is a wonderful and inspiring place to be, but acoustically it can very strange. Loud sounds bounce around that vast space like balls on a pin-ball machine. Yet for quiet music it can be magical. The sounds go straight from source to ear, so they have a lovely miniaturised clarity like the distant figures in a Van Eyck painting. That unexpected intimacy accounts for some of the intensity of Maria Joao Pires’s recital of Chopin Nocturnes on Wednesday. But it would have counted for nothing without her special poetry. She’s a tiny, almost bird-like figure, and she seemed even smaller in that huge space, which was packed with more people than I’ve ever seen for a late-night Prom. It must be daunting for a pianist, but Pires seemed perfectly at ease, as if she was playing for a few friends at home. That gives her performances an air of total sincerity. [...] Pires wants to get at the poetic heart of the music, and here she did that time after time. The word Nocturne implies something dreamy and indistinct, but Pires’ performances reminded us that the expressive range of Chopin’s pieces is much bigger than that. There was the total rapt stillness of the early Bb minor Nocturne, uncannily clear, like a moonlit landscape. There was the fascinating uncertainty of the G major Nocturne Op. 15, which she poised so perfectly on the cusp between hesitancy and impetuous ardour. The late Nocturne in E major suddenly becomes stormy at its mid-point, but Pires managed to project this while suggesting it was only a momentary flurry – maybe only a dream – while the night-time stillness was still continuing, somewhere beyond our hearing. That is artistry of a very special order." The Telegraph 2010 "The evening turned out to be a special one for piano fans. The Portuguese pianist Maria João Pires made a rare appearance with a generous selection of Chopin's nocturnes as the late-night event. Received wisdom suggests the Albert Hall is too big for such music, but in this case the sonic unpredictability of the venue conspired with the pianist herself to refute it. Pires's playing was unostentatious but commanding, controlled yet free-flying in its sensitivity to the fluidity of Chopin's lines, and in its responsiveness to the scope of pieces still sometimes marked down as delicate miniatures." The Guardian 2010 “I can’t think of a pianist with a more ideal command of Chopin’s style. Pires trips through the roulades with filigree dexterity, but her tone is so thoughtful, serious and weighty that they arrive with immense emotional profundity.” The Times, London, June 2007 MARIA JOÃO PIRES born in Lisbon on 23 July 1944 and played her first recital aged five. She studied composition and music theory at the Lisbon Conservatory, followed by further studies in Munich and Hanover, Germany. She made her London debut in 1986 at the Queen Elizabeth Hall. From Portugal, with Love -
25:39Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João PiresBeethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
__ • Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2 __ 00:10 • Largo - Allegro 09:15 • Adagio 16:55 • Allegretto __ • Maria João Pires: piano __ -
27:58Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João PiresBeethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital. Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2015. Piano Sonata No. 32 in C minor, Op. 111 I. Maestoso II. Allegro con brio ed appassionato III. Arietta. Adagio molto semplice e cantabile Without doubt, this is one of the greatest piano sonatas ever written. While there are quite a few of Beethoven's own that are more popular, perhaps only one or two of them rival this one in sheer profundity. This sonata's stormy first movement and its ensuing lengthy Arietta, which makes up the theme and variations second panel, take the listener into soundworlds previously unexplored by other composers, making this work one of the most influential musical creations ever. Not only did it help shape the course of piano music, it influenced the orchestral compositions of Franck, Wagner, Mahler, and many others. Prokofiev modeled the structure of his Symphony No. 2 directly on the sonata -- an Allegro followed by a long theme-and-variations second movement. The sonata begins with a grim introduction (Maestoso), typical of the composer's serious style, because it starts the narrative with a question, or dilemma, with dark, emphatic chords followed by trills, which introduce an added element of uncertainty. One might wonder whether the remainder of the movement will search out some answer to the apparent question, as in the "Pathétique," but that does not happen. It seems that a lack of a resolution reflects the composer's realization that vicissitudes of life may inspire questions which cannot be answered. The main body of the first movement, marked Allegro con brio ed appassionato, begins in a sinister vein on the bass notes with the appearance of the main theme, itself a dark, hesitant creation. After it is presented in full, the tempo slows, ushering in another idea. Tranquil and reassuring, this new idea is short-lived, and the main theme returns. After the narrative is repeated, with some alterations, the development section begins. Here, in the midst of much brilliant contrapuntal writing, the mood darkens, and an element of dramatic tension is introduced as the main theme goes through several transformations. When the alternate theme appears after a climactic episode, the atmosphere changes from somber to mysterious. There is no reprise as such, since the main material is not repeated, but rather is reviewed in partial form before reaching a final climax, after which the music fades slowly. The second movement (Adagio molto semplice e cantabile) opens with one of the composer's most serene creations in any genre. The theme sounds peaceful and angelic, but almost static, too, in its glacial pacing. It strikes one as not the kind of melody that might yield variations of sundry character. This theme and the first three variations form the first section of the movement, wherein the atmosphere and character of the music change from the sublime to the almost giddily joyous and back to the sublime. It is the fourth variation that marks the second half of the movement, the most profound music in this work. After a series of trills, this section begins with the variation slowly emerging from a haze and transporting the listener to the highest levels of musical experience. Some view this long closing section as a "farewell" by the composer. Indeed, Beethoven seems to fashion a musical language transcending terrestrial constraints, and the notes appear to be ascending into the heavens as the ending approaches. -
32:10MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO PIRES & PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO PIRES & PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003 -
5:16Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in AmsterdamMaria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto / followed by a short film by Frank Scheffers: Voyage to Cythera -
3:39Maria Joao Pires expecting to play another concerto
Maria Joao Pires expecting to play another concertoMaria Joao Pires expecting to play another concerto
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam. -
4:24Maria Joao Pires Scarlatti
Maria Joao Pires ScarlattiMaria Joao Pires Scarlatti
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56:40Technique doesn't exist Maria Joao Pires piano
Technique doesn't exist Maria Joao Pires pianoTechnique doesn't exist Maria Joao Pires piano
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5:19Maria João Pires plays Chopin
Maria João Pires plays ChopinMaria João Pires plays Chopin
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483 Find Deutsche Grammophon on Facebook and Twitter: http://www.facebook.com/deutschegrammophon http://www.twitter.com/dgclassics -
109:13Chopin, Nocturnos. Maria João Pires, piano
Chopin, Nocturnos. Maria João Pires, pianoChopin, Nocturnos. Maria João Pires, piano
- Fryderyk Franciszek Chopin (1810 - 1849) Nocturnos Maria João Pires, piano [00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1 [05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2 [10:04] Nº 3 en Si mayor, Opus 9 Nº 3 [16:43] Nº 4 en Fa mayor, Opus 15 Nº 1 [21:04] Nº 5 en Fa ♯ mayor, Opus 15 Nº 2 [24:31] Nº 6 en sol menor, Opus 15 Nº 3 [28:56] Nº 7 en do ♯ menor, Opus 27 Nº 1 [34:07] Nº 8 en Re ♭ mayor, Opus 27 Nº 2 [40:44] Nº 9 en sol menor, Opus 32 Nº 1 [45:38] Nº 10 en La ♭ mayor, Opus 32 Nº 2 [50:26] Nº 11 en sol menor, Opus 37 Nº 1 [56:13] Nº 12 en Sol mayor, Opus 37 Nº 2 [1:02:08] Nº 13 en do menor, Opus 48 Nº 1 [1:08:55] Nº 14 en fa ♯ menor, Opus 48 Nº 2 [1:16:15] Nº 15 en fa menor, Opus 55 Nº 1 [1:20:52] Nº 16 en Mi ♭ mayor, Opus 55 Nº 2 [1:25:44] Nº 17 en Si mayor, Opus 62 Nº 1 [1:32:10] Nº 18 en Mi mayor, Opus 62 Nº 2 [1:38:08] Nº 19 en mi menor, Opus 72 Nº 1 [1:42:16] Nº 20 en do ♯ menor, Opus póstumo [1:46:18] Nº 21 en do menor, Opus póstumo - Pinturas de Dante Gabriel Rossetti (1828-1882), de la Hermandad Prerrafaelita. [http://es.wikipedia.org/wiki/Dante_Ga...] Modelo de las pinturas: Elizabeth Siddal (1829-1862) [http://es.wikipedia.org/wiki/Elizabet...] Hermandad Prerrafaelita: [http://es.wikipedia.org/wiki/Hermanda...] ---
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ALBUMS
- Mendessohn: Symphony no. 3 "Scottish" / Overture: The Hebrides / Schumann: Piano Concerto released: 2014
- Piano Sonatas D 845 & D 960 released: 2013
- Mozart Bach released: 2009
- Piano Concertos No. 21, 26 / Rondo in A major released: 2005
- Piano Concertos Nos. 12 & 19 / Rondo K. 511 released: 2003
- Piano Concertos Nos. 13, 14 & 23 released: 2003
- Piano Concertos Nos. 20, 27 released: 2003
- Complete Violin Sonatas released: 2002
- Piano Concerto / Piano Quintet released: 2000
- Great Pianists of the 20th Century, Volume 76: Maria João Pires released: 1999
- 14 valses released: 1999
- Le Voyage Magnifique: Schubert Impromptus released: 1997
- Nocturnes: A Selection released: 1996
- Concertos pour Piano, BWV1052, 1055, 1056 released: 1996
- Nocturnes released: 1996
- The Complete Sonatas for Piano, Volume 2 released: 1995
- Konzert für Klavier und Orchester Nr. 17 & 21 released: 1995
- Partita no. 1 / English Suite no. 3 / French Suite no. 2 released: 1995
- Piano Concerto No. 2 / 24 Preludes released: 1995
- Sonate Op. 78 / Impromptus Op. 90 Nos. 1-2 released: 1995
- Piano Duets released: 1995
- Klavierkonzerte No. 14 & 26 "Krönungskonzert" released: 1993
- Violin Sonatas released: 1993
- Piano Sonatas K. 281, K. 282, K. 533/K. 494 released: 1993
- Piano Sonatas K.279, K.280, K.311, K.576 released: 1992
- Sonatas for Piano and Violin, K. 301, K. 304, K. 378, K. 379 released: 1991
- The Complete Sonatas for Piano, Volume 5 released: 1990
- Piano sonatas, KV 331, KV 457 / Fantasies, KV 397, KV 475 released: 1990
- Piano Sonatas K310 & K457 / Fantasia K475 / Rondo 'Alla turca' released: 1989
- Klaviersonaten: K. 310, K. 333, K. 545 released: 1989
- Sonata, D 784 / 6 Moments musicaux, D 780 / 2 Scherzi, D 593 released: 1989
- Piano Sonata Selection released: 1987
- Kinderszenen / Waldszenen released: 1985
- The Complete Sonatas for Piano, Volume 3 released: 1985
- Four Piano Concerti released: 1982
- 2 concertos pour piano released: 1978
- Sonates: Clair de Lune / Pathétique / Appassionata / La Tempête released: 1977
- Piano Sonatas K 310, 332, 545 released:
- Piano Sonatas, Volume 4 released:
- Concerto No. 26 / Concerto No. 27 / Rondo KV 382 released:
- Chopin: Waltzes / Schumann: Scenes from Childhood released:
