- published: 06 Mar 2007
- views: 545149
Lynne Dawson (born 3 June 1956, York) is an English soprano. She came to great prominence through her performance as a soloist in Libera me from Verdi’s Requiem with the BBC Singers at Princess Diana’s funeral in September 1997. Lynne Dawson has recorded over seventy-five CDs and has a varied concert and operatic repertoire.
Growing up in Yorkshire, Dawson fully expected to continue the farming tradition of her family, and indeed singing was not her first career; she first worked in industry as a translator. However, later she studied at both the Guildhall School of Music and Britten-Pears School in Suffolk, where her teachers included Rae Woodland, Gerald Moore and Peter Pears. Her time as a music student, however, was limited as she soon obtained enough professional work to embark upon a career and made her operatic debut in 1986 as the Countess in Le Nozze di Figaro (Kent Opera). Dawson’s position as one of England’s most versatile and popular sopranos was confirmed by her performance as a soloist in Libera me from Verdi’s Requiem with the BBC Singers at the funeral of Diana, Princess of Wales in September 1997. She still continues a busy musical schedule, is head of vocal and opera studies at the Royal Northern College of Music as well as the University of York and is a Professor of Leeds College of Music.
Dawson may refer to:
Stephen Cleobury CBE (/ˈkliːbrɪ/ KLEE-bri; born Bromley 31 December 1948) is an English organist and conductor.
He was organ scholar at St John's College, Cambridge under the musical directorship of George Guest, and sub-organist of Westminster Abbey before becoming Master of Music at Westminster Cathedral in 1979. He was also the President of the Royal College of Organists from 1990 to 1992. He is a Fellow of the Royal College of Music, and an Honorary Doctor of Music at Anglia Ruskin University.
In 1982 he took up the position of Director of Music for the Choir of King's College, Cambridge, where he also teaches music. He was conductor of Cambridge University Musical Society (CUMS) from 1983 to 2009, and made many recordings with that group, including Verdi’s Quattro Pezzi Sacri and Goehr’s The Death of Moses. As part of the celebrations of the 800th anniversary of Cambridge University, he premiered Peter Maxwell Davies' The Sorcerer’s Mirror. He was also Chief Conductor of the BBC Singers from 1995 to 2007, and has been Conductor Laureate since 2007.
Diana, Princess of Wales (Diana Frances;née Spencer; 1 July 1961 – 31 August 1997), was the first wife of Charles, Prince of Wales, who is the eldest child and heir apparent of Queen Elizabeth II.
Diana was born into a family of British nobility with royal ancestry as The Honourable Diana Spencer. She was the fourth child and third daughter of John Spencer, 8th Earl Spencer and the Honourable Frances Shand Kydd. She grew up in Park House, situated on the Sandringham estate, and was educated in England and Switzerland. In 1975, after her father inherited the title of Earl Spencer, she became Lady Diana Spencer.
Her wedding to the Prince of Wales on 29 July 1981, held at St Paul's Cathedral, reached a global television audience of over 750 million people. While married, Diana bore the titles Princess of Wales, Duchess of Cornwall, Duchess of Rothesay, Countess of Chester, and Baroness of Renfrew. The marriage produced two sons, the princes William and Harry, who were then respectively second and third in the line of succession to the British throne. As Princess of Wales, Diana undertook royal duties on behalf of the Queen and represented her at functions overseas. She was celebrated for her charity work and for her support of the International Campaign to Ban Landmines. From 1989, she was the president of Great Ormond Street Hospital for children, in addition to dozens of other charities.
The public funeral of Diana, Princess of Wales started on 6 September 1997 at 9:08 am in London, when the tenor bell sounded to signal the departure of the cortege from Kensington Palace. The coffin was carried from the palace on a gun carriage, along Hyde Park to St. James' Palace, where Diana's body had remained for five days before being taken to Kensington Palace. The Union Flag on top of the palace was lowered to half mast. The official ceremony was held at Westminster Abbey in London and finished at the resting place in Althorp.
Two thousand people attended the ceremony in Westminster Abbey while the British television audience peaked at 32.10 million, one of the United Kingdom's highest viewing figures ever. Two billion people traced the event worldwide, making it one of the most watched events in history.
Diana's coffin, draped with the royal standard with an ermine border, was brought to London from the Salpêtrière Hospital, via Vélizy – Villacoublay Air Base, Paris, by Diana's ex-husband Charles, Prince of Wales and her two sisters on 31 August 1997. After being taken to a private mortuary it was put at the Chapel Royal, St. James's Palace.
. DVD available from http://amzn.to/wbKc2J Blu-ray available from http://amzn.to/xTsXwf Lynne Dawson sings from Handel's Messiah: 43 I know that my redeemer liveth. Stephen Cleobury conducts the Brandenburg Consort.
