- published: 25 Jun 2013
- views: 5127
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From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
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Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1586
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1322
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1822
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1136
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries.
- published: 24 Sep 2012
- views: 1054
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinent to the Lebanese postwar condition, specifically the mediation of territorial conflicts and wars though television and media. Zaatari collects and examines a wide range of documents that testify to the cultural and political conditions of Lebanon’s postwar society. His artistic practice involves the study and investigation of the way these documents straddle, conflate, or confuse notions of history and memory. By analyzing and recontextualizing found audiotapes, video footage, photographs, journals, personal collections, interviews, and recollections, Zaatari explores the dynamics that govern the state of image-making in situations of war.
The strength of Zaatari’s work lies in its ability to capture fractured moments in time, even if these sometimes confuse because of their disconnect from the audience and lack of context. Regardless, the stories hold their own as fascinating narratives, managing to reflect on such universal themes as love and lust, and sweet reminiscence, even amidst turbulent political realities.
The indie film was nominated for the teddy award for best short film in 2011
- published: 25 Jun 2015
- views: 624
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 de enero al 5 de junio de 2011
- published: 10 Mar 2011
- views: 2895
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern.
Akram Zataari is a filmmaker, photographer, archival artist and curator. One of the founders of the Arab Image Foundation, which aims to track down and preserve photos from North Africa, the Middle East, and Arabic communities around the world, Zaatari collects, examines, and recontextualizes a wide range of documents that testify to the cultural and political conditions of Lebanon's postwar society.
https://www.ica.org.uk/whats-on/culture-now-akram-zataari
- published: 08 Jan 2014
- views: 920
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari.
In his work the artist Akram Zaatari examines the cultural and political conditions of Lebanon’s postwar society, dedicating parts of his research to the phenomenon of the national resistance movements, as well as underlining the inaccurate representation of territorial conflicts within the media.
As co-founder of the Arab Image Foundation in Beirut, collecting, archiving and analysing the visual history of an uneven modernity in the Middle East forms the basis of Zaatari´s work.
Akram Zaatari´s artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories – confronting personal with historical political events.
The short film “Saida June 6th 1982” for example, is an animated collage of photos, which Zaartari – when he was just 16 years old – took on the first day of the Israeli invasion from the balcony of his parents’ house. Often his chosen form of presentation can be read as a parable for the political and cultural shifts taking place in Beirut and across the Middle East.
Akram Zaatari (*1966 Saida, Lebanon) lives and works in Beirut. He has been showing his work in solo exhibitions (2007, Art Basel; 2005, Grey Art Gallery, New York; 2004 Portikus, Frankfurt; 2002, Palais des Beaux Arts, Brussels) and group exhibitions (2008, Centre Georges Pompidou, Paris; 2007, 52. Biennale, Venice; 2006, Sao Paulo Biennale, Gwangju Biennale,Korea; Sydney Biennale).
Akram Zaatari at Kunstverein München. Munich, Germany, March 27, 2009. Video by Gürsoy Dogtas.
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Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
- published: 27 Aug 2015
- views: 87
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE
TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI
Synopsis: Le projet Madani prend forme dans un studio de photographie, le Studio Shehrazade à Saïda, créé en 1953 par le photographe Hashem el Madani. Il ne représentait pas l’archétype du photographe perfectionniste : il avait produit des images en grand nombre qui paraîtraient pauvres du point de vue de la photographie comme art.
26ème session - Journées cinématographique de Carthage
http://www.jcctunisie.org/
- published: 05 Nov 2015
- views: 401
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية.
ستجول السيارة يومياً في المدينة لتستضيف أبرز المخرجين المشاركين في المهرجان.
تابعونا يومياً في حلقاتٍ متتالية عبر اليوتوب الخاص بنا.
Taxi #BeirutCinemaDays will roam the streets of Beirut every day with a different festival guest. Subscribe to our Youtube channel http://youtube.com/ayambeirut to follow our exclusive interviews! #AyamBeirut8
- published: 18 Mar 2015
- views: 114
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7:01Akram Zaatari letter to a refusing pilot 1
Akram Zaatari letter to a refusing pilot 1Akram Zaatari letter to a refusing pilot 1
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator. In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real. Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice." Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997). Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo. Sam Bardaouil and Till Fellrath Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing. Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production. See also http://fhs1973.wordpress.com -
6:28Akram Zaatari letter to a refusing pilot 2
Akram Zaatari letter to a refusing pilot 2Akram Zaatari letter to a refusing pilot 2
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator. In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real. Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice." Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997). Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo. Sam Bardaouil and Till Fellrath Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing. Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production. See also http://fhs1973.wordpress.com -
7:37Akram Zaatari letter to a refusing pilot 3
Akram Zaatari letter to a refusing pilot 3Akram Zaatari letter to a refusing pilot 3
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator. In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real. Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice." Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997). Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo. Sam Bardaouil and Till Fellrath Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing. Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production. See also http://fhs1973.wordpress.com -
7:01Akram Zaatari letter to a refusing pilot 4
Akram Zaatari letter to a refusing pilot 4Akram Zaatari letter to a refusing pilot 4
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator. In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real. Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice." Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997). Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo. Sam Bardaouil and Till Fellrath Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing. Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production. See also http://fhs1973.wordpress.com -
7:41Akram Zaatari letter to a refusing pilot 5
Akram Zaatari letter to a refusing pilot 5Akram Zaatari letter to a refusing pilot 5
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator. In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real. Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice." Akram Zaatari Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997). Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo. Sam Bardaouil and Till Fellrath Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing. Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production. See also http://fhs1973.wordpress.com -
2:28Akram Zaatari: Collecting images from the Arab world
Akram Zaatari: Collecting images from the Arab worldAkram Zaatari: Collecting images from the Arab world
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries. -
2:00Akram Zaatari - Tomorrow everything will be alright.
Akram Zaatari - Tomorrow everything will be alright.Akram Zaatari - Tomorrow everything will be alright.
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinent to the Lebanese postwar condition, specifically the mediation of territorial conflicts and wars though television and media. Zaatari collects and examines a wide range of documents that testify to the cultural and political conditions of Lebanon’s postwar society. His artistic practice involves the study and investigation of the way these documents straddle, conflate, or confuse notions of history and memory. By analyzing and recontextualizing found audiotapes, video footage, photographs, journals, personal collections, interviews, and recollections, Zaatari explores the dynamics that govern the state of image-making in situations of war. The strength of Zaatari’s work lies in its ability to capture fractured moments in time, even if these sometimes confuse because of their disconnect from the audience and lack of context. Regardless, the stories hold their own as fascinating narratives, managing to reflect on such universal themes as love and lust, and sweet reminiscence, even amidst turbulent political realities. The indie film was nominated for the teddy award for best short film in 2011 -
7:15Akram Zaatari
Akram ZaatariAkram Zaatari
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 de enero al 5 de junio de 2011 -
55:55Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-HumeCulture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern. Akram Zataari is a filmmaker, photographer, archival artist and curator. One of the founders of the Arab Image Foundation, which aims to track down and preserve photos from North Africa, the Middle East, and Arabic communities around the world, Zaatari collects, examines, and recontextualizes a wide range of documents that testify to the cultural and political conditions of Lebanon's postwar society. https://www.ica.org.uk/whats-on/culture-now-akram-zataari -
5:00Akram Zaatari / Kunstverein München
Akram Zaatari / Kunstverein MünchenAkram Zaatari / Kunstverein München
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari. In his work the artist Akram Zaatari examines the cultural and political conditions of Lebanon’s postwar society, dedicating parts of his research to the phenomenon of the national resistance movements, as well as underlining the inaccurate representation of territorial conflicts within the media. As co-founder of the Arab Image Foundation in Beirut, collecting, archiving and analysing the visual history of an uneven modernity in the Middle East forms the basis of Zaatari´s work. Akram Zaatari´s artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories – confronting personal with historical political events. The short film “Saida June 6th 1982” for example, is an animated collage of photos, which Zaartari – when he was just 16 years old – took on the first day of the Israeli invasion from the balcony of his parents’ house. Often his chosen form of presentation can be read as a parable for the political and cultural shifts taking place in Beirut and across the Middle East. Akram Zaatari (*1966 Saida, Lebanon) lives and works in Beirut. He has been showing his work in solo exhibitions (2007, Art Basel; 2005, Grey Art Gallery, New York; 2004 Portikus, Frankfurt; 2002, Palais des Beaux Arts, Brussels) and group exhibitions (2008, Centre Georges Pompidou, Paris; 2007, 52. Biennale, Venice; 2006, Sao Paulo Biennale, Gwangju Biennale,Korea; Sydney Biennale). Akram Zaatari at Kunstverein München. Munich, Germany, March 27, 2009. Video by Gürsoy Dogtas. More videos on contemporary art, design, architecture: http://vernissage.tv Connect: http://www.facebook.com/vernissagetv http://twitter.com/vernissagetv Browse our Archive: http://vernissage.tv/archive/posts/ Find Artists, Designers, Architects: http://vernissage.tv/archive/artists/ Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005. -
1:17Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI Synopsis: Le projet Madani prend forme dans un studio de photographie, le Studio Shehrazade à Saïda, créé en 1953 par le photographe Hashem el Madani. Il ne représentait pas l’archétype du photographe perfectionniste : il avait produit des images en grand nombre qui paraîtraient pauvres du point de vue de la photographie comme art. 26ème session - Journées cinématographique de Carthage http://www.jcctunisie.org/ -
2:20#TaxiAyamBeirut - Episode 14 - Akram Zaatari
#TaxiAyamBeirut - Episode 14 - Akram Zaatari#TaxiAyamBeirut - Episode 14 - Akram Zaatari
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية. ستجول السيارة يومياً في المدينة لتستضيف أبرز المخرجين المشاركين في المهرجان. تابعونا يومياً في حلقاتٍ متتالية عبر اليوتوب الخاص بنا. Taxi #BeirutCinemaDays will roam the streets of Beirut every day with a different festival guest. Subscribe to our Youtube channel http://youtube.com/ayambeirut to follow our exclusive interviews! #AyamBeirut8 -
2:48Akram Zaatari describes Hashem el Madani's "photography of the working class"
Akram Zaatari describes Hashem el Madani's "photography of the working class"Akram Zaatari describes Hashem el Madani's "photography of the working class"
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of his favorite photographers, Hashem el Madani, the first person to own a 35mm camera in Zaatari's native city of Saïda, in southern Lebanon. -
54:26The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni. One of these alumni was Akram Zaatari, founder of the Arab Image Foundation in Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research." Mr. Zaatari's talk,"Earth of Endless Secrets", emphasized on his interest in the act of collecting, and the notion of study as an art practice. "This presentation looks at how banal objects can communicate the complexity of history, particularly in relation to severe experiences such as war and detention. This is an overview of documents and testimonies I have collected while working on four videos that touched the Israeli occupation of Lebanon."
Zaatari, Akram Filmography
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2013, role: director
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2013, role: producer
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2013, role: writer
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2010, role: director
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2009, role: director
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2005, role: actor , character name: Himself
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2004, role: director
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2004, role: producer
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2002, role: director
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2002, role: actor
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Akram Zaatari letter to a refusing pilot 1
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dia... -
Akram Zaatari letter to a refusing pilot 2
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dia... -
Akram Zaatari letter to a refusing pilot 3
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dia... -
Akram Zaatari letter to a refusing pilot 4
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dia... -
Akram Zaatari letter to a refusing pilot 5
From: http://www.e-flux.com/announcements/akram-zaatari-3/ Akram Zaatari Letter to a Refusing Pilot June 1--November 24, 2013 Press conference: May 29, 2:30pm, Arsenale, Calle della Tana 2169/f Professional preview: May 29--31 www.lebanonatvenice.com Share on twitter Share on emailShare Curators: Sam Bardaouil and Till Fellrath Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL) Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dia... -
Akram Zaatari: Collecting images from the Arab world
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries. -
Akram Zaatari - Tomorrow everything will be alright.
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinent to the Lebanese postwar condition, specifically the mediation of territorial conflicts and wars though television and media. Zaatari collects and examines a wide range of documents that testify to the cultural and political conditions of Lebanon’s postwar society. His artistic practice involves the study and investigation of the way these documents straddle, conflate, or confuse notions of history and memory. By analyzing and recontextualizing found audiotapes, video footage, photographs, journals, personal collections, interviews, and recollections, Zaatari explores the dynamics that govern the state of image-making in situations... -
Akram Zaatari
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 de enero al 5 de junio de 2011 -
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern. Akram Zataari is a filmmaker, photographer, archival artist and curator. One of the founders of the Arab Image Foundation, which aims to track down and preserve photos from North Africa, the Middle East, and Arabic communities around the world, Zaatari collects, examines, and recontextualizes a wide range of documents that testify to the cultural and political conditions of Lebanon's postwar society. https://www.ica.org.uk/whats-on/culture-now-akram-zataari -
Akram Zaatari / Kunstverein München
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari. In his work the artist Akram Zaatari examines the cultural and political conditions of Lebanon’s postwar society, dedicating parts of his research to the phenomenon of the national resistance movements, as well as underlining the inaccurate representation of territorial conflicts within the media. As co-founder of the Arab Image Foundation in Beirut, collecting, archiving and analysing the visual history of an uneven modernity in the Middle East forms the basis of Zaatari´s work. Akram Zaatari´s artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories – confronting personal with historical political ... -
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI Synopsis: Le projet Madani prend forme dans un studio de photographie, le Studio Shehrazade à Saïda, créé en 1953 par le photographe Hashem el Madani. Il ne représentait pas l’archétype du photographe perfectionniste : il avait produit des images en grand nombre qui paraîtraient pauvres du point de vue de la photographie comme art. 26ème session - Journées cinématographique de Carthage http://www.jcctunisie.org/ -
#TaxiAyamBeirut - Episode 14 - Akram Zaatari
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية. ستجول السيارة يومياً في المدينة لتستضيف أبرز المخرجين المشاركين في المهرجان. تابعونا يومياً في حلقاتٍ متتالية عبر اليوتوب الخاص بنا. Taxi #BeirutCinemaDays will roam the streets of Beirut every day with a different festival guest. Subscribe to our Youtube channel http://youtube.com/ayambeirut to follow our exclusive interviews! #AyamBeirut8 -
Akram Zaatari describes Hashem el Madani's "photography of the working class"
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of his favorite photographers, Hashem el Madani, the first person to own a 35mm camera in Zaatari's native city of Saïda, in southern Lebanon. -
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni. One of these alumni was Akram Zaatari, founder of the Arab Image Foundation in Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research." Mr. Zaatari's talk,"Earth of Endless Secrets", emphasized on his interest in the act of collecting, and the notion of study as an art practice. "This presentation looks at how banal objects can communicate the complexit... -
El molesto asunto, de Akram Zaatari en el MUSAC
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Kadiview with Akram Zaatari
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AKRAM ZAATARI.El molesto asunto_ EXTRANJERÍAS
El MUAC presenta: "El molesto asunto", el artista indaga distintos papeles y expectativas sociales de hombres y mujeres en el mundo árabe en general/Por su parte Extranjerías tiene como punto de partida un proceso de investigación los desplazamientos temporales o forzados. -
Tomorow everything will be all right 2010 by Akram Zaatari
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Akram Zaatari | SALT Beyoğlu | ekavart.tv
Akram Zaatari 2 Aralık 2014 - 15 Şubat 2015 SALT Beyoğlu Akram Zaatari’nin Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosundan bir kare Lübnanlı sanatçı Akram Zaatari'nin, SALT Beyoğlu'nun üç katına yayılan geniş kapsamlı sergisi, The Uneasy Subject [Rahatsız Edici Konu], 28 Nights and A Poem [28 Gece ve Bir Şiir], Earth of Endless Secrets [Ebedî Gizemler Toprağı] ve Time Capsule [Zaman Kapsülü] gibi önemli projelerinden işleri bir araya getirir. Sanatçının 2014 tarihli Beirut Exploded Views [Beyrut Parçalı Görüntüler] videosunu da içeren serginin açılış haftasının yanı sıra sonraki tarihlerde SALT Beyoğlu'ndaki Açık Sinema'da, Letter to a Refusing Pilot [Reddeden Pilota Mektup] (2013) videosunun gösterimi yapılacak. SALT Beyoğlu'nun katlarında üç ayrı temada sunulan s... -
Trailer VCA - Um olhar sobre os olhares de Akram Zaatari
UM OLHAR SOBRE OS OLHARES DE AKRAM ZAATARI 42' 21'' Brasil, 2004 Produção: Associação Cultural Videobrasil Direção: Alex Gabassi Nos anos de guerra civil no Líbano, Akram Zaatari registrou o cotidiano num diário. Explosões, abrigos e, também, aulas na auto-escola e a compra de um carro: "as contradições da vida que continua em áreas de conflito", diz ele. O diário foi o primeiro contato com a produção de imagens, centrais nos vídeos e nas instalações que faria em seguida. Sua obra, marcada pelas mudanças no país, tem como temas-chave sexualidade, política e história. Primeiro documentário da série Videobrasil Coleção de Autores concebido para DVD, o filme o acompanha em seu país de origem e no Brasil, e traz como extra depoimentos inéditos de alguns dos principais nomes da arte conte... -
Miartalks 2014: Time Capsule - Nav Haq, Akram Zaatari
miartalks Domenica 30 marzo 2014 ore 15:15 – 16:15 “Time Capsule” Nav Haq, Curatore, MuHKA, Antwerp Akram Zaatari, Artista, Beirut Introduce: Luca Lo Pinto www.miart.it -
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
Exposição "Histórias: Obras da Coleção de Serralves" 29 MAI - 21 SET 2014 http://bit.ly/HistoriasColecaoSerralves Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque. -
Interview Akram Zaatari (par Yves Aupetitallot) - FR
Interview de Akram Zaatari par Yves Aupetitallot à l'occasion de son exposition "Aujourd'hui à 10 ans" au MAGASIN Centre National d'Art Contemporain de Grenoble, du 13/10/2012 au 06/01/2013.