Mendessohn: Symphony no. 3 "Scottish" / Overture: The Hebrides / Schumann: Piano Concerto
Released 2014- add to main playlist Play in Full Screen Overture: The Hebrides
- add to main playlist Play in Full Screen Piano concerto in A minor: I. Allegro affettuoso
- add to main playlist Play in Full Screen Piano concerto in A minor: II. Intermezzo grazioso
- add to main playlist Play in Full Screen Piano concerto in A minor: III. Allegro vivace
- add to main playlist Play in Full Screen Symphony no. 3 in A minor: I. Andante con moto - Allegro un poco agitato
- add to main playlist Play in Full Screen Symphony no. 3 in A minor: II. Vivace non troppo
- add to main playlist Play in Full Screen Symphony no. 3 in A minor: III. Adagio
- add to main playlist Play in Full Screen Symphony no. 3 in A minor: IV. Allegro vivacissimo - Allegro maestoso assai
Piano Sonatas D 845 & D 960
Released 2013- add to main playlist Play in Full Screen Piano Sonata in A minor, D 845: I. Moderato
- add to main playlist Play in Full Screen Piano Sonata in A minor, D 845: II. Andante, poco mosso
- add to main playlist Play in Full Screen Piano Sonata in A minor, D 845: III. Scherzo (Allegro vivace) - Trio (Un poco più lento)
- add to main playlist Play in Full Screen Piano Sonata in A minor, D 845: IV. Rondo (Allegro vivace)
- add to main playlist Play in Full Screen Piano Sonata in B flat major, D960: I. Molto moderato
- add to main playlist Play in Full Screen Piano Sonata in B flat major, D960: II. Andante sostenuto
- add to main playlist Play in Full Screen Piano Sonata in B flat major, D960: III. Scherzo (Allegro vivace con delicatezza)
- add to main playlist Play in Full Screen Piano Sonata in B flat major, D960: IV. Allegro ma non troppo
Mozart Bach
Released 2009- add to main playlist Play in Full Screen Concerto No. 14 in E-flat major for Piano, K. 449 (Vienna Philharmonic, feat. cond: Claudio Abbado): I. Allegro vivace
- add to main playlist Play in Full Screen Concerto No. 14 in E-flat major for Piano, K. 449 (Vienna Philharmonic, feat. cond: Claudio Abbado): II. Andantino
- add to main playlist Play in Full Screen Concerto No. 14 in E-flat major for Piano, K. 449 (Vienna Philharmonic, feat. cond: Claudio Abbado): III. Allegro ma non troppo
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: I. Prelude
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: II. Allemande
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: III. Courante
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: IV. Sarabande
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: V. Les agréments de la même Sarabande
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: VI. Gavotte 1 alternatement
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: VII: Gavotte 2 ou la Musette
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: VIII. Gavotte 1 da capo
- add to main playlist Play in Full Screen English Suite No. 3 in G minor, BWV 808: IX. Gigue
- add to main playlist Play in Full Screen Concerto No. 17 in G major for Piano, K. 453 (Chamber Orchestra of Europe, feat. cond: Claudio Abbado): I. Allegro
- add to main playlist Play in Full Screen Concerto No. 17 in G major for Piano, K. 453 (Chamber Orchestra of Europe, feat. cond: Claudio Abbado): II. Andante
- add to main playlist Play in Full Screen Concerto No. 17 in G major for Piano, K. 453 (Chamber Orchestra of Europe, feat. cond: Claudio Abbado): III. Allegretto
Piano Concertos No. 21, 26 / Rondo in A major
Released 2005- add to main playlist Play in Full Screen Piano Concerto in C major No. 21, K. 467 "Elvira Madigan": I. Allegro
- add to main playlist Play in Full Screen Piano Concerto in C major No. 21, K. 467 "Elvira Madigan": II. Andante
- add to main playlist Play in Full Screen Piano Concerto in C major No. 21, K. 467 "Elvira Madigan": III. Allegro vivace assai
- add to main playlist Play in Full Screen Piano Concerto in D major No. 26, K. 537 "Coronation": I. Allegro
- add to main playlist Play in Full Screen Piano Concerto in D major No. 26, K. 537 "Coronation": II. Larghetto
- add to main playlist Play in Full Screen Piano Concerto in D major No. 26, K. 537 "Coronation": III. Allegretto
- add to main playlist Play in Full Screen Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction): Allegretto
Piano Concertos Nos. 12 & 19 / Rondo K. 511
Released 2003- add to main playlist Play in Full Screen Piano Concerto No. 19 in F major, K. 459 : I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 19 in F major, K. 459 : II. Allegretto
- add to main playlist Play in Full Screen Piano Concerto No. 19 in F major, K. 459 : III. Allegro assai
- add to main playlist Play in Full Screen Piano Concerto No. 12 in A major, K. 414: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 12 in A major, K. 414: II. Andante
- add to main playlist Play in Full Screen Piano Concerto No. 12 in A major, K. 414: III. Rondo allegretto
- add to main playlist Play in Full Screen Rondo in A minor, K. 511: Andante
Piano Concertos Nos. 13, 14 & 23
Released 2003- add to main playlist Play in Full Screen Piano Concerto No. 23 in A major, K. 488: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 23 in A major, K. 488: II. Adagio
- add to main playlist Play in Full Screen Piano Concerto No. 23 in A major, K. 488: III. Allegro assai
- add to main playlist Play in Full Screen Piano Concerto No. 13 in C major, K. 415: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 13 in C major, K. 415: II. Andante
- add to main playlist Play in Full Screen Piano Concerto No. 13 in C major, K. 415: III. Rondo allegro
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo
Piano Concertos Nos. 20, 27
Released 2003- add to main playlist Play in Full Screen Piano Concerto No. 20 in D minor, K. 466: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 20 in D minor, K. 466: II. Romance
- add to main playlist Play in Full Screen Piano Concerto No. 20 in D minor, K. 466: III. Allegro assai
- add to main playlist Play in Full Screen Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro
- add to main playlist Play in Full Screen Piano Concerto No. 27 in B-flat major, K. 595: II. Larghetto
- add to main playlist Play in Full Screen Piano Concerto No. 27 in B-flat major, K. 595: III. Allegro
Complete Violin Sonatas
Released 2002- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molt'espressione
- add to main playlist Play in Full Screen Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto
Piano Concerto / Piano Quintet
Released 2000- add to main playlist Play in Full Screen Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
- add to main playlist Play in Full Screen Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso
- add to main playlist Play in Full Screen Piano Concerto in A minor, Op. 54: III. Allegro vivace
- add to main playlist Play in Full Screen Piano Quintet in E-flat major, Op. 44: I. Allegro brillante
- add to main playlist Play in Full Screen Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia. Un poco largamente
- add to main playlist Play in Full Screen Piano Quintet in E-flat major, Op. 44: III. Scherzo. Molto vivace
- add to main playlist Play in Full Screen Piano Quintet in E-flat major, Op. 44: IV. Allegro, ma non troppo
Great Pianists of the 20th Century, Volume 76: Maria João Pires
Released 1999- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 1. Allemande
- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 2. Courante
- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 3. Sarabande
- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 4. Air
- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 5. Menuet I-II
- add to main playlist Play in Full Screen French Suite No.2 in C minor, BWV 813: 6. Gigue
- add to main playlist Play in Full Screen Arabeske in C major, Op. 18: 1. Leicht unt Zart
- add to main playlist Play in Full Screen Arabeske in C major, Op. 18: 2. Minore I
- add to main playlist Play in Full Screen Arabeske in C major, Op. 18: 3. Minore II
- add to main playlist Play in Full Screen Arabeske in C major, Op. 18: 4. Zum Schluss
- add to main playlist Play in Full Screen Moment musical in A flat, D. 780 No. 6
- add to main playlist Play in Full Screen Nocturne in C minor, Op. 48 No. 1
- add to main playlist Play in Full Screen Nocturne in F-sharp minor, Op. 48 No. 2
- add to main playlist Play in Full Screen Nocturne in E major, Op. 62 No. 2
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: I. Allegro vivace
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: II. Andantino
- add to main playlist Play in Full Screen Piano Concerto No. 14 in E-flat major, K. 449: III. Allegro ma non troppo
14 valses
Released 1999- add to main playlist Play in Full Screen Valse brillante, Op. 34, No. 3 en Fa majeur
- add to main playlist Play in Full Screen Grande valse, Op. 42 en La bémol majeur
- add to main playlist Play in Full Screen Valse, Op. 64, No. 1 en Ré bémol majeur
- add to main playlist Play in Full Screen Valse, Op. 69, No. 1 (Op. posthume) en La bémol majeur
- add to main playlist Play in Full Screen Valse, Op. 64, No. 2 en Ut dièse mineur
- add to main playlist Play in Full Screen Valse, Op. 70, No. 1 (Op. posthume) en Sol bémol majeur
- add to main playlist Play in Full Screen Valse, Op. 69, No. 2 (Op. posthume) en Si mineur
- add to main playlist Play in Full Screen KK IVa, No. 15 (Op. posthume) en Mi mineur
- add to main playlist Play in Full Screen Valse brillante, Op. 34, No. 2 en La mineur
- add to main playlist Play in Full Screen Valse, Op. 64, No. 3 en La bémol majeur
- add to main playlist Play in Full Screen Valse, Op. 70, No. 2 (Op. posthume) en Fa mineur
- add to main playlist Play in Full Screen Valse, Op. 70, No. 3 (Op. posthume) en Ré bémol majeur
- add to main playlist Play in Full Screen Grande valse brillante, Op. 18 en Mi bémol majeur
- add to main playlist Play in Full Screen Valse brillante, Op. 34, No. 1 en La bémol majeur
Le Voyage Magnifique: Schubert Impromptus
Released 1997- add to main playlist Play in Full Screen Impromptus, D. 935: No. 1 in F minor. Allegro moderato
- add to main playlist Play in Full Screen Impromptus, D. 935: No. 2 in A-flat major. Allegretto - Trio
- add to main playlist Play in Full Screen Impromptus, D. 935: No. 3 in B-flat major. Thema. Andante - Var. I-V
- add to main playlist Play in Full Screen Impromptus, D. 935: No. 4 in F minor. Allegro scherzando
- add to main playlist Play in Full Screen Drei Impromptus aus dem Nachlass, D. 946: Allegro Assai - Andante - Tempo I
- add to main playlist Play in Full Screen Drei Impromptus aus dem Nachlass, D. 946: Allegretto
- add to main playlist Play in Full Screen Drei Impromptus aus dem Nachlass, D. 946: Allegro
Nocturnes: A Selection
Released 1996- add to main playlist Play in Full Screen Nocturne No. 1 in B-flat minor, Op. 9 No. 1
- add to main playlist Play in Full Screen Nocturne No. 2 in E-flat major, Op. 9 No. 2
- add to main playlist Play in Full Screen Nocturne No. 4 in F major, Op. 15 No. 1
- add to main playlist Play in Full Screen Nocturne No. 5 in F-sharp major, Op. 15 No. 2
- add to main playlist Play in Full Screen Nocturne No. 7 in C-sharp minor, Op. 27 No. 1
- add to main playlist Play in Full Screen Nocturne No. 8 in D-flat major, Op. 27 No. 2
- add to main playlist Play in Full Screen Nocturne No. 10 in A-flat major, Op. 32 No. 2
- add to main playlist Play in Full Screen Nocturne No. 11 in G minor, Op. 37 No. 1
- add to main playlist Play in Full Screen Nocturne No. 13 in C minor, Op. 48 No. 1
- add to main playlist Play in Full Screen Nocturne No. 15 in F minor, Op. 55 No. 1
- add to main playlist Play in Full Screen Nocturne No. 18 in E major, Op. 62 No. 2