Second verse of Holst's 'I Vow to Thee, My Country' which was Diana's favourite hymn: And there's another country, I've heard of long ago, most dear to them that love her, most great to them that know; we may not count her armies, we may not see her King; her fortress is a faithful heart, her pride is suffering; and soul by soul and silently her shining bounds increase, and her ways are ways of gentleness and all her paths are peace. Followed by: A reading by Diana's eldest sister Lady Sarah McCorquodale: 'Turn Again to Life' where she reads the apt words on Diana's passing, "Complete these dear unfinished tasks of mine". To fulfill this sentiment, the Princess Diana Memorial Fund was established in the autumn of 1997 with the direction of the then Chancellor of th...
. DVD available from http://amzn.to/wbKc2J Blu-ray available from http://amzn.to/xTsXwf Lynne Dawson sings from Handel's Messiah: 16 Rejoice greatly, o daughter of Zion - 17 Then shall the eyes of the blind - 18 He shall feed his flock. Stephen Cleobury conducts the Brandenburg Consort.
A look back at all the wonderful versions of this famous air: 1961 - Janet Baker 1967 - Tatiana Troyanos 1981 - Emma Kirkby 1983 - Ann Murray 1985 - Jessye Norman 1989 - Della Jones 1989 - Anne Sophie von Otter 1990 - Carolyn Watkinson 1992 - Catherine Bott 1993 - Lorraine Hunt Lieberson 1994 - Emily Van Evira 1994 - Véronique Gens 1998 - Lynne Dawson 2001 - Barbara Bonney 2003 - Susan Graham 2008 - Sarah Connelly 2009 - Simone Kermes 2011 - Danielle de Niese
an outstanding performance by one of Britain's most popular operatic Sopranos, Lynne Dawson with Verdi's Requiem. Lynne's website has her diary from the time she made her remarkable performance before a live TV audience of over two billion people. http://www.lynnedawson.co.uk/diana.html Libera me, Domine, de morte aeterna, in die illa tremenda quando coeli movendi sunt, et terra: dum veneris judicare saeculum per ignem. Tremens factus sum ego et timeo, dum discussio venerit, atque ventura ira. Dies illa, dies irae, calamitatis et miseriae, dies magna et amara valde. Requiem aeternam dona eis Domine, et lux perpetua luceat eis. Translation from Latin: Deliver me, O Lord, from eternal death in that dread day when the heavens and the Earth shall be shaken, and you will c...
With the Academy of Ancient Music, conducted by Paul Goodwin
The coloratura soprano, Lynne Dawson, sings "Volate, amori" from the opera, Ariodante, by George Frideric Handel (HWV 33). This is performed with the accomplished Baroque orchestra, Les Musiciens du Louvre, under the scholarly, Baroque conductor, Marc Minkowski.
playlist: http://www.youtube.com/playlist?list=PL4330E1F5E0FE67FC&a; Georg Friedrich Händel/George Frideric Handel(1685-1759) Oratorio Messiah, HWV 56 Part III Scene 3: The final conquest of sin Lynne Dawson, soprano Hillary Summers, alto John Mark Ainsley, tenor Alastair Miles, bass The Brandemburg Consort and The Choir of King's College Cambridge conducted by Stephen Cleobury
Soprao: Lynne Dawson Orchestra: The Brandenburg Consort Dir: Stephen Cleobury The Choir of King's College
Johannes Brahms (1833-1897) "Nr;5: Ihr habt nun Traurigkeit " (from Ein deutsches Requiem ♦ Un Requiem allemand ♦ A German Requiem) Lynne Dawson , soprano The Schutz Choir of London London Classical Players Conducted by Roger Norrington 1992 _
The coloratura soprano, Lynne Dawson, sings "Il mio crudel martoro" from the opera, Ariodante, by George Frideric Handel (HWV 33). This is performed with the accomplished Baroque orchestra, Les Musiciens du Louvre, under the scholarly, Baroque conductor, Marc Minkowski.
