- published: 18 Mar 2016
- views: 834
Mark Wallinger (born 1959) is a British artist, best known for his sculpture for the empty fourth plinth in Trafalgar Square, Ecce Homo (1999), and State Britain (2007), a recreation at Tate Britain of Brian Haw's protest display outside parliament. He won the Turner Prize in 2007. In October 2010, he and 100 other leading artists signed an open letter to the Culture Minister Jeremy Hunt protesting against cutbacks in the arts - he created a new work, "Reckless", for the protest.
Mark Wallinger was born in Chigwell, Essex. His formative schooling, from the age of 11, was undertaken at West Hatch High School, Chigwell, Essex. He first studied art at the Chelsea School of Art and later at Goldsmiths College where he was also a tutor from 1986. Wallinger exhibited throughout the 1980s and held one of his very first solo exhibitions from 6 August to 4 September 1983 at The Minories, Colchester. Later he showed work in the Young British Artists II show at Charles Saatchi's gallery in 1993 and at the Royal Academy's Sensation exhibition in 1997. In 2000, a retrospective of his work, Credo, was exhibited at Tate Liverpool.
The Turner Prize, named after the English painter J. M. W. Turner, is an annual prize presented to a British visual artist under the age of 50. Awarding the prize is organised by the Tate gallery and staged at Tate Britain. Since its beginnings in 1984 it has become the United Kingdom's most publicised art award. The award represents all media.
As of 2004, the monetary award was established at £40,000. There have been different sponsors, including Channel 4 television and Gordon's Gin. The prize has been awarded by various distinguished celebrities: in 2006 this was Yoko Ono, and in 2012 the award was presented by Jude Law.
It is a controversial event, mainly for the exhibits, such as The Physical Impossibility of Death in the Mind of Someone Living, a shark in formaldehyde by Damien Hirst and My Bed, a dishevelled bed by Tracey Emin. Controversy has also come from other directions, including a Culture Minister (Kim Howells) criticising exhibits, a guest of honour (Madonna) swearing, a prize judge (Lynn Barber) writing in the press, and a speech by Sir Nicholas Serota (about the purchase of a trustee's work).
Mark may refer to:
State Britain is an installation artwork by Mark Wallinger displayed in Tate Britain in January 2007. It is a recreation from scratch of a protest display about the treatment of Iraq, set up by Brian Haw outside Parliament and eventually confiscated by the police. Haw's display contained several hundred items donated by members of the public. As well as continuing the protest, Wallinger's recreation in a different context also brings up questions of authenticity. Wallinger won the Turner Prize in 2007 for this piece.
State Britain is a meticulous recreation of a 40-metre long display which had originally been situated around peace campaigner Brian Haw's protest outside the Houses of Parliament against policies towards Iraq.
The original display consisted of over 600 items, many donations from the public, including paintings, placards, photos of families, banners, posters, graffiti, traffic cones, tarpaulins, temporary fencing and toys. These included a poster, "Blair Lies, Kids Die!", a banner, "Baby Killers", photos of babies maimed and burnt in missile attacks, a statement that parliament spent seven hours discussing the war in Iraq and 700 hours discussing fox-hunting, and a white teddy bear holding a sign, "Bears against bombs". In the centre is an image of Haw fixed to a wooden cross and wearing a t-shirt that says, "Bliar". Also displayed was a Banksy stencil of two soldiers painting a peace sign next to Leon Kuhn's anti-war political caricature 3 Guilty Men, both of which, together with Kuhn's The Proud Parents,Mark Wallinger later displayed in his recreation at the Tate in 2007.
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia [la bi.enˈnaːle di veˈnɛttsja]; in English also called the "Venice Biennial") is an arts organisation based in Venice, and also the original and principal exhibition it organises. The organisation changed its name to the Biennale Foundation in 2009, while the exhibition is also called the Art Biennale to distinguish it from the organisation and other exhibitions it organises. The Art Biennale, a contemporary visual art exhibition, is so called as it is held biennially, in odd-numbered years; is the original biennale on which others elsewhere in the world are modelled. The Biennale Foundation has a continuous existence supporting the arts, as well as organising the following separate events:
On April 19, 1893 the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.