- add to main playlist Play in Full Screen Nocturne No. 20 in C-sharp minor, Op. posthum
Concertos pour Piano, BWV1052, 1055, 1056
Released 1996- add to main playlist Play in Full Screen Concerto in D minor BWV 1052: I. Allegro
- add to main playlist Play in Full Screen Concerto in D minor BWV 1052: II. Adagio
- add to main playlist Play in Full Screen Concerto in D minor BWV 1052: III. Allegro
- add to main playlist Play in Full Screen Concerto in A major, BWV 1055: I. Allegro
- add to main playlist Play in Full Screen Concerto in A major, BWV 1055: II. Larghetto
- add to main playlist Play in Full Screen Concerto in A major, BWV 1055: III. Allegro ma non tanto
- add to main playlist Play in Full Screen Concerto in F minor, BWV 1056: I. Allegro
- add to main playlist Play in Full Screen Concerto in F minor, BWV 1056: II. Largo
- add to main playlist Play in Full Screen Concerto in F minor, BWV 1056: III. Presto
Nocturnes
Released 1996- add to main playlist Play in Full Screen Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto
- add to main playlist Play in Full Screen Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante
- add to main playlist Play in Full Screen Nocturne no. 3 in B major, op. 9 no. 3: Allegretto
- add to main playlist Play in Full Screen Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile
- add to main playlist Play in Full Screen Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto
- add to main playlist Play in Full Screen Nocturne no. 6 in G minor, op. 15 no. 3: Lento
- add to main playlist Play in Full Screen Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto
- add to main playlist Play in Full Screen Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto
- add to main playlist Play in Full Screen Nocturne no. 9 in B major, op. 32 no. 1: Andante sostenuto
- add to main playlist Play in Full Screen Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento
The Complete Sonatas for Piano, Volume 2
Released 1995- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: I. Allegro
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: II. Rondeau en polonaise; Andante
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Thema)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. I)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. II)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. III)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. IV)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. V)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. VI)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. VII)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. VIII)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. IX)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. X)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. XI)
- add to main playlist Play in Full Screen Sonata no. 6 in D major, KV. 284: III. Andante (Var. XII)
- add to main playlist Play in Full Screen Sonata no. 7 in C major, KV. 309: I. Allegro con spirito
- add to main playlist Play in Full Screen Sonata no. 7 in C major, KV. 309: II. Andante un poco adagio
- add to main playlist Play in Full Screen Sonata no. 7 in C major, KV. 309: III. Rondeau: Allegretto grazioso
- add to main playlist Play in Full Screen Sonata no. 8 in A minor, KV. 310: I. Allegro maestoso
- add to main playlist Play in Full Screen Sonata no. 8 in A minor, KV. 310: II. Andante cantabile con espressione
- add to main playlist Play in Full Screen Sonata no. 8 in A minor, KV. 310: III. Presto
- add to main playlist Play in Full Screen Rondo in D major, KV. 485
Konzert für Klavier und Orchester Nr. 17 & 21
Released 1995- add to main playlist Play in Full Screen Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante
- add to main playlist Play in Full Screen Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
- add to main playlist Play in Full Screen Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
- add to main playlist Play in Full Screen Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
Partita no. 1 / English Suite no. 3 / French Suite no. 2
Released 1995- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: I. Preludium
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: II. Allemande
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: III. Corrente
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: IV. Sarabande
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: V. Menuet I
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: VI. Menuet II
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: VII. Menuet I da capo
- add to main playlist Play in Full Screen Partita No. 1 in B-flat major, BWV 825: VIII. Gigue
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: I. Prelude
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: II. Allemande
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: III. Courante
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: IV. Sarabande
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: V. Les agrements de la meme Sarabande
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: VI. Gavotte I alternativement
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: VII. Gavotte II ou la Musette
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: VIII. Gavotte I da capo
- add to main playlist Play in Full Screen English Suite no. 3 in G minor, BWV 808: IX. Gigue
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: I. Allemande
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: II. Courante
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: III. Sarabande
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: IV. Air
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: V. Menuet
- add to main playlist Play in Full Screen French Suite no. 2 in C minor, BWV 813: VI. Gigue
Piano Concerto No. 2 / 24 Preludes
Released 1995- add to main playlist Play in Full Screen Piano Concerto No. 2 in F minor, Op. 21: I. Maestoso
- add to main playlist Play in Full Screen Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto
- add to main playlist Play in Full Screen Piano Concerto No. 2 in F minor, Op. 21: III. Allegro vivace
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 1 in C major: Agitato
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 2 in A minor: Lento
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 3 in G major: Vivace
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 4 in E minor: Largo
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 5 in D major: Allegro molto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 6 in B minor: Lento assai
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 7 in A major: Andantino
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 8 in F-sharp minor: Molto agitato
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 9 in E major: Largo
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 10 in C-sharp minor: Allegro molto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 11 in B major: Vivace
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 12 in G-sharp minor: Presto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 13 in F-sharp major: Lento
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 14 in E-flat minor: Allegro
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 15 in D-flat major: Sostenuto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 16 in B-flat minor: Presto con fuoco
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 17 in A-flat major: Allegretto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 18 in F minor: Allegro molto
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 19 in E-flat minor: Vivace
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 20 in C minor: Largo
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 21 in B-flat major: Cantabile
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 22 in G minor: Molto agitato
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 23 in F major: Moderato
- add to main playlist Play in Full Screen 24 Preludes, Op. 28 No. 24 in D minor: Allegro appassionato
Sonate Op. 78 / Impromptus Op. 90 Nos. 1-2
Released 1995- add to main playlist Play in Full Screen Sonate Op. 78, D 894: I. Molto moderato e cantabile
- add to main playlist Play in Full Screen Sonate Op. 78, D 894: II. Andante
- add to main playlist Play in Full Screen Sonate Op. 78, D 894: III. Menuetto - Allegro moderato
- add to main playlist Play in Full Screen Sonate Op. 78, D 894: IV. Allegretto
- add to main playlist Play in Full Screen Impromptu Op. 90 No. 1. Allegro molto moderato
- add to main playlist Play in Full Screen Impromptu Op. 90 No. 2. Allegro
Piano Duets
Released 1995- add to main playlist Play in Full Screen Fantasy D.940 Op. 103 in F minor: I. Allegro molto moderato
- add to main playlist Play in Full Screen Fantasy D.940 Op. 103 in F minor: II. Largo
- add to main playlist Play in Full Screen Fantasy D.940 Op. 103 in F minor: III. Allegro vivace
- add to main playlist Play in Full Screen 3 Marches Militaires D.733 Op. 51: I. Allegro vivace in D major
- add to main playlist Play in Full Screen 3 Marches Militaires D.733 Op. 51: II. Allegro molto moderato in G major
- add to main playlist Play in Full Screen 3 Marches Militaires D.733 Op. 51: III. Allegro moderato in E-flat major
- add to main playlist Play in Full Screen Rondo D.608 Op. posth. 138 - D major - Allegretto
- add to main playlist Play in Full Screen Rondo D.951 Op. 107 - A major - Allegro quasi andantino
- add to main playlist Play in Full Screen Deutscher miz zwei Trios und zwei Ländler D. 618 - G major and E major
Klavierkonzerte No. 14 & 26 "Krönungskonzert"
Released 1993- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 14 in Es-dur, K 449: I. Allegro vivace (cadenza: Mozart)
- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 14 in Es-dur, K 449: II. Andantino
- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 14 in Es-dur, K 449: III. Allegro ma non troppo
- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 26 in D-dur, K 537 "Coronation": I. Allegro (cadenza: Paul Badura-Skoda)
- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 26 in D-dur, K 537 "Coronation": II. [Larghetto]
- add to main playlist Play in Full Screen Konzert für Klavier und Orchester No. 26 in D-dur, K 537 "Coronation": III [Allegretto]
Violin Sonatas
Released 1993- add to main playlist Play in Full Screen Sonata for Violin and Piano in F, op. 8: I. Allegro con brio
- add to main playlist Play in Full Screen Sonata for Violin and Piano in F, op. 8: II. Allegretto quasi andantino - Più vivo - Tempo I
- add to main playlist Play in Full Screen Sonata for Violin and Piano in F, op. 8: III. Allegro molto vivace
- add to main playlist Play in Full Screen Sonata for Violin and Piano in G, op.13: I. Lento doloroso - Poco allegro - Allegro vivace
- add to main playlist Play in Full Screen Sonata for Violin and Piano in G, op.13: I. Allegretto tranquillo
- add to main playlist Play in Full Screen Sonata for Violin and Piano in G, op.13: III. Allegro animato
- add to main playlist Play in Full Screen Sonata for Violin and Piano in C minor, op. 45: I. Allegro molto ed appassionato
- add to main playlist Play in Full Screen Sonata for Violin and Piano in C minor, op. 45: II. Allegretto espressivo alla Romanza - Allegretto molto - Tempo I
- add to main playlist Play in Full Screen Sonata for Violin and Piano in C minor, op. 45: III. Allegro animato
Piano Sonatas K. 281, K. 282, K. 533/K. 494
Released 1993- add to main playlist Play in Full Screen Piano Sonata No. 3 in B flat, K. 281: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 3 in B flat, K. 281: II. Andante amoroso
