- published: 05 Mar 2013
- views: 15899
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Henriette Renié:
Légende d'apres Les Elfes de Leconte de Lisle
Anneleen Lenaerts, harp
Henriette Renié (1875-1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used.
Still aged only 23, the Belgian harpist Anneleen Lenaerts is making a name for herself as one of the finest young harpists of today. Her extraordinary talent made her perform all over Europe to great acclaim. Her harp playing is known for its colourful and warm sound, perfect timing and deep musical expression. In December 2010 Anneleen was appointed Principal Harp of the Vienna Philharmonic.
Anneleen started playing the harp at the age of 9 with Lieve Robbroeckx and worked with her continuously for nine years. She studied further with Isabelle Perrin in Paris and Jana Bouskova at the Royal Conservatory of Brussels, graduating from everywhere with the highest distinction. Anneleen also studied harmony, counterpoint and fugue at the Brussels Conservatory.
From the very beginning Anneleen showed great musical talent and started winning an impressive amount of prizes in international harp competitions at a very young age: Concours International de Harpe Felix Godefroid, Concours International de Harpe et Orchestre, International Harp Competition Gödöllö, Josef Reinl Wettbewerb, USA International Harp Competition, Concurso Internacional de Arpa Arpista Ludovico and in 2005 the prestigious Grand Prix International Lily Laskine in France, where she also obtained the prizes for the best interpretation of Bach's Chaconne and for the compulsory work of Karol Beffa. In 2009 she was a prizewinner in the Internationaler
Wettbewerb der ARD München where she also won the audience prize. Anneleen has been awarded several times for her remarkable results. The Flemish government honoured her with the YoTaM Prize. She was also awarded 'le Prix Culturel International de la Jeunesse' by the governor of Basse and Haute Normandy ant the Cultural Commission of Lions Club Deauville, the Prize of the Artistic Foundation Mathilde E. Horlait-Dapsens, the Prize Lunssens and Van Straelen and she became a laureate of the 'Fondation Groupe Populaire' in Paris in 2010. She has given solo recitals all through Europe and was repeatedly praised for her simplicity, musicality and virtuosity. She has made her debut in prestigious halls such as the Wigmore Hall London, the Salle Gaveau Paris, the Grosses Festspielhaus Salzburg,...
Anneleen has performed as a soloist with well-known orchestras in Belgium and elsewhere, such as the Mozarteum Orchester, and the Symphonieorchester des Bayerischen Rundfunks, the Brussels Chamber Orchestra, ...
"The harmony she produces touches everyone directly...the music is hers as if she were speaking. Everything appears effortless: whether in most virtuoso transitions or moments of the greatest delicacy, she takes the time to make every note speak..."
All inforamtion and photos were taken from the Internet.
Henriette Renié (1875-1956) (France)
Concerto pour harpe et orchestre (1901)
Harpiste : Xavier de Maistre
Dir : Shao-Chia Lü
1- Allegro risoluto (8.11)
2- Adagio (5.50)
[3- Scherzo. Allegro vivo scherzando]
4- Final. Allegro con fuoco (6.09)
In this recording, the third movement "Scherzo. Allegro vivo scherzando" has not be recorded.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
- published: 26 Oct 2011
- views: 17360
relax music for harp !!! by Henriette Renie
enjoy the music and the pictures :D
- published: 06 Apr 2011
- views: 9962
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
- published: 27 Jan 2012
- views: 3840
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
- published: 27 Jan 2012
- views: 6004
Henriette Renié - Trio for harp, violin and violoncello
1. Allegro risoluto 00:00
2. Scherzo 10:35
3. Andante 16:14
4. Finale 23:42
Andres Izmaylov - harp
Vladimir Guentzelt - violin
Elena Grigorieva - violoncello
recorded LIVE in Small Hall of Saint-Petersburg Philharmonia Febuary 11, 2016
----------------------------------------
Генриэтта Ренье - Трио для арфы, скрипки и виолончели
Андрес Измайлов - арфа
Владимир Гентцельт - скрипка
Елена Григорьева - виолончель
Малый зал Санкт-Петербургской филармонии, 11 февраля 2016 года
- published: 14 Feb 2016
- views: 2128
Jana Boušková - harp
Henriette Renié: Danse des Lutins
16. 5. 2015 - Libáň (CZ)
15th Foerster's Days Music Festival
2015 (c) Jana Boušková
- published: 17 May 2015
- views: 2155
Renié
Renié Conley (31 July 1901 - 12 June 1992) was a prominent Hollywood costume designer.