Akram Zaatari letter to a refusing pilot 1
- Order: Reorder
- Duration: 7:01
- Updated: 25 Jun 2013
- views: 5127
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:...
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
wn.com/Akram Zaatari Letter To A Refusing Pilot 1
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 5127
Akram Zaatari letter to a refusing pilot 2
- Order: Reorder
- Duration: 6:28
- Updated: 25 Jun 2013
- views: 1586
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:...
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
wn.com/Akram Zaatari Letter To A Refusing Pilot 2
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1586
Akram Zaatari letter to a refusing pilot 3
- Order: Reorder
- Duration: 7:37
- Updated: 25 Jun 2013
- views: 1322
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:...
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
wn.com/Akram Zaatari Letter To A Refusing Pilot 3
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1322
Akram Zaatari letter to a refusing pilot 4
- Order: Reorder
- Duration: 7:01
- Updated: 25 Jun 2013
- views: 1822
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:...
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
wn.com/Akram Zaatari Letter To A Refusing Pilot 4
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1822
Akram Zaatari letter to a refusing pilot 5
- Order: Reorder
- Duration: 7:41
- Updated: 25 Jun 2013
- views: 1136
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:...
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
wn.com/Akram Zaatari Letter To A Refusing Pilot 5
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refusing Pilot
June 1--November 24, 2013
Press conference: May 29, 2:30pm, Arsenale,
Calle della Tana 2169/f
Professional preview: May 29--31
www.lebanonatvenice.com
Share on twitter
Share on emailShare
Curators: Sam Bardaouil and Till Fellrath
Commissioner: The Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Akram Zaatari will be presenting a major new work, titled Letter to a Refusing Pilot, in the Lebanese Pavilion at the 55th International Art Exhibition -- La Biennale di Venezia. Curated by Sam Bardaouil and Till Fellrath, the exhibition marks the debut of Zaatari's most aesthetically ambitious and politically nuanced project to date, and creates a dialogue between two works, a new 45-minute video and a looping 16mm film, in an immersive environment conceived as a stage awaiting an actor, or a cinema awaiting a spectator.
In the summer of 1982, a rumor made the rounds of a small city in South Lebanon, which was under Israeli occupation at the time. It was said that a fighter pilot in the Israeli air force had been ordered to bomb a target on the outskirts of Saida, but knowing the building was a school, he refused to destroy it. Instead of carrying out his commanders' orders, the pilot veered off course and dropped his bombs in the sea. It was said that he knew the school because he had been a student there, because his family had lived in the city for generations, because he was born into Saida's Jewish community before it disappeared. As a boy, Akram Zaatari grew up hearing ever more elaborate versions of this story, as his father had been the director of the school for twenty years. Decades later, Zaatari discovered it wasn't a rumor. The pilot was real.
Pulling together all of the different strands of Zaatari's practice for the first time in a single work, Letter to a Refusing Pilot reflects on the complexities, ambiguities, and consequences of refusal as a decisive and generative act. Taking as its title a nod to Albert Camus' four-part epistolary essay "Letters to a German Friend," the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: "I should like to be able to love my country and still love justice."
Akram Zaatari
Akram Zaatari is an artist whose work is tied to collecting and exploring photographic practices in the making of social codes and aesthetic forms. Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut-based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999. The author of more than 40 films and videos—including The End of Time (2013), Tomorrow Everything Will Be Alright (2010), Nature Morte (2008), In This House (2005), This Day (2003) and All Is Well on the Border (1997).
Zaatari investigates notions of desire, pursuit, resistance, memory, surveillance, the shifting nature of political borders and the production and circulation of images in times of war. His works have been featured in dOCUMENTA (13) (2012), the Istanbul Biennial (2011), and the Venice Biennale (2007), among others, and he has shown his films, videos, photographs and other documents in institutions such as the Centre Pompidou in Paris, Tate Modern in London, Kunstverein and Haus der Kunst in Munich, Le Magasin in Grenoble, MUSAC in Leon, MUAC in Mexico City and Videobrasil in Sao Paulo.
Sam Bardaouil and Till Fellrath
Sam Bardaouil and Till Fellrath co-founded Art Reoriented, a multi-disciplinary curatorial platform operating from Munich and New York in 2009. Their past and ongoing exhibition, research and publication projects include collaborations with several museums and cultural institutions such as MoMA in New York, Mathaf in Doha, INHA and IMA in Paris, IVAM in Valencia, the Gwangju Museum of Art and the Today Art Museum in Beijing.
Integral to Bardaouil and Fellrath's practice is the critique of institutionalized exhibition structures. Through their work, they question the way artworks have been appropriated by reductionist narratives and politicized modes of representation. They excavate art historical materials for the purpose of repositioning them in the more dynamic framework of contemporary artistic production.
See also http://fhs1973.wordpress.com
- published: 25 Jun 2013
- views: 1136
Akram Zaatari: Collecting images from the Arab world
- Order: Reorder
- Duration: 2:28
- Updated: 24 Sep 2012
- views: 1054
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries.
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries.
wn.com/Akram Zaatari Collecting Images From The Arab World
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and preserve photographs from Arab countries.
- published: 24 Sep 2012
- views: 1054
Akram Zaatari - Tomorrow everything will be alright.
- Order: Reorder
- Duration: 2:00
- Updated: 25 Jun 2015
- views: 624
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinen...
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinent to the Lebanese postwar condition, specifically the mediation of territorial conflicts and wars though television and media. Zaatari collects and examines a wide range of documents that testify to the cultural and political conditions of Lebanon’s postwar society. His artistic practice involves the study and investigation of the way these documents straddle, conflate, or confuse notions of history and memory. By analyzing and recontextualizing found audiotapes, video footage, photographs, journals, personal collections, interviews, and recollections, Zaatari explores the dynamics that govern the state of image-making in situations of war.
The strength of Zaatari’s work lies in its ability to capture fractured moments in time, even if these sometimes confuse because of their disconnect from the audience and lack of context. Regardless, the stories hold their own as fascinating narratives, managing to reflect on such universal themes as love and lust, and sweet reminiscence, even amidst turbulent political realities.
The indie film was nominated for the teddy award for best short film in 2011
wn.com/Akram Zaatari Tomorrow Everything Will Be Alright.
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari works in photography, video, and performance to explore issues pertinent to the Lebanese postwar condition, specifically the mediation of territorial conflicts and wars though television and media. Zaatari collects and examines a wide range of documents that testify to the cultural and political conditions of Lebanon’s postwar society. His artistic practice involves the study and investigation of the way these documents straddle, conflate, or confuse notions of history and memory. By analyzing and recontextualizing found audiotapes, video footage, photographs, journals, personal collections, interviews, and recollections, Zaatari explores the dynamics that govern the state of image-making in situations of war.
The strength of Zaatari’s work lies in its ability to capture fractured moments in time, even if these sometimes confuse because of their disconnect from the audience and lack of context. Regardless, the stories hold their own as fascinating narratives, managing to reflect on such universal themes as love and lust, and sweet reminiscence, even amidst turbulent political realities.
The indie film was nominated for the teddy award for best short film in 2011
- published: 25 Jun 2015
- views: 624
Akram Zaatari
- Order: Reorder
- Duration: 7:15
- Updated: 10 Mar 2011
- views: 2895
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 d...
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 de enero al 5 de junio de 2011
wn.com/Akram Zaatari
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966), comisariada por Juan Vicente Aliaga y celebrada en el MUSAC del 29 de enero al 5 de junio de 2011
- published: 10 Mar 2011
- views: 2895
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
- Order: Reorder
- Duration: 55:55
- Updated: 08 Jan 2014
- views: 920
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern.
Akram Zataari is a filmmaker, photographer, archiv...
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern.
Akram Zataari is a filmmaker, photographer, archival artist and curator. One of the founders of the Arab Image Foundation, which aims to track down and preserve photos from North Africa, the Middle East, and Arabic communities around the world, Zaatari collects, examines, and recontextualizes a wide range of documents that testify to the cultural and political conditions of Lebanon's postwar society.
https://www.ica.org.uk/whats-on/culture-now-akram-zataari
wn.com/Culture Now Akram Zaatari In Conversation With Achim Borchardt Hume
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitions at Tate Modern.
Akram Zataari is a filmmaker, photographer, archival artist and curator. One of the founders of the Arab Image Foundation, which aims to track down and preserve photos from North Africa, the Middle East, and Arabic communities around the world, Zaatari collects, examines, and recontextualizes a wide range of documents that testify to the cultural and political conditions of Lebanon's postwar society.
https://www.ica.org.uk/whats-on/culture-now-akram-zataari
- published: 08 Jan 2014
- views: 920
Akram Zaatari / Kunstverein München
- Order: Reorder
- Duration: 5:00
- Updated: 27 Aug 2015
- views: 87
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari.
In his work the artist Akram Zaatar...
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari.
In his work the artist Akram Zaatari examines the cultural and political conditions of Lebanon’s postwar society, dedicating parts of his research to the phenomenon of the national resistance movements, as well as underlining the inaccurate representation of territorial conflicts within the media.
As co-founder of the Arab Image Foundation in Beirut, collecting, archiving and analysing the visual history of an uneven modernity in the Middle East forms the basis of Zaatari´s work.
Akram Zaatari´s artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories – confronting personal with historical political events.
The short film “Saida June 6th 1982” for example, is an animated collage of photos, which Zaartari – when he was just 16 years old – took on the first day of the Israeli invasion from the balcony of his parents’ house. Often his chosen form of presentation can be read as a parable for the political and cultural shifts taking place in Beirut and across the Middle East.
Akram Zaatari (*1966 Saida, Lebanon) lives and works in Beirut. He has been showing his work in solo exhibitions (2007, Art Basel; 2005, Grey Art Gallery, New York; 2004 Portikus, Frankfurt; 2002, Palais des Beaux Arts, Brussels) and group exhibitions (2008, Centre Georges Pompidou, Paris; 2007, 52. Biennale, Venice; 2006, Sao Paulo Biennale, Gwangju Biennale,Korea; Sydney Biennale).
Akram Zaatari at Kunstverein München. Munich, Germany, March 27, 2009. Video by Gürsoy Dogtas.
More videos on contemporary art, design, architecture:
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Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
wn.com/Akram Zaatari Kunstverein München
Kunstverein München in Munich, Germany presents the first international survey exhibition of Lebanese artist Akram Zaatari.
In his work the artist Akram Zaatari examines the cultural and political conditions of Lebanon’s postwar society, dedicating parts of his research to the phenomenon of the national resistance movements, as well as underlining the inaccurate representation of territorial conflicts within the media.
As co-founder of the Arab Image Foundation in Beirut, collecting, archiving and analysing the visual history of an uneven modernity in the Middle East forms the basis of Zaatari´s work.
Akram Zaatari´s artistic practice is an ongoing study of historical photographic documents, and their relationship to personal histories – confronting personal with historical political events.
The short film “Saida June 6th 1982” for example, is an animated collage of photos, which Zaartari – when he was just 16 years old – took on the first day of the Israeli invasion from the balcony of his parents’ house. Often his chosen form of presentation can be read as a parable for the political and cultural shifts taking place in Beirut and across the Middle East.
Akram Zaatari (*1966 Saida, Lebanon) lives and works in Beirut. He has been showing his work in solo exhibitions (2007, Art Basel; 2005, Grey Art Gallery, New York; 2004 Portikus, Frankfurt; 2002, Palais des Beaux Arts, Brussels) and group exhibitions (2008, Centre Georges Pompidou, Paris; 2007, 52. Biennale, Venice; 2006, Sao Paulo Biennale, Gwangju Biennale,Korea; Sydney Biennale).
Akram Zaatari at Kunstverein München. Munich, Germany, March 27, 2009. Video by Gürsoy Dogtas.
More videos on contemporary art, design, architecture:
http://vernissage.tv
Connect:
http://www.facebook.com/vernissagetv
http://twitter.com/vernissagetv
Browse our Archive:
http://vernissage.tv/archive/posts/
Find Artists, Designers, Architects:
http://vernissage.tv/archive/artists/
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
- published: 27 Aug 2015
- views: 87
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
- Order: Reorder
- Duration: 1:17
- Updated: 05 Nov 2015
- views: 401
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE
TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI
Synopsis: Le projet Madani prend forme dans un studio de phot...
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE
TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI
Synopsis: Le projet Madani prend forme dans un studio de photographie, le Studio Shehrazade à Saïda, créé en 1953 par le photographe Hashem el Madani. Il ne représentait pas l’archétype du photographe perfectionniste : il avait produit des images en grand nombre qui paraîtraient pauvres du point de vue de la photographie comme art.