- add to main playlist Play in Full Screen Piano Sonata No. 3 in B flat, K. 281: III. Rondeau (Allegro)
- add to main playlist Play in Full Screen Piano Sonata No. 4 in E flat, K. 282: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 4 in E flat, K. 282: II. Menuetto I-II
- add to main playlist Play in Full Screen Piano Sonata No. 4 in E flat, K. 282: III. Allegro
- add to main playlist Play in Full Screen Piano Sonata "No.18" in F: I. Allegro, K. 533
- add to main playlist Play in Full Screen Piano Sonata "No.18" in F: II. Andante, K. 533
- add to main playlist Play in Full Screen Piano Sonata "No.18" in F: III. Rondo (Allegretto), K. 494
Piano Sonatas K.279, K.280, K.311, K.576
Released 1992- add to main playlist Play in Full Screen Piano Sonata No. 1 in C major, K. 279: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 1 in C major, K. 279: II. Andante
- add to main playlist Play in Full Screen Piano Sonata No. 1 in C major, K. 279: III. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 2 in F major, K. 280: I. Allegro assai
- add to main playlist Play in Full Screen Piano Sonata No. 2 in F major, K. 280: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata No. 2 in F major, K. 280: III. Presto
- add to main playlist Play in Full Screen Piano Sonata No. 9 in D major, K. 311: I. Allegro con spirito
- add to main playlist Play in Full Screen Piano Sonata No. 9 in D major, K. 311: II. Andantino con espressione
- add to main playlist Play in Full Screen Piano Sonata No. 9 in D major, K. 311: III. Rondeau (Allegro)
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, K. 576: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, K. 576: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata No. 17 in D major, K. 576: III. Allegretto
Sonatas for Piano and Violin, K. 301, K. 304, K. 378, K. 379
Released 1991- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 18 in G major, K. 293a / KV 301: I. Allegro con spirito
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 18 in G major, K. 293a / KV 301: II. Allegro
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 21 in E minor, K. 300c/304: I. Allegro
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 21 in E minor, K. 300c/304: II. Tempo di minuetto
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 26 in B-flat major, K. 317d / KV 378: I. Allegro moderato
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 26 in B-flat major, K. 317d / KV 378: II. Andantino sostenuto e cantabile
- add to main playlist Play in Full Screen Sonata for Violin & Keyboard no. 26 in B-flat major, K. 317d / KV 378: III. Rondeu. Allegro
- add to main playlist Play in Full Screen Sonata for Violin & Piano no. 27 in G major, K. 373a/379: I. Adagio - allegro
- add to main playlist Play in Full Screen Sonata for Violin & Piano no. 27 in G major, K. 373a/379: II. Tema. Andantino cantabile - Var. I-V - Tema. Allegretto
The Complete Sonatas for Piano, Volume 5
Released 1990- add to main playlist Play in Full Screen Piano Sonata No. 15 in F major: I. Allegro, K. 533
- add to main playlist Play in Full Screen Piano Sonata No. 15 in F major: II. Andante, K. 533
- add to main playlist Play in Full Screen Piano Sonata No. 15 in F major: III. Rondeau (Allegretto), K. 494
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, K. 545. I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, K. 545: II. Andante
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, K. 545: III. Rondo
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, K. 570: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, K. 570: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, K. 570: III. Allegretto
- add to main playlist Play in Full Screen Piano Sonata No. 18 in D major, K. 576: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 18 in D major, K. 576: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata No. 18 in D major, K. 576: III. Allegretto
- add to main playlist Play in Full Screen Fantasia in D minor, K. 397 (385g)
Piano sonatas, KV 331, KV 457 / Fantasies, KV 397, KV 475
Released 1990- add to main playlist Play in Full Screen Fantasia for piano in C minor, KV 475
- add to main playlist Play in Full Screen Piano Sonata in C minor, KV 457: I. Allegro molto
- add to main playlist Play in Full Screen Piano Sonata in C minor, KV 457: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata in C minor, KV 457: III. Allegro assai
- add to main playlist Play in Full Screen Fantasia for piano in D minor, KV 397
- add to main playlist Play in Full Screen Piano Sonata in A major, KV 331: I. Andante grazioso - tema & 6 variations
- add to main playlist Play in Full Screen Piano Sonata in A major, KV 331: II. Menuetto - Trio
- add to main playlist Play in Full Screen Piano Sonata in A major, KV 331: III. Alla turca. Allegretto
Piano Sonatas K310 & K457 / Fantasia K475 / Rondo 'Alla turca'
Released 1989- add to main playlist Play in Full Screen Piano Sonata in A minor, K.310: I. Allegro maestoso
- add to main playlist Play in Full Screen Piano Sonata in A minor, K.310: II. Andante cantabile con espressione
- add to main playlist Play in Full Screen Piano Sonata in A minor, K.310: III. Presto
- add to main playlist Play in Full Screen Fantasia in C minor K475
- add to main playlist Play in Full Screen Piano Sonata in C minor K457: I. Molto allegro
- add to main playlist Play in Full Screen Piano Sonata in C minor K457: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata in C minor K457: III. Allegro assai
- add to main playlist Play in Full Screen Rondo 'alla turca' from Piano Sonata in A K331(300i): Alla turca. Allegretto
Klaviersonaten: K. 310, K. 333, K. 545
Released 1989- add to main playlist Play in Full Screen Klaviersonate a-moll KV310: I. Allegro maestoso
- add to main playlist Play in Full Screen Klaviersonate a-moll KV310: II. Andante cantabile con espressione
- add to main playlist Play in Full Screen Klaviersonate a-moll KV310: III. Presto
- add to main playlist Play in Full Screen Klaviersonate B-dur KV333: I. Allegro
- add to main playlist Play in Full Screen Klaviersonate B-dur KV333: II. Andante cantabile
- add to main playlist Play in Full Screen Klaviersonate B-dur KV333: III. Allegretto grazioso
- add to main playlist Play in Full Screen Klaviersonate C-dur KV545: I. Allegretto
- add to main playlist Play in Full Screen Klaviersonate C-dur KV545: II. Andante
- add to main playlist Play in Full Screen Klaviersonate C-dur KV545: III. Rondo. Allegretto
Sonata, D 784 / 6 Moments musicaux, D 780 / 2 Scherzi, D 593
Released 1989- add to main playlist Play in Full Screen Klaviersonate A-moll, D 784 (Op. post. 143): I. Allegro giusto
- add to main playlist Play in Full Screen Klaviersonate A-moll, D 784 (Op. post. 143): II. Andante
- add to main playlist Play in Full Screen Klaviersonate A-moll, D 784 (Op. post. 143): III. Allegro vivace
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 1 C-dur: Moderato
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 2 As-Dur: Andantino
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 3 F-moll: Allegretto moderato
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 4 Cis-moll: Moderato
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 5 F-moll: Allegro vivace
- add to main playlist Play in Full Screen Moments musicaux, D 780: No. 6 As-dur: Allegretto
- add to main playlist Play in Full Screen 2 Scherzi, D 593: No.1 B-dur: Allegretto
- add to main playlist Play in Full Screen 2 Scherzi, D 593: No.2 Des-dur: Allegro moderato
Piano Sonata Selection
Released 1987- add to main playlist Play in Full Screen Piano Sonata No. 11 in A major, KV 331: I. Andante grazioso
- add to main playlist Play in Full Screen Piano Sonata No. 11 in A major, KV 331: II. Menuetto
- add to main playlist Play in Full Screen Piano Sonata No. 11 in A major, KV 331: III. Alla Turca; Allegretto
- add to main playlist Play in Full Screen Piano Sonata No. 8 in A minor, KV 310: Allegro maestoso
- add to main playlist Play in Full Screen Piano Sonata No. 8 in A minor, KV 310: Andante
- add to main playlist Play in Full Screen Piano Sonata No. 8 in A minor, KV 310: Presto
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, KV 545: Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, KV 545: Andante
- add to main playlist Play in Full Screen Piano Sonata No. 16 in C major, KV 545: Rondo
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, KV 570: Allegro
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, KV 570: Adagio
- add to main playlist Play in Full Screen Piano Sonata No. 17 in B-flat major, KV 570: Allegretto
Kinderszenen / Waldszenen
Released 1985- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Von fremden Länder und Menschen
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Kuriose Geschichte
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Hasche-Mann
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Bittendes Kind
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Gückes genug
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Wichtige Begebenheit
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Träumerei
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Am Kamin
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Ritter vom Steckenpfern
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Fast zu ernst
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Fürchtenmachen
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Kind im Einschlummern
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Der Dichter spricht
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Eintritt
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Jäger auf Lauer
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Einsame Blumen
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Verrufene Stelle
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Freundliche Landschaft
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Herberge
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Vogel als Prophet
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Jagdlied
- add to main playlist Play in Full Screen Waldszenen, Op. 82: Abschied
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Drei Stücklein: I. Nicht schnell, mit Innigkeit
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Drei Stücklein: II. Sehr rasch
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Drei Stücklein: III. - Frisch
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Fünf Albumblätter: I. Ziemlich langsam
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Fünf Albumblätter: II. Schnell
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Fünf Albumblätter: III. Ziemlich langsam, sehr gesangvoll
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Fünf Albumblätter: IV. Langsam
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Fünf Albumblätter: V. Sehr langsam
- add to main playlist Play in Full Screen Bunte Blätter, Op. 99: Präludium
The Complete Sonatas for Piano, Volume 3
Released 1985- add to main playlist Play in Full Screen Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito
- add to main playlist Play in Full Screen Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione
- add to main playlist Play in Full Screen Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile
- add to main playlist Play in Full Screen Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Ia. Tema con variazioni. Andante grazioso
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Ib. Variation 1
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Ic. Variation 2