Biography
For over three decades, Renié was noted for clothing the stars in subtle, elegant outfits, as can be seen in the eponymous costumes Ginger Rogers wore as the glamorous all-American working girl in Kitty Foyle (1940). She got her start designing theatre sets and then working as a sketch artist for Paramount Pictures. In 1937, she became a costume designer for RKO Pictures. She remained with the studio, attiring its biggest stars until the 1950s when she started freelancing. In addition to films, Renié's work can also be seen on such television series as Haywire (1990 - 1991). In 1963, Renié's costumes for the epic Cleopatra earned her an Oscar (she received four other nominations). For a while, she also designed costumes for 'Shipstead & Johnson's Ice Follies'.
She also designed the costumes for the 1942 film A Date with the Falcon and the 1943 The Falcon and the Co-eds.
Conley was an adherent of the Church of Christ, Scientist who contended that her faith enabled her to overcome worldly ambition, putting her work on an unselfish and solid foundation.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Renié
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Henriette Renié
Henriette Renié (18 September 1875 – 1 March 1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used.
Musical life
Before the age of five, Henriette played piano, but at five, she saw a concert featuring Alphonse Hasselmans, and declared "That man is going to be my harp teacher." She was not allowed to play harp until she was eight, and then her feet did not reach the pedals. She would hop off her bench to change them and then hop up and continue playing; her father eventually developed pedal extensions for her.
Hasselmans had begun teaching at the Paris Conservatoire, and they met half-way to have lessons at Sebastian Érard's workshop. In 1885, she became a regular student at the Conservatoire. At ten, she won a second prize in harp performance (the committee had actually voted to give her first prize, but the director had decided it was inappropriate), and at eleven, she won the Premier Prix.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Henriette_Renié
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Willy Lust
Wilhelmina Maria "Willy" Lust (later Postma, born 19 June 1932) is a retired Dutch track-and-field athlete. She won a silver medal in the long jump at the 1950 European Athletics Championships. Two years later she competed at the 1952 Summer Olympics, in the 80 m hurdles, long jump and 4×100 m relay; she finished in fifth place in the long jump and in sixth place in the relay. She was also successful in the pentathlon, holding national records and winning two national titles in 1950 and 1951. In 1954, together with her husband Jan Postma she immigrated to Australia and retired from competitions. She has a daughter, Ingrid Postma.