26ème session - Journées cinématographique de Carthage
http://www.jcctunisie.org/
wn.com/Twenty Eight Nights And A Poem De Akram Zaatari (Liban)
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE
TWENTY EIGHT NIGHTS AND A POEM - AKRAM ZAATARI
Synopsis: Le projet Madani prend forme dans un studio de photographie, le Studio Shehrazade à Saïda, créé en 1953 par le photographe Hashem el Madani. Il ne représentait pas l’archétype du photographe perfectionniste : il avait produit des images en grand nombre qui paraîtraient pauvres du point de vue de la photographie comme art.
26ème session - Journées cinématographique de Carthage
http://www.jcctunisie.org/
- published: 05 Nov 2015
- views: 401
#TaxiAyamBeirut - Episode 14 - Akram Zaatari
- Order: Reorder
- Duration: 2:20
- Updated: 18 Mar 2015
- views: 114
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية.
ستجول السي...
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية.
ستجول السيارة يومياً في المدينة لتستضيف أبرز المخرجين المشاركين في المهرجان.
تابعونا يومياً في حلقاتٍ متتالية عبر اليوتوب الخاص بنا.
Taxi #BeirutCinemaDays will roam the streets of Beirut every day with a different festival guest. Subscribe to our Youtube channel http://youtube.com/ayambeirut to follow our exclusive interviews! #AyamBeirut8
wn.com/Taxiayambeirut Episode 14 Akram Zaatari
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام إلى الشاشة لتشارك ضمن فعاليات مهرجان أيام بيروت السينمائية.
ستجول السيارة يومياً في المدينة لتستضيف أبرز المخرجين المشاركين في المهرجان.
تابعونا يومياً في حلقاتٍ متتالية عبر اليوتوب الخاص بنا.
Taxi #BeirutCinemaDays will roam the streets of Beirut every day with a different festival guest. Subscribe to our Youtube channel http://youtube.com/ayambeirut to follow our exclusive interviews! #AyamBeirut8
- published: 18 Mar 2015
- views: 114
Akram Zaatari describes Hashem el Madani's "photography of the working class"
- Order: Reorder
- Duration: 2:48
- Updated: 24 Sep 2012
- views: 530
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of his favorite photographers, Hashem el Madani, the first person to own...
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of his favorite photographers, Hashem el Madani, the first person to own a 35mm camera in Zaatari's native city of Saïda, in southern Lebanon.
wn.com/Akram Zaatari Describes Hashem El Madani's Photography Of The Working Class
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of his favorite photographers, Hashem el Madani, the first person to own a 35mm camera in Zaatari's native city of Saïda, in southern Lebanon.
- published: 24 Sep 2012
- views: 530
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
- Order: Reorder
- Duration: 54:26
- Updated: 05 Jun 2009
- views: 1296
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21...
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni.
One of these alumni was Akram Zaatari, founder of the Arab Image Foundation in Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research."
Mr. Zaatari's talk,"Earth of Endless Secrets", emphasized on his interest in the act of collecting, and the notion of study as an art practice. "This presentation looks at how banal objects can communicate the complexity of history, particularly in relation to severe experiences such as war and detention. This is an overview of documents and testimonies I have collected while working on four videos that touched the Israeli occupation of Lebanon."
wn.com/The 8Th Fea Student Conference Akram Zaatari Earth Of Endless Secrets
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni.
One of these alumni was Akram Zaatari, founder of the Arab Image Foundation in Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research."
Mr. Zaatari's talk,"Earth of Endless Secrets", emphasized on his interest in the act of collecting, and the notion of study as an art practice. "This presentation looks at how banal objects can communicate the complexity of history, particularly in relation to severe experiences such as war and detention. This is an overview of documents and testimonies I have collected while working on four videos that touched the Israeli occupation of Lebanon."
- published: 05 Jun 2009
- views: 1296
El molesto asunto, de Akram Zaatari en el MUSAC
- Order: Reorder
- Duration: 2:14
- Updated: 17 Feb 2011
- views: 573
- published: 17 Feb 2011
- views: 573
Kadiview with Akram Zaatari
- Order: Reorder
- Duration: 11:08
- Updated: 14 Oct 2011
- views: 1312
- published: 14 Oct 2011
- views: 1312
AKRAM ZAATARI.El molesto asunto_ EXTRANJERÍAS
- Order: Reorder
- Duration: 2:27
- Updated: 30 Jan 2012
- views: 1609
El MUAC presenta: "El molesto asunto", el artista indaga distintos papeles y expectativas sociales de hombres y mujeres en el mundo árabe en general/Por su part...
El MUAC presenta: "El molesto asunto", el artista indaga distintos papeles y expectativas sociales de hombres y mujeres en el mundo árabe en general/Por su parte Extranjerías tiene como punto de partida un proceso de investigación los desplazamientos temporales o forzados.
wn.com/Akram Zaatari.El Molesto Asunto Extranjerías
El MUAC presenta: "El molesto asunto", el artista indaga distintos papeles y expectativas sociales de hombres y mujeres en el mundo árabe en general/Por su parte Extranjerías tiene como punto de partida un proceso de investigación los desplazamientos temporales o forzados.
- published: 30 Jan 2012
- views: 1609
Tomorow everything will be all right 2010 by Akram Zaatari
- Order: Reorder
- Duration: 0:25
- Updated: 22 Oct 2010
- views: 1519
- published: 22 Oct 2010
- views: 1519
Akram Zaatari | SALT Beyoğlu | ekavart.tv
- Order: Reorder
- Duration: 5:27
- Updated: 03 Jan 2015
- views: 232
Akram Zaatari
2 Aralık 2014 - 15 Şubat 2015
SALT Beyoğlu
Akram Zaatari’nin Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosundan bir kare
Lüb...
Akram Zaatari
2 Aralık 2014 - 15 Şubat 2015
SALT Beyoğlu
Akram Zaatari’nin Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosundan bir kare
Lübnanlı sanatçı Akram Zaatari'nin, SALT Beyoğlu'nun üç katına yayılan geniş kapsamlı sergisi, The Uneasy Subject [Rahatsız Edici Konu], 28 Nights and A Poem [28 Gece ve Bir Şiir], Earth of Endless Secrets [Ebedî Gizemler Toprağı] ve Time Capsule [Zaman Kapsülü] gibi önemli projelerinden işleri bir araya getirir. Sanatçının 2014 tarihli Beirut Exploded Views [Beyrut Parçalı Görüntüler] videosunu da içeren serginin açılış haftasının yanı sıra sonraki tarihlerde SALT Beyoğlu'ndaki Açık Sinema'da, Letter to a Refusing Pilot [Reddeden Pilota Mektup] (2013) videosunun gösterimi yapılacak.
SALT Beyoğlu'nun katlarında üç ayrı temada sunulan sergi, sanatçının 1998'den 2014'e farklı dönemlerde ürettiği proje ve işlerinin, inceledikleri meseleler bağlamında aynı mekânda bir arada görülmesine olanak tanır.
Üçüncü katta, Zaatari'nin, bedensel duruş ve hareketleri bir dil olarak değerlendirdiği işleri bulunur. Bunlardan biri olan Another Resolution [Bir Başka Çerçeve] (1998) adlı ilk video enstalasyonu, fotoğraf çekimlerindeki tipik pozlara dair bir yeniden canlandırmadır. SALT Beyoğlu'ndaki bütünlüklü ve kompleks enstalasyon, işin daha önce nadiren sunulduğu formatta 12 duvar projeksiyonundan oluşur. Sanatçının, sadece bedensel hareketler ve akıllı telefonlarla iletişim kurulan kıyamet sonrası bir şehri andıran Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosu da bu kattadır.
Zaatari'nin fotoğraf arşivleri üzerine yürüttüğü araştırmalarına odaklanan ikinci katta iki önemli iş yer alır. Yerel fotoğrafçılık konulu araştırmalarının ayrıntılı bir sunumu niteliğindeki On Photography, People and Modern Times [Fotoğraf, İnsanlar ve Modern Zamanlar Üzerine] (2010), daha sonra Beyrut'ta bulunan Arab Image Foundation'ın Orta Doğu kaynaklı fotoğraf koleksiyonunu oluşturmuştur. 28 Nights and A Poem [28 Gece ve Bir Şiir] (2006-2014) ise, sanatçının bir kazı alanı olarak ele aldığı bir fotoğraf stüdyosunda çekilmiş fotoğraf, film ve videoları sunan çoklu medya bir enstalasyondur.
Birinci katta Zaatari'nin, nesnelerin gizlenmesi ve ortaya çıkarılması bakımından bir metafor olarak kazı eylemlerini, yani arkeoloji ile tezatlarını irdeleyen işleri sergilenir. dOCUMENTA 13 (2012) için gerçekleştirdiği Time Capsule [Zaman Kapsülü] projesinden sergiye dâhil edilen işler, sanatçının bu ilgi alanlarına yönelik araştırmalarının bir çerçevesi niteliğindedir. Zaatari'nin, Osman Hamdi Bey'in 1887'deki Sayda kazılarına odaklı yeni araştırmasının bir sunumu mekânın girişinde konumlanır. Bu enstalasyon, aynı konudaki yeni üretimlerine temel olacak söyleşiler ve kilit belgeler içerir. Zaatari'nin 2014'te, Boğaziçi Üniversitesi'nde katıldığı Boğaziçi Chronicles konuk sanatçı programının bir parçası olarak başlattığı araştırma, daha sonra SALT tarafından geliştirilmiştir.
Zaatari, serginin açıldığı 2 Aralık Salı günü saat 19.00'da SALT Beyoğlu'ndaki Açık Sinema'da, Letter to a Refusing Pilot [Reddeden Pilota Mektup] adlı işi üzerine, bu videonun gösterimini de içeren bir konuşma yapacak.
Akram Zaatari tamamı kazı çalışmaları, politik direniş, eski militanların yaşamı, gücü tükenmiş bir sol hareketin mirası, erkekler arasında yakın ilişkiler, savaş zamanlarında görüntülerin dolaşımı ve zaman kiplerinin kaybolmuş, bulunmuş, gömülmüş, ortaya çıkarılmış veya başka bir nedenle gönderildiği adrese ulaşması gecikmiş mektuplara özgü oyunlarıyla ilişkili; birbiriyle bağlantılı bir dizi tema, konu ve pratiğin izini süren 40'tan fazla video, bir düzine kitap ve sayısız fotoğraf enstalasyonu üretti.
Zaatari, Beyrut'un güncel sanat ortamının biçimsel, entelektüel ve kurumsal altyapısının gelişiminde belirleyici bir rol oynadı. İç savaşın ardından köklü bir yapılandırma geçiren Lübnan televizyon endüstrisindeki coşkulu ancak kısa ömürlü deneysel dönemde öne çıkan az sayıda genç sanatçıdan biri oldu. Bölgedeki fotoğraf araştırma ve çalışmalarına yönelik, sanatçı odaklı bir organizasyon olan Arab Image Foundation'ın kuruluşunda yer aldı; muhafaza ve arşiv pratikleri alanındaki geniş çaplı söylemlere ilkeli ve değerli katkılarda bulundu.
2012'de dOCUMENTA 13'e katılan sanatçı, 2013 Venedik Bienali'nde Lübnan'ı temsil etti.
Bu sergi, Zaatari'nin 2011'de aldığı Yanghun Ödülü'nün (Kore) mali desteğiyle gerçekleştirilmektedir.
Müzik:Müzikotek
wn.com/Akram Zaatari | Salt Beyoğlu | Ekavart.Tv
Akram Zaatari
2 Aralık 2014 - 15 Şubat 2015
SALT Beyoğlu
Akram Zaatari’nin Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosundan bir kare
Lübnanlı sanatçı Akram Zaatari'nin, SALT Beyoğlu'nun üç katına yayılan geniş kapsamlı sergisi, The Uneasy Subject [Rahatsız Edici Konu], 28 Nights and A Poem [28 Gece ve Bir Şiir], Earth of Endless Secrets [Ebedî Gizemler Toprağı] ve Time Capsule [Zaman Kapsülü] gibi önemli projelerinden işleri bir araya getirir. Sanatçının 2014 tarihli Beirut Exploded Views [Beyrut Parçalı Görüntüler] videosunu da içeren serginin açılış haftasının yanı sıra sonraki tarihlerde SALT Beyoğlu'ndaki Açık Sinema'da, Letter to a Refusing Pilot [Reddeden Pilota Mektup] (2013) videosunun gösterimi yapılacak.
SALT Beyoğlu'nun katlarında üç ayrı temada sunulan sergi, sanatçının 1998'den 2014'e farklı dönemlerde ürettiği proje ve işlerinin, inceledikleri meseleler bağlamında aynı mekânda bir arada görülmesine olanak tanır.
Üçüncü katta, Zaatari'nin, bedensel duruş ve hareketleri bir dil olarak değerlendirdiği işleri bulunur. Bunlardan biri olan Another Resolution [Bir Başka Çerçeve] (1998) adlı ilk video enstalasyonu, fotoğraf çekimlerindeki tipik pozlara dair bir yeniden canlandırmadır. SALT Beyoğlu'ndaki bütünlüklü ve kompleks enstalasyon, işin daha önce nadiren sunulduğu formatta 12 duvar projeksiyonundan oluşur. Sanatçının, sadece bedensel hareketler ve akıllı telefonlarla iletişim kurulan kıyamet sonrası bir şehri andıran Beirut Exploded Views [Beyrut Parçalı Görüntüler] (2014) videosu da bu kattadır.
Zaatari'nin fotoğraf arşivleri üzerine yürüttüğü araştırmalarına odaklanan ikinci katta iki önemli iş yer alır. Yerel fotoğrafçılık konulu araştırmalarının ayrıntılı bir sunumu niteliğindeki On Photography, People and Modern Times [Fotoğraf, İnsanlar ve Modern Zamanlar Üzerine] (2010), daha sonra Beyrut'ta bulunan Arab Image Foundation'ın Orta Doğu kaynaklı fotoğraf koleksiyonunu oluşturmuştur. 28 Nights and A Poem [28 Gece ve Bir Şiir] (2006-2014) ise, sanatçının bir kazı alanı olarak ele aldığı bir fotoğraf stüdyosunda çekilmiş fotoğraf, film ve videoları sunan çoklu medya bir enstalasyondur.
Birinci katta Zaatari'nin, nesnelerin gizlenmesi ve ortaya çıkarılması bakımından bir metafor olarak kazı eylemlerini, yani arkeoloji ile tezatlarını irdeleyen işleri sergilenir. dOCUMENTA 13 (2012) için gerçekleştirdiği Time Capsule [Zaman Kapsülü] projesinden sergiye dâhil edilen işler, sanatçının bu ilgi alanlarına yönelik araştırmalarının bir çerçevesi niteliğindedir. Zaatari'nin, Osman Hamdi Bey'in 1887'deki Sayda kazılarına odaklı yeni araştırmasının bir sunumu mekânın girişinde konumlanır. Bu enstalasyon, aynı konudaki yeni üretimlerine temel olacak söyleşiler ve kilit belgeler içerir. Zaatari'nin 2014'te, Boğaziçi Üniversitesi'nde katıldığı Boğaziçi Chronicles konuk sanatçı programının bir parçası olarak başlattığı araştırma, daha sonra SALT tarafından geliştirilmiştir.
