- published: 22 May 2013
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Pictures at an Exhibition (Russian: Картинки с выставки – Воспоминание о Викторе Гартмане, Kartínki s výstavki – Vospominániye o Víktore Gártmane, Pictures from an Exhibition – A Remembrance of Viktor Hartmann; French: Tableaux d'une exposition) is a suite in ten movements (plus a recurring, varied Promenade) composed for piano by Russian composer Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's arrangement being the most recorded and performed.
It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. Their meeting was likely arranged by the influential critic Vladimir Stasov who followed both of their careers with interest.
Modest Petrovich Mussorgsky (Russian: Модест Петрович Мусоргский; IPA: [mɐˈdʲɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj]; 21 March [O.S. 9 March] 1839 – 28 March [O.S. 16 March] 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Many of his works were inspired by Russian history, Russian folklore, and other nationalist themes. Such works include the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have latterly come into their own in their original forms, and some of the original scores are now also available.
The spelling and pronunciation of the composer's name has occasioned some confusion.
An image (from Latin: imago) is an artifact that depicts visual perception, for example a two-dimensional picture, that has a similar appearance to some subject—usually a physical object or a person, thus providing a depiction of it.
Images may be two-dimensional, such as a photograph, screen display, and as well as a three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.
The word image is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or a painting. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph.
A volatile image is one that exists only for a short period of time. This may be a reflection of an object by a mirror, a projection of a camera obscura, or a scene displayed on a cathode ray tube. A fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or any other digital process.
An esplanade or promenade is a long, open, level area, usually next to a river or large body of water, where people may walk. The original meaning of esplanade was a large, open, level area outside fortress or city walls to provide clear fields of fire for the fortress' guns. In modern usage the space allows people to walk for recreational purposes; esplanades are often on sea fronts, and allow walking whatever the state of the tide, without having to walk on the beach. Esplanades became popular in Victorian times when it was fashionable to visit seaside resorts. A promenade, often abbreviated to '(the) Prom', was an area where people - couples and families especially - would go to walk for a while in order to 'be seen' and be considered part of 'society'.
In North America, esplanade has another meaning, being also a median (strip of raised land) dividing a roadway or boulevard. Sometimes they are just strips of grass, or some may have gardens and trees. Some roadway esplanades may be used as parks with a walking/jogging trail and benches.
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within museums, galleries and exhibition halls, and World's Fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs.
The word "exhibition" is usually, but not always, the word used for a collection of items. Sometimes "exhibit" is synonymous with "exhibition", but "exhibit" generally refers to a single item being exhibited within an exhibition.
Exhibitions may be permanent displays or temporary, but in common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions.
Sir Georg Solti - Chicago Symphony Orchestra 1980
Pictures at an exhibition - Suite in ten movements - Musorgskij 1874 Danmarks Radio Symfoniorkestret - Kirill Karabits Modest Petrovich Musorgskij 1839 - 1881 © Danmarks Radio Wikipedia on this concert; Originally written for piano and orchestra: http://en.wikipedia.org/wiki/Pictures... Another site on Wikepedia write a little different info: https://en.wikipedia.org/wiki/Pictures_at_an_Exhibition_%28disambiguation%29
Pictures at an Exhibition (Russian: Картинки с выставки -- Воспоминание о Викторе Гартмане, Kartinki s vystavki -- Vospominaniye o Viktore Gartmane, "Pictures from an Exhibition -- A Remembrance of Viktor Hartmann") is a suite composed for piano by Russian composer Modest Mussorgsky in 1874. The suite is Mussorgsky's most famous piano composition, and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Ravel's arrangement being the most recorded and performed. It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. Hartmann died from an aneurysm i...