References
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Willy_Lust
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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11:02H. Renié: Légende (Anneleen Lenaerts, harp)
H. Renié: Légende (Anneleen Lenaerts, harp)H. Renié: Légende (Anneleen Lenaerts, harp)
Henriette Renié: Légende d'apres Les Elfes de Leconte de Lisle Anneleen Lenaerts, harp Henriette Renié (1875-1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used. Still aged only 23, the Belgian harpist Anneleen Lenaerts is making a name for herself as one of the finest young harpists of today. Her extraordinary talent made her perform all over Europe to great acclaim. Her harp playing is known for its colourful and warm sound, perfect timing and deep musical expression. In December 2010 Anneleen was appointed Principal Harp of the Vienna Philharmonic. Anneleen started playing the harp at the age of 9 with Lieve Robbroeckx and worked with her continuously for nine years. She studied further with Isabelle Perrin in Paris and Jana Bouskova at the Royal Conservatory of Brussels, graduating from everywhere with the highest distinction. Anneleen also studied harmony, counterpoint and fugue at the Brussels Conservatory. From the very beginning Anneleen showed great musical talent and started winning an impressive amount of prizes in international harp competitions at a very young age: Concours International de Harpe Felix Godefroid, Concours International de Harpe et Orchestre, International Harp Competition Gödöllö, Josef Reinl Wettbewerb, USA International Harp Competition, Concurso Internacional de Arpa Arpista Ludovico and in 2005 the prestigious Grand Prix International Lily Laskine in France, where she also obtained the prizes for the best interpretation of Bach's Chaconne and for the compulsory work of Karol Beffa. In 2009 she was a prizewinner in the Internationaler Wettbewerb der ARD München where she also won the audience prize. Anneleen has been awarded several times for her remarkable results. The Flemish government honoured her with the YoTaM Prize. She was also awarded 'le Prix Culturel International de la Jeunesse' by the governor of Basse and Haute Normandy ant the Cultural Commission of Lions Club Deauville, the Prize of the Artistic Foundation Mathilde E. Horlait-Dapsens, the Prize Lunssens and Van Straelen and she became a laureate of the 'Fondation Groupe Populaire' in Paris in 2010. She has given solo recitals all through Europe and was repeatedly praised for her simplicity, musicality and virtuosity. She has made her debut in prestigious halls such as the Wigmore Hall London, the Salle Gaveau Paris, the Grosses Festspielhaus Salzburg,... Anneleen has performed as a soloist with well-known orchestras in Belgium and elsewhere, such as the Mozarteum Orchester, and the Symphonieorchester des Bayerischen Rundfunks, the Brussels Chamber Orchestra, ... "The harmony she produces touches everyone directly...the music is hers as if she were speaking. Everything appears effortless: whether in most virtuoso transitions or moments of the greatest delicacy, she takes the time to make every note speak..." All inforamtion and photos were taken from the Internet. -
12:27Henriette Renié - Ballade fantastique pour harpe
Henriette Renié - Ballade fantastique pour harpeHenriette Renié - Ballade fantastique pour harpe
Sandrine Chatron -
20:03Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
Henriette Renié (1875-1956) (France) Concerto pour harpe et orchestre (1901) Harpiste : Xavier de Maistre Dir : Shao-Chia Lü 1- Allegro risoluto (8.11) 2- Adagio (5.50) [3- Scherzo. Allegro vivo scherzando] 4- Final. Allegro con fuoco (6.09) In this recording, the third movement "Scherzo. Allegro vivo scherzando" has not be recorded. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/ -
9:07Henriette Renie: Legende for Harp
Henriette Renie: Legende for HarpHenriette Renie: Legende for Harp
relax music for harp !!! by Henriette Renie enjoy the music and the pictures :D -
4:36吉野直子 / Contemplation (H.Renié)
吉野直子 / Contemplation (H.Renié)吉野直子 / Contemplation (H.Renié)
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1:40H. Renie: Danse d'autrefois (Willy Postma, harp)
H. Renie: Danse d'autrefois (Willy Postma, harp)H. Renie: Danse d'autrefois (Willy Postma, harp)
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album Willy Postma, harp "Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited. Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp. Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes. Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance. Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki. Information and photos were taken from the internet. -
1:51H. Renie: Esquisse (Willy Postma, harp)
H. Renie: Esquisse (Willy Postma, harp)H. Renie: Esquisse (Willy Postma, harp)
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album Willy Postma, harp "Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited. Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp. Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes. Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance. Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki. Information and photos were taken from the internet. -
3:38RENIE - SHIDA TU (OFFICIAL VIDEO)
RENIE - SHIDA TU (OFFICIAL VIDEO)RENIE - SHIDA TU (OFFICIAL VIDEO)
RENIE - SHIDA TU (OFFICIAL VIDEO) -
31:17Henriette Renié - Trio for harp, violin and violoncello
Henriette Renié - Trio for harp, violin and violoncelloHenriette Renié - Trio for harp, violin and violoncello
