Gu Kaizhi

Gu Kaizhi (simplified Chinese: 顾恺之; traditional Chinese: 顧愷之; pinyin: Gù Kǎizhī; Wade–Giles: Ku K'ai-chih; c. 344-406), courtesy name Changkang (长康), was a celebrated painter of ancient China. He was born in Wuxi and first painted at Nanjing in 364. In 366, he became an officer (Da Sima Canjun, 大司馬參軍). Later he was promoted to royal officer (Sanji Changshi, 散騎常侍). He was also a talented poet and calligrapher. He wrote three books about painting theory: On Painting (畫論), Introduction of Famous Paintings of Wei and Jin Dynasties (魏晉勝流畫贊) and Painting Yuntai Mountain (畫雲台山記). He wrote: "In figure paintings the clothes and the appearances were not very important. The eyes were the spirit and the decisive factor."

Gu's art is known today through copies of several silk handscroll paintings attributed to him.

The Admonitions of the Instructress to the Court Ladies (女史箴圖)

This painting, dated between the 6th and 8th century AD - probably an early Tang Dynasty copy - illustrates nine stories from a political satire about Empress Jia Nanfeng written by Zhang Hua (ca. 232-302). Beginning in the eighth century, many collectors and emperors left seals, poems, and comments on the scroll. The Admonitions scroll was stored in the emperor's treasure until it was looted by the British army in the Boxer Uprising in 1900. Now it is in the British Museum collection, missing the first three scenes. There is another surviving copy of this painting, made during the Song Dynasty and is now held in the Palace Museum in Beijing. The Song version is complete in twelve scenes.

Fu Baoshi

Fu Baoshi (Chinese: 傅抱石), or Fu Pao-Shih, (1904-1965) was a Chinese painter from Xinyu, Jiangxi Province. He went to Japan to study the History of Oriental Art in the Tokyo School of Fine Arts in 1933. He translated many books from Japanese and carried out his own research. In painting itself, he brought Japanese visual elements to the Chinese ink painting tradition.

He was the Director of the Jiangsu Province Chinese Painting School and a Vice-Chairman of the Federation of Chinese Artists. He also taught in the Art Department of Central University (now Nanjing University). His works of landscape painting employed skillful use of dots and inking methods, creating a new technique encompassing many varieties within traditional rules. He was able to create an old, elegant style through his integration of poetic atmosphere and painting techniques. He has held many personal exhibitions in China and has won favourable comments.

Fu had strong feelings towards the land of China. During his travel to many places, he recorded the splendors of the rivers and mountains, drawing inspiration from nature and becoming the representative landscape painter of his time.