Joey

Joey may refer to:

People

Animals

Films and television

Music

Sport

Beverley Craven (album)

Beverley Craven is the debut album by British singer Beverley Craven. It was released in July 1990. The album was fully written by Craven herself.

Craven signed to Epic Records in 1988, and initially recorded the album with American producer Stewart Levine (of Simply Red fame). The initial results, however, were not of Craven's liking and, with the agreement of her label, she restarted from scratch working with Paul Samwell-Smith, who eventually produced the whole album. Levine's production of her songs were eventually released as b-sides to some of her singles, under the label "West Coast Version".

Released in July 1990, the album was initially a flop in the UK, with its singles and the album failing to reach the charts. She found however some success around continental Europe in 1990 and toured there to support the release. Craven made her first UK tour in early 1991, which was successful. In April 1991, the original lead single "Promise Me" was re-released, and this time it was heavily promoted. Appearances on British TV led to exposure of the single and it eventually peaked at #3 in the UK in May 1991, becoming her biggest hit.

Joey (Concrete Blonde song)

"Joey" is the ninth track from Concrete Blonde's third and most successful album Bloodletting. The song was released in 1990 and was sung by Johnette Napolitano. One interpretation is that the song is about a man who is in love with alcohol. Johnette Napolitano mentioned in her book, Rough Mix, that the song was written about her relationship with Marc Moreland of the band Wall of Voodoo (who would eventually die of liver failure).

It became the group's biggest hit, spending four weeks atop the Billboard Modern Rock Tracks chart, and crossing over to pop radio, reaching #19 on the Billboard Hot 100 chart; it remains their only charting song on the latter chart.

The song was written in the cab on the way to the studio; it was the last vocal recorded on the album due to Napolitano's reluctance to record the lyrics, which were hard for her to deal with.

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