- published: 12 Sep 2011
- views: 5606907
The Piano Concerto No. 21 in C major, K. 467, was completed on March 9, 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.
The concerto has three movements:
The opening movement begins quietly with a march figure, but quickly moves to a more lyrical melody interspersed with a fanfare in the winds. The music grows abruptly in volume, with the violins taking up the principal melody over the march theme, which is now played by the brass. This uplifting theme transitions to a brief, quieter interlude distinguished by a sighing motif in the brass. The march returns, eventually transitioning to the entrance of the soloist. The soloist plays a brief Eingang (a type of abbreviated Cadenza) before resolving to a trill on the dominant G while the strings play the march in C major. The piano then introduces new material in C major and begins transitioning to the dominant key of G major. Immediately after an orchestral cadence finally announces the arrival of the dominant, the music abruptly shifts to G minor in a passage that is reminiscent of the main theme of the Symphony No. 40 in that key. A series of rising and falling chromatic scales then transition the music to the true second theme of the piece, an ebullient G major theme which Mozart had previously used in his Third Horn Concerto. The usual development and recapitulation follow. There is a cadenza at the end of the movement, although Mozart's original has been lost.
Mozart:Piano Concerto No. 21 in C major, K. 467 Orchestra filarmonica della Scala Maurizio Pollini Riccardo Muti 2004
2011 Tchaikovsky Competition - Piano Round II, Phase II Mozart - Concerto for Piano and Orchestra No. 21 in C major, K.467 Yeol Eum Son (South Korea)
MOZART- Piano CONCERTO No 21 In C Major,K467 1-Allegro Maestoso 2-ANDANTE 3-ALLEGRO VIVACE ASSAI ASHKENAZY,1977 -------------------------------------------------- REMASTERED AUDIO (reverb, noise, clicks, crackles, hiss, hum have been removed) -------------------------------------------------- - disclaimer - This video is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, considers that a video appearing in this channel violates copyrights, please inform me immediately before submitting a claim to Youtube, and I will take care of removing it accordingly. Thank you.
00:00 - Allegro maestoso 14:01 - Andante 21:00 - Allegro vivace assai Murray Perahia English Chamber Orchestra 1976
http://www.guevarazhelezova.com http://twitter.com/citlalliguevara http://www.facebook.com/pages/The-Guevara-Zhelezova-Piano-Duo/426209154130016 Mexican pianist Citlalli Guevara plays Mozart Piano Concerto no. 21 K.467- II Mov. Andante San Luis Potosi Symphony Orchestra. Jose Miramontes Zapata, conductor.
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Wolfgang Amadeus Mozart Piano Concerto No 21 in C major, K 467 Maurizio Pollini, piano Orchestra filarmonica della Scala Riccardo Muti, condcutor Live recording, 2004
Wolfgang Amadeus Mozart Piano Concerto No 21 in C major, K 467 1 Allegro maestoso 2 Andante 3 Allegro vivace assai Alexander Lubyantsev, piano
Okay
If you shed blood with me to this point, you deserve an explanation
For all the hell you've endured, while helping me reach my destination
And this effort to bless the nation
I've might had did more harm than good
But I've always showed you heart, this is just my but apart from would
Man I love the darkest hood
But also the brightest suburb
To think I would just despise the folks because I'm broke and white it's absurd
I'm told be tight you get hurt, but I don't hear my spinal spinning
Yeah we found some distribution, but bet the crying is just beginning
Cause these bright nights, could lead to dark days and vice versa
Even if Greg Street don't play, I guarantee you a nice purchase
Frankly, I'm quite certain I'm the livest fucker out there
I'm making love to the truth, inside that vocal booth without care
I won't even talk about stare
From angry illogic rappers
Cause every time they get confronted, they'll give you head than dap ya
This one don't really need a hook, but Shannon said it'll be a single
So I devote this to my life, so much more than a catch of a jiggle
Dark days, bright nights
For that outside in the night, you know what Bubba's life is like
Bright nights, dark days
For them broads that truly love me and hate to see me live this way
Dark days, bright nights
For when they say you can't live, fuck them, do it just out of spite
Bright nights, dark days
For every person without a voice that got something they need to say
See it's apparent that you know, there's a lot of folks that love Bubba
Not cause of any rap I wrote, they see something above gutter
Though, my pockets don't reflex that
It's my vision, and they respect that
Love comes in a form of a various drug, and I can't neglect that
So me and my folks get fucked up like six nights out of seven
That's the bright light of our lives
Like God's shinning light right out of Heaven
But at the conclusion of every session
I wish that Dark Day to expose
The plight of my situation, no blow, no dough for big shows
But still they see we this close from seeing the promise land
So that leads to another bright night, when all of us is college grand
Being loved by the moms and dads
Which some of us wasn't blessed with
You think we all born with two lovin' parents and a treasure chest
Shit, I was fortunate to be loved, by my paternal units
I'm gonna make their son a winner, fuck how bad it'll hurt I'm doing it
Even if I was to ruin it
Never with me and my heart part ways
We developed too strong of a bond, turning bright nights into dark days
Yeah it's true, I also do get praise from the other side of the tracks
You know, that dark days part of town, when they intentionally hide the blacks
Ain't got no reply to that, I said I'm sorry if I'm to blame
I tried like hell to sooth your soul by planting the facts inside your brain
I never once lied to the game, the acceptance of not one black dude
It's just Bubba that country fucker smoking swages and eating snack foods
Now every time they ask you, "why you live the way you choose too?"
Say cause Bubba set you right, the only one they loved, knew you
That leaves you with no excuse to settle with what they offer
He try to pay you the slave wagers, play that role, and tell them naw, sir
I'll probably won't even falter if you dismiss me as the demon
It is true, I am not you, my skin's the tone of piss and seamen
But if we fight this evening, I assure you, we'll both bleed red
And it'll take your whole slum and all your guns to leave me dead
Plus all that blood we shed what do nothin' but server their purpose