Lisa

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Deep house

Deep house is a subgenre of house music that originated in the 1980s, initially fusing elements of Chicago house with 1980s jazz-funk and touches of soul music. Deep house tracks generally have a tempo of between 120 and 125 beats per minute. This style of house music can often have an acoustic feeling. The online music store Beatport is credited with driving the popularity of deep house, but also mislabeling a number of artists in the process and giving rise to the future house genre.

Characteristics

Deep house is known for complex melody, use of unrelated chromatic chords underlying most sequences, and a soul, ambient, or lounge vibe to the vocals (if any). In the early compositions (1988–89), influences of jazz music were most frequently brought out by using more complex chords than simple triads (7ths, 9ths, 13ths, suspensions, alterations) which are held for many bars and give compositions a slightly dissonant feel. The use of vocals became more common in deep house than in many other forms of house music. Sonic qualities include soulful vocals (if vocals are included), slow and concentrated dissonant melodies, and a smooth, stylish, and chic demeanor. The use of women's vocals is more common than male's in deep house tracks. Deep house music rarely reaches a climax, but lingers on as a comfortable, relaxing sound.

House music

House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.

Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic, and the repetitive rhythm of house was more important than the song itself. House music in the 2010s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several other genres creating fusion subgenres, such as euro house, tech house, electro house and jump house.

Remix

A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.

Most commonly, remixes are associated with music and songs. Songs are remixed for a variety of reasons:

Lisa Shaw

Lisa Shaw (born 1968) is an urban and house music singer from Toronto, Ontario, Canada.

Early life

Born in Canada to Jamaican parents, Lisa Shaw was raised in Scarborough, Ontario the youngest of six kids. Growing up, Lisa was influenced by artists such as Sade, Billie Holiday, Stevie Nicks, Roberta Flack and Kate Bush. Tagging along to clubs with her older sisters exposed her to disco/funk acts Chic, Sister Sledge, The S.O.S. Band and Kool & the Gang. Her cousin Oliver Ferguson introduced her to New York City in 1989, and she began making connections there. Shaw married David Winsett (DJ Swingsett) in 1995, and she moved to New York City then to live with him. The couple is now divorced.

Career

Lisa Shaw's music career expanded when she arrived in New York City from Toronto. Shaw is part of the underground electronica/deep house music communities. She debuted in 1995 with a single titled, "Makin' Love Makin' Music", written by DJ Smash. It became a hit in the underground. She has collaborated on deep house projects, most notably with producer/songwriter, Miguel Migs.