Henriette Renié - Trio for harp, violin and violoncello 1. Allegro risoluto 00:00 2. Scherzo 10:35 3. Andante 16:14 4. Finale 23:42 Andres Izmaylov - harp Vladimir Guentzelt - violin Elena Grigorieva - violoncello recorded LIVE in Small Hall of Saint-Petersburg Philharmonia Febuary 11, 2016 ---------------------------------------- Генриэтта Ренье - Трио для арфы, скрипки и виолончели Андрес Измайлов - арфа Владимир Гентцельт - скрипка Елена Григорьева - виолончель Малый зал Санкт-Петербургской филармонии, 11 февраля 2016 года -
3:18Jana Bouskova plays Danse des Lutins by H. Renié
Jana Bouskova plays Danse des Lutins by H. ReniéJana Bouskova plays Danse des Lutins by H. Renié
Jana Boušková - harp Henriette Renié: Danse des Lutins 16. 5. 2015 - Libáň (CZ) 15th Foerster's Days Music Festival 2015 (c) Jana Boušková
Renié Filmography
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1981, role: costume designer
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1981, role: costume designer
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1980, role: costume designer
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1978, role: costume designer
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1976, role: costume designer
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1969, role: costume designer
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1968, role: costume designer
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1968, role: costume designer
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1966, role: costume designer
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1964, role: costume designer
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1964, role: costume designer
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1963, role: costume designer
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1961, role: costume designer
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1959, role: costume designer
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1958, role: costume designer
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1957, role: costume designer
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1957, role: costume designer
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1956, role: costume designer
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1955, role: costume designer
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1955, role: costume designer
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1954, role: costume designer
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1954, role: costume designer
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1954, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1953, role: costume designer
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1952, role: costume designer
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1952, role: costume designer
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1952, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1951, role: costume designer
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1949, role: costume designer
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1948, role: costume designer
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1948, role: costume designer
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1948, role: costume designer
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1948, role: costume designer
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1947, role: costume designer
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1947, role: costume designer
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1947, role: costume designer
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1947, role: costume designer
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H. Renié: Légende (Anneleen Lenaerts, harp)
Henriette Renié: Légende d'apres Les Elfes de Leconte de Lisle Anneleen Lenaerts, harp Henriette Renié (1875-1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used. Still aged only 23, the Belgian harpist Anneleen Lenaerts is making a name for herself as one of the finest young harpists of today. Her extraordinary talent made her perform all over Europe to great acclaim. Her harp playing is known for its colourful and warm sound, perfect timing and deep musical expression. In December 2010 Anneleen was appointed Principal Harp of the Vienna Philharmonic. Anneleen started playing the harp ...
published: 05 Mar 2013 -
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Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
Henriette Renié (1875-1956) (France) Concerto pour harpe et orchestre (1901) Harpiste : Xavier de Maistre Dir : Shao-Chia Lü 1- Allegro risoluto (8.11) 2- Adagio (5.50) [3- Scherzo. Allegro vivo scherzando] 4- Final. Allegro con fuoco (6.09) In this recording, the third movement "Scherzo. Allegro vivo scherzando" has not be recorded. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/
published: 26 Oct 2011 -
Henriette Renie: Legende for Harp
relax music for harp !!! by Henriette Renie enjoy the music and the pictures :D
published: 06 Apr 2011 -
吉野直子 / Contemplation (H.Renié)
published: 02 Nov 2014 -
H. Renie: Danse d'autrefois (Willy Postma, harp)
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album Willy Postma, harp "Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited. Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brillian...
published: 27 Jan 2012 -
H. Renie: Esquisse (Willy Postma, harp)
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album Willy Postma, harp "Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited. Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first p...