Gabriel Fauré (1845-1924) Après un rêve, op.7/1 Lynne Dawson, soprano Julius Drake, piano 2004 _
Lynne Dawson sings "Thy hand, Belinda" from Dido & Aeneas by Henry Purcell Orchestra of the Age of Enlightenment René Jacobs, conductor
G. F. Handel L'allegro, il penseroso ed il moderato HWV 55 Duetto Lynne Dawson & Ian Bostridge Ensemble Orchestral de Paris Bach Choir John Nelson
Gabriel Fauré (1845-1924) Le Secret, Op.23/3 Lynne Dawson, soprano Julius Drake, piano 2004 _
Reynaldo Hahn (1874-1947) À Chloris (poem by Théophile de Viau (1590 - 1626) Lynne Dawson, soprano Julius Drake, piano 2004 _ S'il est vrai, Chloris, que tu m'aimes, Mais j'entends, que tu m'aimes bien, Je ne crois point que les rois mêmes Aient un bonheur pareil au mien. Que la mort serait importune De venir changer ma fortune A la félicité des cieux! Tout ce qu'on dit de l'ambroisie Ne touche point ma fantaisie Au prix des grâces de tes yeux. _
Handel: Messiah, Lynne Dawson: soprano • Hillary Sumers: alto • John Mark Ainsley: tenor • Alastar Miles: bass Brandenburg consort & Choir of King's college Conducted by Stephen Cleobury
Playlist (Devotional Works, II): http://www.youtube.com/view_play_list?p=CA8CE7189A5AD3FC Upon a Quiet Conscience: Close thine eyes, and sleep secure, Z 184 Sacred song for soprano, bass and basso continuo Text: Francis Quarles (15921644) Music: Henry Purcell (1659-1695) Published in the first book of 'Harmonia sacra' (London: Henry Playford, 1688) ___ Lynne Dawson, soprano Peter Harvey, baritone English Baroque Soloists, conducted by John Eliot Gardiner Recorded in January 1995 Pitch: A = 415 Hz ___ The score featured in this video is from 'Harmonia sacra', where the text is misattributed to Charles I. Marc D.
Second verse of Holst's 'I Vow to Thee, My Country' which was Diana's favourite hymn: And there's another country, I've heard of long ago, most dear to them that love her, most great to them that know; we may not count her armies, we may not see her King; her fortress is a faithful heart, her pride is suffering; and soul by soul and silently her shining bounds increase, and her ways are ways of gentleness and all her paths are peace. Followed by: A reading by Diana's eldest sister Lady Sarah McCorquodale: 'Turn Again to Life' where she reads the apt words on Diana's passing, "Complete these dear unfinished tasks of mine". To fulfill this sentiment, the Princess Diana Memorial Fund was established in the autumn of 1997 with the direction of the then Chancellor of th...
T Magazine speaks with actress Rosario Dawson on sex, death and momma. Subscribe on YouTube: http://bit.ly/U8Ys7n Watch more videos at: http://nytimes.com/video --------------------------------------------------------------- Want more from The New York Times? Twitter: https://twitter.com/nytvideo Facebook: https://www.facebook.com/nytimes Google+: https://plus.google.com/+nytimes/ Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch. On YouTube. Rosario Dawson Interview | Screen Test | The New York Times http://www.youtube.com/user/TheNewYorkTimes
G. F. Handel L'allegro, il penseroso ed il moderato HWV 55 Duetto Lynne Dawson & Ian Bostridge Ensemble Orchestral de Paris Bach Choir John Nelson
Emmy award winning actress Lynn Whitfield stars in the play "My Brother Marvin" which runs at the State Theatre at PlayhouseSquare tonight through Sunday. The show revolves around the untold stories about the life of legendary soul singer Marvin Gaye as told through his sisters' perspective. Fox 8′s Wayne Dawson admits that it was a career highlight to meet and talk with acclaimed actress Lynn Whitfield.
Shot in Los Angeles, March 2013
Black Swan's Vincent Cassel compares a dancer's devotion to ballet to that of a priest, recalls the revolutionary spirit behind his work in La Haine and tells the story of how he came to work with his wife in Gaspar Noe's notoriously explicit film, Irreversible. Watch W Magazine on The Scene: http://thescene.com Connect with W online: Visit Wmag.com: wmag.com Follow W on Facebook: https://www.facebook.com/wmagazine Follow W on Google+: https://plus.google.com/+Wmagazine Follow W on Twitter: https://twitter.com/wmag Follow W on Instagram: http://instagram.com/wmagazine Follow W on Pinterest: http://www.pinterest.com/wmag/ Follow W on Tumblr: http://wmagazine.tumblr.com/ Lynn Hirschberg's Screen Tests: Vincent Cassel Starring: Vincent Cassel
Shot in Los Angeles, November 2011
After getting to the finals on "America's Got Talent," the 15-year-old contortionist brought her unbelievable talents to Ellen's stage!
Hours before his execution, Dr. James Dobson interviews Ted Bundy. Note how hard it is for him to empathize as he searches for the words to express remorse.. The question was in regards to remorse felt for the victims. Instead it was a longwinded 3 minute self-serving answer. Using words as "vulnerability" "predisposition" to describe himself.
If You're New, Subscribe ► http://bit.ly/1Jy0DbO Devin Dawson is already kicking off 2017 on the right foot. He's really excited about the next steps coming up. Listen to him tell iHeartRadio about his love for Nashville and song writing. ♥♫ Listen to Devin Dawson Radio on iHeartRadio: http://bit.ly/2nnv79r ♫♥ ------------------------ Listen Free to More Artists Like Devin Dawson on Your Phone! ♥ Download Our App for Free in Google Play: http://bit.ly/1Jooo4M ♥ Download Our App for Free on iTunes: http://apple.co/1EJpwuA Stay on the Pulse of Music & Entertainment! ♥ Facebook: http://on.fb.me/1F1TcFX ♥ Instagram: http://bit.ly/1e1AOUS ♥ Twitter: http://bit.ly/1HZk5KQ ♥ Blog: http://bit.ly/1GiT59D
We'll never forget Prince's last appearance on The View in 2012 where the legendary performer discussed learning from one his music idols, Bruce Springsteen.
