Broadcasting

Broadcasting is the distribution of audio and/or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a one-to-many model. Broadcasting began with AM radio broadcasting which came into popular use starting with the invention of the crystal detector in 1906. Before this, all forms of electronic communication, radio, telephone, and telegraph, were "one-to-one", with the message intended for a single recipient. The term "broadcasting", borrowed from the agricultural method of sowing seeds in a field by casting them broadly about, was coined by either KDKA manager Frank Conrad or RCA historian George Clark around 1920 to distinguish this new activity of "one-to-many" communication; a single radio station transmitting to multiple listeners.

Over the air Broadcasting is usually associated with radio and television, though in practice radio and television transmissions take place using both wires and radio waves. The receiving parties may include the general public or a relatively small subset; the point is that anyone with the appropriate receiving technology can receive the signal. The field of broadcasting includes a wide range of practices, from relatively private exchanges such as public radio, community radio and commercial radio, public television, and commercial television.

Blaster (Transformers)

Blaster is the name of several fictional characters in the Transformers television and comic series based on the popular toy line produced by Takara Tomy and Hasbro. Due to trademark reasons, he is sometimes called Autobot Blaster. He is an Autobot who specializes in communications.

Transformers: Generation 1

Blaster's initial transformation is an AM/FM Stereo Cassette Player, commonly referred to as a boombox or ghettoblaster, hence the name. Blaster was a popular character from the original series while not featuring as prominently in the modern Transformers universe.

As a member of the Autobot communications sub-group Blaster frequently worked with its other members - Eject, Grand Slam, Raindance, Ramhorn, Rewind and Steeljaw. He is the Autobots' answer to the evil Decepticon Soundwave.

Blaster (Tempo in France, Radiorobot in Italy, Broadcast in Japan), like the Autobot Jazz, has a great love of Earth culture, rock music and other forms of music as long as it is hard. He's normally at the forefront of any given situation. As an AM/FM stereo cassette player, he can perform as a deck, plus receive radio signals on a variety of frequencies. Acting as the Autobot communications center, he can transmit signals within a 4,000 mile radius. Blaster is sometimes depicted as carrying various tape warriors within his deck, including (Steeljaw, Ramhorn, Rewind and Eject).

Broadcast (Cutting Crew album)

Broadcast is the debut album from the English pop/rock band Cutting Crew, released in 1986. It reached #16 on the US charts and #41 on the UK charts. The album was released in Europe with different packaging 8 months before it was released in America. For the American version, 4 tracks were remixed ("Any Colour", "One for the Mockingbird", "I've Been in Love Before" and "(I Just) Died in Your Arms"), all of which were the singles from the album. The current American CD in print is the European version but with the American packaging. It was the first album to be released in the United States by Virgin Records' new American imprint, Virgin Records America.

Broadcast was re-released by Cherry Red Records on May 24, 2010, with bonus tracks including for the 1st time ever on CD "For The Longest Time", the b-side of "(I Just) Died In Your Arms".

Track listing

Color

Color (American English) or colour (Commonwealth English) is the visual perceptual property corresponding in humans to the categories called red, blue, yellow, etc. Color derives from the spectrum of light (distribution of light power versus wavelength) interacting in the eye with the spectral sensitivities of the light receptors. Color categories and physical specifications of color are also associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space colors can be identified numerically by their coordinates.

Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance.

The science of color is sometimes called chromatics, colorimetry, or simply color science. It includes the perception of color by the human eye and brain, the origin of color in materials, color theory in art, and the physics of electromagnetic radiation in the visible range (that is, what we commonly refer to simply as light).

Tincture (heraldry)

In heraldry, tinctures are the colours used to emblazon a coat of arms. These can be divided into several categories including light tinctures called metals, dark tinctures called colours, nonstandard colours called stains, patterns called furs, and "proper". A charge described as proper (also sometimes termed "natural") is coloured as it would be found in nature.

Use of tinctures

One of the few fundamental rules of heraldry is that metals must not be placed upon other metals and colours must not be placed upon other colours, while furs and proper can sometimes be placed upon either or both. This is referred to as the rule of tincture.

Nonstandard colours called stains were introduced in the late Middle Ages, but have largely been shunned as contrary to the heraldic spirit of bold images and bright, contrasting colours. A peculiar fad of the Renaissance sought to couple each tincture with an associated planet, gemstone, flower, astrological sign, etc., but this practice was soon abandoned and is now regarded as wildly divergent from the science of heraldry. The 19th century saw the rise of "landscape heraldry" and extensive use of charges tinctured "proper", especially in augmentations (and more often in German heraldry than English), but this practice too has been deprecated as essentially unheraldic.

Timbre

In music, timbre (/ˈtæmbər/ TAM-bər or /ˈtɪmbər/ TIM-bər) also known as tone color or tone quality from psychoacoustics, is the quality of a musical note, sound, or tone that distinguishes different types of sound production, such as voices and musical instruments, string instruments, wind instruments, and percussion instruments. The physical characteristics of sound that determine the perception of timbre include spectrum and envelope.

In simple terms, timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness. For instance, it is the difference between a guitar and a piano playing the same note at the same loudness. Experienced musicians are able to distinguish between different instruments of the same type based on their varied timbres, even if those instruments are playing notes at the same pitch and loudness.

Synonyms

Tone quality and color are synonyms for timbre, as well as the "texture attributed to a single instrument". Hermann von Helmholtz used the German Klangfarbe (tone color), and John Tyndall proposed an English translation, clangtint, but both terms were disapproved of by Alexander Ellis, who also discredits register and color for their pre-existing English meanings (Erickson 1975, 7).