published: 27 Jan 2012 -
-
Henriette Renié - Trio for harp, violin and violoncello
Henriette Renié - Trio for harp, violin and violoncello 1. Allegro risoluto 00:00 2. Scherzo 10:35 3. Andante 16:14 4. Finale 23:42 Andres Izmaylov - harp Vladimir Guentzelt - violin Elena Grigorieva - violoncello recorded LIVE in Small Hall of Saint-Petersburg Philharmonia Febuary 11, 2016 ---------------------------------------- Генриэтта Ренье - Трио для арфы, скрипки и виолончели Андрес Измайлов - арфа Владимир Гентцельт - скрипка Елена Григорьева - виолончель Малый зал Санкт-Петербургской филармонии, 11 февраля 2016 года
published: 14 Feb 2016 -
Jana Bouskova plays Danse des Lutins by H. Renié
Jana Boušková - harp Henriette Renié: Danse des Lutins 16. 5. 2015 - Libáň (CZ) 15th Foerster's Days Music Festival 2015 (c) Jana Boušková
published: 17 May 2015
H. Renié: Légende (Anneleen Lenaerts, harp)
- Order: Reorder
- Duration: 11:02
- Updated: 05 Mar 2013
- views: 15899
Henriette Renié:
Légende d'apres Les Elfes de Leconte de Lisle
Anneleen Lenaerts, harp
Henriette Renié (1875-1956) was a French harpist and composer, a deeply ...
Henriette Renié:
Légende d'apres Les Elfes de Leconte de Lisle
Anneleen Lenaerts, harp
Henriette Renié (1875-1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used.
Still aged only 23, the Belgian harpist Anneleen Lenaerts is making a name for herself as one of the finest young harpists of today. Her extraordinary talent made her perform all over Europe to great acclaim. Her harp playing is known for its colourful and warm sound, perfect timing and deep musical expression. In December 2010 Anneleen was appointed Principal Harp of the Vienna Philharmonic.
Anneleen started playing the harp at the age of 9 with Lieve Robbroeckx and worked with her continuously for nine years. She studied further with Isabelle Perrin in Paris and Jana Bouskova at the Royal Conservatory of Brussels, graduating from everywhere with the highest distinction. Anneleen also studied harmony, counterpoint and fugue at the Brussels Conservatory.
From the very beginning Anneleen showed great musical talent and started winning an impressive amount of prizes in international harp competitions at a very young age: Concours International de Harpe Felix Godefroid, Concours International de Harpe et Orchestre, International Harp Competition Gödöllö, Josef Reinl Wettbewerb, USA International Harp Competition, Concurso Internacional de Arpa Arpista Ludovico and in 2005 the prestigious Grand Prix International Lily Laskine in France, where she also obtained the prizes for the best interpretation of Bach's Chaconne and for the compulsory work of Karol Beffa. In 2009 she was a prizewinner in the Internationaler
Wettbewerb der ARD München where she also won the audience prize. Anneleen has been awarded several times for her remarkable results. The Flemish government honoured her with the YoTaM Prize. She was also awarded 'le Prix Culturel International de la Jeunesse' by the governor of Basse and Haute Normandy ant the Cultural Commission of Lions Club Deauville, the Prize of the Artistic Foundation Mathilde E. Horlait-Dapsens, the Prize Lunssens and Van Straelen and she became a laureate of the 'Fondation Groupe Populaire' in Paris in 2010. She has given solo recitals all through Europe and was repeatedly praised for her simplicity, musicality and virtuosity. She has made her debut in prestigious halls such as the Wigmore Hall London, the Salle Gaveau Paris, the Grosses Festspielhaus Salzburg,...
Anneleen has performed as a soloist with well-known orchestras in Belgium and elsewhere, such as the Mozarteum Orchester, and the Symphonieorchester des Bayerischen Rundfunks, the Brussels Chamber Orchestra, ...
"The harmony she produces touches everyone directly...the music is hers as if she were speaking. Everything appears effortless: whether in most virtuoso transitions or moments of the greatest delicacy, she takes the time to make every note speak..."
All inforamtion and photos were taken from the Internet.
https://wn.com/H._Renié_Légende_(Anneleen_Lenaerts,_Harp)
Henriette Renié:
Légende d'apres Les Elfes de Leconte de Lisle
Anneleen Lenaerts, harp
Henriette Renié (1875-1956) was a French harpist and composer, a deeply religious woman who lived in poverty for much of her life, but who was independent and successful in a time when fame was socially unacceptable for women. She codified a method for harp which is widely used.