Zaatari, serginin açıldığı 2 Aralık Salı günü saat 19.00'da SALT Beyoğlu'ndaki Açık Sinema'da, Letter to a Refusing Pilot [Reddeden Pilota Mektup] adlı işi üzerine, bu videonun gösterimini de içeren bir konuşma yapacak.
Akram Zaatari tamamı kazı çalışmaları, politik direniş, eski militanların yaşamı, gücü tükenmiş bir sol hareketin mirası, erkekler arasında yakın ilişkiler, savaş zamanlarında görüntülerin dolaşımı ve zaman kiplerinin kaybolmuş, bulunmuş, gömülmüş, ortaya çıkarılmış veya başka bir nedenle gönderildiği adrese ulaşması gecikmiş mektuplara özgü oyunlarıyla ilişkili; birbiriyle bağlantılı bir dizi tema, konu ve pratiğin izini süren 40'tan fazla video, bir düzine kitap ve sayısız fotoğraf enstalasyonu üretti.
Zaatari, Beyrut'un güncel sanat ortamının biçimsel, entelektüel ve kurumsal altyapısının gelişiminde belirleyici bir rol oynadı. İç savaşın ardından köklü bir yapılandırma geçiren Lübnan televizyon endüstrisindeki coşkulu ancak kısa ömürlü deneysel dönemde öne çıkan az sayıda genç sanatçıdan biri oldu. Bölgedeki fotoğraf araştırma ve çalışmalarına yönelik, sanatçı odaklı bir organizasyon olan Arab Image Foundation'ın kuruluşunda yer aldı; muhafaza ve arşiv pratikleri alanındaki geniş çaplı söylemlere ilkeli ve değerli katkılarda bulundu.
2012'de dOCUMENTA 13'e katılan sanatçı, 2013 Venedik Bienali'nde Lübnan'ı temsil etti.
Bu sergi, Zaatari'nin 2011'de aldığı Yanghun Ödülü'nün (Kore) mali desteğiyle gerçekleştirilmektedir.
Müzik:Müzikotek
- published: 03 Jan 2015
- views: 232
Trailer VCA - Um olhar sobre os olhares de Akram Zaatari
- Order: Reorder
- Duration: 2:13
- Updated: 14 Jun 2007
- views: 1545
UM OLHAR SOBRE OS OLHARES DE AKRAM ZAATARI
42' 21'' Brasil, 2004
Produção: Associação Cultural Videobrasil
Direção: Alex Gabassi
Nos anos de guerra civil ...
UM OLHAR SOBRE OS OLHARES DE AKRAM ZAATARI
42' 21'' Brasil, 2004
Produção: Associação Cultural Videobrasil
Direção: Alex Gabassi
Nos anos de guerra civil no Líbano, Akram Zaatari registrou o cotidiano num diário. Explosões, abrigos e, também, aulas na auto-escola e a compra de um carro: "as contradições da vida que continua em áreas de conflito", diz ele. O diário foi o primeiro contato com a produção de imagens, centrais nos vídeos e nas instalações que faria em seguida. Sua obra, marcada pelas mudanças no país, tem como temas-chave sexualidade, política e história. Primeiro documentário da série Videobrasil Coleção de Autores concebido para DVD, o filme o acompanha em seu país de origem e no Brasil, e traz como extra depoimentos inéditos de alguns dos principais nomes da arte contemporânea libanesa. Zaatari é um ativo articulador da nova cena libanesa, marcada por parcerias e multidisciplinaridade. Mais Informações: http://www.videobrasil.org.br
wn.com/Trailer Vca Um Olhar Sobre Os Olhares De Akram Zaatari
UM OLHAR SOBRE OS OLHARES DE AKRAM ZAATARI
42' 21'' Brasil, 2004
Produção: Associação Cultural Videobrasil
Direção: Alex Gabassi
Nos anos de guerra civil no Líbano, Akram Zaatari registrou o cotidiano num diário. Explosões, abrigos e, também, aulas na auto-escola e a compra de um carro: "as contradições da vida que continua em áreas de conflito", diz ele. O diário foi o primeiro contato com a produção de imagens, centrais nos vídeos e nas instalações que faria em seguida. Sua obra, marcada pelas mudanças no país, tem como temas-chave sexualidade, política e história. Primeiro documentário da série Videobrasil Coleção de Autores concebido para DVD, o filme o acompanha em seu país de origem e no Brasil, e traz como extra depoimentos inéditos de alguns dos principais nomes da arte contemporânea libanesa. Zaatari é um ativo articulador da nova cena libanesa, marcada por parcerias e multidisciplinaridade. Mais Informações: http://www.videobrasil.org.br
- published: 14 Jun 2007
- views: 1545
Miartalks 2014: Time Capsule - Nav Haq, Akram Zaatari
- Order: Reorder
- Duration: 54:02
- Updated: 21 Nov 2014
- views: 87
miartalks
Domenica 30 marzo 2014
ore 15:15 – 16:15
“Time Capsule”
Nav Haq, Curatore, MuHKA, Antwerp
Akram Zaatari, Artista, Beirut
Introduce: Luca Lo Pinto
ww...
miartalks
Domenica 30 marzo 2014
ore 15:15 – 16:15
“Time Capsule”
Nav Haq, Curatore, MuHKA, Antwerp
Akram Zaatari, Artista, Beirut
Introduce: Luca Lo Pinto
www.miart.it
wn.com/Miartalks 2014 Time Capsule Nav Haq, Akram Zaatari
miartalks
Domenica 30 marzo 2014
ore 15:15 – 16:15
“Time Capsule”
Nav Haq, Curatore, MuHKA, Antwerp
Akram Zaatari, Artista, Beirut
Introduce: Luca Lo Pinto
www.miart.it
- published: 21 Nov 2014
- views: 87
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
- Order: Reorder
- Duration: 2:40
- Updated: 27 Jun 2014
- views: 132
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de...
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque.
wn.com/04. Histórias Akram Zaatari Letter To A Refusing Pilot, 2013 Saida, June 6, 1982
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque.
- published: 27 Jun 2014
- views: 132
Interview Akram Zaatari (par Yves Aupetitallot) - FR
- Order: Reorder
- Duration: 0:57
- Updated: 16 Oct 2012
- views: 171
Interview de Akram Zaatari par Yves Aupetitallot à l'occasion de son exposition "Aujourd'hui à 10 ans" au MAGASIN Centre National d'Art Contemporain de Grenoble...
Interview de Akram Zaatari par Yves Aupetitallot à l'occasion de son exposition "Aujourd'hui à 10 ans" au MAGASIN Centre National d'Art Contemporain de Grenoble, du 13/10/2012 au 06/01/2013.
wn.com/Interview Akram Zaatari (Par Yves Aupetitallot) Fr
Interview de Akram Zaatari par Yves Aupetitallot à l'occasion de son exposition "Aujourd'hui à 10 ans" au MAGASIN Centre National d'Art Contemporain de Grenoble, du 13/10/2012 au 06/01/2013.
- published: 16 Oct 2012
- views: 171
-
Twenty Eight Nights and a Poem - Trailer | Films From Here
This striking visual essay continues Lebanese artist Akram Zaatari’s ongoing engagement with the work of photographer Hashem el Madani, who ran a commercial studio for five decades in southern Lebanon. The Arab Image Foundation, which Zaatari cofounded in 1997 with the mission of collecting and preserving photographs from the Arab world, houses and studies the Madani collection. Yet the film distances itself from this archival impulse, moving away from the stability and sanctity of the object in favor of expansiveness, creating contemporary meaning through new contexts and approaches. Directed by Akram Zaatari. Purchase tickets: http://bit.ly/1ij4sI6 Learn more about "Films From Here": http://bit.ly/1MgCjxG -
Akram Zaatari at Moderna Museet
A few seconds from a film by Lebanese artist Akram Zaatari that was screened as part of his solo exhibition "Unfolding" at the Moderna Museet in Stockholm 2015. -
APF: The Archive as Project/ conference - 10. Akram Zaatari (EN)
The Archive Looking Awry I: Archives of Disputed Histories. Akram Zaatari. Warsaw 2012. -
Video sketch from Stockholm March 2015
Exhibition experiences for personal inspiration #Moderna Museet; Louise Bourgeois, Akram Zaatari. #Tekniska Museet; Digital Revolution, Spelet om Energin. -
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 1/3
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»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 2/3
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»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 3/3
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04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
Exposição "Histórias: Obras da Coleção de Serralves" 29 MAI - 21 SET 2014 http://bit.ly/HistoriasColecaoSerralves Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque. -
Entrevista: El molesto asunto
Entrevista a Juan Vicente Aliaga (España, 1959), curador de la exposición de Akram Zaatari: El molesto asunto. EXPOSICIÓN: Akram Zaatari: El molesto asunto MUAC, 2012. -
Videobrasil Coleção de Autores – Programas de novembro
Em novembro, o Videobrasil na TV exibe quarto documentários sobre o processo criativo de artistas visuais realizados por diretores convidados da série Videobrasil Coleção de Autores. A dupla Maurício Dias e Walter Riedweg, o Mau-Wal; o libanês Akram Zaatari; a norte-americana de origem cubana Coco Fusco e o coletivo brasileiro Chelpa Ferro. Segundas, às 23h Classificação Indicativa: 12 anos -
TRANSITION(S) 21 mai
découverte de l'oeuvre d'akram zaatari
Twenty Eight Nights and a Poem - Trailer | Films From Here
- Order: Reorder
- Duration: 2:10
- Updated: 25 Sep 2015
- views: 363
This striking visual essay continues Lebanese artist Akram Zaatari’s ongoing engagement with the work of photographer Hashem el Madani, who ran a commercial stu...
This striking visual essay continues Lebanese artist Akram Zaatari’s ongoing engagement with the work of photographer Hashem el Madani, who ran a commercial studio for five decades in southern Lebanon. The Arab Image Foundation, which Zaatari cofounded in 1997 with the mission of collecting and preserving photographs from the Arab world, houses and studies the Madani collection. Yet the film distances itself from this archival impulse, moving away from the stability and sanctity of the object in favor of expansiveness, creating contemporary meaning through new contexts and approaches.
Directed by Akram Zaatari.
Purchase tickets: http://bit.ly/1ij4sI6
Learn more about "Films From Here": http://bit.ly/1MgCjxG
wn.com/Twenty Eight Nights And A Poem Trailer | Films From Here
This striking visual essay continues Lebanese artist Akram Zaatari’s ongoing engagement with the work of photographer Hashem el Madani, who ran a commercial studio for five decades in southern Lebanon. The Arab Image Foundation, which Zaatari cofounded in 1997 with the mission of collecting and preserving photographs from the Arab world, houses and studies the Madani collection. Yet the film distances itself from this archival impulse, moving away from the stability and sanctity of the object in favor of expansiveness, creating contemporary meaning through new contexts and approaches.
Directed by Akram Zaatari.
Purchase tickets: http://bit.ly/1ij4sI6
Learn more about "Films From Here": http://bit.ly/1MgCjxG
- published: 25 Sep 2015
- views: 363
Akram Zaatari at Moderna Museet
- Order: Reorder
- Duration: 0:07
- Updated: 26 Jun 2015
- views: 24
A few seconds from a film by Lebanese artist Akram Zaatari that was screened as part of his solo exhibition "Unfolding" at the Moderna Museet in Stockholm 2015....
A few seconds from a film by Lebanese artist Akram Zaatari that was screened as part of his solo exhibition "Unfolding" at the Moderna Museet in Stockholm 2015.
wn.com/Akram Zaatari At Moderna Museet
A few seconds from a film by Lebanese artist Akram Zaatari that was screened as part of his solo exhibition "Unfolding" at the Moderna Museet in Stockholm 2015.
- published: 26 Jun 2015
- views: 24
APF: The Archive as Project/ conference - 10. Akram Zaatari (EN)
- Order: Reorder
- Duration: 39:27
- Updated: 22 May 2015
- views: 9
The Archive Looking Awry I: Archives of Disputed Histories.
Akram Zaatari. Warsaw 2012.
- published: 22 May 2015
- views: 9
Video sketch from Stockholm March 2015
- Order: Reorder
- Duration: 6:19
- Updated: 30 Mar 2015
- views: 82
Exhibition experiences for personal inspiration #Moderna Museet; Louise Bourgeois, Akram Zaatari. #Tekniska Museet; Digital Revolution, Spelet om Energin.
Exhibition experiences for personal inspiration #Moderna Museet; Louise Bourgeois, Akram Zaatari. #Tekniska Museet; Digital Revolution, Spelet om Energin.
wn.com/Video Sketch From Stockholm March 2015
Exhibition experiences for personal inspiration #Moderna Museet; Louise Bourgeois, Akram Zaatari. #Tekniska Museet; Digital Revolution, Spelet om Energin.
- published: 30 Mar 2015
- views: 82
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 1/3
- Order: Reorder
- Duration: 8:06
- Updated: 28 Mar 2015
- views: 55
- published: 28 Mar 2015
- views: 55
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 2/3
- Order: Reorder
- Duration: 10:00
- Updated: 28 Mar 2015
- views: 44
- published: 28 Mar 2015
- views: 44
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 3/3
- Order: Reorder
- Duration: 9:34
- Updated: 28 Mar 2015
- views: 27
- published: 28 Mar 2015
- views: 27
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
- Order: Reorder
- Duration: 2:45
- Updated: 11 Feb 2015
- views: 19
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de ...
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque.
wn.com/04. Histórias Akram Zaatari Letter To A Refusing Pilot, 2013 Saida, June 6, 1982
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/HistoriasColecaoSerralves
Nos 15 anos do Museu de Arte Contemporânea de Serralves, a exposição "Histórias" revela a coleção de arte contada numa narrativa em três partes, com mais de 60 obras de pintura, escultura, instalação filme e vídeo, fotografia e performance para ver no Museu, na Casa e no Parque.
- published: 11 Feb 2015
- views: 19
Entrevista: El molesto asunto
- Order: Reorder
- Duration: 3:51
- Updated: 13 Jan 2015
- views: 41
Entrevista a Juan Vicente Aliaga (España, 1959), curador de la exposición de Akram Zaatari: El molesto asunto.
EXPOSICIÓN: Akram Zaatari: El molesto asunto
MU...
Entrevista a Juan Vicente Aliaga (España, 1959), curador de la exposición de Akram Zaatari: El molesto asunto.
EXPOSICIÓN: Akram Zaatari: El molesto asunto
MUAC, 2012.
wn.com/Entrevista El Molesto Asunto
Entrevista a Juan Vicente Aliaga (España, 1959), curador de la exposición de Akram Zaatari: El molesto asunto.
EXPOSICIÓN: Akram Zaatari: El molesto asunto
MUAC, 2012.
- published: 13 Jan 2015
- views: 41
Videobrasil Coleção de Autores – Programas de novembro
- Order: Reorder
- Duration: 4:39
- Updated: 27 Oct 2014
- views: 20
Em novembro, o Videobrasil na TV exibe quarto documentários sobre o processo criativo de artistas visuais realizados por diretores convidados da série Videobras...
Em novembro, o Videobrasil na TV exibe quarto documentários sobre o processo criativo de artistas visuais realizados por diretores convidados da série Videobrasil Coleção de Autores. A dupla Maurício Dias e Walter Riedweg, o Mau-Wal; o libanês Akram Zaatari; a norte-americana de origem cubana Coco Fusco e o coletivo brasileiro Chelpa Ferro.