Mark Wallinger at Hauser and Wirth, London
Introduction to Labyrinth by Mark Wallinger
Turner 2007 - Mark Wallinger
Mark Wallinger at the Baltic, Gateshead
Mark Wallinger / State Britain (2007)
The artist's experience - Mark Wallinger at the Venice Biennale
theEYE - Mark Wallinger - Ecce Homo
MARK WALLINGER MARK 2017 || Leather-Bound
Ever Since by Mark Wallinger
Mark Wallinger | Turner Prize 2007 | TateShots
Subscribe: http://goo.gl/ofIySI Titled 'ID', Mark Wallinger's new exhibition uses Sigmund Freud's theories of the Id, Ego and Superego as the inspiration for art made in different media. Large paintings resemble 'inkblot' psychological tests. A rotating mirrored object mimics New Scotland Yard's iconic police sign. And what appears to be a still photograph is revealed to be a moving digital image on a two second loop. Wallinger is a winner of Britain's leading award for artists, The Turner Prize. Twitter: @theartchannel1 Instagram: @the_art_channel1 Facebook: https://www.facebook.com/TheArtChannelUK The Art Channel films and reviews exhibitions of Contemporary Art. We aim to make art and exhibitions accessible for everyone. Grace Adam is an artist and educator. Joshua White is a lecture...
Wallinger explores a diverse range of subjects in his practice, from the historic and mythic to the biographical and contemporary, resulting in works that are layered with rich cultural references for the viewer to discover. The Underground has been the inspiration and location for two of his previous works, Angel 1997 and When Parallel Lines Meet at Infinity 1998/2001, filmed on the Circle line.
Turner prize-winner Mark Wallinger gives Adrian Searle a tour of his new exhibition at the Baltic, GatesheadMark Wallinger at Baltic
2007 Turner Prize. The de-installation and removal of Mark Wallinger's work "State Britain" from Tate Britain, and the parallels with the deconstruction and removal of protestor Brian Haw's original protest banners from Parliament Square.
Mark Wallinger completed his MA at Goldsmiths College, where he would later go on to teach students including Damien Hirst. In 1999 Mark became the first artist to produce a commissioned work for Trafalgar Square's Fourth Plinth and in 2001 he represented Britain at the Venice Biennale. Here Mark talks about this experience and about some of the works that came out of it, including the 2006 Turner Prize winning Tate commission State Britain. http://www.recreativeuk.com/idea/venice-biennale
For his show as Britain's representative at the 2001 Venice Biennale, Mark Wallinger brought together a typically eclectic group of sculptures, videos and installations. Like Ecce Homo, his much-loved life-size statue of Christ created for Trafalgar Square, the exhibition provoked and challenged and moved many of those who experienced it. BUY 'theEYE: Mark Wallinger' ON DVD HERE: http://bit.ly/1ua8N18 theEYE is an excellent introduction to contemporary artists and their works and provides an ideal resource for a wide range of audiences, including galleries, museums and colleges, as well as individual art-lover. SEE MORE TITLES HERE: http://bit.ly/1v8ltIN • Follow us on Twitter - https://twitter.com/Illuminations • Follow us on Facebook - https://www.facebook.com/illuminationsmedia • V...
It was so wonderful to see the MARK WALLINGER MARK exhibition and feel like I was apart of something so new. A few things I didn't get the chance to talk about in the video: this was Wallinger's first ever show in Scotland! For something that is so different from his usual political art, I think it is extremely special to have also shown it in a whole new city. Also, to go along with the exhibition both of the art galleries are selling books, tote bags, cards, etc., that have something to do with at least on of the art pieces. I can say, from personal experience, that the tote bag is one of the sturdiest ones I have ever owned. I know some of the merch was available online (I'm not sure if it is anymore) and I will put down some links if you guys are interested or just want to find out m...