The actress talks to Lynn Hirschberg of NYTimes.com/TMagazine Subscribe on YouTube: http://bit.ly/U8Ys7n Watch more videos at: http://nytimes.com/video --------------------------------------------------------------- Want more from The New York Times? Twitter: https://twitter.com/nytvideo Facebook: https://www.facebook.com/nytimes Google+: https://plus.google.com/+nytimes/ Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch. On YouTube. Naomi Watts Interview | Screen Test | The New York Times http://www.youtube.com/user/TheNewYorkTimes
William Christie and Les Arts Florissants; Mozart: Mass in C minor, K427 (Erato); Exclusive interview and rehearsal footage from the Warner Classics and Jazz archive; Soloists: Patricia Petibon, Lynne Dawson, Joseph Cornwell, Alan Ewing; Ensemble: Les Saqueboutiers de Toulouse; Chorus: Les Arts Florissants; Conductor: William Christie; Orchestra: Les Arts Florissants; Download at: http://itunes.apple.com/gb/album/30th-anniversary-les-arts/id343469901 Buy at: http://www.amazon.co.uk/gp/product/B0000A1M7T/ref=nosim/?tag=warclajaz-21 Find more at www.warnerclassicsandjazz.com
The 15-year-old "America's Got Talent" finalist returned for a performance that's sure to leave you speechless!
Lynn Hirschberg speaks with Tom Cruise. Subscribe on YouTube: http://bit.ly/U8Ys7n Watch more videos at: http://nytimes.com/video --------------------------------------------------------------- Want more from The New York Times? Twitter: https://twitter.com/nytvideo Facebook: https://www.facebook.com/nytimes Google+: https://plus.google.com/+nytimes/ Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch. On YouTube. Tom Cruise Interview | Screen Test | The New York Times http://www.youtube.com/user/TheNewYorkTimes
In this ensemble comedy, 10 Years follows a group of friends on the night of their high school reunion who, a decade later, still haven't quite grown up. Channing Tatum plays Jake, who is deeply in love with his girlfriend (Jenna Dewan-Tatum) and ready to propose—until he runs into his high school flame (Rosario Dawson) for the first time in ten years. Jake's friend Cully (played by funnyman Chris Pratt) married his cheerleader girlfriend (Ari Graynor), and has been looking forward to the reunion so he can finally apologize to all the classmates he bullied in high school. However, after a few too many drinks, the jock-turned-family man ends up reverting back to his old ways instead. Meanwhile, longtime rivals Marty (Justin Long) and A.J (Max Minghella) spend the night still trying to one-u...
[BlackTree TV - New York] Shawn Edwards sits down with Steve McQueen's "Go To Man", actor Michael Fassbender who gives a moving performance in 12 Years a Slave. Q: What became of Northup's slave masters -- William Prince Ford, Edwin Epps and Mistress Epps? William Prince Ford was forced to sell Northup after he experienced financial difficulties The man he sold him to, John M. Tibaut (called Tibeats in Northup's book and in the film) could not afford to pay Northup's full value, so Ford was in a way still a part-owner. This is why Ford was able to prevent Tibaut from murdering Northup. Ford was a prominent Baptist minister, serving several congregations. One of them, the Springhill Baptist Church, expelled him for heresy, partly because he had allowed a Methodist to take communion at the...
AMAZON: http://po.st/VerdiReq Available on CD, DVD and Blu-ray from Decca Classics, released 19th August 2013 Anja Harteros (Soprano) Elina Garanča (Mezzo-soprano) Jonas Kaufmann (Tenor) René Pape (Bass) Chorus & Orchestra of the Teatro alla Scala, Milan Daniel Barenboim
. DVD available from http://amzn.to/wbKc2J Blu-ray available from http://amzn.to/xTsXwf Lynne Dawson sings from Handel's Messiah: 43 I know that my redeemer liveth. Stephen Cleobury conducts the Brandenburg Consort.
Second verse of Holst's 'I Vow to Thee, My Country' which was Diana's favourite hymn: And there's another country, I've heard of long ago, most dear to them that love her, most great to them that know; we may not count her armies, we may not see her King; her fortress is a faithful heart, her pride is suffering; and soul by soul and silently her shining bounds increase, and her ways are ways of gentleness and all her paths are peace. Followed by: A reading by Diana's eldest sister Lady Sarah McCorquodale: 'Turn Again to Life' where she reads the apt words on Diana's passing, "Complete these dear unfinished tasks of mine". To fulfill this sentiment, the Princess Diana Memorial Fund was established in the autumn of 1997 with the direction of the then Chancellor of th...
