- published: 06 Feb 2011
- views: 30640
Scheidt may refer to the following:
People:
Places:
Other subjects:
Samuel Scheidt (baptized 3 November 1587 – 24 March 1654) was a German composer, organist and teacher of the early Baroque era.
Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with Sweelinck, the distinguished Dutch composer, whose work had a clear influence on Scheidt's style. On his return to Halle, Scheidt became court organist, and later Kapellmeister, to the Margrave of Brandenburg. Unlike many German musicians, for example Heinrich Schütz, he remained in Germany during the Thirty Years' War, managing to survive by teaching and by taking a succession of smaller jobs until the restoration of stability allowed him to resume his post as Kapellmeister. When Samuel Scheidt lost his job because of Wallenstein, he was appointed in 1628 as musical director of three churches in Halle, including the Market Church.
Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. In south Germany and some other countries of Europe, the spiritual and artistic influence of Rome remained strong, so most music continued to be derivative of Italian models. Cut off from Rome, musicians in the newly Protestant areas readily developed styles that were much different from those of their neighbors.
Samuel (/ˈsæm.juː.əl/;Hebrew: שְׁמוּאֵל, Modern Shmu'el, Tiberian Šəmûʼēl; Arabic: صموئيل Ṣamuil; Greek: Σαμουήλ Samouēl; Latin: Samvel; Strong's: Shemuwel), literally meaning "Name of God" in Hebrew, is a leader of ancient Israel in the Books of Samuel in the Hebrew Bible. He is also known as a prophet and is mentioned in the second chapter of the Qur'an, although not by name.
His status, as viewed by rabbinical literature, is that he was the last of the Hebrew Judges and the first of the major prophets who began to prophesy inside the Land of Israel. He was thus at the cusp between two eras. According to the text of the Books of Samuel, he also anointed the first two kings of the Kingdom of Israel: Saul and David.
Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Rama-thaim in the district of Zuph. His genealogy is also found in a pedigree of the Kohathites (1 Chron. 6:3-15) and in that of Heman, his great-grandson (ib. vi. 18-22). According to the genealogical tables, Elkanah was a Levite - a fact otherwise not mentioned in the books of Samuel. The fact that Elkanah, a Levite, was denominated an Ephraimite is analogous to the designation of a Levite belonging to Judah (Judges 17:7, for example).
LUDI MUSICI de Samuel Scheidt interpretado magistralmente por HESPÈRION XX, bajo la dirección espléndida de Jordi Savall.
Track played: "Canzon super O Nachbar Roland" Video direction: Philippe de Magnée CD Release: October 2015 Samuel Scheidt was one of the most complete composers of his generation. Organist, he composed sacred music and instrumental music that is at a crossroads, combining the Lutheran polyphonic tradition and all the influences of Italian music and the style of Monteverdi. The dances and fantasies contained in his Ludi Musici (1621) do not avoid this mixture of styles, being both the legacy of late-Renaissance models and the reflection of the new virtuosity initiated by the Italians. These pieces are indeed intended for viola da gamba, which still enjoyed considerable success in Germany at that time. Visit l'Achéron's website: www.lacheron.com Played in this video: Samuel SCHEIDT, Canzo...
My blogs: http://corispezzati02.blog.so-net.ne.jp/ http://dmg-sub.blog.so-net.ne.jp/ Hespèrion XX Jordi Savall (rec. 1978) http://www.medieval.org/emfaq/cds/emi63067.htm ===================== Jordi Savall (treble viola da gamba) Christophe Coin (treble viola da gamba, alto viola da gamba) Sergi Casademunt(bass viola da gamba) Masako Hirao (bass viola da gamba) Ariane Maurette (tenor viola da gamba) Roberto Gini (bass viola da gamba) Pere Ross (violone) Bruce Dickey (cornett) Jean-Pierre Canihac (cornett) Jean-Pierre Mathieu (alto trombone, tenor trombone) Charles Toet (tenor trombone) Richard Lister (bass trombone) Jeanette von Wingerden (soprano recorder, alto recorder) Gabriel Garrido (soprano recorder) Lorenzo Alpert (soprano recorder) Hopkinson Smith (lute, guitar, theorbo) Coli...