This is a film of the shop front of Pall Mall Barbers. There is no one visible. The only thing that appears to be moving is the barber's pole outside. Closer inspection reveals the truncated progress of the second hand of the clock inside. Two seconds loop endlessly.
Mark Wallinger's contribution to this year's Turner Prize is Sleeper (2004-05), a film of a performance in which, over a period of 10 nights, he dressed in a bear suit and wandered aimlessly around an art gallery in Berlin, startling unsuspecting passers-by. He relives the long nights for TateShots. Subscribe for weekly films about art: http://www.youtube.com/subscription_center?add_user=tate
An interview for the Architects' Journal with Turner-Prize winning artist Mark Wallinger about curating his first exhibition at the Hayward Gallery, London. Visit http://londonartsreview.wordpress.com/ for more information and a review of the exhibition.
From the Kinolibrary archive film collections. To order the clip clean and high res visit http://www.kinolibrary.com. Clip ref DW019847 1997 interview with Mark Wallinger
Subscribe: http://goo.gl/ofIySI Titled 'ID', Mark Wallinger's new exhibition uses Sigmund Freud's theories of the Id, Ego and Superego as the inspiration for art made in different media. Large paintings resemble 'inkblot' psychological tests. A rotating mirrored object mimics New Scotland Yard's iconic police sign. And what appears to be a still photograph is revealed to be a moving digital image on a two second loop. Wallinger is a winner of Britain's leading award for artists, The Turner Prize. Twitter: @theartchannel1 Instagram: @the_art_channel1 Facebook: https://www.facebook.com/TheArtChannelUK The Art Channel films and reviews exhibitions of Contemporary Art. We aim to make art and exhibitions accessible for everyone. Grace Adam is an artist and educator. Joshua White is a lecture...
Turner prize-winner Mark Wallinger gives Adrian Searle a tour of his new exhibition at the Baltic, GatesheadMark Wallinger at Baltic
Introduced by Ralph Rugoff, Director of the Hayward Gallery and interview excerpts with artists Mark Wallinger, Ryan Gander, Yinka Shonibare MBE & Rebecca Warren.
Camera Running was filmed at the 2011 Great North Run from the perspective of an elite athlete at the front of the race. In a dream-like way, this hour long silent film beautifully captures and connects many of the different elements which make the Great North Run so popular. This short clip shows a well known section of the Run just before the runners approach the iconic Tyne Bridge in Newcastle. Commissioned by Great North Run Culture, the film premières at BALTIC Centre for Contemporary Art in Gateshead on 13 September 2012. The première will be followed by the artist in conversation with broadcaster Kirsty Wark. For more information, to book tickets for the artist Q&A; or to see screening times visit www.greatnorthrunculture.org
The Crisis Commission 2014 exhibition is at the Bermondsey Project from 9 - 23 May and at the Strand Gallery from 30 May - 8 June. Ahead of the Crisis Commission 2014, Turner Prize-winning artist Mark Wallinger reveals what the theme 'Home' means to him. More info: http://www.crisis.org.uk/commission
Wallinger explores a diverse range of subjects in his practice, from the historic and mythic to the biographical and contemporary, resulting in works that are layered with rich cultural references for the viewer to discover. The Underground has been the inspiration and location for two of his previous works, Angel 1997 and When Parallel Lines Meet at Infinity 1998/2001, filmed on the Circle line.