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Id. Variation 3
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Ie. Variation 4
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": If. Variation 5
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": Ig. Variation 6
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto
- add to main playlist Play in Full Screen Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
- add to main playlist Play in Full Screen Rondo for Piano No. 3 in A minor, K. 511: Andante
Four Piano Concerti
Released 1982- add to main playlist Play in Full Screen Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto
- add to main playlist Play in Full Screen Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto (cadenzas by Mozart)
- add to main playlist Play in Full Screen Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro
- add to main playlist Play in Full Screen Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante
- add to main playlist Play in Full Screen Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro / Cadenza, K. 626aI/39/KV 624/15 / Cadenza, K. 626aI/40/KV 624/16 / Cadenza, K. 626aI/41/KV 624/17
2 concertos pour piano
Released 1978- add to main playlist Play in Full Screen Piano Concerto No. 1, Op. 11: I. Allegro maestoso
- add to main playlist Play in Full Screen Piano Concerto No. 1, Op. 11: II. Romanze (Larghetto)
- add to main playlist Play in Full Screen Piano Concerto No. 1, Op. 11: III. Rondo (Vivace)
- add to main playlist Play in Full Screen Piano Concerto No. 2, Op. 21: I. Maestoso
- add to main playlist Play in Full Screen Piano Concerto No. 2, Op. 21: II. Larghetto
- add to main playlist Play in Full Screen Piano Concerto No. 2, Op. 21: III. Allegro vivace
Sonates: Clair de Lune / Pathétique / Appassionata / La Tempête
Released 1977- add to main playlist Play in Full Screen Sonata quasi una fantasia No. 14, Op. 27 No. 2 "Claire de lune" en ut dièse mineur: I. Adagio sostenuto
- add to main playlist Play in Full Screen Sonata quasi una fantasia No. 14, Op. 27 No. 2 "Claire de lune" en ut dièse mineur: II. Allegretto
- add to main playlist Play in Full Screen Sonata quasi una fantasia No. 14, Op. 27 No. 2 "Claire de lune" en ut dièse mineur: III. Presto
- add to main playlist Play in Full Screen Sonate No. 8, Op. 13 "Pathétique" en ut mineur: I. Grave - Allegro di molto e con brio
- add to main playlist Play in Full Screen Sonate No. 8, Op. 13 "Pathétique" en ut mineur: II. Adagio cantabile
- add to main playlist Play in Full Screen Sonate No. 8, Op. 13 "Pathétique" en ut mineur: III. Rondo
- add to main playlist Play in Full Screen Sonate No. 17 Op. 31 No. 2 "La Tempête" en ré mineur: I. Largo - Allegro
- add to main playlist Play in Full Screen Sonate No. 17 Op. 31 No. 2 "La Tempête" en ré mineur: II. Adagio
- add to main playlist Play in Full Screen Sonate No. 17 Op. 31 No. 2 "La Tempête" en ré mineur: III. Allegretto
- add to main playlist Play in Full Screen Sonate No. 23, Op. 57 "Appassionata" en fa mineur: I. Allegro assai
- add to main playlist Play in Full Screen Sonate No. 23, Op. 57 "Appassionata" en fa mineur: II. Andante con moto-Allegro ma non troppo
Piano Sonatas K 310, 332, 545
- add to main playlist Play in Full Screen Piano Sonata in A minor, K 310: I. Allegro maestoso
- add to main playlist Play in Full Screen Piano Sonata in A minor, K 310: II. Andante cantabile con espressione
- add to main playlist Play in Full Screen Piano Sonata in A minor, K 310: III. Presto
- add to main playlist Play in Full Screen Piano Sonata in F major, K 332: I. Allegro
- add to main playlist Play in Full Screen Piano Sonata in F major, K 332: II. Adagio
- add to main playlist Play in Full Screen Piano Sonata in F major, K 332: III. Allegro assai
- add to main playlist Play in Full Screen Piano Sonata in C major, K 545 "Sonata facile": I. Allegro
- add to main playlist Play in Full Screen Piano Sonata in C major, K 545 "Sonata facile": II. Andante
- add to main playlist Play in Full Screen Piano Sonata in C major, K 545 "Sonata facile": III. Rondeau. Allegretto
Piano Sonatas, Volume 4
- add to main playlist Play in Full Screen Sonata no. 12 in F major, KV. 332: I. Allegro
- add to main playlist Play in Full Screen Sonata no. 12 in F major, KV. 332: II. Adagio
- add to main playlist Play in Full Screen Sonata no. 12 in F major, KV. 332: III. Allegro assai
- add to main playlist Play in Full Screen Sonata no. 13 in B-flat major, KV. 333: I. Allegro
- add to main playlist Play in Full Screen Sonata no. 13 in B-flat major, KV. 333: II. Andante cantabile
- add to main playlist Play in Full Screen Sonata no. 13 in B-flat major, KV. 333: III. Allegretto grazioso
- add to main playlist Play in Full Screen Fantasia in C minor, KV. 475
- add to main playlist Play in Full Screen Sonata no. 14 in C minor, KV. 457: I. Allegro molto
- add to main playlist Play in Full Screen Sonata no. 14 in C minor, KV. 457: II. Adagio
- add to main playlist Play in Full Screen Sonata no. 14 in C minor, KV. 457: III. Allegro assai
Concerto No. 26 / Concerto No. 27 / Rondo KV 382
- add to main playlist Play in Full Screen Concerto No. 26 in D minor, KV 537: I. Allegro
- add to main playlist Play in Full Screen Concerto No. 26 in D minor, KV 537: II. Larghetto
- add to main playlist Play in Full Screen Concerto No. 26 in D minor, KV 537: III. Allegretto
- add to main playlist Play in Full Screen Concerto No. 27 in B-flat major, KV 595: I. Allegro
- add to main playlist Play in Full Screen Concerto No. 27 in B-flat major, KV 595: II. Larghetto
- add to main playlist Play in Full Screen Concerto No. 27 in B-flat major, KV 595: III. Allegro
- add to main playlist Play in Full Screen Rondo in D major, KV 382
Chopin: Waltzes / Schumann: Scenes from Childhood
- add to main playlist Play in Full Screen Valse, Op. 34 No. 3
- add to main playlist Play in Full Screen Valse, Op. 42
- add to main playlist Play in Full Screen Valse, Op. 64 No. 1
- add to main playlist Play in Full Screen Valse, Op. 69 No. 1
- add to main playlist Play in Full Screen Valse, Op. 64 No. 2
- add to main playlist Play in Full Screen Valse, Op. 70 No. 1
- add to main playlist Play in Full Screen Valse, Op. 69 No. 2
- add to main playlist Play in Full Screen Valse, KK Iva No. 15
- add to main playlist Play in Full Screen Valse, Op. 34 No. 2
- add to main playlist Play in Full Screen Valse, Op. 64 No. 3
- add to main playlist Play in Full Screen Valse, Op. 70 No. 2
- add to main playlist Play in Full Screen Valse, Op. 70 No. 3
- add to main playlist Play in Full Screen Valse, Op. 18
- add to main playlist Play in Full Screen Valse, Op. 34 No. 1
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Von fremden Länder und Menschen
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Kuriose Geschichte
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Hasche-Mann
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Bittendes Kind
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Gückes genug
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Wichtige Begebenheit
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Träumerei
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Am Kamin
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Ritter vom Steckenpfern
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Fast zu ernst
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Fürchtenmachen
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Kind im Einschlummern
- add to main playlist Play in Full Screen Kinderszenen, Op. 15: Der Dichter spricht
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Frédéric Chopin - The Nocturnes | Maria João Pires Recital
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep Poet of Music." The Nocturnes | Chopin Night Music: "Of the tenderness, the charm, the awe and mystery which are to be found in the Nocturnes... Oh, those Nocturnes! Tones of infinite sadness! There is Music in them which fathoms the depths, which plunges us into the immensity; emotional force that rends our hearts; Horrible despair, bordering on the overwhelming immanence of death itsel; Divine ecstasy interrupted by a wail of sorrow, and again by a soft caress. And all is so sincere; the sincerity of one whose heart bleeds; whose soul is overflowing with tenderness!" George Mathias, student of Chopin 00:00:00 I. Chopin Nocturn... -
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
__ • Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2 __ 00:10 • Largo - Allegro 09:15 • Adagio 16:55 • Allegretto __ • Maria João Pires: piano __ -
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital. Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2015. Piano Sonata No. 32 in C minor, Op. 111 I. Maestoso II. Allegro con brio ed appassionato III. Arietta. Adagio molto semplice e cantabile Without doubt, this is one of the greatest piano sonatas ever written. While there are quite a few of Beethoven's own that are more popular, perhaps only one or two of them rival this one in sheer profundity. This sonata's stormy first movement and its ensuing lengthy Arietta, which makes up the theme and variations second panel, take the listener into soundworlds previously unexplored by other composers, making this work one of the most influential musical creations ever. Not only did it he... -
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Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto / followed by a short film by Frank Scheffers: Voyage to Cythera -
Maria Joao Pires expecting to play another concerto
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam. -
Maria Joao Pires Scarlatti
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Technique doesn't exist Maria Joao Pires piano
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Maria João Pires plays Chopin
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483 Find Deutsche Grammophon on Facebook and Twitter: http://www.facebook.com/deutschegrammophon http://www.twitter.com/dgclassics -
Chopin, Nocturnos. Maria João Pires, piano
- Fryderyk Franciszek Chopin (1810 - 1849) Nocturnos Maria João Pires, piano [00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1 [05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2 [10:04] Nº 3 en Si mayor, Opus 9 Nº 3 [16:43] Nº 4 en Fa mayor, Opus 15 Nº 1 [21:04] Nº 5 en Fa ♯ mayor, Opus 15 Nº 2 [24:31] Nº 6 en sol menor, Opus 15 Nº 3 [28:56] Nº 7 en do ♯ menor, Opus 27 Nº 1 [34:07] Nº 8 en Re ♭ mayor, Opus 27 Nº 2 [40:44] Nº 9 en sol menor, Opus 32 Nº 1 [45:38] Nº 10 en La ♭ mayor, Opus 32 Nº 2 [50:26] Nº 11 en sol menor, Opus 37 Nº 1 [56:13] Nº 12 en Sol mayor, Opus 37 Nº 2 [1:02:08] Nº 13 en do menor, Opus 48 Nº 1 [1:08:55] Nº 14 en fa ♯ menor, Opus 48 Nº 2 [1:16:15] Nº 15 en fa menor, Opus 55 Nº 1 [1:20:52] Nº 16 en Mi ♭ mayor, Opus 55 Nº 2 [1:25:44] Nº 17 en Si mayor, Opus 62 Nº 1 [1:32:10] Nº 18 en ...
Frédéric Chopin - The Nocturnes | Maria João Pires Recital
- Order: Reorder
- Duration: 112:00
- Updated: 31 Mar 2016
- views: 54
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep...
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep Poet of Music."
The Nocturnes | Chopin Night Music: "Of the tenderness, the charm, the awe and mystery which are to be found in the Nocturnes... Oh, those Nocturnes! Tones of infinite sadness! There is Music in them which fathoms the depths, which plunges us into the immensity; emotional force that rends our hearts; Horrible despair, bordering on the overwhelming immanence of death itsel; Divine ecstasy interrupted by a wail of sorrow, and again by a soft caress. And all is so sincere; the sincerity of one whose heart bleeds; whose soul is overflowing with tenderness!"