Segundas, às 23h
Classificação Indicativa: 12 anos
wn.com/Videobrasil Coleção De Autores – Programas De Novembro
Em novembro, o Videobrasil na TV exibe quarto documentários sobre o processo criativo de artistas visuais realizados por diretores convidados da série Videobrasil Coleção de Autores. A dupla Maurício Dias e Walter Riedweg, o Mau-Wal; o libanês Akram Zaatari; a norte-americana de origem cubana Coco Fusco e o coletivo brasileiro Chelpa Ferro.
Segundas, às 23h
Classificação Indicativa: 12 anos
- published: 27 Oct 2014
- views: 20
TRANSITION(S) 21 mai
- Order: Reorder
- Duration: 6:06
- Updated: 21 May 2013
- views: 16
découverte de l'oeuvre d'akram zaatari
découverte de l'oeuvre d'akram zaatari
wn.com/Transition(S) 21 Mai
découverte de l'oeuvre d'akram zaatari
- published: 21 May 2013
- views: 16
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Salon | Gender, Wars and Chadors, Part III
Ghada Amer, Artist, New York Kader Attia, Artist, Beirut Akram Zaatari, Artist, Berlin Moderator | Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London Date | Thursday, Dec 3, 2009 -
"Unruly Visions: The Aesthetic Practices of Queer Diaspora"
As part of the Social Justice Institute Noted Scholars Lecture Series at the University of British Columbia: Dr. Gayatri Gopinath, Associate Professor and Director of the Asian/Pacific/American Studies Program in the Department of Social and Cultural Analysis, New York University Sept 23, 12-1pm Liu Institute for Global Issues Multipurpose Room, 6476 NW Marine Drive ABSTRACT: What alternative model of visuality does the spatial/epistemic formation of queer diaspora offer? How does this model of queer visuality transform our understanding of time and space, history and memory? To answer these questions, I identify what I term “the aesthetic practices of queer diaspora”: these are aesthetic practices that engage the visual register and that negotiate diasporic movement in multiple geograp... -
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 1: Discussion
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 1: Discussion Filmed March 6, 2014 at CentralTrak The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani. Noah Simblist An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on ... -
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 2: Discussion continued
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 2: Discussion continued Filmed March 6, 2014 at CentralTrak The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani. Noah Simblist An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a... -
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 3: Questions
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 3 Questions Filmed March 6, 2014 at CentralTrak The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani. Noah Simblist An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on ar... -
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. Other Ways: Seminar
Allan Kaprow used a variety of terms for the written aspects of his works: instructions, directions, scores, recipes. These terms suggest components, actions, and sequencing, and by the end of his life the artist began to use the word "reinvention" (as both verb and noun) to name the separate iterations of any given recipe. This talk will explore the historical context and framing of Kaprow's "invention" and some of the implications of such "reinvention" for contempoary artistic and critical practices. Judith Rodenbeck is the author of Radical Prototypes: Allan Kaprow and the Invention of Happenings (MIT Press, 2011). A past editor of Art Journal, she has written for magazines such as October, Grey Room, X-TRA, Artforum and Modern Painters and for exhibitions ranging from Antonio Manuel:... -
Profiles: Collecting Art in Lebanon- Zeina Arida
This video is part of the exhibition "Profiles: Collecting Art in Lebanon", curated by Octavian Esanu at the AUB Art Gallery. From the beginning, certain roles in the art world have been firmly established: the artist produced, and the art collector bought or accumulated out of enjoyment, compulsion, concern for cultural heritage, or with the noble intention of showing the artwork to the public. Before the emergence of curatorship as a profession, it was often the art collector who exhibited the artist, acting as a lens through which the product of artistic labor was projected onto the public realm. For this event at AUB Art Gallery, we decided to turn this lens around. Profiles: Collecting Art in Lebanon shines a spotlight directly on the figure of the collector and on the practice of ar... -
Share Your Story | Week 1 | John Akram
One Church is a nondenominational church in Chandler and Gilbert, AZ. Questions and Doubts Welcome. For more information, visit onechurch.com. -
لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
لقاء خاص مع الفنانة المغربية المغتربة هدى دودار مع الاعلامي اكرم لبنان www.akramliban.com -
APF: The Archive as Project/ conference - 6. Sven Spieker (EN)
The Archive in Theory , Sven Spieker. Warsaw 2012. -
03 Simpósio SAAL - Conferencia Introdutória
Simpósio em Serralves | 10 mai 2014 | http://bit.ly/1lAxkH8 40 anos volvidos sobre o arranque do SAAL -- Serviço Ambulatório de Apoio Local, consequência da Revolução do 25 de Abril de 1974, parece importante debater o processo interdisciplinar que foi o SAAL, numa ótica que admite já a distância histórica mas simultaneamente permite a participação de alguns dos seus protagonistas. Curadoria: Delfim Sardo -
Israel Today Pilot 1
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New Work Summit | Creating a Dynamic Culture | Marc Benioff in conversation with Jenna Wortham
Internet entrepreneur and visionary Marc Benioff, chairman and C.E.O. of Salesforce, the first and most successful cloud computing software company, has seen spectacular growth. He shares key insights on how establishing a strong corporate culture is critical to fueling and managing growth. -
At Arms
Fates converge and secrets unfold in this personal story set in the impersonal backdrop of war. Somewhere in Europe, sometime in World War II, U.S. Army Ranger Kymbal (Dale D. Moore) follows a trail of battle, and at its end encounters a misdropped paratrooper named Richards (Dustin Miles). But what is he hiding? Who is this mysterious German soldier (William Finkbiner)? What of the little girl (Haley Kloess)? AT ARMS is an emotional tale in a private corner from the chaos of war. For full cast and crew and special features, check out: http://atarms.sluglinepictures.com Making-of, trailers, and other good stuff available on our YouTube channel here: http://www.youtube.com/sluglinepictures -
Poesie muss von allen gemacht werden
Talkshow vom 14.10.2003 zur Ausstellung "Poesie muss von allen gemacht werden", die 1970 am Kunstverein München stattfand. Als Teil der Ausstellung "Telling Histories", die 2003 im Kunstverein München stattfand. KünstlerInnen: Liam Gillick und Mabe Bethonico. Talkshowgäste: Lydia Hartl, Rainer Kallhardt, Alfred Lachauer, Haimo Liebich, Ingrid Rein, Bernhard Schwenk. Idee und Moderation Sören Grammel Bühnendesign und Musik Liam Gillick Video D. Vitec pro München Aufnahmeregie Antonio Guidi Søren Grammel www.soerengrammel.net -
Interview Roy Dib 'A Spectacle of Privacy''
29. TEDDY AWARD, 65. Berlin International Film Festival Interview Roy Dib, director "A Spectacle of Privacy" http://news.teddyaward.tv/en/program/?a-z=0&id;_film=610 'A Spectacle of Privacy' LB, 2014 Directed by Roy Dib Two people in a hotel room, discussing. A private space, an intimate space. This is a story of the city mourning the disappearance and demolition of its people, whose struggles have gone astray. Roy Dib Roy Dib is an artist and an art critic. He works and lives in Beirut, Lebanon. His work focuses on the subjective constructions of space. He is cofounder of the the theater group Zoukak (2006–2009). His short film “Mondial 2010” (2014) participated in several festivals and won the Teddy Award for the Best Short Film at the 64th Berlinale. -
The 8th FEA Student Conference - Opening Ceremony and Awards Presentation
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the inauguration of the 15th president of AUB, Dr. Peter F. Dorman. This annual conference provides a forum in which students present their projects, research, and design. The program featured five tracks and included distinguished plenary presentations and technical sessions. A concurrent exhibition highlighted the work of FEA students including final year projects. President P. Dorman opened the Conference and the Sessions and Dean Ibrahim Hajj introduced the invited plenary speakers. The plenary speakers are distinguished AUB alumni honored for their achievements and leadership... -
Bak kim var? / Who's in town? Maria Lind
Please scroll down for English IN THE MIDST OF About working with and around Tensta konsthall [ORTASINDA Tensta çevresinde, Tensta konsthall ile çalışmak üzerine] Tensta konsthall Direktörü Maria Lind, Stockholm'ün banliyölerinden Tensta'daki bir sanat merkezinde güncel sanat üzerine çalışmanın çeşitli yönleri ve sonuçları üzerine konuşacak. Çoğu göçmen kökenli yaklaşık 20 bin kişilik bir nüfusa sahip, geç dönem modernist özellikler taşıyan bir yerleşim merkezinde bulunan Tensta konsthall'in ekibi, yerleşiklik ve özerklik sorunlarına yeni ve farklı açılardan bakmayı amaçlıyor. Maria Lind kimdir? 1966 doğumlu Maria Lind, Stockholm'de küratör ve eleştirmen olarak çalışıyor ve hâlen Tensta konsthall'de direktörlük görevini yürütüyor. 2008-2010 yıllarında Bard College bünyesindeki Center ... -
The 8th FEA Student Conference - Taha Mikati: "Professional Journey of Successful FEA Alumnus"
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni. One of these alumni was Mr. Taha Mikati, Founder and CEO, M1 Group, Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research." Mr. Mikati's talk, "Professional Life Journey of a Successful FEA Alumnus" shed the light on the story of a successful FEA alumnus which proves that FEA graduates are problem solvers, life-long learners, leaders in their professio...
Salon | Gender, Wars and Chadors, Part III
- Order: Reorder
- Duration: 47:24
- Updated: 10 Dec 2012
- views: 400
Ghada Amer, Artist, New York
Kader Attia, Artist, Beirut
Akram Zaatari, Artist, Berlin
Moderator | Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes...
Ghada Amer, Artist, New York
Kader Attia, Artist, Beirut
Akram Zaatari, Artist, Berlin
Moderator | Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London
Date | Thursday, Dec 3, 2009
wn.com/Salon | Gender, Wars And Chadors, Part Iii
Ghada Amer, Artist, New York
Kader Attia, Artist, Beirut
Akram Zaatari, Artist, Berlin
Moderator | Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects, Serpentine Gallery, London
Date | Thursday, Dec 3, 2009
- published: 10 Dec 2012
- views: 400
"Unruly Visions: The Aesthetic Practices of Queer Diaspora"
- Order: Reorder
- Duration: 58:25
- Updated: 28 Oct 2015
- views: 107
As part of the Social Justice Institute Noted Scholars Lecture Series at the University of British Columbia:
Dr. Gayatri Gopinath, Associate Professor and Dire...
As part of the Social Justice Institute Noted Scholars Lecture Series at the University of British Columbia:
Dr. Gayatri Gopinath, Associate Professor and Director of the Asian/Pacific/American Studies Program in the Department of Social and Cultural Analysis, New York University
Sept 23, 12-1pm
Liu Institute for Global Issues
Multipurpose Room, 6476 NW Marine Drive
ABSTRACT: What alternative model of visuality does the spatial/epistemic formation of queer diaspora offer? How does this model of queer visuality transform our understanding of time and space, history and memory? To answer these questions, I identify what I term “the aesthetic practices of queer diaspora”: these are aesthetic practices that engage the visual register and that negotiate diasporic movement in multiple geographic locations. These practices work within the visual field in order to point to that which the visual field cannot accommodate. As such, they gesture to realms outside and beyond the visual, and turn instead to the sensorial and the affective as conduits for apprehending the intertwined nature of seemingly disparate historical formations. I focus in particular on the work of Australian indigenous artist Tracey Moffatt, alongside that of Lebanese artist Akram Zaatari, to identify how the aesthetic practices of queer diaspora place in the same frame different histories of dispossession and displacement, colonialism and racialization – without rendering them equivalent.
Co-sponsored by Critical Studies in Sexuality and the Jane Rule Endowment for the Study of Human Relationships.
wn.com/Unruly Visions The Aesthetic Practices Of Queer Diaspora
As part of the Social Justice Institute Noted Scholars Lecture Series at the University of British Columbia:
Dr. Gayatri Gopinath, Associate Professor and Director of the Asian/Pacific/American Studies Program in the Department of Social and Cultural Analysis, New York University
Sept 23, 12-1pm
Liu Institute for Global Issues
Multipurpose Room, 6476 NW Marine Drive
ABSTRACT: What alternative model of visuality does the spatial/epistemic formation of queer diaspora offer? How does this model of queer visuality transform our understanding of time and space, history and memory? To answer these questions, I identify what I term “the aesthetic practices of queer diaspora”: these are aesthetic practices that engage the visual register and that negotiate diasporic movement in multiple geographic locations. These practices work within the visual field in order to point to that which the visual field cannot accommodate. As such, they gesture to realms outside and beyond the visual, and turn instead to the sensorial and the affective as conduits for apprehending the intertwined nature of seemingly disparate historical formations. I focus in particular on the work of Australian indigenous artist Tracey Moffatt, alongside that of Lebanese artist Akram Zaatari, to identify how the aesthetic practices of queer diaspora place in the same frame different histories of dispossession and displacement, colonialism and racialization – without rendering them equivalent.
Co-sponsored by Critical Studies in Sexuality and the Jane Rule Endowment for the Study of Human Relationships.
- published: 28 Oct 2015
- views: 107
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 1: Discussion
- Order: Reorder
- Duration: 37:31
- Updated: 19 Mar 2014
- views: 65
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 1: Discussion
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's t...
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 1: Discussion
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
wn.com/Art This Week At Centraltrak Next Topic Noah Simbalist Part 1 Discussion
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 1: Discussion
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
- published: 19 Mar 2014
- views: 65
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 2: Discussion continued
- Order: Reorder
- Duration: 26:42
- Updated: 19 Mar 2014
- views: 43
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 2: Discussion continued
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT...
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 2: Discussion continued
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
wn.com/Art This Week At Centraltrak Next Topic Noah Simbalist Part 2 Discussion Continued
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 2: Discussion continued
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
- published: 19 Mar 2014
- views: 43
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 3: Questions
- Order: Reorder
- Duration: 20:42
- Updated: 19 Mar 2014
- views: 26
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 3 Questions
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two...
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 3 Questions
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
wn.com/Art This Week At Centraltrak Next Topic Noah Simbalist Part 3 Questions
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 3 Questions
Filmed March 6, 2014 at CentralTrak
The second lecture of NEXT TOPIC's two-part series on Middle Eastern contemporary art will be lead by writer, curator, and artist Noah Simblist. Simblist will be interpenetrating relationships between art, activism, architecture, archaeology and film and their connection to the flourishing new forms of art practices in the Israel-Palestine-Lebanon region, a geographical zone where tremendous political turmoil is nothing new. Artists discussed will include Yael Bartana, Ayreen Anastas, Ariella Azoulay, Akram Zaatari, and Khaled Hourani.
Noah Simblist
An Associate Professor of Art at Southern Methodist University, works as a writer, curator, and artist with a focus on art and politics in Israel-Palestine. He has contributed to Art Journal, Modern Painters, Art Papers, Art Lies, and Art21. Writing projects include Setting Sail: The Aesthetics of Politics on the Gaza Flotilla; The Art of Forgetfulness, the Trauma of Memory: Yael Bartana and Artur Zmijewski; and interviews with Khaled Hourani, Omer Fast, Yoshua Okon, Jill Magid, AL Steiner and AK Burns, Walead Beshty and Nicholas Schaffhausen. He was on the curatorial team for the 2013 Texas Biennial.
