- published: 27 Mar 2014
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Ryōan-ji (Shinjitai: 竜安寺, Kyūjitai: 龍安寺?, The Temple of the Dragon at Peace) is a Zen temple located in northwest Kyoto, Japan. It belongs to the Myōshin-ji school of the Rinzai branch of Zen Buddhism. The temple garden is considered to be one of the finest examples of a kare-sansui, a Japanese rock garden, or zen garden, in Japan.. The temple and gardens are listed as Historic Monuments of Ancient Kyoto, and as a UNESCO World Heritage Site.
The site of the temple was an estate of the Fujiwara family in the 11th century. The first temple, the Daiju-in, and garden were built in that century by Fujiwara Saneyoshi. In 1450, Hosokawa Katsumoto, another powerful warlord, acquired the land where the temple stood. He built his residence there founded a zen temple, Ryōan-ji, on the upper part of the territory of the old temple. During the Ōnin War between the clans, the temple was destroyed. Hosokawa Katsumoto died in 1473. In 1488, his son, Hosokawa Matsumoto, rebuilt the temple, and probably built the rock garden at the same time..
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is sometimes assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. The best known of these is Sonatas and Interludes (1946–48).