Still aged only 23, the Belgian harpist Anneleen Lenaerts is making a name for herself as one of the finest young harpists of today. Her extraordinary talent made her perform all over Europe to great acclaim. Her harp playing is known for its colourful and warm sound, perfect timing and deep musical expression. In December 2010 Anneleen was appointed Principal Harp of the Vienna Philharmonic.
Anneleen started playing the harp at the age of 9 with Lieve Robbroeckx and worked with her continuously for nine years. She studied further with Isabelle Perrin in Paris and Jana Bouskova at the Royal Conservatory of Brussels, graduating from everywhere with the highest distinction. Anneleen also studied harmony, counterpoint and fugue at the Brussels Conservatory.
From the very beginning Anneleen showed great musical talent and started winning an impressive amount of prizes in international harp competitions at a very young age: Concours International de Harpe Felix Godefroid, Concours International de Harpe et Orchestre, International Harp Competition Gödöllö, Josef Reinl Wettbewerb, USA International Harp Competition, Concurso Internacional de Arpa Arpista Ludovico and in 2005 the prestigious Grand Prix International Lily Laskine in France, where she also obtained the prizes for the best interpretation of Bach's Chaconne and for the compulsory work of Karol Beffa. In 2009 she was a prizewinner in the Internationaler
Wettbewerb der ARD München where she also won the audience prize. Anneleen has been awarded several times for her remarkable results. The Flemish government honoured her with the YoTaM Prize. She was also awarded 'le Prix Culturel International de la Jeunesse' by the governor of Basse and Haute Normandy ant the Cultural Commission of Lions Club Deauville, the Prize of the Artistic Foundation Mathilde E. Horlait-Dapsens, the Prize Lunssens and Van Straelen and she became a laureate of the 'Fondation Groupe Populaire' in Paris in 2010. She has given solo recitals all through Europe and was repeatedly praised for her simplicity, musicality and virtuosity. She has made her debut in prestigious halls such as the Wigmore Hall London, the Salle Gaveau Paris, the Grosses Festspielhaus Salzburg,...
Anneleen has performed as a soloist with well-known orchestras in Belgium and elsewhere, such as the Mozarteum Orchester, and the Symphonieorchester des Bayerischen Rundfunks, the Brussels Chamber Orchestra, ...
"The harmony she produces touches everyone directly...the music is hers as if she were speaking. Everything appears effortless: whether in most virtuoso transitions or moments of the greatest delicacy, she takes the time to make every note speak..."
All inforamtion and photos were taken from the Internet.
- published: 05 Mar 2013
- views: 15899
Henriette Renié - Ballade fantastique pour harpe
- Order: Reorder
- Duration: 12:27
- Updated: 07 Jun 2016
- views: 1183
Sandrine Chatron
Sandrine Chatron
https://wn.com/Henriette_Renié_Ballade_Fantastique_Pour_Harpe
Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
- Order: Reorder
- Duration: 20:03
- Updated: 26 Oct 2011
- views: 17360
Henriette Renié (1875-1956) (France)
Concerto pour harpe et orchestre (1901)
Harpiste : Xavier de Maistre
Dir : Shao-Chia Lü
1- Allegro risoluto (8.11)
2- Ada...
