- published: 21 Nov 2012
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Ecce homo ("behold the man", Ecclesiastical Latin: [ˈɛttʃɛ ˈɔmɔ], Classical Latin: [ˈɛkkɛ ˈhɔmoː]) are the Latin words used by Pontius Pilate in the Vulgate translation of John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original Greek is Ίδε ό άνθρωπος (Ide ho anthropos). The Douay-Rheims Bible translates the phrase into English as "Behold the man!" The scene has been widely depicted in Christian art.
A scene of the Ecce Homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem.
But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
"Ecce homo" (Latin for "Behold the Man"), is a phrase uttered by Pontius Pilate at the trial of Christ.
Ecce Homo may also refer to:
Christ Carrying the Cross (also Ecce Homo) is a 1505 oil painting attributed to either the Italian Renaissance master Titian or Giorgione. It is located in the Scuola Grande di San Rocco in Venice, Italy.
The painting is mentioned in several historical documents, since it has been the subject of veneration and devotion, due to its alleged miraculous properties. It was originally located in the church of San Rocco, annexed to the eponymuous Scuola where it is now, although it is unknown if it was on a pillar near the high altar or in a side chapel.
The attribution of the work has been disputed since the very 16th century: Giorgio Vasari in both the first (1550) and second (1658) edition of his Lives assigns it to Giorgione and Titian at the same time. Further, both Titian and Giorgione had relationships with the guild which held the church and the Scuola; Giorgione was a friend of painter Vincenzo Catena, a member of the guild.
The work's composition inspired numerous painters in Veneto and Lombardy, such as Lorenzo Lotto, Giovanni Bellini and Andrea Solario.
Now, you can add subtitle in your language to the video so Mr Bean would reach everyone around the world! TAP or CLICK HERE! https://goo.gl/3mjTrr http://www.youtube.com/timedtext_video?v=pzGimN2H2oQ https://youtu.be/Nm1jfmbPM-A (One of the inspiration of this piece)
Friedrich Nietzsche - Ecce homo Wie man wird, was man ist Lesen Sie mit/selbst: http://www.nietzsche.tv/ecce-homo.html Bitte kaufen Sie dieses Buch, sollte es Ihnen gefallen. Es ist für kleines Geld zu erwerben. Gleichnamiges Gedicht: Ja! Ich weiß, woher ich stamme! Ungesättigt gleich der Flamme Glühe und verzehr' ich mich. Licht wird alles, was ich fasse, Kohle alles, was ich lasse: Flamme bin ich sicherlich.
SUPPORT US ON PATREON: ▶ https://www.patreon.com/WeltgeistYT WATCH: ▶ The Antichrist: https://youtu.be/qej1Z8Qzq_c ▶ Genealogy of Morals: https://youtu.be/6PUx4cOfFcI ▶ Twilight of the Idols: https://youtu.be/YpVr_NEvWYA ▶ Beyond Good and Evil: https://youtu.be/WIHXZUltfqk BUY THE BOOK (Preferred translation) ▶ https://amzn.to/3Jo1q29 Ecce Homo is the last book Nietzsche wrote. It followed a period of sustained productivity in the year 1888, during which he wrote four works: The Case of Wagner, Twilight of the Idols, the Antichrist, and Ecce Homo. Unique among Nietzsche’s works, this book is an autobiography, but not in the conventional sense. Just how unconventional is the book? Let’s take a look at the chapter titles: Why I Am So Wise… Why I Am So Clever… Why I Write Such Good ...
Provided to YouTube by Universal Music Group Goodall: Ecce Homo (Theme from Mr Bean) · The Choirboys · David Adams The Choir Boys ℗ 2005 Universal Classics & Jazz Released on: 2005-01-01 Associated Performer, Violin: David Adams Associated Performer, Violin: fanella barton Associated Performer, Violin: John Morton Associated Performer, Viola: Joel Hunter Associated Performer, Viola: rose redgrave Associated Performer, Cello: harriet cawood Associated Performer, Double Bass: graham mitchell Associated Performer, Alto: julian gale Associated Performer, Alto: Dana Marsh Associated Performer, Tenor: alastair brookshaw Associated Performer, Bass (vocal): Daniel Jordan Associated Performer, Tenor: William Unwin Associated Performer, Bass (vocal): Oliver Hunt Associated Perfor...
Ecce Homo: How One Becomes What One Is (German: Ecce homo: Wie man wird, was man ist) is the last original book written by philosopher Friedrich . subscribe for more, and leave a comment so you can exist in reality. Ecce Homo: How One Becomes What One Is (German: Ecce homo: Wie man wird, was man . The introduction and the preface parts last till 42:34 mark and the main text starts at 42:45 mark. The Antichrist by Friedrich Nietzsche [Philosophy Audiobook] .
ECCE HOMO (Theme song of Mr.Bean series) was organized virtually to support all the choir singers. In this project, we meet old friends, make new friends, sing and stand strong next to each other, support each other, despite all the distances that separated us. Soon we will see all halls full again with various music, festive events, soulful performances, and of course, a happy audience. Very soon! ECCE HOMO Theme Song of Mr. Bean Series Composed by Howard Goodall Ecce homo qui est faba vale homo qui est faba Look at the man Farewell the man "The man" is interpreted as "the pandemic" that has been going more than half a year already. We look at it, experience it, suffer from it and try to get over it. Farewell! --------------------------- TIMELINE 00:00 - Intro 00:32 - Ecce Homo (vi...
Coro da Cruz Vermelha de Águeda no concerto de Natal na igreja de Agadão - Águeda. Interpretação de Ecce homo qui est faba. Estreia do maestro David Rodrigues
Ecce homo ("behold the man", Ecclesiastical Latin: [ˈɛttʃɛ ˈɔmɔ], Classical Latin: [ˈɛkkɛ ˈhɔmoː]) are the Latin words used by Pontius Pilate in the Vulgate translation of John 19:5, when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original Greek is Ίδε ό άνθρωπος (Ide ho anthropos). The Douay-Rheims Bible translates the phrase into English as "Behold the man!" The scene has been widely depicted in Christian art.
A scene of the Ecce Homo is a standard component of cycles illustrating the Passion and Life of Christ in art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often being combined. The usual depiction shows Pilate and Christ, the mocking crowd and parts of the city of Jerusalem.
But, from the 15th century, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrow(s) (also Misericordia). If the "Instruments of the Passion" are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,
Ecce homo, ecce homo, ecce homo, ecce homo,
Et ouais c'est moi Gainsbarre
On me trouve au hasard
Des night-clubs et des bars
Américains c'est bonnard
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,
Ecce homo, ecce homo, ecce homo, ecce homo,
On reconnaît Gainsbarre
A ses jeans à sa barbe
De trois nuits ses cigares
Et ses coups de cafard
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,
Ecce homo, ecce homo, ecce homo, ecce homo,
Bizarre ce Gainsbarre
Il est cool faut croire
Que de tout il en a rien à cirer
Enfin faut voir ...
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,
Ecce homo, ecce homo, ecce homo, ecce homo,
Bizarre ce Gainsbarre
Il est cool faut croire
Que de tout il en arre
Ien à cirer enfin faut voir
Et ouais cloué le Gainsbarre
Au mont du Golgothar
Il est reggae hilare
Le coeur percé de part en part
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,
Ecce homo, ecce homo, ecce homo, ecce homo,
Ecce homo, ecce homo, ecce homo, ecce homo, homo, homo,