Mark Wallinger in conversation with Jacky Klein at Moment One: Central Saint Martins at King's Cross - the opening night of the college's new campus. Read more about Mark Wallinger's monograph, published by Thames & Hudson: http://www.thamesandhudson.com/9780500093566.html Jacky Klein is the Commissioning Editor for Art at Thames & Hudson
Subscribe: http://goo.gl/ofIySI Titled 'ID', Mark Wallinger's new exhibition uses Sigmund Freud's theories of the Id, Ego and Superego as the inspiration for art made in different media. Large paintings resemble 'inkblot' psychological tests. A rotating mirrored object mimics New Scotland Yard's iconic police sign. And what appears to be a still photograph is revealed to be a moving digital image on a two second loop. Wallinger is a winner of Britain's leading award for artists, The Turner Prize. Twitter: @theartchannel1 Instagram: @the_art_channel1 Facebook: https://www.facebook.com/TheArtChannelUK The Art Channel films and reviews exhibitions of Contemporary Art. We aim to make art and exhibitions accessible for everyone. Grace Adam is an artist and educator. Joshua White is a lecture...
Wallinger explores a diverse range of subjects in his practice, from the historic and mythic to the biographical and contemporary, resulting in works that are layered with rich cultural references for the viewer to discover. The Underground has been the inspiration and location for two of his previous works, Angel 1997 and When Parallel Lines Meet at Infinity 1998/2001, filmed on the Circle line.
Turner prize-winner Mark Wallinger gives Adrian Searle a tour of his new exhibition at the Baltic, GatesheadMark Wallinger at Baltic
2007 Turner Prize. The de-installation and removal of Mark Wallinger's work "State Britain" from Tate Britain, and the parallels with the deconstruction and removal of protestor Brian Haw's original protest banners from Parliament Square.
Mark Wallinger completed his MA at Goldsmiths College, where he would later go on to teach students including Damien Hirst. In 1999 Mark became the first artist to produce a commissioned work for Trafalgar Square's Fourth Plinth and in 2001 he represented Britain at the Venice Biennale. Here Mark talks about this experience and about some of the works that came out of it, including the 2006 Turner Prize winning Tate commission State Britain. http://www.recreativeuk.com/idea/venice-biennale
For his show as Britain's representative at the 2001 Venice Biennale, Mark Wallinger brought together a typically eclectic group of sculptures, videos and installations. Like Ecce Homo, his much-loved life-size statue of Christ created for Trafalgar Square, the exhibition provoked and challenged and moved many of those who experienced it. BUY 'theEYE: Mark Wallinger' ON DVD HERE: http://bit.ly/1ua8N18 theEYE is an excellent introduction to contemporary artists and their works and provides an ideal resource for a wide range of audiences, including galleries, museums and colleges, as well as individual art-lover. SEE MORE TITLES HERE: http://bit.ly/1v8ltIN • Follow us on Twitter - https://twitter.com/Illuminations • Follow us on Facebook - https://www.facebook.com/illuminationsmedia • V...
It was so wonderful to see the MARK WALLINGER MARK exhibition and feel like I was apart of something so new. A few things I didn't get the chance to talk about in the video: this was Wallinger's first ever show in Scotland! For something that is so different from his usual political art, I think it is extremely special to have also shown it in a whole new city. Also, to go along with the exhibition both of the art galleries are selling books, tote bags, cards, etc., that have something to do with at least on of the art pieces. I can say, from personal experience, that the tote bag is one of the sturdiest ones I have ever owned. I know some of the merch was available online (I'm not sure if it is anymore) and I will put down some links if you guys are interested or just want to find out m...
This is a film of the shop front of Pall Mall Barbers. There is no one visible. The only thing that appears to be moving is the barber's pole outside. Closer inspection reveals the truncated progress of the second hand of the clock inside. Two seconds loop endlessly.
Mark Wallinger's contribution to this year's Turner Prize is Sleeper (2004-05), a film of a performance in which, over a period of 10 nights, he dressed in a bear suit and wandered aimlessly around an art gallery in Berlin, startling unsuspecting passers-by. He relives the long nights for TateShots. Subscribe for weekly films about art: http://www.youtube.com/subscription_center?add_user=tate
From the Labyrinth public programme, Mark Wallinger talks to Marina Warner about his project, Labyrinth.