. DVD available from http://amzn.to/wbKc2J Blu-ray available from http://amzn.to/xTsXwf Lynne Dawson sings from Handel's Messiah: 16 Rejoice greatly, o daughter of Zion - 17 Then shall the eyes of the blind - 18 He shall feed his flock. Stephen Cleobury conducts the Brandenburg Consort.
A look back at all the wonderful versions of this famous air: 1961 - Janet Baker 1967 - Tatiana Troyanos 1981 - Emma Kirkby 1983 - Ann Murray 1985 - Jessye Norman 1989 - Della Jones 1989 - Anne Sophie von Otter 1990 - Carolyn Watkinson 1992 - Catherine Bott 1993 - Lorraine Hunt Lieberson 1994 - Emily Van Evira 1994 - Véronique Gens 1998 - Lynne Dawson 2001 - Barbara Bonney 2003 - Susan Graham 2008 - Sarah Connelly 2009 - Simone Kermes 2011 - Danielle de Niese
an outstanding performance by one of Britain's most popular operatic Sopranos, Lynne Dawson with Verdi's Requiem. Lynne's website has her diary from the time she made her remarkable performance before a live TV audience of over two billion people. http://www.lynnedawson.co.uk/diana.html Libera me, Domine, de morte aeterna, in die illa tremenda quando coeli movendi sunt, et terra: dum veneris judicare saeculum per ignem. Tremens factus sum ego et timeo, dum discussio venerit, atque ventura ira. Dies illa, dies irae, calamitatis et miseriae, dies magna et amara valde. Requiem aeternam dona eis Domine, et lux perpetua luceat eis. Translation from Latin: Deliver me, O Lord, from eternal death in that dread day when the heavens and the Earth shall be shaken, and you will c...
With the Academy of Ancient Music, conducted by Paul Goodwin
The coloratura soprano, Lynne Dawson, sings "Volate, amori" from the opera, Ariodante, by George Frideric Handel (HWV 33). This is performed with the accomplished Baroque orchestra, Les Musiciens du Louvre, under the scholarly, Baroque conductor, Marc Minkowski.
playlist: http://www.youtube.com/playlist?list=PL4330E1F5E0FE67FC&a; Georg Friedrich Händel/George Frideric Handel(1685-1759) Oratorio Messiah, HWV 56 Part III Scene 3: The final conquest of sin Lynne Dawson, soprano Hillary Summers, alto John Mark Ainsley, tenor Alastair Miles, bass The Brandemburg Consort and The Choir of King's College Cambridge conducted by Stephen Cleobury
Soprao: Lynne Dawson Orchestra: The Brandenburg Consort Dir: Stephen Cleobury The Choir of King's College
Johannes Brahms (1833-1897) "Nr;5: Ihr habt nun Traurigkeit " (from Ein deutsches Requiem ♦ Un Requiem allemand ♦ A German Requiem) Lynne Dawson , soprano The Schutz Choir of London London Classical Players Conducted by Roger Norrington 1992 _
The coloratura soprano, Lynne Dawson, sings "Il mio crudel martoro" from the opera, Ariodante, by George Frideric Handel (HWV 33). This is performed with the accomplished Baroque orchestra, Les Musiciens du Louvre, under the scholarly, Baroque conductor, Marc Minkowski.
Gabriel Fauré (1845-1924) Après un rêve, op.7/1 Lynne Dawson, soprano Julius Drake, piano 2004 _
Lynne Dawson sings "Thy hand, Belinda" from Dido & Aeneas by Henry Purcell Orchestra of the Age of Enlightenment René Jacobs, conductor
G. F. Handel L'allegro, il penseroso ed il moderato HWV 55 Duetto Lynne Dawson & Ian Bostridge Ensemble Orchestral de Paris Bach Choir John Nelson
Gabriel Fauré (1845-1924) Le Secret, Op.23/3 Lynne Dawson, soprano Julius Drake, piano 2004 _
Reynaldo Hahn (1874-1947) À Chloris (poem by Théophile de Viau (1590 - 1626) Lynne Dawson, soprano Julius Drake, piano 2004 _ S'il est vrai, Chloris, que tu m'aimes, Mais j'entends, que tu m'aimes bien, Je ne crois point que les rois mêmes Aient un bonheur pareil au mien. Que la mort serait importune De venir changer ma fortune A la félicité des cieux! Tout ce qu'on dit de l'ambroisie Ne touche point ma fantaisie Au prix des grâces de tes yeux. _
Handel: Messiah, Lynne Dawson: soprano • Hillary Sumers: alto • John Mark Ainsley: tenor • Alastar Miles: bass Brandenburg consort & Choir of King's college Conducted by Stephen Cleobury
Playlist (Devotional Works, II): http://www.youtube.com/view_play_list?p=CA8CE7189A5AD3FC Upon a Quiet Conscience: Close thine eyes, and sleep secure, Z 184 Sacred song for soprano, bass and basso continuo Text: Francis Quarles (15921644) Music: Henry Purcell (1659-1695) Published in the first book of 'Harmonia sacra' (London: Henry Playford, 1688) ___ Lynne Dawson, soprano Peter Harvey, baritone English Baroque Soloists, conducted by John Eliot Gardiner Recorded in January 1995 Pitch: A = 415 Hz ___ The score featured in this video is from 'Harmonia sacra', where the text is misattributed to Charles I. Marc D.