George Mathias, student of Chopin
00:00:00 I. Chopin Nocturnes London Recital in 2010. Chopin's 200th birthday
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.4 in F major, Op.15, No.1
Nocturne No.5 in F-sharp major, Op.15, No.2
Nocturne No.6 in G minor, Op.15, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.17 in B major, Op.62, No.1
Nocturne No.18 in E major, Op.62, No.2
Nocturne No.19 in E minor, Op.72, No.1
Nocturne No.20 in C-sharp minor, Op. posthume
Nocturne No.11 in G minor, Op.37, No.1 (Encore)
Late Night Prom, Royal Albert Hall, London, 2010.
01:08:13 II. Chopin Nocturnes Poland Recital in 2014
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.14 in F-sharp minor, Op.48, No.2
Nocturne No.20 in C-sharp minor, Op. posthume
Poland Recital, Warsaw, 2014.
"The Royal Albert Hall is a wonderful and inspiring place to be, but acoustically it can very strange. Loud sounds bounce around that vast space like balls on a pin-ball machine. Yet for quiet music it can be magical. The sounds go straight from source to ear, so they have a lovely miniaturised clarity like the distant figures in a Van Eyck painting. That unexpected intimacy accounts for some of the intensity of Maria Joao Pires’s recital of Chopin Nocturnes on Wednesday. But it would have counted for nothing without her special poetry. She’s a tiny, almost bird-like figure, and she seemed even smaller in that huge space, which was packed with more people than I’ve ever seen for a late-night Prom. It must be daunting for a pianist, but Pires seemed perfectly at ease, as if she was playing for a few friends at home. That gives her performances an air of total sincerity. [...] Pires wants to get at the poetic heart of the music, and here she did that time after time. The word Nocturne implies something dreamy and indistinct, but Pires’ performances reminded us that the expressive range of Chopin’s pieces is much bigger than that. There was the total rapt stillness of the early Bb minor Nocturne, uncannily clear, like a moonlit landscape. There was the fascinating uncertainty of the G major Nocturne Op. 15, which she poised so perfectly on the cusp between hesitancy and impetuous ardour. The late Nocturne in E major suddenly becomes stormy at its mid-point, but Pires managed to project this while suggesting it was only a momentary flurry – maybe only a dream – while the night-time stillness was still continuing, somewhere beyond our hearing. That is artistry of a very special order." The Telegraph 2010
"The evening turned out to be a special one for piano fans. The Portuguese pianist Maria João Pires made a rare appearance with a generous selection of Chopin's nocturnes as the late-night event. Received wisdom suggests the Albert Hall is too big for such music, but in this case the sonic unpredictability of the venue conspired with the pianist herself to refute it. Pires's playing was unostentatious but commanding, controlled yet free-flying in its sensitivity to the fluidity of Chopin's lines, and in its responsiveness to the scope of pieces still sometimes marked down as delicate miniatures." The Guardian 2010
“I can’t think of a pianist with a more ideal command of Chopin’s style. Pires trips through the roulades with filigree dexterity, but her tone is so thoughtful, serious and weighty that they arrive with immense emotional profundity.”
The Times, London, June 2007
MARIA JOÃO PIRES born in Lisbon on 23 July 1944 and played her first recital aged five. She studied composition and music theory at the Lisbon Conservatory, followed by further studies in Munich and Hanover, Germany. She made her London debut in 1986 at the Queen Elizabeth Hall.
From Portugal, with Love
wn.com/Frédéric Chopin The Nocturnes | Maria João Pires Recital
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’s very inner Music and very deep," Pires has said. "Chopin is the deep Poet of Music."
The Nocturnes | Chopin Night Music: "Of the tenderness, the charm, the awe and mystery which are to be found in the Nocturnes... Oh, those Nocturnes! Tones of infinite sadness! There is Music in them which fathoms the depths, which plunges us into the immensity; emotional force that rends our hearts; Horrible despair, bordering on the overwhelming immanence of death itsel; Divine ecstasy interrupted by a wail of sorrow, and again by a soft caress. And all is so sincere; the sincerity of one whose heart bleeds; whose soul is overflowing with tenderness!"
George Mathias, student of Chopin
00:00:00 I. Chopin Nocturnes London Recital in 2010. Chopin's 200th birthday
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.4 in F major, Op.15, No.1
Nocturne No.5 in F-sharp major, Op.15, No.2
Nocturne No.6 in G minor, Op.15, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.17 in B major, Op.62, No.1
Nocturne No.18 in E major, Op.62, No.2
Nocturne No.19 in E minor, Op.72, No.1
Nocturne No.20 in C-sharp minor, Op. posthume
Nocturne No.11 in G minor, Op.37, No.1 (Encore)
Late Night Prom, Royal Albert Hall, London, 2010.
01:08:13 II. Chopin Nocturnes Poland Recital in 2014
Nocturne No.1 in B-flat minor, Op.9, No.1
Nocturne No.2 in E-flat major, Op.9, No.2
Nocturne No.3 in B major, Op.9, No.3
Nocturne No.7 in C-sharp minor, Op.27, No.1
Nocturne No.8 in D-flat major, Op.27, No.2
Nocturne No.14 in F-sharp minor, Op.48, No.2
Nocturne No.20 in C-sharp minor, Op. posthume
Poland Recital, Warsaw, 2014.
"The Royal Albert Hall is a wonderful and inspiring place to be, but acoustically it can very strange. Loud sounds bounce around that vast space like balls on a pin-ball machine. Yet for quiet music it can be magical. The sounds go straight from source to ear, so they have a lovely miniaturised clarity like the distant figures in a Van Eyck painting. That unexpected intimacy accounts for some of the intensity of Maria Joao Pires’s recital of Chopin Nocturnes on Wednesday. But it would have counted for nothing without her special poetry. She’s a tiny, almost bird-like figure, and she seemed even smaller in that huge space, which was packed with more people than I’ve ever seen for a late-night Prom. It must be daunting for a pianist, but Pires seemed perfectly at ease, as if she was playing for a few friends at home. That gives her performances an air of total sincerity. [...] Pires wants to get at the poetic heart of the music, and here she did that time after time. The word Nocturne implies something dreamy and indistinct, but Pires’ performances reminded us that the expressive range of Chopin’s pieces is much bigger than that. There was the total rapt stillness of the early Bb minor Nocturne, uncannily clear, like a moonlit landscape. There was the fascinating uncertainty of the G major Nocturne Op. 15, which she poised so perfectly on the cusp between hesitancy and impetuous ardour. The late Nocturne in E major suddenly becomes stormy at its mid-point, but Pires managed to project this while suggesting it was only a momentary flurry – maybe only a dream – while the night-time stillness was still continuing, somewhere beyond our hearing. That is artistry of a very special order." The Telegraph 2010
"The evening turned out to be a special one for piano fans. The Portuguese pianist Maria João Pires made a rare appearance with a generous selection of Chopin's nocturnes as the late-night event. Received wisdom suggests the Albert Hall is too big for such music, but in this case the sonic unpredictability of the venue conspired with the pianist herself to refute it. Pires's playing was unostentatious but commanding, controlled yet free-flying in its sensitivity to the fluidity of Chopin's lines, and in its responsiveness to the scope of pieces still sometimes marked down as delicate miniatures." The Guardian 2010
“I can’t think of a pianist with a more ideal command of Chopin’s style. Pires trips through the roulades with filigree dexterity, but her tone is so thoughtful, serious and weighty that they arrive with immense emotional profundity.”
The Times, London, June 2007
MARIA JOÃO PIRES born in Lisbon on 23 July 1944 and played her first recital aged five. She studied composition and music theory at the Lisbon Conservatory, followed by further studies in Munich and Hanover, Germany. She made her London debut in 1986 at the Queen Elizabeth Hall.
From Portugal, with Love
- published: 31 Mar 2016
- views: 54
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
- Order: Reorder
- Duration: 25:39
- Updated: 24 Feb 2014
- views: 89938
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• Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2
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00:10 • Largo - Allegro
09:15 • Adagio
16:55 • Allegretto
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• Maria João Pires: piano
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• Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2
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00:10 • Largo - Allegro
09:15 • Adagio
16:55 • Allegretto
__
• Maria João Pires: piano
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wn.com/Beethoven Piano Sonata No. 17 In D Minor The Tempest | Maria João Pires
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• Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2
__
00:10 • Largo - Allegro
09:15 • Adagio
16:55 • Allegretto
__
• Maria João Pires: piano
__
- published: 24 Feb 2014
- views: 89938
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
- Order: Reorder
- Duration: 27:58
- Updated: 01 Jun 2016
- views: 101
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital.
Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2...
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital.
Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2015.
Piano Sonata No. 32 in C minor, Op. 111
I. Maestoso
II. Allegro con brio ed appassionato
III. Arietta. Adagio molto semplice e cantabile
Without doubt, this is one of the greatest piano sonatas ever written. While there are quite a few of Beethoven's own that are more popular, perhaps only one or two of them rival this one in sheer profundity. This sonata's stormy first movement and its ensuing lengthy Arietta, which makes up the theme and variations second panel, take the listener into soundworlds previously unexplored by other composers, making this work one of the most influential musical creations ever. Not only did it help shape the course of piano music, it influenced the orchestral compositions of Franck, Wagner, Mahler, and many others. Prokofiev modeled the structure of his Symphony No. 2 directly on the sonata -- an Allegro followed by a long theme-and-variations second movement. The sonata begins with a grim introduction (Maestoso), typical of the composer's serious style, because it starts the narrative with a question, or dilemma, with dark, emphatic chords followed by trills, which introduce an added element of uncertainty. One might wonder whether the remainder of the movement will search out some answer to the apparent question, as in the "Pathétique," but that does not happen. It seems that a lack of a resolution reflects the composer's realization that vicissitudes of life may inspire questions which cannot be answered. The main body of the first movement, marked Allegro con brio ed appassionato, begins in a sinister vein on the bass notes with the appearance of the main theme, itself a dark, hesitant creation. After it is presented in full, the tempo slows, ushering in another idea. Tranquil and reassuring, this new idea is short-lived, and the main theme returns. After the narrative is repeated, with some alterations, the development section begins. Here, in the midst of much brilliant contrapuntal writing, the mood darkens, and an element of dramatic tension is introduced as the main theme goes through several transformations. When the alternate theme appears after a climactic episode, the atmosphere changes from somber to mysterious. There is no reprise as such, since the main material is not repeated, but rather is reviewed in partial form before reaching a final climax, after which the music fades slowly.