(Bio from the CentralTrak website)
- published: 19 Mar 2014
- views: 26
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. Other Ways: Seminar
- Order: Reorder
- Duration: 74:16
- Updated: 29 May 2014
- views: 295
Allan Kaprow used a variety of terms for the written aspects of his works: instructions, directions, scores, recipes. These terms suggest components, actions, a...
Allan Kaprow used a variety of terms for the written aspects of his works: instructions, directions, scores, recipes. These terms suggest components, actions, and sequencing, and by the end of his life the artist began to use the word "reinvention" (as both verb and noun) to name the separate iterations of any given recipe. This talk will explore the historical context and framing of Kaprow's "invention" and some of the implications of such "reinvention" for contempoary artistic and critical practices.
Judith Rodenbeck is the author of Radical Prototypes: Allan Kaprow and the Invention of Happenings (MIT Press, 2011). A past editor of Art Journal, she has written for magazines such as October, Grey Room, X-TRA, Artforum and Modern Painters and for exhibitions ranging from Antonio Manuel: I Want to Act! Not Represent! (2011, Americas Society) and Gutai: Splendid Playground (2013, Guggenheim) to Akram Zaatari: All Is Well (2014, Agnes Etherington) and Seven Performances: Corin Hewitt (2014, Cleveland Museum of Contemporary Art). She teaches modern and contemporaryart at Sarah Lawrence College, in Bronxville, New York.
http://fundaciotapies.org/site/spip.php?article7863
wn.com/Judith Rodenbeck Kaprow's Syntax | Allan Kaprow. Other Ways Seminar
Allan Kaprow used a variety of terms for the written aspects of his works: instructions, directions, scores, recipes. These terms suggest components, actions, and sequencing, and by the end of his life the artist began to use the word "reinvention" (as both verb and noun) to name the separate iterations of any given recipe. This talk will explore the historical context and framing of Kaprow's "invention" and some of the implications of such "reinvention" for contempoary artistic and critical practices.
Judith Rodenbeck is the author of Radical Prototypes: Allan Kaprow and the Invention of Happenings (MIT Press, 2011). A past editor of Art Journal, she has written for magazines such as October, Grey Room, X-TRA, Artforum and Modern Painters and for exhibitions ranging from Antonio Manuel: I Want to Act! Not Represent! (2011, Americas Society) and Gutai: Splendid Playground (2013, Guggenheim) to Akram Zaatari: All Is Well (2014, Agnes Etherington) and Seven Performances: Corin Hewitt (2014, Cleveland Museum of Contemporary Art). She teaches modern and contemporaryart at Sarah Lawrence College, in Bronxville, New York.
http://fundaciotapies.org/site/spip.php?article7863
- published: 29 May 2014
- views: 295
Profiles: Collecting Art in Lebanon- Zeina Arida
- Order: Reorder
- Duration: 20:19
- Updated: 01 Jul 2013
- views: 452
This video is part of the exhibition "Profiles: Collecting Art in Lebanon", curated by Octavian Esanu at the AUB Art Gallery.
From the beginning, certain roles...
This video is part of the exhibition "Profiles: Collecting Art in Lebanon", curated by Octavian Esanu at the AUB Art Gallery.
From the beginning, certain roles in the art world have been firmly established: the artist produced, and the art collector bought or accumulated out of enjoyment, compulsion, concern for cultural heritage, or with the noble intention of showing the artwork to the public. Before the emergence of curatorship as a profession, it was often the art collector who exhibited the artist, acting as a lens through which the product of artistic labor was projected onto the public realm. For this event at AUB Art Gallery, we decided to turn this lens around. Profiles: Collecting Art in Lebanon shines a spotlight directly on the figure of the collector and on the practice of art collecting.
To provide a wider picture of the collecting of art in Lebanon we have interviewed a number of prominent Lebanese collectors and displayed the results on monitors on the upper floor of the gallery. Rather than provide a comprehensive account of existing collecting practices in Lebanon, we reveal certain established types: the private collector; the bank as collector; non-profit collectors; collectors who started from scratch and collectors who inherited their collections.
Zeina Arida is the director of the Arab Image Foundation (AIF), launched in Beirut in 1997 by Akram Zaatari, Fouad Elkoury and Samer Mohdad. This non-profit foundation was established by artists with the main aim of collecting, archiving and presenting photographic practices in the countries of the Middle East and North Africa. Members of the foundation have also developed a large range of artistic projects that use the collection for research and for enriching contemporary artistic experience. The activities of the foundation are documented at www.fai.org.lb.
In this interview, Zeina Arida speaks about the Arab Image Foundation.
wn.com/Profiles Collecting Art In Lebanon Zeina Arida
This video is part of the exhibition "Profiles: Collecting Art in Lebanon", curated by Octavian Esanu at the AUB Art Gallery.
From the beginning, certain roles in the art world have been firmly established: the artist produced, and the art collector bought or accumulated out of enjoyment, compulsion, concern for cultural heritage, or with the noble intention of showing the artwork to the public. Before the emergence of curatorship as a profession, it was often the art collector who exhibited the artist, acting as a lens through which the product of artistic labor was projected onto the public realm. For this event at AUB Art Gallery, we decided to turn this lens around. Profiles: Collecting Art in Lebanon shines a spotlight directly on the figure of the collector and on the practice of art collecting.
To provide a wider picture of the collecting of art in Lebanon we have interviewed a number of prominent Lebanese collectors and displayed the results on monitors on the upper floor of the gallery. Rather than provide a comprehensive account of existing collecting practices in Lebanon, we reveal certain established types: the private collector; the bank as collector; non-profit collectors; collectors who started from scratch and collectors who inherited their collections.
Zeina Arida is the director of the Arab Image Foundation (AIF), launched in Beirut in 1997 by Akram Zaatari, Fouad Elkoury and Samer Mohdad. This non-profit foundation was established by artists with the main aim of collecting, archiving and presenting photographic practices in the countries of the Middle East and North Africa. Members of the foundation have also developed a large range of artistic projects that use the collection for research and for enriching contemporary artistic experience. The activities of the foundation are documented at www.fai.org.lb.
In this interview, Zeina Arida speaks about the Arab Image Foundation.
- published: 01 Jul 2013
- views: 452
Share Your Story | Week 1 | John Akram
- Order: Reorder
- Duration: 38:39
- Updated: 03 Aug 2015
- views: 30
One Church is a nondenominational church in Chandler and Gilbert, AZ. Questions and Doubts Welcome. For more information, visit onechurch.com.
One Church is a nondenominational church in Chandler and Gilbert, AZ. Questions and Doubts Welcome. For more information, visit onechurch.com.
wn.com/Share Your Story | Week 1 | John Akram
One Church is a nondenominational church in Chandler and Gilbert, AZ. Questions and Doubts Welcome. For more information, visit onechurch.com.
- published: 03 Aug 2015
- views: 30
لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
- Order: Reorder
- Duration: 23:12
- Updated: 05 Jun 2015
- views: 201
لقاء خاص مع الفنانة المغربية المغتربة هدى دودار مع الاعلامي اكرم لبنان
www.akramliban.com
لقاء خاص مع الفنانة المغربية المغتربة هدى دودار مع الاعلامي اكرم لبنان
www.akramliban.com
wn.com/لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
لقاء خاص مع الفنانة المغربية المغتربة هدى دودار مع الاعلامي اكرم لبنان
www.akramliban.com
- published: 05 Jun 2015
- views: 201
APF: The Archive as Project/ conference - 6. Sven Spieker (EN)
- Order: Reorder
- Duration: 35:47
- Updated: 21 May 2015
- views: 25
03 Simpósio SAAL - Conferencia Introdutória
- Order: Reorder
- Duration: 47:32
- Updated: 06 Apr 2015
- views: 50
Simpósio em Serralves | 10 mai 2014 | http://bit.ly/1lAxkH8
40 anos volvidos sobre o arranque do SAAL -- Serviço Ambulatório de Apoio Local, consequência da Rev...
Simpósio em Serralves | 10 mai 2014 | http://bit.ly/1lAxkH8
40 anos volvidos sobre o arranque do SAAL -- Serviço Ambulatório de Apoio Local, consequência da Revolução do 25 de Abril de 1974, parece importante debater o processo interdisciplinar que foi o SAAL, numa ótica que admite já a distância histórica mas simultaneamente permite a participação de alguns dos seus protagonistas.
Curadoria: Delfim Sardo
wn.com/03 Simpósio Saal Conferencia Introdutória
Simpósio em Serralves | 10 mai 2014 | http://bit.ly/1lAxkH8
40 anos volvidos sobre o arranque do SAAL -- Serviço Ambulatório de Apoio Local, consequência da Revolução do 25 de Abril de 1974, parece importante debater o processo interdisciplinar que foi o SAAL, numa ótica que admite já a distância histórica mas simultaneamente permite a participação de alguns dos seus protagonistas.
Curadoria: Delfim Sardo
- published: 06 Apr 2015
- views: 50
Israel Today Pilot 1
- Order: Reorder
- Duration: 34:20
- Updated: 09 Mar 2014
- views: 69
- published: 09 Mar 2014
- views: 69
New Work Summit | Creating a Dynamic Culture | Marc Benioff in conversation with Jenna Wortham
- Order: Reorder
- Duration: 26:10
- Updated: 03 Mar 2016
- views: 6
Internet entrepreneur and visionary Marc Benioff, chairman and C.E.O. of Salesforce, the first and most successful cloud computing software company, has seen sp...
Internet entrepreneur and visionary Marc Benioff, chairman and C.E.O. of Salesforce, the first and most successful cloud computing software company, has seen spectacular growth. He shares key insights on how establishing a strong corporate culture is critical to fueling and managing growth.
wn.com/New Work Summit | Creating A Dynamic Culture | Marc Benioff In Conversation With Jenna Wortham
Internet entrepreneur and visionary Marc Benioff, chairman and C.E.O. of Salesforce, the first and most successful cloud computing software company, has seen spectacular growth. He shares key insights on how establishing a strong corporate culture is critical to fueling and managing growth.
- published: 03 Mar 2016
- views: 6
At Arms
- Order: Reorder
- Duration: 25:35
- Updated: 13 Dec 2010
- views: 253
Fates converge and secrets unfold in this personal story set in the impersonal backdrop of war. Somewhere in Europe, sometime in World War II, U.S. Army Ranger ...
Fates converge and secrets unfold in this personal story set in the impersonal backdrop of war. Somewhere in Europe, sometime in World War II, U.S. Army Ranger Kymbal (Dale D. Moore) follows a trail of battle, and at its end encounters a misdropped paratrooper named Richards (Dustin Miles).
But what is he hiding? Who is this mysterious German soldier (William Finkbiner)? What of the little girl (Haley Kloess)?
AT ARMS is an emotional tale in a private corner from the chaos of war.
For full cast and crew and special features, check out: http://atarms.sluglinepictures.com
Making-of, trailers, and other good stuff available on our YouTube channel here: http://www.youtube.com/sluglinepictures
wn.com/At Arms
Fates converge and secrets unfold in this personal story set in the impersonal backdrop of war. Somewhere in Europe, sometime in World War II, U.S. Army Ranger Kymbal (Dale D. Moore) follows a trail of battle, and at its end encounters a misdropped paratrooper named Richards (Dustin Miles).
But what is he hiding? Who is this mysterious German soldier (William Finkbiner)? What of the little girl (Haley Kloess)?
AT ARMS is an emotional tale in a private corner from the chaos of war.
For full cast and crew and special features, check out: http://atarms.sluglinepictures.com
Making-of, trailers, and other good stuff available on our YouTube channel here: http://www.youtube.com/sluglinepictures
- published: 13 Dec 2010
- views: 253
Poesie muss von allen gemacht werden
- Order: Reorder
- Duration: 66:24
- Updated: 18 May 2013
- views: 178
Talkshow vom 14.10.2003 zur Ausstellung "Poesie muss von allen gemacht werden", die 1970 am Kunstverein München stattfand.
Als Teil der Ausstellung "Telling His...
Talkshow vom 14.10.2003 zur Ausstellung "Poesie muss von allen gemacht werden", die 1970 am Kunstverein München stattfand.
Als Teil der Ausstellung "Telling Histories", die 2003 im Kunstverein München stattfand. KünstlerInnen: Liam Gillick und Mabe Bethonico.
Talkshowgäste: Lydia Hartl, Rainer Kallhardt, Alfred Lachauer, Haimo Liebich, Ingrid Rein, Bernhard Schwenk.
Idee und Moderation Sören Grammel
Bühnendesign und Musik Liam Gillick
Video D. Vitec pro München
Aufnahmeregie Antonio Guidi
Søren Grammel
www.soerengrammel.net
wn.com/Poesie Muss Von Allen Gemacht Werden
Talkshow vom 14.10.2003 zur Ausstellung "Poesie muss von allen gemacht werden", die 1970 am Kunstverein München stattfand.
Als Teil der Ausstellung "Telling Histories", die 2003 im Kunstverein München stattfand. KünstlerInnen: Liam Gillick und Mabe Bethonico.
Talkshowgäste: Lydia Hartl, Rainer Kallhardt, Alfred Lachauer, Haimo Liebich, Ingrid Rein, Bernhard Schwenk.
Idee und Moderation Sören Grammel
Bühnendesign und Musik Liam Gillick
Video D. Vitec pro München
Aufnahmeregie Antonio Guidi
Søren Grammel
www.soerengrammel.net
- published: 18 May 2013
- views: 178
Interview Roy Dib 'A Spectacle of Privacy''
- Order: Reorder
- Duration: 25:26
- Updated: 07 Feb 2015
- views: 286
29. TEDDY AWARD, 65. Berlin International Film Festival
Interview Roy Dib, director "A Spectacle of Privacy"
http://news.teddyaward.tv/en/program/?a-z=0&id;_fi...
29. TEDDY AWARD, 65. Berlin International Film Festival
Interview Roy Dib, director "A Spectacle of Privacy"
http://news.teddyaward.tv/en/program/?a-z=0&id;_film=610
'A Spectacle of Privacy'
LB, 2014
Directed by Roy Dib
Two people in a hotel room, discussing. A private space, an intimate space. This is a story of the city mourning the disappearance and demolition of its people, whose struggles have gone astray.
Roy Dib
Roy Dib is an artist and an art critic. He works and lives in Beirut, Lebanon. His work focuses on the subjective constructions of space. He is cofounder of the the theater group Zoukak (2006–2009). His short film “Mondial 2010” (2014) participated in several festivals and won the Teddy Award for the Best Short Film at the 64th Berlinale.
wn.com/Interview Roy Dib 'A Spectacle Of Privacy''
29. TEDDY AWARD, 65. Berlin International Film Festival
Interview Roy Dib, director "A Spectacle of Privacy"
http://news.teddyaward.tv/en/program/?a-z=0&id;_film=610
'A Spectacle of Privacy'
LB, 2014
Directed by Roy Dib
Two people in a hotel room, discussing. A private space, an intimate space. This is a story of the city mourning the disappearance and demolition of its people, whose struggles have gone astray.
Roy Dib
Roy Dib is an artist and an art critic. He works and lives in Beirut, Lebanon. His work focuses on the subjective constructions of space. He is cofounder of the the theater group Zoukak (2006–2009). His short film “Mondial 2010” (2014) participated in several festivals and won the Teddy Award for the Best Short Film at the 64th Berlinale.
