Head and Shoulders may refer to:
On the technical analysis chart, the Head and shoulders formation occurs when a market trend is in the process of reversal either from a bullish or bearish trend; a characteristic pattern takes shape and is recognized as reversal formation.
Head and Shoulders formation consists of a left shoulder, a head, and a right shoulder and a line drawn as the neckline. The left shoulder is formed at the end of an extensive move during which volume is noticeably high. After the peak of the left shoulder is formed, there is a subsequent reaction and prices slide down to a certain extent which generally occurs on low volume. The prices rally up to form the head with normal or heavy volume and subsequent reaction downward is accompanied with lesser volume. The right shoulder is formed when prices move up again but remain below the central peak called the Head and fall down nearly equal to the first valley between the left shoulder and the head or at least below the peak of the left shoulder. Volume is lesser in the right shoulder formation compared to the left shoulder and the head formation. A neckline is drawn across the bottoms of the left shoulder, the head and the right shoulder. When prices break through this neckline and keep on falling after forming the right shoulder, it is the ultimate confirmation of the completion of the Head and Shoulders Top formation. It is quite possible that prices pull back to touch the neckline before continuing their declining trend.
"Head and Shoulders" is a short story by F. Scott Fitzgerald written and published in 1920. It was first published in The Saturday Evening Post, with the help of Fitzgerald's agent, Harold Ober. It later appeared in his short story collection Flappers and Philosophers. It tells the story of a young prodigy at Yale who falls for a spirited dancer in spite of himself.
Horace Tarbox is a young and prospective intellectual, completely absorbed in his studies. Marcia shows up at his door one day (the "rap" alluded to in the stories ending) and takes to showing Horace another side of life. It quickly snowballs into an improbable pairing between an abstraction philosopher and a young actress. Marcia talks Horace into watching her in the theater to where he finds emotions and appreciation for beautiful women. And she returns the affection by being drawn to their connection as "infant prodigies." The story concludes as a role reversal of the two characters, for the better or for the worse, as Horace becomes active in gymnastics and Marcia becomes a respected writer.
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and eyes
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Head and shoulders
Knees and toes