The second movement (Adagio molto semplice e cantabile) opens with one of the composer's most serene creations in any genre. The theme sounds peaceful and angelic, but almost static, too, in its glacial pacing. It strikes one as not the kind of melody that might yield variations of sundry character. This theme and the first three variations form the first section of the movement, wherein the atmosphere and character of the music change from the sublime to the almost giddily joyous and back to the sublime. It is the fourth variation that marks the second half of the movement, the most profound music in this work. After a series of trills, this section begins with the variation slowly emerging from a haze and transporting the listener to the highest levels of musical experience. Some view this long closing section as a "farewell" by the composer. Indeed, Beethoven seems to fashion a musical language transcending terrestrial constraints, and the notes appear to be ascending into the heavens as the ending approaches.
wn.com/Beethoven Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pires, live recital.
Gezeitenkonzerte 2015, Neue Kirche in Emden, 04.VII.2015.
Piano Sonata No. 32 in C minor, Op. 111
I. Maestoso
II. Allegro con brio ed appassionato
III. Arietta. Adagio molto semplice e cantabile
Without doubt, this is one of the greatest piano sonatas ever written. While there are quite a few of Beethoven's own that are more popular, perhaps only one or two of them rival this one in sheer profundity. This sonata's stormy first movement and its ensuing lengthy Arietta, which makes up the theme and variations second panel, take the listener into soundworlds previously unexplored by other composers, making this work one of the most influential musical creations ever. Not only did it help shape the course of piano music, it influenced the orchestral compositions of Franck, Wagner, Mahler, and many others. Prokofiev modeled the structure of his Symphony No. 2 directly on the sonata -- an Allegro followed by a long theme-and-variations second movement. The sonata begins with a grim introduction (Maestoso), typical of the composer's serious style, because it starts the narrative with a question, or dilemma, with dark, emphatic chords followed by trills, which introduce an added element of uncertainty. One might wonder whether the remainder of the movement will search out some answer to the apparent question, as in the "Pathétique," but that does not happen. It seems that a lack of a resolution reflects the composer's realization that vicissitudes of life may inspire questions which cannot be answered. The main body of the first movement, marked Allegro con brio ed appassionato, begins in a sinister vein on the bass notes with the appearance of the main theme, itself a dark, hesitant creation. After it is presented in full, the tempo slows, ushering in another idea. Tranquil and reassuring, this new idea is short-lived, and the main theme returns. After the narrative is repeated, with some alterations, the development section begins. Here, in the midst of much brilliant contrapuntal writing, the mood darkens, and an element of dramatic tension is introduced as the main theme goes through several transformations. When the alternate theme appears after a climactic episode, the atmosphere changes from somber to mysterious. There is no reprise as such, since the main material is not repeated, but rather is reviewed in partial form before reaching a final climax, after which the music fades slowly.
The second movement (Adagio molto semplice e cantabile) opens with one of the composer's most serene creations in any genre. The theme sounds peaceful and angelic, but almost static, too, in its glacial pacing. It strikes one as not the kind of melody that might yield variations of sundry character. This theme and the first three variations form the first section of the movement, wherein the atmosphere and character of the music change from the sublime to the almost giddily joyous and back to the sublime. It is the fourth variation that marks the second half of the movement, the most profound music in this work. After a series of trills, this section begins with the variation slowly emerging from a haze and transporting the listener to the highest levels of musical experience. Some view this long closing section as a "farewell" by the composer. Indeed, Beethoven seems to fashion a musical language transcending terrestrial constraints, and the notes appear to be ascending into the heavens as the ending approaches.
- published: 01 Jun 2016
- views: 101
MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO PIRES & PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
- Order: Reorder
- Duration: 32:10
- Updated: 24 Dec 2013
- views: 122211
ORQUESTA FILARMÓNICA DE BERLÍN
EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS
LISBOA - PORTUGAL - 1° DE MAYO DE 2003
ORQUESTA FILARMÓNICA DE BERLÍN
EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS
LISBOA - PORTUGAL - 1° DE MAYO DE 2003
wn.com/Mozart Concierto Para Piano N° 20 María Joao Pires Pierre Boulez Berlin Philarmonic 2003
Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
- Order: Reorder
- Duration: 5:16
- Updated: 11 Jun 2009
- views: 2141871
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto /
followed by a sho...
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto /
followed by a short film by Frank Scheffers: Voyage to Cythera
wn.com/Maria Joao Pires Expecting Another Mozart Concerto During A Lunchconcert In Amsterdam
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Riccardo Chailly - expecting another Mozart concerto /
followed by a short film by Frank Scheffers: Voyage to Cythera
- published: 11 Jun 2009
- views: 2141871
Maria Joao Pires expecting to play another concerto
- Order: Reorder
- Duration: 3:39
- Updated: 15 Oct 2010
- views: 335990
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam.
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam.
wn.com/Maria Joao Pires Expecting To Play Another Concerto
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and she had to play another, in front of an audience in Amsterdam.
- published: 15 Oct 2010
- views: 335990
Maria Joao Pires Scarlatti
- Order: Reorder
- Duration: 4:24
- Updated: 20 May 2012
- views: 112619
- published: 20 May 2012
- views: 112619
Technique doesn't exist Maria Joao Pires piano
- Order: Reorder
- Duration: 56:40
- Updated: 06 Jan 2014
- views: 162335
- published: 06 Jan 2014
- views: 162335
Maria João Pires plays Chopin
- Order: Reorder
- Duration: 5:19
- Updated: 02 Nov 2009
- views: 149712
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483
Find Deu...
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483
Find Deutsche Grammophon on Facebook and Twitter:
http://www.facebook.com/deutschegrammophon
http://www.twitter.com/dgclassics
wn.com/Maria João Pires Plays Chopin
Behind the scenes with Maria João Pires - including footage from the recording session and interviews. See more here: http://www.dgwebshop.com/4777483
Find Deutsche Grammophon on Facebook and Twitter:
http://www.facebook.com/deutschegrammophon
http://www.twitter.com/dgclassics
- published: 02 Nov 2009
- views: 149712
Chopin, Nocturnos. Maria João Pires, piano
- Order: Reorder
- Duration: 109:13
- Updated: 08 Oct 2014
- views: 37613
-
Fryderyk Franciszek Chopin (1810 - 1849)
Nocturnos
Maria João Pires, piano
[00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1
[05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2
[10...
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Fryderyk Franciszek Chopin (1810 - 1849)
Nocturnos
Maria João Pires, piano
[00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1
[05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2
[10:04] Nº 3 en Si mayor, Opus 9 Nº 3
[16:43] Nº 4 en Fa mayor, Opus 15 Nº 1
[21:04] Nº 5 en Fa ♯ mayor, Opus 15 Nº 2
[24:31] Nº 6 en sol menor, Opus 15 Nº 3
[28:56] Nº 7 en do ♯ menor, Opus 27 Nº 1
[34:07] Nº 8 en Re ♭ mayor, Opus 27 Nº 2
[40:44] Nº 9 en sol menor, Opus 32 Nº 1
[45:38] Nº 10 en La ♭ mayor, Opus 32 Nº 2
[50:26] Nº 11 en sol menor, Opus 37 Nº 1
[56:13] Nº 12 en Sol mayor, Opus 37 Nº 2
[1:02:08] Nº 13 en do menor, Opus 48 Nº 1
[1:08:55] Nº 14 en fa ♯ menor, Opus 48 Nº 2
[1:16:15] Nº 15 en fa menor, Opus 55 Nº 1
[1:20:52] Nº 16 en Mi ♭ mayor, Opus 55 Nº 2
[1:25:44] Nº 17 en Si mayor, Opus 62 Nº 1
[1:32:10] Nº 18 en Mi mayor, Opus 62 Nº 2
[1:38:08] Nº 19 en mi menor, Opus 72 Nº 1
[1:42:16] Nº 20 en do ♯ menor, Opus póstumo
[1:46:18] Nº 21 en do menor, Opus póstumo
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Pinturas de Dante Gabriel Rossetti (1828-1882),
de la Hermandad Prerrafaelita.
[http://es.wikipedia.org/wiki/Dante_Ga...]
Modelo de las pinturas: Elizabeth Siddal (1829-1862)
[http://es.wikipedia.org/wiki/Elizabet...]
Hermandad Prerrafaelita:
[http://es.wikipedia.org/wiki/Hermanda...]
---
wn.com/Chopin, Nocturnos. Maria João Pires, Piano
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Fryderyk Franciszek Chopin (1810 - 1849)
Nocturnos
Maria João Pires, piano
[00:01] Nº 1 en si ♭ menor, Opus 9 Nº 1
[05:35] Nº 2 en Mi ♭ mayor, Opus 9 Nº 2
[10:04] Nº 3 en Si mayor, Opus 9 Nº 3
[16:43] Nº 4 en Fa mayor, Opus 15 Nº 1
[21:04] Nº 5 en Fa ♯ mayor, Opus 15 Nº 2
[24:31] Nº 6 en sol menor, Opus 15 Nº 3
[28:56] Nº 7 en do ♯ menor, Opus 27 Nº 1
[34:07] Nº 8 en Re ♭ mayor, Opus 27 Nº 2
[40:44] Nº 9 en sol menor, Opus 32 Nº 1
[45:38] Nº 10 en La ♭ mayor, Opus 32 Nº 2
[50:26] Nº 11 en sol menor, Opus 37 Nº 1
[56:13] Nº 12 en Sol mayor, Opus 37 Nº 2
[1:02:08] Nº 13 en do menor, Opus 48 Nº 1
[1:08:55] Nº 14 en fa ♯ menor, Opus 48 Nº 2
[1:16:15] Nº 15 en fa menor, Opus 55 Nº 1
[1:20:52] Nº 16 en Mi ♭ mayor, Opus 55 Nº 2
[1:25:44] Nº 17 en Si mayor, Opus 62 Nº 1
[1:32:10] Nº 18 en Mi mayor, Opus 62 Nº 2
[1:38:08] Nº 19 en mi menor, Opus 72 Nº 1
[1:42:16] Nº 20 en do ♯ menor, Opus póstumo
[1:46:18] Nº 21 en do menor, Opus póstumo
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Pinturas de Dante Gabriel Rossetti (1828-1882),
de la Hermandad Prerrafaelita.
[http://es.wikipedia.org/wiki/Dante_Ga...]
Modelo de las pinturas: Elizabeth Siddal (1829-1862)
[http://es.wikipedia.org/wiki/Elizabet...]
Hermandad Prerrafaelita:
[http://es.wikipedia.org/wiki/Hermanda...]
