- published: 17 May 2012
- views: 4551369
A morgen was a unit of measurement of land in Germany, the Netherlands, Poland and the Dutch colonies, including South Africa and Taiwan. The size of a morgen varies from 1/2 to 2½ acres, which equals approximately 0.2 to 1 ha. It was also used in old Prussia, in the Balkans, Norway and Denmark, where it was equal to about two-thirds of an acre (0.27 ha).
The word is usually taken to be the same as the German and Dutch word for "morning". Similarly to the Imperial acre, it was approximately the amount of land tillable by one man behind an ox in the morning hours of a day. The "morgen" was commonly set at about 60-70% of the "tagwerk" (literally "day work") referring to a full day of ploughing. In 1869, the North German Confederation fixed the morgen at a quarter hectare (i.e. 2500 square meters) but in modern times most farmland work is measured in full hectares. The next lower measurement unit was the German "rute" or Imperial rod but the metric rod length of 5 metres never became popular. It is still used in Taiwan today, called "ka." 1 ka is 2934 "tsubo" (Japanese) or "phêng" (Taiwanese).
Jonas Kaufmann (born 10 July 1969) is a German operatic tenor. Although he has sung a variety of leading roles including both the Mozart and Wagner repertoire, he is particularly known for his performances in spinto roles such as Don José in Carmen, Cavaradossi in Tosca, Maurizio in Adriana Lecouvreur, and the title role in Don Carlos.
Kaufmann was born in Munich. His father worked for an insurance company, and his mother was a kindergarten teacher. He had one older sister. He started studying piano when he was eight, and he sang in his elementary school choir. Although he studied for math entrance exams, in the summer of 1989 he began his vocal training at the University of Music and Performing Arts Munich. While studying, he sang some small roles at the Bavarian State Opera. He graduated from school in 1994.
In 1995, after a vocal crisis, Kaufmann received help from American baritone Michael Rhodes who taught him a "new way of singing" and how to become "more relaxed in my voice and in myself." In Kaufmann's book Meinen die wirklich mich? he said, "To find a Michael Rhodes that can really help you and bring you to success is really a great stroke of luck."
Actors: Barbie Castro (director), Barbie Castro (producer), Barbie Castro (miscellaneous crew), Barbie Castro (writer), Barbie Castro (actress), Vivi Pineda (actress), Carlos Guerrero (actor), Cristina Figarola (actress), Alyn Darnay (actor), Alyn Darnay (editor), Marc Durso (director), Mario Fernandez (editor), Eric R. Castro (producer), Emil Temeltas (composer), Andres Uribe (miscellaneous crew),
Genres: Action, Drama, Romance, Short,Actors: Malcolm Wyer (director), Malcolm Wyer (writer), Malcolm Wyer (actor), Malcolm Wyer (producer), Sigmund Lerner (actor), Sigmund Lerner (composer), Sandy Skills (writer), Philipus Neri (producer), John Putnam (producer), John Putnam (producer), Alec Styborski (editor), Tessa Karel (miscellaneous crew), Tim Brown (actor), Alexandra Shaw-Doran (miscellaneous crew), Maximilian Wago Dju (actor),
Genres: Drama,Actors: Ivonne Schönherr (actress), Pia Esten (actress), Matthias Deutelmoser (actor), Werner Karle Jr. (actor), Leonie Brandis (actress), Patrycia Ziolkowska (actress), Hans Jürgen Alf (actor), Catrin Hansmerten (costume designer), Kerstin Kaczmarek (producer), Nanny Karius (producer), Veit Schnetker (producer), Nanny Karius (writer), Veit Schnetker (writer), Nanny Karius (director), Veit Schnetker (director),
Genres: Short,Te laat
Uit bed
De dag is bijna voorbij
Zonder mij
En ik zou iets moeten doen
Ik heb alleen mijn tanden maar gepoetst
Maar morgen
Morgen
Begin ik van voor af aan
Morgen
Morgen
Begin ik van voor af aan
Hoeveel keer
Hoe vaak
Heb ik mezelf dit al wijsgemaakt
Maar het is zo heerlijk
Om het leven
Gewoon te leven
En verder niets
Maar morgen
Morgen
Begin ik van voor af aan
Morgen
Morgen
Begin ik van voor af aan
Morgen
Maar vandaag
Heb ik nog uitstel
Van executie
Alleen vandaag
Dus vanavond
Nog één keer de kroeg in
Om het te vieren
En ik maak het niet te laat
Maar morgen
Morgen
Begin ik van voor af aan
Morgen
Morgen
Begin ik van voor af aan
Morgen
Of overmorgen
Of over, over, over, over, over, over, over, overmorgen