Tracklisting --------------------------------------------------------------------- 1. Promenade (1:57) 2. The Gnome (4:18) 3. Promenade (1:23) 4. The Sage (4:42) 5. The Old Castle (2:33) 6. Blues Variation (4:23) 7. Promenade (1:28) 8. The Hut Of Baba Yaga (1:12) 9. The Curse Of Baba Yaga (4:11) 10. The Hut Of Baba Yaga (1:06) 11. The Great Gates Of Kiev (6:37) 12. Nutrocker (4:29) Bonus Track 13. Rondo (Live At Lyceum 1970) (14:30) I don't own copyright : )
These recordings are so dazzling it’s actually quite hard to articulate what precisely makes them tick, but it does, I suppose, come down to just two things. The first is Mussorgsky’s musical genius: a compositional style so utterly and inimitably his own, and whose expressive power, imagistic potential, and sheer directness is simply without equal in the Western musical canon. It takes the impressionists huge swathes of notes and long detours from tonality to generate extraordinary effects, and yet Mussorgsky, using figuration considered almost revoltingly ugly at the time, does the same with a far learner, sparser style [see Oxcart, The Old Castle]. There is also the structural cleverness of the PaaE, with Promenade (whose steady, casually disorganised rhythm imitates strolling from one ...
NYO-USA performs Mussorgsky’s Pictures at an Exhibition, under the direction of David Robertson, in the orchestra’s Carnegie Hall debut on July 22, 2014. Watch additional highlights from this concert at: http://bit.ly/1nCz8oF Modest Mussorgsky’s highly individual voice was long obscured by well-meaning editors and fellow composers who considered his unconventional harmonies and orchestrations crude. Pictures at an Exhibition—a suite of vividly drawn tonal sketches inspired by an exhibition of artworks by the composer’s friend Viktor Hartmann—was originally written for piano. However, it is best known in the masterful orchestration that Maurice Ravel made in 1922. _____________________________________ Each summer, Carnegie Hall's Weill Music Institute brings together the brightest young...
Mussorgsky: Pictures at an Exhibition Orchestra with Full Score, 組曲「展覧会の絵」【オーケストラ版】 Movie from: https://www.youtube.com/watch?v=wSumsdfyiv8 Full Score from: http://imslp.org/wiki/Pictures_at_an_Exhibition_(Mussorgsky,_Modest) Promenade [I] 1. Gnomus [Promenade II]: Moderato commodo assai e con delicatezza 2. Il Vecchio Castello [Promenade III]: Moderato non tanto, pesamente 3. Tuileries (Dispute d'enfants après jeux) 4. Bydło [Promenade IV]: Tranquillo 5. Балет невылупившихся птенцов 6. "Samuel" Goldenberg und "Schmuÿle" 7. Limoges, le marché (La grande nouvelle) 8. Catacombæ (Sepulcrum romanum) Cum mortuis in lingua mortua 9. Избушка на курьих ножках (Баба-Яга) 10. Богатырские ворота (В стольном городе во Киеве)
With the original survived pictures of Hartmann. The newer pictures are from Ed Wennink, Netherlands. Karajan on top form .
Alexander Yakovlev - Mussorgsky "Pictures at an Exhibition" Live at Carnegie hall
Promenade
---------
Lead me from tortured dreams
Childhood themes of nights alone,
Wipe away endless years,
childhood tears as dry as stone.
From seeds of confusion,
illusions darks blossoms have grown.
Even now in furrows of sorrow
the dance still is sung.
My life's course is guided
decided by limits drawn
on charts of my past days
and pathways since I was born.
The Sage
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I carry the dust of a journey
that cannot be shaken away
It lives deep within me
For I breathe it every day.
You and I are yesterday's answers;
The earth of the past came to flesh,
Eroded by Time's rivers
To the shapes we now possess.
Come share of my breath and my substance,
and mingle our stream and our times.
In bright, infinite moments,
Our reasons are lost in our rhymes.
The Curse of Bab Yaga
---------------------
Doubles faces dark defense
Talk too loud but talk no sense
Yeah I see those smiling eyes
Butter us up with smiling lies
Talk to creatures raise the dead
Fate you know sure got fed
Trained apart from houses of stone
Hour of horses pick the bone
The Great Gates of Kiev
-----------------------
Come forth, from love spire
Born in life's fire,
born in life's fire.
Come forth, from love's spire
In the burning, all are (of our) yearning,
for life to be.
And the pain will (must) be gain,
new life!
Stirring in, salty streams
and dark hidden seams
where the fossil sun gleams.
They were, sent from (to) the gates
Ride the tides of fate,
ride the tides of fate.
They were, sent from (to) the gates
In the burning all are (of our) yearning,
For life to be.
There's no end to my life,
no beginning to my death