---
- published: 08 Oct 2014
- views: 37613
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112:00
Frédéric Chopin - The Nocturnes | Maria João Pires Recital
Frédéric François Chopin - The Nocturnes | Maria João Pires, piano. "Chopin is a Poet. It’...
published: 31 Mar 2016
Frédéric Chopin - The Nocturnes | Maria João Pires Recital
Frédéric Chopin - The Nocturnes | Maria João Pires Recital
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- published: 31 Mar 2016
- views: 54
25:39
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
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• Beethoven: Piano sonata no. 17 in D minor, op. 31, no. 2
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00:10 • Largo - Allegro...
published: 24 Feb 2014
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
Beethoven: Piano sonata no. 17 in D minor - The tempest | Maria João Pires
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- published: 24 Feb 2014
- views: 89938
27:58
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Ludwig van Beethoven - Piano Sonata No. 32 in C minor, Op. 111, 1821-22 | Maria João Pire...
published: 01 Jun 2016
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
Beethoven - Last Piano Sonata, No. 32, Op. 111 | Maria João Pires
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- published: 01 Jun 2016
- views: 101
32:10
MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO PIRES & PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
ORQUESTA FILARMÓNICA DE BERLÍN
EURO KONZERT 2003 - MOSTEIRO DOS JERONIMOS
LISBOA - PORTU...
published: 24 Dec 2013
MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO PIRES & PIERRE BOULEZ & BERLIN PHILARMONIC -- 2003
5:16
Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
Maria Joao Pires - lunch concert with the Amsterdam Concertgebouworkest conducted by Ricc...
published: 11 Jun 2009
Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
Maria Joao Pires - expecting another Mozart concerto during a lunchconcert in Amsterdam
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- published: 11 Jun 2009
- views: 2141871
3:39
Maria Joao Pires expecting to play another concerto
Maria Joao Pires amazing time whaen she was supposed to play a certain Mozart concerto and...
published: 15 Oct 2010
Maria Joao Pires expecting to play another concerto
Maria Joao Pires expecting to play another concerto
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- published: 15 Oct 2010
- views: 335990
4:24
Maria Joao Pires Scarlatti
published: 20 May 2012
Maria Joao Pires Scarlatti
Maria Joao Pires Scarlatti
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- published: 20 May 2012
- views: 112619
56:40
Technique doesn't exist Maria Joao Pires piano
published: 06 Jan 2014
Technique doesn't exist Maria Joao Pires piano
Technique doesn't exist Maria Joao Pires piano
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- published: 06 Jan 2014
- views: 162335
5:19
Maria João Pires plays Chopin
Behind the scenes with Maria João Pires - including footage from the recording session and...
published: 02 Nov 2009
Maria João Pires plays Chopin
Maria João Pires plays Chopin
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- published: 02 Nov 2009
- views: 149712
109:13
Chopin, Nocturnos. Maria João Pires, piano
-
Fryderyk Franciszek Chopin (1810 - 1849)
Nocturnos
Maria João Pires, piano
[00:01] Nº 1 ...
published: 08 Oct 2014
Chopin, Nocturnos. Maria João Pires, piano
Chopin, Nocturnos. Maria João Pires, piano
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- published: 08 Oct 2014
- views: 37613
Frédéric Chopin - The Nocturnes | Maria João Pires...
Beethoven: Piano sonata no. 17 in D minor - The te...
Beethoven - Last Piano Sonata, No. 32, Op. 111 | M...
MOZART - CONCIERTO PARA PIANO N° 20 - MARÍA JOAO P...
Maria Joao Pires - expecting another Mozart concer...
Maria Joao Pires expecting to play another concert...
Maria Joao Pires Scarlatti...
Technique doesn't exist Maria Joao Pires piano...
Maria João Pires plays Chopin...
Chopin, Nocturnos. Maria João Pires, piano...
photo: AP / Seth Wenig, FILE
To Hunt Suspected Terrorists Trump's Possible VP Wants New HUAC
Edit WorldNews.com 22 Jun 2016
Article by WN.com Correspondent Dallas DarlingThe same House Speaker that brought Americans the Contract With America now wants a new version of the controversial House Un-American Activities Committee (HUAC) to root out Americans suspected of planning to commit terrorist attacks in the U.S ... Joseph McCarthy, but they point to how President Harry S ... must declare a war on Islamic supremacists living within the U.S ... Army ... Welch asked him....
photo: GFDL / Benchill
Australian woman wakes to 5m python surprise
Edit BBC News 22 Jun 2016
Share. Share this with. Copy this link http.//www.bbc.co.uk/news/world-australia-36573623. A huge snake that has lived in the roof of an Australian home for 10 years has tried to upgrade to the master bedroom. Trina Hibberd, from Mission Beach in Queensland, awoke Monday to find the 5.2m scrub python named Monty stretched from her lounge room to her bedroom ... ....
photo: Public Domain
Official: 3 found with weapons cache wanted to 'rescue' girl
Edit WPTV 22 Jun 2016
NEW YORK (AP) — A Pennsylvania man who lost his daughter to a heroin overdose earlier this year was arrested with two other people after they were stopped while trying to drive through the Holland Tunnel with a cache of weapons on their way to "rescue" a teenage girl involved with drugs in New York, according to officials and social media posts from two of the men. ... ... ... ... ... ... ... ....
photo: AP / Manuel Balce Ceneta, File
[VIDEO]: Democrats Stage House Floor Work Stoppage For Gun Control Legislation
Edit WorldNews.com 22 Jun 2016
A group of Democrats in the U.S. House of Representatives led by Rep. John Lewis of Georgia demanded action on gun control legislation stalled by Republican leadership in both houses of Congress by staging a sit-in on the House floor, National Public Radio reports. "Lawmakers are grouped in the well of the chamber, in front of the speaker's dais and in chairs in the front row ... "No bill, no break," they chanted ... "Mr. Speaker nothing ... ....
photo: AP / Jason Medley, National Science Foundation via AP
[UPDATE]: Rescue Flight Leaves South Pole Evacuating Sick Worker For Treatment
Edit WorldNews.com 22 Jun 2016
A sick worker at a polar station located at the South Pole was airlifted from the site early Wednesday by a small plane making a daring rescue mission, U.S. officials said. The Canadian-owned Twin Otter turboprop plane is headed on the 1,500-mile rescue flight to Rather, a British station on the Antarctic peninsula, said Peter West, a spokesman for the National Science Foundation, which runs the polar station for the U.S....
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Berlin Phil: Europa Concerts 1991-2015 DVD review – a set of special things to savour
Edit The Guardian 22 Jun 2016
4 / 5 stars. Berliner Philharmoniker/ Abbado/ Barenboim/ Boulez/ Dudamel/ Haitink/ Mehta/ Muti/ Rattle ... Programmes tend to be determinedly populist and mainstream – there’s lots of Mozart and Beethoven, and quite a bit of Brahms; even the one concert that Pierre Boulez conducts, in the Mosteiro dos Jerónimos, Lisbon, in 2003, includes a Mozart piano concerto, the D minor, K466, with Maria João Pires as the wonderfully fluent soloist ... ....
Portugal not below expectations, says Joao Mario
Edit FourFourTwo 22 Jun 2016
A 3-3 draw with Hungary saw Portugal edge into the Euro 2016 knockouts, but Joao Mario feels they are not falling short of expectations. Portugal have not underachieved at Euro 2016 despite only advancing from the group stage as one of the best third-placed teams, according to Joao Mario ... Joao Mario, who set Ronaldo up for his sensational first - an ......
Euro 2016: Hungary v/s Portugal; Live Score and Commentary
Edit DNA India 22 Jun 2016
Joao Mario takes Ricardo Quaresma's place and plays behind forwards Cristiano Ronaldo and Nani as coach Fernando Santos again starts with a 4-4-2 formation minus a target man. Starting line-ups. Hungary ... Patricio, Vieirinha, Pepe, R Carvalho, Eliseu, Gomes, W Carvalho, Moutinho, Nani, Ronaldo, Joao ... ....
Hungary vs Portugal player ratings: Cristiano Ronaldo and Balazs Dzsudzsak brilliant in thrilling draw
Edit The Independent 22 Jun 2016
Hungary. Gabor Kiraly. To be honest the veteran looked a bit dodgy throughout. Good dedication to those tracksuit bottoms though. 5. Adam Lang. Did fairly well out of his normal position. 6. Richard Guzmics. Picked up an early yellow but helped stifle Ronaldo at times. 6. Roland Juhasz. Failed to really deal with the threat of Ronaldo in air. 5. Mihaly Korhut ... 5. Zoltan Gera ... Joao Mario ... Joao Moutinho....
Hungary 3-3 Portugal: Ronaldo double clinches last-16 spot
Edit Scotsman 22 Jun 2016
Cristiano Ronaldo erupted from his scoring slump as he netted his first two goals at Euro 2016 and put Portugal into the last 16 ... “Our priority was to win the match. We failed to do that, but we hit the bottom line because we wanted to qualify,” Ronaldo said ... Rui Patricio, Vieirinha, Pepe, Carvalho, Eliseu, Andre Gomes (Quaresma 61), William Carvalho, Joao Moutinho (Renato Sanches 46), Joao Mario, Ronaldo, Nani (Danilo Pereira 81) ... ....
‘Orange Is the New Black’ Season 4, Episodes 8-10 recap: It’s getting real at Litchfield
Edit The Washington Post 22 Jun 2016
Sophia is still in the SHU and likely injured. Piper has literally been branded a Nazi. And Maria has decided to launch a drug business using the salon as her business front. Let’s recap episodes 8-10. Episode 8. Friends in Low Places Speaking of Maria’s drug-pushing, Red notices that her mirror has gone missing. Given her […]> ... ....
Youth Volleyball Clinic (City of Santa Maria, CA)
Edit Public Technologies 22 Jun 2016
City of Santa Maria, CA) ... The City of Santa Maria Recreation and Parks Department is offering a youth volleyball clinic that will introduce fundamental skills to younger boys and girls and prepare older athletes for the upcoming junior high school fall volleyball season ... City of Santa Maria, CA published this content on 21 June 2016 and is solely ......
Euro 2016: Ronaldo finally scores as Hungary and Portugal draw 3-3 in thrilling contest
Edit Belfast Telegraph 22 Jun 2016
Both sides made changes at the break - Renato Sanches coming on for Joao Moutinho for Portugal while Barnabas Bese replaced Gera ... Portugal's Joao Mario, center, attempts a shot at goal during the Euro 2016 Group F soccer match between Hungary and Portugal at the Grand Stade in Decines-Charpieu, near Lyon, France, Wednesday, June 22, 2016....
photo: AP / Darko Bandic
Hungary 3 Portugal 3: History-maker Ronaldo salvages place in knockouts
Edit FourFourTwo 22 Jun 2016
A goalscoring double in a record-breaking display from Cristiano Ronaldo kept Portugal's Euro 2016 dream alive after a draw with Hungary ... The Portugal captain latched on to Joao Mario's ball to produce his landmark, record-breaking finish before thumping a header home just past the hour mark to seal 3-3 draw ... He brilliantly used his trailing leg to flick a cross from Joao Mario behind Adam Lang and into the far corner ... ....
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