Handel: Messiah, Lynne Dawson: soprano • Hillary Sumers: alto • John Mark Ainsley: tenor • Alastar Miles: bass Brandenburg consort & Choir of King's college Conducted by Stephen Cleobury
Johannes Brahms: Ein deutsches Requiem (German Requiem) op. 45. Lynne Dawson - soprano, Olaf Bär - baritone, London Heinrich Schütz Choir, London Classical Players (on period instruments), conducted by Roger Norrington. 1. Selig sind, die da Leid tragen - 00:00 2. Denn alles Fleisch, es ist wie Gras - 8:49 3. Herr, lehre doch mich - 21:44 4. Wie lieblich sind deine Wohnungen - 30:19 5. Ihr habt nun Traurigkeit - 35:59 6. Denn wir haben hie keine bleibende Statt - 42:23 7. Selig sind die Toten - 52:41 Buy it here: https://www.amazon.com/gp/product/B00BRR71IO/ref=dm_ws_sp_ps_dp
Die Entführung aus dem Serail (all dialogues are omitted): - Ouvertüre (0:00) - Arie (Belmonte) Hier soll ich dich denn sehen, Kontanze! (4:15) - Duett (Osmin, Belmonte) Wer ein Liebchen hat gefunden (7:11) - Arie (Osmin) Solche hergelauf'nen Laffen (13:46) - Arie (Belmonte) Konstanze, dich wiederzusehen, dich! (18:47) - Marsch (24:04) - Chor (Janitscharen) Singt dem großen Bassa Lieder (25:58) - Arie (Konstanze) Ach, ich liebte, war so glücklich (27:35) - Terzett (Osmin, Belmonte, Konstanze) Marsch! Marsch! Marsch! (32:44) - Arie (Blonde) Durch Zärtlichkeit und Schmeicheln (35:09) - Duett (Osmin, Blonde) Ich gehe, doch rate ich dir (39:40) - Arie (Konstanze) Traurigkeit ward mir zum Lose (43:14) - Arie (Konstanze) Martern aller Arten (50:40) - Arie (Blonde) Welche Wonne, welche Lust (1:00...
G. F. Handel, Chandos Anthem No.10 in G minor, "The Lord Is My Light", HWV 255. Lynne Dawson - soprano, Patrizia Kwella - soprano, James Bowman - countertenor, Ian Partridge - tenor, Michael George - bass. The Sixteen, on period instruments, directed by Harry Christophers. Buy it here: http://www.amazon.com/Handel-Chandos-Complete-George-Frideric/dp/B000000A5J/
Alexanderfest (all recitatives omitted): - Ouvertüre (0:00) - Arie (Tenor) Selig, selig, selig Paar! (6:08) - Chor. Selig, selig, selig Paar! (8:33) - Chor. Den stillen Trupp enzücht das hohe Lied (11:08) - Arie (Soprano) Der König horcht mit stolzem Ohr (13:52) - Arie (Bass) Bacchus ewig jung und schön (17:35) - Chor. Bacchus' Schlauch ist unser Erbteil (20:04) - Arie (Soprano) Er sang den Perser groß und gut (22:06) - Chor. Seht an, den Perser groß und gut (24:58) - Arie (Soprano) Töne sanft, du lydisch Brautlied (27:41) - Arie (Tenor) Krieg, O Held, ist Sorg' und Arbeit (30:59) - Chor. Die ganze Schar erhebt ein Lobgeschrei (35:48) - Arie (Soprano) Der Fürst, der seine Glut umsonst vorhehlt (39:54) - Chor da capo. Die ganze Schar erhebt ein Lobgeschrei (46:19) - Chor. Brich die Bande se...
