- published: 18 May 2015
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Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist and bandleader of a jazz orchestra. He led his orchestra from 1923 until his death, his career spanning over 50 years.
Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward, and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Though widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle, and referred to his music as part of the more general category of American Music, rather than to a musical genre such as jazz.
Some of the musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in jazz. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington often composed specifically to feature the style and skills of his individual musicians.
The Memphis blues is a style of blues music that was created in the 1910s – 1930s by Memphis-area musicians like Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Memphis's main entertainment area, Beale Street. W.C. Handy, the "Father of the Blues" published the song "The Memphis Blues". In lyrics, the phrase has been used to describe a depressed mood.
In addition to guitar-based blues, jug bands, such as Gus Cannon's Jug Stompers and the Memphis Jug Band, were extremely popular practitioners of Memphis blues. The jug band style emphasized the danceable, syncopated rhythms of early jazz and a range of other folk styles. It was played on simple, sometimes homemade, instruments such as harmonicas, violins, mandolins, banjos, and guitars, backed by washboards, kazoo, guimbarde and jugs blown to supply the bass.
After World War II, as African-Americans left the Mississippi Delta and other impoverished areas of the South for urban areas, many musicians gravitated to the blues scene in Memphis, changing the classic Memphis blues sound. Musicians such as Howlin' Wolf, Willie Nix, Ike Turner, and B.B.King performed on Beale Street and in West Memphis and recorded some of the classic electric blues, rhythm and blues and rock & roll records for labels such as Sam Phillips's Sun Records. Sun recorded Howlin' Wolf (before he moved to Chicago), Willie Nix, Ike Turner, B.B.King and others. Electric Memphis blues featured "explosive, distorted electric guitar work, thunderous drumming, and fierce, declamatory vocals." Musicians associated with Sun Records included Joe Hill Louis, Willie Johnson and Pat Hare.
Memphis blues is a music genre.
Memphis blues may refer to:
The Memphis Blues were a minor league baseball team from Memphis, Tennessee that played from 1968 to 1976. From 1968 to 1973, they were affiliated with the New York Mets and they played in the Texas League. From 1974 to 1975, they were affiliated with the Montreal Expos and they played in the International League. They were affiliated with the Houston Astros in 1976 and they played in the International League then as well. They played their home games at Tim McCarver Stadium. After the completion of the 1976 season the Blues franchise was forfeited back to the International League due to financial difficulties. The league awarded the franchise to Charleston, West Virginia, whose team had been purchased and moved to Columbus, Ohio. The new Charleston franchise continued to use the Charleston Charlies name.
When they joined the Texas League in 1968, they became the first Memphis, Tennessee-based minor league team in eight years.
The Blues won Texas League playoff championships in 1969 and 1973. In their maiden IL season, they won 87 games and a division title, led by catcher Gary Carter, a future member of the Baseball Hall of Fame. After the Blues moved to Charleston for 1977, Memphis was without baseball for a season before the successful revival of the Memphis Chicks, a Double-A team that played through 1997. Triple-A baseball returned to the city in 1998 with the Triple-A Memphis Redbirds.
Essentially Ellington 2015 Competition Newark Academy Big Band Saturday, May 9, 2015 Duke Ellington’s music is at the very heart of America’s 20th-century musical heritage and the core of the rich canon of jazz music. Jazz at Lincoln Center, committed to instilling a broader understanding of this music, created the Essentially Ellington program (EE) during the 1995–96 school year to make Ellington’s music accessible to as many high school musicians as possible and to support the development of their schools’ music programs. Learn more about Essentially Ellington: http://academy.jazz.org/ee/about/
" Memphis Blues " - Film for the single from Jet Black Alley Cat 2014 https://www.facebook.com/jetblackalleycatmusic Purchase on iTunes https://itunes.apple.com/us/album/memphis-blues/id942962929?i=942962931&ign-mpt;=uo%3D4 Film by Jason Berg Special thanks to the gorgeous Paige Fralix . ' Fall in love with a feeling ' GROOVE
"Memphis Blues" was written by "Father of Blues" W. C. Handy (1873-1958) in 1909, but wasn't published until 1912. It is thought to be one of the first blues songs (if not the first) ever written.
Duke Ellington - Memphis Blues (1946)- The Overjazz Channel aims to offer only the best recordings of the begining era of modern music. Re-discover genius compositions from the parents of todays music like Miles Davis, Billie Holiday or John Coltrane. Subscribe for free to stay connected to our channel and easily access our video updates!
Inspelat: 1946 Längd: 2:59
Partial record of Duke Ellington playing Memphis Blues. This is off of shellac on a Victor Victrola VV300 experimenting with an Osage Orange thorn as the needle.
Essentially Ellington 2015 Competition Sun Prairie High School Jazz Ensemble Friday, May 8, 2015 Duke Ellington’s music is at the very heart of America’s 20th-century musical heritage and the core of the rich canon of jazz music. Jazz at Lincoln Center, committed to instilling a broader understanding of this music, created the Essentially Ellington program (EE) during the 1995–96 school year to make Ellington’s music accessible to as many high school musicians as possible and to support the development of their schools’ music programs. Learn more about Essentially Ellington: http://academy.jazz.org/ee/about/
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist and bandleader of a jazz orchestra. He led his orchestra from 1923 until his death, his career spanning over 50 years.
Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward, and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Though widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle, and referred to his music as part of the more general category of American Music, rather than to a musical genre such as jazz.
Some of the musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in jazz. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington often composed specifically to feature the style and skills of his individual musicians.
In my solitude you haunt me
with reveries of days gone by
in my solitude you taunt me
with memories that never die
i sit in my chair
filled with despair
nobody could be so sad
with gloom ev'rywhere
i sit and i stare
i know that i'll soon go mad
in my solitude
i'm praying
dear lord above
send back my love
alternative lyric:
in my solitude you haunt me
with reveries of days gone by
in my solitude you taunt me
with memories that never die
i sit in my chair
i'm filled with despair
there's no one could be so sad
with gloom ev'rywhere
i sit and i stare
i know that i'll soon go mad
in my solitude
i'm praying
dear lord above
send back my love