- published: 07 Feb 2015
- views: 286
The 8th FEA Student Conference - Opening Ceremony and Awards Presentation
- Order: Reorder
- Duration: 34:47
- Updated: 05 Jun 2009
- views: 244
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21...
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the inauguration of the 15th president of AUB, Dr. Peter F. Dorman. This annual conference provides a forum in which students present their projects, research, and design. The program featured five tracks and included distinguished plenary presentations and technical sessions. A concurrent exhibition highlighted the work of FEA students including final year projects.
President P. Dorman opened the Conference and the Sessions and Dean Ibrahim Hajj introduced the invited plenary speakers.
The plenary speakers are distinguished AUB alumni honored for their achievements and leadership in Lebanon and in the region. They received their Distinguished Alumni Awards from President Dorman and Dean Ibrahim Hajj.
wn.com/The 8Th Fea Student Conference Opening Ceremony And Awards Presentation
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the inauguration of the 15th president of AUB, Dr. Peter F. Dorman. This annual conference provides a forum in which students present their projects, research, and design. The program featured five tracks and included distinguished plenary presentations and technical sessions. A concurrent exhibition highlighted the work of FEA students including final year projects.
President P. Dorman opened the Conference and the Sessions and Dean Ibrahim Hajj introduced the invited plenary speakers.
The plenary speakers are distinguished AUB alumni honored for their achievements and leadership in Lebanon and in the region. They received their Distinguished Alumni Awards from President Dorman and Dean Ibrahim Hajj.
- published: 05 Jun 2009
- views: 244
Bak kim var? / Who's in town? Maria Lind
- Order: Reorder
- Duration: 68:26
- Updated: 13 Dec 2012
- views: 219
Please scroll down for English
IN THE MIDST OF
About working with and around Tensta konsthall
[ORTASINDA
Tensta çevresinde, Tensta konsthall ile çalışmak üze...
Please scroll down for English
IN THE MIDST OF
About working with and around Tensta konsthall
[ORTASINDA
Tensta çevresinde, Tensta konsthall ile çalışmak üzerine]
Tensta konsthall Direktörü Maria Lind, Stockholm'ün banliyölerinden Tensta'daki bir sanat merkezinde güncel sanat üzerine çalışmanın çeşitli yönleri ve sonuçları üzerine konuşacak. Çoğu göçmen kökenli yaklaşık 20 bin kişilik bir nüfusa sahip, geç dönem modernist özellikler taşıyan bir yerleşim merkezinde bulunan Tensta konsthall'in ekibi, yerleşiklik ve özerklik sorunlarına yeni ve farklı açılardan bakmayı amaçlıyor.
Maria Lind kimdir?
1966 doğumlu Maria Lind, Stockholm'de küratör ve eleştirmen olarak çalışıyor ve hâlen Tensta konsthall'de direktörlük görevini yürütüyor. 2008-2010 yıllarında Bard College bünyesindeki Center for Curatorial Studies'in lisansüstü programının, 2005-2007 yıllarında Stockholm'deki Iaspis'in, 2002-2004 yıllarında Kunstverein München'in direktörlüğünü ve 1997-2001 yıllarında Moderna Museet'nin küratörlüğünü yaptı. 1998'de düzenlenen Manifesta 2'nin eş-küratörü olan Lind, ayrıca birçok periyodik yayın, katalog ve kitaba katkıda bulundu. Yakın dönemde yayımlanmış Curating with Light Luggage ve Collected Newsletter (Revolver Archiv für aktüelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing) gibi kitapların yanı sıra, European Cultural Policies 2015 (Iaspis ve eipcp) raporu ve Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press) yayınının eş-editörlüğünü yaptı. Lind, 2009 Walter Hopps Award for Curatorial Achievement [Küratöryel Başarı Ödülü] sahibidir. 2010 Sonbahar'ında Sternberg Press, Selected Maria Lind Writing adlı bir kitap yayımlamıştır.
---
IN THE MIDST OF
About working with and around Tensta konsthall
In her role as director of Tensta konsthall Maria Lind will be presenting and discussing the implications and results of working with contemporary art at an art center in the midst of the Stockholm suburb of Tensta. Located in a late modernist residential area with approximately 20.000 inhabitants, most of whom have a migrant background, the team of Tensta konsthall are challenged to consider issues of embeddedness and autonomy anew.
About Maria Lind
Maria Lind is a curator and critic based in Stockholm, where she was born in 1966. She is the director of Tensta konsthall, Stockholm. From 2008 - 2010 she was director of the graduate program, Center for Curatorial Studies, Bard College, from 2005-2007 director of Iaspis in Stockholm and from 2002-2004 the director of Kunstverein München. From 1997-2001 she was curator at Moderna Museet in Stockholm and, in 1998, co-curator of Manifesta 2. She has contributed widely to newspapers and magazines and to numerous catalogues and other publications. She is the co-editor of Curating with Light Luggage and Collected Newsletter (Revolver Archiv für aktuelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing), as well as the report European Cultural Policies 2015 (Iaspis and eipcp) and The Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press). She is the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. In the fall of 2010 Selected Maria Lind Writing was published by Sternberg Press.
wn.com/Bak Kim Var Who's In Town Maria Lind
Please scroll down for English
IN THE MIDST OF
About working with and around Tensta konsthall
[ORTASINDA
Tensta çevresinde, Tensta konsthall ile çalışmak üzerine]
Tensta konsthall Direktörü Maria Lind, Stockholm'ün banliyölerinden Tensta'daki bir sanat merkezinde güncel sanat üzerine çalışmanın çeşitli yönleri ve sonuçları üzerine konuşacak. Çoğu göçmen kökenli yaklaşık 20 bin kişilik bir nüfusa sahip, geç dönem modernist özellikler taşıyan bir yerleşim merkezinde bulunan Tensta konsthall'in ekibi, yerleşiklik ve özerklik sorunlarına yeni ve farklı açılardan bakmayı amaçlıyor.
Maria Lind kimdir?
1966 doğumlu Maria Lind, Stockholm'de küratör ve eleştirmen olarak çalışıyor ve hâlen Tensta konsthall'de direktörlük görevini yürütüyor. 2008-2010 yıllarında Bard College bünyesindeki Center for Curatorial Studies'in lisansüstü programının, 2005-2007 yıllarında Stockholm'deki Iaspis'in, 2002-2004 yıllarında Kunstverein München'in direktörlüğünü ve 1997-2001 yıllarında Moderna Museet'nin küratörlüğünü yaptı. 1998'de düzenlenen Manifesta 2'nin eş-küratörü olan Lind, ayrıca birçok periyodik yayın, katalog ve kitaba katkıda bulundu. Yakın dönemde yayımlanmış Curating with Light Luggage ve Collected Newsletter (Revolver Archiv für aktüelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing) gibi kitapların yanı sıra, European Cultural Policies 2015 (Iaspis ve eipcp) raporu ve Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press) yayınının eş-editörlüğünü yaptı. Lind, 2009 Walter Hopps Award for Curatorial Achievement [Küratöryel Başarı Ödülü] sahibidir. 2010 Sonbahar'ında Sternberg Press, Selected Maria Lind Writing adlı bir kitap yayımlamıştır.
---
IN THE MIDST OF
About working with and around Tensta konsthall
In her role as director of Tensta konsthall Maria Lind will be presenting and discussing the implications and results of working with contemporary art at an art center in the midst of the Stockholm suburb of Tensta. Located in a late modernist residential area with approximately 20.000 inhabitants, most of whom have a migrant background, the team of Tensta konsthall are challenged to consider issues of embeddedness and autonomy anew.
About Maria Lind
Maria Lind is a curator and critic based in Stockholm, where she was born in 1966. She is the director of Tensta konsthall, Stockholm. From 2008 - 2010 she was director of the graduate program, Center for Curatorial Studies, Bard College, from 2005-2007 director of Iaspis in Stockholm and from 2002-2004 the director of Kunstverein München. From 1997-2001 she was curator at Moderna Museet in Stockholm and, in 1998, co-curator of Manifesta 2. She has contributed widely to newspapers and magazines and to numerous catalogues and other publications. She is the co-editor of Curating with Light Luggage and Collected Newsletter (Revolver Archiv für aktuelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing), as well as the report European Cultural Policies 2015 (Iaspis and eipcp) and The Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press). She is the 2009 recipient of the Walter Hopps Award for Curatorial Achievement. In the fall of 2010 Selected Maria Lind Writing was published by Sternberg Press.
- published: 13 Dec 2012
- views: 219
The 8th FEA Student Conference - Taha Mikati: "Professional Journey of Successful FEA Alumnus"
- Order: Reorder
- Duration: 31:11
- Updated: 05 Jun 2009
- views: 1240
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21...
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni.
One of these alumni was Mr. Taha Mikati, Founder and CEO, M1 Group, Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research."
Mr. Mikati's talk, "Professional Life Journey of a Successful FEA Alumnus" shed the light on the story of a successful FEA alumnus which proves that FEA graduates are problem solvers, life-long learners, leaders in their profession, able to excel in additional professions, contribute effectively to the societies in which they live and work, have civic responsibilities, and are dedicated to helping others.
wn.com/The 8Th Fea Student Conference Taha Mikati Professional Journey Of Successful Fea Alumnus
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architecture [FEA] at the American University of Beirut [AUB] on May 20 and 21, 2009. This year the conference was dedicated to the Inauguration of the 15th president of AUB, Dr. Peter F. Dorman. The program included plenary presentations given by distinguished AUB alumni.
One of these alumni was Mr. Taha Mikati, Founder and CEO, M1 Group, Beirut, Lebanon, who was honored "in recognition of his leadership and his significant contribution to communication engineering and research."
Mr. Mikati's talk, "Professional Life Journey of a Successful FEA Alumnus" shed the light on the story of a successful FEA alumnus which proves that FEA graduates are problem solvers, life-long learners, leaders in their profession, able to excel in additional professions, contribute effectively to the societies in which they live and work, have civic responsibilities, and are dedicated to helping others.
- published: 05 Jun 2009
- views: 1240
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7:01
Akram Zaatari letter to a refusing pilot 1
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refu...
published: 25 Jun 2013
Akram Zaatari letter to a refusing pilot 1
Akram Zaatari letter to a refusing pilot 1
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- published: 25 Jun 2013
- views: 5127
6:28
Akram Zaatari letter to a refusing pilot 2
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refu...
published: 25 Jun 2013
Akram Zaatari letter to a refusing pilot 2
Akram Zaatari letter to a refusing pilot 2
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- published: 25 Jun 2013
- views: 1586
7:37
Akram Zaatari letter to a refusing pilot 3
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refu...
published: 25 Jun 2013
Akram Zaatari letter to a refusing pilot 3
Akram Zaatari letter to a refusing pilot 3
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- published: 25 Jun 2013
- views: 1322
7:01
Akram Zaatari letter to a refusing pilot 4
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refu...
published: 25 Jun 2013
Akram Zaatari letter to a refusing pilot 4
Akram Zaatari letter to a refusing pilot 4
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- published: 25 Jun 2013
- views: 1822
7:41
Akram Zaatari letter to a refusing pilot 5
From: http://www.e-flux.com/announcements/akram-zaatari-3/
Akram Zaatari
Letter to a Refu...
published: 25 Jun 2013
Akram Zaatari letter to a refusing pilot 5
Akram Zaatari letter to a refusing pilot 5
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- published: 25 Jun 2013
- views: 1136
2:28
Akram Zaatari: Collecting images from the Arab world
Artist Akram Zaatari cofounded the Arab Image Foundation (AIF) to collect, display, and pr...
published: 24 Sep 2012
Akram Zaatari: Collecting images from the Arab world
Akram Zaatari: Collecting images from the Arab world
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- published: 24 Sep 2012
- views: 1054
2:00
Akram Zaatari - Tomorrow everything will be alright.
Akram Zaatari was born in 1966, in Sidon, Lebanon and currently lives in Beirut. Zaatari w...
published: 25 Jun 2015
Akram Zaatari - Tomorrow everything will be alright.
Akram Zaatari - Tomorrow everything will be alright.
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- published: 25 Jun 2015
- views: 624
7:15
Akram Zaatari
Vídeo de la exposición "El molesto asunto" del artista Akram Zaatari (Sidón, Líbano, 1966)...
published: 10 Mar 2011
Akram Zaatari
Akram Zaatari
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- published: 10 Mar 2011
- views: 2895
55:55
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
Lebanese artist Akram Zataari in conversation with Achim Borchardt-Hume, Head of Exhibitio...
published: 08 Jan 2014
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
Culture Now: Akram Zaatari in Conversation with Achim Borchardt-Hume
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- published: 08 Jan 2014
- views: 920
5:00
Akram Zaatari / Kunstverein München
Kunstverein München in Munich, Germany presents the first international survey exhibition ...
published: 27 Aug 2015
Akram Zaatari / Kunstverein München
Akram Zaatari / Kunstverein München
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- published: 27 Aug 2015
- views: 87
1:17
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
COMPÉTITION OFFICIELLE - LONG MÉTRAGE DOCUMENTAIRE
TWENTY EIGHT NIGHTS AND A POEM - AKRAM ...
published: 05 Nov 2015
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
Twenty Eight Nights and A Poem de Akram Zaatari (Liban)
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- published: 05 Nov 2015
- views: 401
2:20
#TaxiAyamBeirut - Episode 14 - Akram Zaatari
لطالما كانت سيارة التاكسي أحد أبرز الشخصيات الأساسية في السينما اللبنانية. تعود هذا العام ...
published: 18 Mar 2015
#TaxiAyamBeirut - Episode 14 - Akram Zaatari
#TaxiAyamBeirut - Episode 14 - Akram Zaatari
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- published: 18 Mar 2015
- views: 114
2:48
Akram Zaatari describes Hashem el Madani's "photography of the working class"
Artist Akram Zaatari, cofounder of the Arab Image Foundation, describes the work of one of...
published: 24 Sep 2012
Akram Zaatari describes Hashem el Madani's "photography of the working class"
Akram Zaatari describes Hashem el Madani's "photography of the working class"
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- published: 24 Sep 2012
- views: 530
54:26
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
The 8th FEA Student Conference [FEASC] was held at the Faculty of Engineering and Architec...
published: 05 Jun 2009
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
The 8th FEA Student Conference - Akram Zaatari: "Earth of Endless Secrets"
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- published: 05 Jun 2009
- views: 1296
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2:10
Twenty Eight Nights and a Poem - Trailer | Films From Here
This striking visual essay continues Lebanese artist Akram Zaatari’s ongoing engagement wi...
published: 25 Sep 2015
Twenty Eight Nights and a Poem - Trailer | Films From Here
Twenty Eight Nights and a Poem - Trailer | Films From Here
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- published: 25 Sep 2015
- views: 363
0:07
Akram Zaatari at Moderna Museet
A few seconds from a film by Lebanese artist Akram Zaatari that was screened as part of hi...
published: 26 Jun 2015
Akram Zaatari at Moderna Museet
Akram Zaatari at Moderna Museet
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- published: 26 Jun 2015
- views: 24
39:27
APF: The Archive as Project/ conference - 10. Akram Zaatari (EN)
The Archive Looking Awry I: Archives of Disputed Histories.
