- published: 11 Dec 2013
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Scottish literature is literature written in Scotland or by Scottish writers. It includes works in English, Scottish Gaelic, Scots, Brythonic, French, Latin, Norn or other languages written within the modern boundaries of Scotland.
The earliest extant literature written in what is now Scotland, was composed in Brythonic speech in the sixth century and has survived as part of Welsh literature. In the following centuries there was literature in Latin, under the influence of the Catholic Church, and in Old English, brought by Anglian settlers. As the state of Alba developed into the kingdom of Scotland from the eighth century, there was a flourishing literary elite who regularly produced texts in both Gaelic and Latin, sharing a common literary culture with Ireland and elsewhere. After the Davidian Revolution of the thirteenth century a flourishing French language culture predominated, while Norse literature was produced from areas of Scandinavian settlement. The first surviving major text in Early Scots literature is the fourteenth-century poet John Barbour's epic Brus, which was followed by a series of vernacular versions of medieval romances. These were joined in the fifteenth century by Scots prose works.
Scottish usually refers to something of, from, or related to Scotland, including:
John Anthony Burgess Wilson, FRSL (/ˈbɜːrdʒəs/; 25 February 1917 – 22 November 1993) – who published under the pen name Anthony Burgess – was an English writer and composer. From relatively modest beginnings in a Catholic family in Manchester, he eventually became one of the best known English literary figures of the latter half of the twentieth century.
Although Burgess was predominantly a comic writer, his dystopian satire A Clockwork Orange remains his best known novel. In 1971 it was adapted into a highly controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book. Burgess produced numerous other novels, including the Enderby quartet, and Earthly Powers, regarded by most critics as his greatest novel. He wrote librettos and screenplays, including for the 1977 TV mini-series Jesus of Nazareth. He worked as a literary critic, including for The Observer and The Guardian, and wrote studies of classic writers, notably James Joyce. A versatile linguist, Burgess lectured in phonetics, and translated Cyrano de Bergerac, Oedipus the King and the opera Carmen, among others.
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