How to Construct a Time Machine exhibitors Mark Wallinger and Ruth Ewan discuss their practice with exhibition curator Dr Marquard Smith, Head of Doctoral Studies/Research Leader in the School of Humanities at the Royal College of Art, London.
Fiona Bradley, Director of The Fruitmarket Gallery in conversation with Mark Wallinger about his exhibition Mark Walinger. Known for a practice as stylistically diverse as it is politically engaged, Mark Wallinger creates work that encompasses painting, sculpture, photography, film, installation, performance and public art. This exhibition, presented in two parts, one at The Fruitmarket Gallery and the other at Dundee Contemporary Arts from 4 March – 4 June 2017, has been brought together in the context of his newest body of work, the id Paintings. A selection from this series of vast paintings, each 360cm high (twice Wallinger’s height) and 180cm wide (his height again, and also the extent of his reach with both arms outstretched) is on show in each part of the exhibition. These painting...
Turner Prize winner Mark Wallinger discusses his work and new book titled 'Mark' with Jacky Klein. Filmed at Central Saint Martins in Kings Cross on 18th November 2011 at the 'Moment One' event.
This performance was part of 'An Evening of Performances' (6 Oct 2016). Supported by DRAF Galleries Circle (Laura Bartlett, Sadie Coles HQ, Pilar Corrias, Marian Goodman, Hauser & Wirth, Andrew Kreps, Kurimanzutto, Lisson Gallery, The Modern Institute, Peres Projects, Stuart Shave Modern Art, Sprüth Magers, Timothy Taylor, Michael Werner, White Cube, David Zwirner). Live Archive is supported by Arts Council England and DRAF Galleries Circle.
Wonkfest 2 took place at The Grosvenor in Stockwell, London on 26th July 2014. Hosted by Alex Johnson & featuring live performances from Waco, Voodoo Binmen, Maid Of Ace, Billy Liar, Jakal, The Kimberly Steaks, The Restarts, The Reverends, Revenge Of The Psychotronic Man, Meansteed, The Murderburgers, Hard Skin & Wonk Unit.. Camera by Mark Richards & Julian Wallinger Sound mixed & Mastered by Delphinius Vargas Directed & Edited by Mark Richards. https://www.facebook.com/markrichardsphotoandvideo
Sally O’Reilly will be talking about ambiguity, placing it in a historical ground of modernity and then considering its deployment in 20th century linguistics, literature and art, as well as its notable use in management strategy, political rhetoric and the constitution of hyperobjects. Writer Sally O'Reilly publishes and distributes text in conventional and expanded forms, from art magazines to performance lectures to opera. Her diverse subject matter spans such abstractions as rhetoric and ambiguity, as well as more concrete phenomena such as noses, the history of technology and shopping receipts. This apparently erratic practice is a means to conduct a more thoroughgoing investigation into how knowledge is generated, circulated and expressed. Besides contributing to several art magaz...
Wonkfest took place at The Grosvenor in Stockwell, London on 27th July 2013. Hosted by Alex Johnson & featuring live performances from The Reverends, Slaves, LTNT, Meansteed, The Apostates, Southport, Maid Of Ace, Wonk Unit, Midway Still & Bogus Gasman.. Camera by Mark Richards & Julian Wallinger Sound mixed & Mastered by Delphinius Vargas Directed & Edited by Mark Richards. https://www.facebook.com/markrichardsphotoandvideo
Lecture date: 2007-03-09 'To represent something is in a sense to make it visible to others as a possible object of reality. In eschewing this scenario, invisible artworks divert our focus from the physical and tend to increase the visibility of the artist's own role. They underscore the part played by our own responses in forging meaning from our encounters with art as well as the social and physical scaffolding that shapes its presentation. In this respect, invisible art belongs to a tradition of contemporary art predicated on the idea that an artwork is a collaboration involving the labour of both the artist and the audience. Somewhat paradoxically, it is precisely as a kind of rhetorical limit to artistic practice that invisibility can help us to rethink our relationship to the visibl...