Akram Zaatari. Warsaw 2012.
published: 22 May 2015
APF: The Archive as Project/ conference - 10. Akram Zaatari (EN)
APF: The Archive as Project/ conference - 10. Akram Zaatari (EN)
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- published: 22 May 2015
- views: 9
6:19
Video sketch from Stockholm March 2015
Exhibition experiences for personal inspiration #Moderna Museet; Louise Bourgeois, Akram Z...
published: 30 Mar 2015
Video sketch from Stockholm March 2015
Video sketch from Stockholm March 2015
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- published: 30 Mar 2015
- views: 82
8:06
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 1/3
published: 28 Mar 2015
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 1/3
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 1/3
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- published: 28 Mar 2015
- views: 55
10:00
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 2/3
published: 28 Mar 2015
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 2/3
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 2/3
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- published: 28 Mar 2015
- views: 44
9:34
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 3/3
published: 28 Mar 2015
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 3/3
»Twenty-Eight Nights and A Poem« - Akram Zaatari - Q&A; - Berlinale Forum - February 11, 2015 - 3/3
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- published: 28 Mar 2015
- views: 27
2:45
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
Exposição "Histórias: Obras da Coleção de Serralves"
29 MAI - 21 SET 2014
http://bit.ly/Hi...
published: 11 Feb 2015
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
04. Histórias: Akram Zaatari - Letter to a Refusing Pilot, 2013 / Saida, June 6, 1982
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- published: 11 Feb 2015
- views: 19
3:51
Entrevista: El molesto asunto
Entrevista a Juan Vicente Aliaga (España, 1959), curador de la exposición de Akram Zaatari...
published: 13 Jan 2015
Entrevista: El molesto asunto
Entrevista: El molesto asunto
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- published: 13 Jan 2015
- views: 41
4:39
Videobrasil Coleção de Autores – Programas de novembro
Em novembro, o Videobrasil na TV exibe quarto documentários sobre o processo criativo de a...
published: 27 Oct 2014
Videobrasil Coleção de Autores – Programas de novembro
Videobrasil Coleção de Autores – Programas de novembro
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- published: 27 Oct 2014
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6:06
TRANSITION(S) 21 mai
découverte de l'oeuvre d'akram zaatari
published: 21 May 2013
TRANSITION(S) 21 mai
TRANSITION(S) 21 mai
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- published: 21 May 2013
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47:24
Salon | Gender, Wars and Chadors, Part III
Ghada Amer, Artist, New York
Kader Attia, Artist, Beirut
Akram Zaatari, Artist, Berlin
Mod...
published: 10 Dec 2012
Salon | Gender, Wars and Chadors, Part III
Salon | Gender, Wars and Chadors, Part III
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- published: 10 Dec 2012
- views: 400
58:25
"Unruly Visions: The Aesthetic Practices of Queer Diaspora"
As part of the Social Justice Institute Noted Scholars Lecture Series at the University of...
published: 28 Oct 2015
"Unruly Visions: The Aesthetic Practices of Queer Diaspora"
"Unruly Visions: The Aesthetic Practices of Queer Diaspora"
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- published: 28 Oct 2015
- views: 107
37:31
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 1: Discussion
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 1: Discussion
Fi...
published: 19 Mar 2014
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 1: Discussion
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 1: Discussion
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- published: 19 Mar 2014
- views: 65
26:42
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 2: Discussion continued
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 2: Discussion co...
published: 19 Mar 2014
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 2: Discussion continued
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 2: Discussion continued
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- published: 19 Mar 2014
- views: 43
20:42
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 3: Questions
Next Topic: "The Psychogeography of Occupation" with Noah Simblist", Part 3 Questions
Film...
published: 19 Mar 2014
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 3: Questions
Art This Week at CentralTrak-Next Topic: Noah Simbalist-Part 3: Questions
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- published: 19 Mar 2014
- views: 26
74:16
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. Other Ways: Seminar
Allan Kaprow used a variety of terms for the written aspects of his works: instructions, d...
published: 29 May 2014
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. Other Ways: Seminar
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. Other Ways: Seminar
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- published: 29 May 2014
- views: 295
20:19
Profiles: Collecting Art in Lebanon- Zeina Arida
This video is part of the exhibition "Profiles: Collecting Art in Lebanon", curated by Oct...
published: 01 Jul 2013
Profiles: Collecting Art in Lebanon- Zeina Arida
Profiles: Collecting Art in Lebanon- Zeina Arida
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- published: 01 Jul 2013
- views: 452
38:39
Share Your Story | Week 1 | John Akram
One Church is a nondenominational church in Chandler and Gilbert, AZ. Questions and Doubts...
published: 03 Aug 2015
Share Your Story | Week 1 | John Akram
Share Your Story | Week 1 | John Akram
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- published: 03 Aug 2015
- views: 30
23:12
لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
لقاء خاص مع الفنانة المغربية المغتربة هدى دودار مع الاعلامي اكرم لبنان
www.akramliban.com
published: 05 Jun 2015
لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
لقاء الفنانة هدى دودار على راديو صوت المغتربين العرب
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- published: 05 Jun 2015
- views: 201
35:47
APF: The Archive as Project/ conference - 6. Sven Spieker (EN)
The Archive in Theory , Sven Spieker. Warsaw 2012.
published: 21 May 2015
APF: The Archive as Project/ conference - 6. Sven Spieker (EN)
APF: The Archive as Project/ conference - 6. Sven Spieker (EN)
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- published: 21 May 2015
- views: 25
47:32
03 Simpósio SAAL - Conferencia Introdutória
Simpósio em Serralves | 10 mai 2014 | http://bit.ly/1lAxkH8
40 anos volvidos sobre o arran...
published: 06 Apr 2015
03 Simpósio SAAL - Conferencia Introdutória
03 Simpósio SAAL - Conferencia Introdutória
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- published: 06 Apr 2015
- views: 50
34:20
Israel Today Pilot 1
published: 09 Mar 2014
Israel Today Pilot 1
Israel Today Pilot 1
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- published: 09 Mar 2014
- views: 69
26:10
New Work Summit | Creating a Dynamic Culture | Marc Benioff in conversation with Jenna Wortham
Internet entrepreneur and visionary Marc Benioff, chairman and C.E.O. of Salesforce, the f...
published: 03 Mar 2016
New Work Summit | Creating a Dynamic Culture | Marc Benioff in conversation with Jenna Wortham
New Work Summit | Creating a Dynamic Culture | Marc Benioff in conversation with Jenna Wortham
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- published: 03 Mar 2016
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25:35
At Arms
Fates converge and secrets unfold in this personal story set in the impersonal backdrop of...
published: 13 Dec 2010
At Arms
At Arms
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- published: 13 Dec 2010
- views: 253
Salon | Gender, Wars and Chadors, Part III...
"Unruly Visions: The Aesthetic Practices of Queer ...
Art This Week at CentralTrak-Next Topic: Noah Simb...
Art This Week at CentralTrak-Next Topic: Noah Simb...
Art This Week at CentralTrak-Next Topic: Noah Simb...
Judith Rodenbeck: Kaprow's Syntax | Allan Kaprow. ...
Profiles: Collecting Art in Lebanon- Zeina Arida...
Share Your Story | Week 1 | John Akram...
لقاء الفنانة هدى دودار على راديو صوت المغتربين الع...
APF: The Archive as Project/ conference - 6. Sven ...
03 Simpósio SAAL - Conferencia Introdutória...
Israel Today Pilot 1...
New Work Summit | Creating a Dynamic Culture | Mar...
At Arms...
Poesie muss von allen gemacht werden...
Interview Roy Dib 'A Spectacle of Privacy''...
The 8th FEA Student Conference - Opening Ceremony ...
Bak kim var? / Who's in town? Maria Lind...
The 8th FEA Student Conference - Taha Mikati: "Pro...
photo: Creative Commons / 多摩に暇人
Japan Struck By Magnitude 6.4 Earthquake Thursday Evening
Edit WorldNews.com 14 Apr 2016
Japan was struck by a powerful earthquake with a preliminary magnitude of 6.4 Thursday evening that collapsed walls and a number of houses, but initial reports say left no casualties, CBS News reported.Chief Cabinet Secretary Yoshihide Suga told a news conference after the quake it was too early to assess the damage, but a number of homes had collapsed, but there was no abnormality at nearby nuclear facilities....
photo: WN / Imran Nissar
ISIS threatens attack on India; vows to wipe out Hindus
Edit DNA India 14 Apr 2016
-->. ISIS vows to implement ‘sharia’ law in India. Islamic State (ISIS) has made new threat to send its fighters from Pakistan and Bangladesh to carry out ‘guerrilla attacks’ in India ... The intention behind the attacks, al-Hanif says is to rid India of disbelievers as Muslims are facing trouble because of Hindus ... ALSO READ ... ISIS in Dabiq ... ....
photo: Creative Commons / BurritoBazooka
Russian fighter jets fly close to US Navy ship in simulated attacks [Watch Video] >
Edit International Business Times 14 Apr 2016
Two Russian SU-24 fighter jets came within metres of a U.S. Navy destroyer in the Baltic Sea earlier this week, the U.S. Navy said ... ....
photo: AP / File Photo
Torture Is Never Forgotten, Neither Should It Be
Edit WorldNews.com 13 Apr 2016
Article by WN.com Correspondent Dallas Darling“Anyone who has been tortured remains tortured” wrote Holocaust survivor Primo Levi in “The Drowned and The Saved.” What‘s more, he knew all too well that in the shadowy, bureaucratic, and dehumanizing places like Auschwitz, “Anyone who has suffered torture never again will be able to be at ease in the world,” and “the abomination of the annihilation is never extinguished.”1U.S ... 24. ....
photo: AP / Burhan Ozbilici
Erdogan hosts Istanbul summit in quest for Islamic unity
Edit Dawn 14 Apr 2016
ISTANBUL. Turkish President Recep Tayyip Erdogan on Thursday hosts over 30 heads of state and government from Islamic countries in Istanbul for a major summit aimed at overcoming differences in the Muslim world. Turkey will seek to showcase its influence in the Muslim world, particularly in lands once controlled by the Ottoman Empire, at the two-day summit of the Organisation of Islamic Cooperation (OIC) ... Examine ... ....
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Pak envoy
Edit Kashmir Observer 14 Apr 2016
Pakistan is banking on good friend China to block India's chances of making it to the coveted Nuclear Suppliers Group (NSG), a former Pakistani diplomat has said, adding that "chances of India gaining entry into NSG are virtually nil".Zamir Akram, Pakistan's former permanent representative at the United Nations in Geneva and ......
China will not allow India into NSG: Pakistan's diplomat
Edit The Times of India 14 Apr 2016
Zamir Akram, Pakistan's former permanent representative at the United Nations in Geneva and envoy at the Conference on Disarmament, said on Wednesday that China would not allow India to enter the NSG because this would affect its nuclear cooperation with Pakistan, according to Dawn online. Akram said China is committed to ensuring that both India and Pakistan gain membership to the 48-nation NSG at the same time....
China will not allow India into NSG: Pakistani diplomat
Edit The Times of India 14 Apr 2016
Zamir Akram, Pakistan's former permanent representative at the United Nations in Geneva and envoy at the Conference on Disarmament, said on Wednesday that China would not allow India to enter the NSG because this would affect its nuclear cooperation with Pakistan, according to Dawn online. Akram said China is committed to ensuring that both India and Pakistan gain membership to the 48-nation NSG at the same time....
China will not allow India into NSG: Former Pakistani diplomat
Edit The Times of India 14 Apr 2016
Zamir Akram, Pakistan's former permanent representative at the United Nations in Geneva and envoy at the Conference on Disarmament, said on Wednesday that China would not allow India to enter the NSG because this would affect its nuclear cooperation with Pakistan, according to Dawn online. Akram said China is committed to ensuring that both India and Pakistan gain membership to the 48-nation NSG at the same time....
China will not allow India into Nuclear Suppliers Group: Pakistani diplomat
Edit The Times of India 14 Apr 2016
Zamir Akram, Pakistan's former permanent representative at the United Nations in Geneva and envoy at the Conference on Disarmament, said on Wednesday that China would not allow India to enter the NSG because this would affect its nuclear cooperation with Pakistan, according to Dawn online. Akram said China is committed to ensuring that both India and Pakistan gain membership to the 48-nation NSG at the same time....
Jon Stewart-produced film gives close-up to Syrian refugees
Edit San Francisco Chronicle 14 Apr 2016PCB could appoint Dean Jones as chief coach
Edit Indian Express 14 Apr 2016
(Source. AFP) ... The PCB has invited interested candidates to apply for the position by April 25 after which a committee comprising Wasim Akram and Ramiz Raja will help the board select the best man. But the source said that even Akram and Ramiz had already indicated to the board that Jones would be an ideal choice for the coaching position ... He worked with the Islamabad franchise alongside Akram ... ....
‘China won’t let India gain entry into NSG’
Edit Dawn 14 Apr 2016
Ambassador Zamir Akram was speaking at a conference on the International Nuclear Order, organised by the Strategic Vision Institute and Konrad Adenauer Stiftung ... Mr Akram opined that China would not allow India to enter the coveted group because this would affect its nuclear cooperation with Pakistan ... Discussing the global nuclear order, Mr Akram ......
I won’t appear for interview before Wasim Akram, Ramiz raja, says Mohsin Hasan Khan
Edit Indian Express 14 Apr 2016
(Source. AP). A top candidate for the post of Pakistan cricket team’s head coach, Mohsin Hasan Khan on Wednesday said that he will not appear for an interview before the Board-appointed panel members Wasim Akram and Ramiz Raja. Mohsin said while he was interested in becoming the new coach of the national team, he would not appear for any interviews with Akram and Ramiz ... ....
Ex-diplomat Zamir Akram
Edit Indian Express 14 Apr 2016
Zamir Akram, Pakistan’s former permanent representative at the UN in Geneva and envoy at the Conference on Disarmament, said this while speaking at a seminar on the International Nuclear Order, jointly organised by the Strategic Vision Institute (SVI) and Konrad Adenauer Stiftung. Share This Article. Related Article ... The Dawn quoted Akram as saying that the “chances of India gaining entry into NSG are virtually nil” ... ....
I don't need to prove my credentials to ‘juniors’ Akram and Ramiz: Mohsin Khan
Edit Dawn 14 Apr 2016
Former batsman Mohsin Khan will not appear before Wasim Akram and Ramiz Raja if he is called by the Pakistan Cricket Board (PCB) for an interview for the position of the national team’s head-coach. Raja and Akram are members of a panel which has been appointed by the PCB to carry out the recruitment process for the position left vacant by Waqar Younis ... "I have also coached the national team successfully in the recent past ... ....
Jury finds Dr. Akram Ismail guilty of lesser charge in video voyeur case
Edit Orlando Sentinel 14 Apr 2016
TAVARES — A doctor with a history of trouble with the law was found guilty Wednesday after he was accused of recording videos up an unsuspecting Publix shopper's dress. Dr. Akram Ismail was facing a felony video voyeurism charge in the incident. A jury deliberated for more than three hours before... ....
Unicef News (UNICEF UK)
Edit Public Technologies 14 Apr 2016
(Source. UNICEF UK). About Unicef News. Unicef News brings you latest stories about Unicef's work for children around the world. Unicef News's posts. 14 April 2016. In photos. Real life heroes whose lives have been uprooted by Boko Haram related violence in West Africa. 31 March 2016 ... 26 March 2016 ... Read his story ... Unicef UK ambassador Michael Sheen visited Zaatari refugee camp in Jordan, to hear the stories of the children who live there....
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