Georg Friedrich Händel (1685-1759) ARIODANTE HWV 33 Dramma per musica in re atti di Anonimo, tratto da Antonio Salvi e Ludovico Ariosto ARIODANTE: Anne Sofie von Otter GINEVRA: Lynne Dawson POLINESSO: Ewa Podles DALINDA: Veronica Cagnemi LURCANIO: Richard Croft IL RE DI SCOZIA: Denis Sedov ODOARDO: Luc Coadou LES MUSICIENS DU LUVRE - Marc Minkowski ATTO I: 0:00 ATTO II: 1:01:17 ATTO III: 2:04:39 Background picture: Toya from "Ayashi no Ceres" by Yuu Watase
Georg Friedrich Handel (1685 1791) Highlights from Ariodqnte Georg Friedrich Händel (1685 - 1759) Highlights from 'Ariodante' cd 3 Il Re di Scozia Dennis Sedov Ariodante Anne Sophie von Otter Ginevra Lynne Dawson Lurcanio Richard Croft Polinesso Ewa Podles Dalinda Veronica Cangemi Choeur des Musiciens du Louvre Les Musiciens du Louvre Marc Minkowkski
Giovanni Pierluigi da Palestrina (1525 - 1594) Canticum canticorum (1584) The Hilliard Ensemble Gilian Fisher, soprano Lynne Dawson, soprano David James, contratenor Michael Chance, contratenor Rogers Covery-Crump, tenor John Potter, tenor Paul Hillierd, barítono Michael George, bajo Paul Hillier, director 1. Osculetur me osculo oris sui 2. Trahe me post te curremus 3. Nigra sum sed formosa 4. Vineam meam non custodivi 5. Si ignoras te 6. Pulchræ sunt genæ tuæ 7. Fasciculus myrrhæ 8. Ecce tu pulcher es 9. Tota pulchra es amica mea 10. Vulnerasti cor meum 11. Sicut lilium inter spinas 12. Introduxit me rex in cellam 13. Læva ejus sub capite meo 14. Vox dilecti mei 15. Surge propera amica mea 16. Surge amica mea 17. Dilectus meus mihi 18. Surgam et circuibo civitatem 19. Adjuro vos filiæ Jer...
Robert Carsen production from Theatre des Champs-Elysees, Paris 1994. Les Arts Florissants conducted by William Christie Orlando - Patricia Bardon Angelica - Lynne Dawson Dorinda - Rosa Mannion Medoro - Hilary Summers Zoroastro - Harry van der Kamp
Lynne Dawson, soprano John Daniecki, tenor Kevin McMillan, barítono San Francisco Symphony Orchestra and Chorus Herbert Blomstedt
The best musical highlights of George Frederic Handel's oratorio Jephtha (1751). 01. Overture 00:00 02. Aria (Zebul): Pour forth no more 05:07 03. Chorus: No more to Ammon's god and king 07:59 04. Aria (Storge): In gentle murmurs will I mourn 10:54 05. Aria (Iphis): Take the heart you fondly gave 15:20 06. Aria (Storge): Scenes of horror 19:08 07. Chorus: When his loud voice in thunder spoke 23:30 08. Chorus: Cherub and Seraphin unbodied forms 28:08 09. Symphony and recitativo (Iphis) 31:21 10. Aria and Chorus (Iphis, chorus of women): Welcome as the cheerful light 32:51 11. Recitativo and aria (Storge): First perish thou 36:43 12. Aria (Hamor): If such thy cruel purpose 39:03 13. Quartet (Zebul, Storge, Hamor, Jephtha): O spare your daughter 40:35 14. Aria (Iphis): Happy they, this vital...
Georg Friedrich Händel (1685 - 1759) Highlights from 'Ariodante' cd 2 Il Re di Scozia Dennis Sedov Ariodante Anne Sophie von Otter Ginevra Lynne Dawson Lurcanio Richard Croft Polinesso Ewa Podles Dalinda Veronica Cangemi Choeur des Musiciens du Louvre Les Musiciens du Louvre Marc Minkowkski
G. F. Handel, Chandos Anthem No.9 in E flat, "O Praise the Lord With One Consent", HWV 254 Lynne Dawson - soprano, Patrizia Kwella - soprano, James Bowman - countertenor, Ian Partridge - tenor, Michael George - bass. The Sixteen, on period instruments, directed by Harry Christophers. Buy it here: http://www.amazon.com/Handel-Chandos-Complete-George-Frideric/dp/B000000A5J/
The 2-act singspiel has no overture and contains the following arias: - Lied I,1 (Sklave) Brüder, lasst uns lustig sein (0:00) - Aria I,3 (Zaïde) Ruhe sanft, mein holdes Leben (1:00) - Aria I,3 (Gomatz) Rase, Schicksal, wüte immer (6:44) - Duo I,3 (Zaïde, Gomatz) Meine Seele hüpft vor Freuden (10:45) - Aria I,4 (Gomatz) Herr und Freund! (12:55) - Aria I,5 (Allazim) Nur mutig, mein Herze (16:42) - Trio I,6 (Zaïde, Gomatz, Allazim) O selige Wonne! (20:38) - Aria II,2 (Soliman) Der stolze Löw' (26:54) - Aria II,3 (Osmin) Wer hungrig bei der Tafel sitzt (31:58) - Aria II,4 (Soliman) Ich bin so bös' als gut (35:05) - Aria II,5 (Zaïde) Trostlos schluchzet Philomele (40:45) - Aria II,6 (Zaïde) Tiger! wetze nur die Klauen (47:27) - Aria II,7 (Allazim) Ihr Mächtigen seht ungerührt (52:10) - Quartet...