Motet for eight for Easter and Eastertide Iscriviti/Subscribe → http://www.youtube.com/c/AndreaScalia81 Performers Website → https://www.collegium.co.uk Info ↓ Notes → Transcription and Translation: Andrea Francesco Scalia Buy tracks/album ↓ Amazon → https://www.amazon.com/dp/B0000005MF All Music → http://www.allmusic.com/album/brother-sun-sister-moon-mw0001808146/releases Be Social: follow me ↓ Subscribe → http://www.youtube.com/c/AndreaScalia81 Facebook → http://www.facebook.com/andrea.f.scalia Twitter → http://twitter.com/andreafscalia Google+ → http://plus.google.com/u/0/+AndreaScalia81 LinkedIn → http://www.linkedin.com/in/andrea-francesco-scalia-79551333
Alexander Koschel an der Abbrederis-Orgel (1694) der Stiftskirche in Pfäfers (Schweiz) / Alexander Koschel plays the Abbrederis Organ (1694) of the Stiftskirche in Pfäfers (Switzerland)
5:01 min. ◄ Warum betrübst du dich - SSWV 554 Ich bin die Auferstehung - SSWV 547 Warum betrübst du dich, mein Herz - SSWV 554 http://www.jpc.de/jpcng/cpo/detail/-/art/Samuel-Scheidt-1587-1654-9-Geistliche-Konzerte/hnum/4372428?lang=en Artist: La Capella Ducale • Musica Fiata
Video direction: Philippe de Magnée CD Release: October 2015 Samuel Scheidt Ludi Musici (1621) L’Achéron François Joubert-Caillet, direction Samuel Scheidt was one of the most complete composers of his generation. Organist, he composed sacred music and instrumental music that is at a crossroads, combining the Lutheran polyphonic tradition and all the influences of Italian music and the style of Monteverdi. The dances and canzone contained in his Ludi Musici (1621) do not avoid this mixture of styles, being both the legacy of late-Renaissance models and the reflection of the new virtuosity initiated by the Italians. These pieces are indeed intended for viola da gamba, which still enjoyed considerable success in Germany at that time. www.lacheron.com
Samuel Scheidt (1587-1654) Duo Seraphim clamabant (SSWV10) / Cantiones sacrae for SSAT+ATTB chorus. Dresdner Kreuzchor, Martin Flämig (Conductor), Ulrich Schicha (Organ), Helmut Branny (Violone), Bernt Haubold (Viola da gamba). Recording: Dresden, Lukaskirche, 1986.
Canciones sacras del compositor germano Samuel Scheidt interpretadas por Vox Luminis bajo la dirección de Lionel Meunier.
Stephan Wenzel spielt Samuel Scheidt (1587-1653) Pars secunda tabulaturae (1624) Echo ad manuale duplex forte et lene SSWV 128 Instrument: op. 655 der Firma Metzler Orgelbau AG, Dietikon (Kanton Zürich / Schweiz) im historischen Gehäuse von Alexander Holzhey und Joseph Antoni Simnacher, um 1759-61 in der Stiftsbasilika des Klosters Neustift bei Brixen (Südtirol / Italien) Disposition: http://orgeln.musikland-tirol.at/st/ei/neustift.html weitere Klangbeispiele: Händel Orgelkonzert in B https://www.youtube.com/watch?v=rGtbldTmBKU Bach Sinfonia BWV 29 https://www.youtube.com/watch?v=6znqCwkQJ74 Improvisation https://www.youtube.com/watch?v=qh6cRVYDvEk
Your are the queen
I'm just a pawn
In the chess game of life
Send me to war
A whisper to the king
Of the favours you gave me
I will take my chance
On a crusade of love
Be my Lady of the Lake
Come love me before it's too late
Be my Lady of the Lake
For the angel with the sword of death won't wait
The colours that I wear
Show me just how much you care
Lady
My body is done
My soul will return
To the Lady of the Lake
Dying came too soon
Cry no more tears
There's love after life
A king and his queen everlasting light
Be my Lady of the Lake
Come love me before it's too late
The colours that I wear
Show me just how much you care