Georg Friedrich Händel (1685-1759) SAMSON HWV 57 Oratorio in three acts by Newburgh Hamilton SAMSON: Thomas Randle ISRAELITE MAN/PHILISTINE MAN: Mark Padmore DALILA: Lynda Russell ISRAELITE WOMAN/PHILISTINE WOMAN/VIRGIN: Lynne Dawson MICAH: Catherine Wyn-Rogers MESSENGER: Matthew Vine MANOAH: Michael George HARAPHA: Jonathan Best THE SIXTEEN The Symphony of Harmony and Invention - Harry Christophers Background picture: Francesco Hayez - Sansone e il leone ACT I: 0:00 ACT II: 1:12:44 ACT III: 2:30:45
G. F. Handel, Chandos Anthem No.5 in A, "I Will Magnify Thee, O God", HWV 250c. Lynne Dawson - soprano, Patrizia Kwella - soprano, James Bowman - countertenor, Ian Partridge - tenor, Michael George - bass. The Sixteen, on period instruments, directed by Harry Christophers. Buy it here: http://www.amazon.com/Handel-Chandos-Complete-George-Frideric/dp/B000000A5J/
G. F. Handel, Chandos Anthem No.6 in E minor, "As Pants the Hart", HWV 251b. Lynne Dawson - soprano, Patrizia Kwella - soprano, James Bowman - countertenor, Ian Partridge - tenor, Michael George - bass. The Sixteen, on period instruments, directed by Harry Christophers. Buy it here: http://www.amazon.com/Handel-Chandos-Complete-George-Frideric/dp/B000000A5J/
Cäcilien-Ode (complete): - Ouvertüre (0:00) - Rezitativ (Tenor) Durch Harmonie (6:10) - Accompagnato (Tenor) Natur lag unter einer Last (6:28) - Chor. Durch Harmonie (9:39) - Arie (Soprano) Leidenschaften stillt und weckt Musik (13:04) - Arie (Tenor) Trompete, dein Schmettern erweckt (19:52) - Chor. Trompete, dein Schmettern erweckt (21:57) - Marsch (23:15) - Arie (Soprano) Der Flöte Klageton beseufzt (25:04) - Arie (Tenor) Scharf klingt der Geigenton (29:58) - Arie (Soprano) Doch o! wer preiset ganz (34:02) - Arie (Bass) Orpheus gewann ein wildes Volk (37:55) - Accompagnato (Bass) Doch du, Cäcilia (40:02) - Chor. Wie durch die Macht des heil'gen Sang's (40:41) - Chor. Was tot ist lebt (42:53) Arranged in Vienna in July 1790. Performers: Lynne Dawson, soprano; John Mark Ainsley, tenor; W...
Der Messias (complete): Ouvertüre (Grave - Allegro moderato) (0:00) Teil I Accompagnato (Larghetto) Tröstet, tröstet, tröstet Zion \ Tenor (3:08) Arie (Andante) Alle Tale macht hoch und erhaben \ Tenor (5:22) Chor (Allegro) Denn die Herrlichkeit Gottes des Herrn (8:43) Accompagnato (Allegro meastoso) So spricht der Herr, Gott Zebaoth \ Bass I (11:17) Arie (Larghetto - Prestissimo) Doch wer mag ertragen den Tag \ Bass I (12:43) Chor (Allegro) Und er wird reiningen (16:58) Rezitativ Denn sieh! Eine Jungfrau \ Soprano II (19:15) Arie & Chor (Andante) O du, die Wonne verkündet in Zion \ Soprano II, Coro (19:40) Accompagnato (Andante larghetto) Blick auf! Nacht bedecket \ Bass I (26:03) Arie (Larghetto) Das Volk, das im Dunkeln, im Dunkeln wandelt \ Bass I (27:26) Chor ...
Wake up to a sunny day, not a cloud up in the sky
And then it starts to rain
My defenses hit the ground and they shatter all around
So open and exposed
I found strength in the struggle
Face to face with my trouble
When you're broken in a million little pieces
And you're tryin', but you can't hold on anymore
Every tear falls down for a reason
Don't you stop believing in yourself when you're broken
Little girl don't be so blue, I know what you're goin' through
Don't let it beat you up
Heaven knows that getting scars only makes you who you are
Only makes you who you are
No matter how much your heart is aching
There is beauty in the breaking, yeah
When you're broken in a million little pieces
And you're tryin' but you can't hold on anymore
Every tear falls down for a reason
Don't you stop believing in yourself when you're broken
Better days are gonna find you once again
Every piece will find its place
When you're broken, when you're broken
When you're broken in a million little pieces
And you're tryin' but you can't hold on anymore
Every tear falls down for a reason
Don't you stop believing in yourself when you're broken
Oh, when you're broken