Henriette Renié (1875-1956) (France)
Concerto pour harpe et orchestre (1901)
Harpiste : Xavier de Maistre
Dir : Shao-Chia Lü
1- Allegro risoluto (8.11)
2- Adagio (5.50)
[3- Scherzo. Allegro vivo scherzando]
4- Final. Allegro con fuoco (6.09)
In this recording, the third movement "Scherzo. Allegro vivo scherzando" has not be recorded.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
https://wn.com/Henriette_Renié_(1875_1956)_Concerto_Pour_Harpe_Et_Orchestre_(1901)
Henriette Renié (1875-1956) (France)
Concerto pour harpe et orchestre (1901)
Harpiste : Xavier de Maistre
Dir : Shao-Chia Lü
1- Allegro risoluto (8.11)
2- Adagio (5.50)
[3- Scherzo. Allegro vivo scherzando]
4- Final. Allegro con fuoco (6.09)
In this recording, the third movement "Scherzo. Allegro vivo scherzando" has not be recorded.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
- published: 26 Oct 2011
- views: 17360
Henriette Renie: Legende for Harp
- Order: Reorder
- Duration: 9:07
- Updated: 06 Apr 2011
- views: 9962
relax music for harp !!! by Henriette Renie
enjoy the music and the pictures :D
relax music for harp !!! by Henriette Renie
enjoy the music and the pictures :D
https://wn.com/Henriette_Renie_Legende_For_Harp
relax music for harp !!! by Henriette Renie
enjoy the music and the pictures :D
- published: 06 Apr 2011
- views: 9962
吉野直子 / Contemplation (H.Renié)
- Order: Reorder
- Duration: 4:36
- Updated: 02 Nov 2014
- views: 1000
- published: 02 Nov 2014
- views: 1000
H. Renie: Danse d'autrefois (Willy Postma, harp)
- Order: Reorder
- Duration: 1:40
- Updated: 27 Jan 2012
- views: 3840
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students...
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
https://wn.com/H._Renie_Danse_D'Autrefois_(Willy_Postma,_Harp)
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
- published: 27 Jan 2012
- views: 3840
H. Renie: Esquisse (Willy Postma, harp)
- Order: Reorder
- Duration: 1:51
- Updated: 27 Jan 2012
- views: 6004
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this que...
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
https://wn.com/H._Renie_Esquisse_(Willy_Postma,_Harp)
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album
Willy Postma, harp
"Do you love the harp?" Henriette Renié asked all her new students this question. It was fundamental to her vocation. Renié already loved the harp by the age of five, but because she was so small, had to wait until she was eight (1883) to have her first harp lesson. Alphonse Hasselmans, the remarkable Belgian harpist, placed Renié's hands on a harp for the first time. It was certainly a prestigious instrument, but also one whose resources and repertoire at tht time were very limited.
Hasselmans, who had recently been appointed professor of harp at the Paris Conservatory, introduced his sensational pupil, "the petite Renié", in the annual concours in 1887 when she was just 11. She won a brilliant first prize which opened a new era for the harp.
Renié's father, an artist by profession, was also an accomplished actor and singer. He turned down numerous proposals for engagements which would have exploited his daughter, a true child prodigy. Instead, he made certain that she received a solid musical foundation, studying both with Charles Lenepveu and Theodore Dubois. Barely an adolescent, Renié led an extremely busy professional life, performing throughout Europe, teaching actively in Paris, and taking composition classes at the Conservatoire, for which she won prizes.
Renié struggled all her life under the double handicap of being a woman and playing the harp. One well-know critic, Max Pincherle, regretted that a musician of her class had to express herself on such a minor instrument as the harp! Perhaps because of these feelings, Renié seemed to want to stretch the possibilities of the harp. She did both by her extraordinary virtuosity, and her daring compositions which, beyond their musical value, were full of risks and dangers in performance.
Harpist Willy Postma was born in Amsterdam. After attending Schools in Rotterdam, Paris and New York, she came to Noway at an early age and has been affiliated with the Trondhein Symphony Orchestra since 1964. Prizewinner of the International Harp Competition in Israel in 1970 Postma has had an all-round career as soloist, chamber-music performer and teacher. Postma has recorded several CD albums and has been a frequent guest on television and radio programmes. In 1980 she started the Nordic countries' first harp class in Trondheim, a class she still conducts. Since 1991 she has been a teacher at the Norwegian State Academy of Music and since 1992 also at the Sibelius Academy in Helsinki.
Information and photos were taken from the internet.
- published: 27 Jan 2012
- views: 6004
RENIE - SHIDA TU (OFFICIAL VIDEO)
- Order: Reorder
- Duration: 3:38
- Updated: 16 Sep 2016
- views: 1438
RENIE - SHIDA TU (OFFICIAL VIDEO)
RENIE - SHIDA TU (OFFICIAL VIDEO)
https://wn.com/Renie_Shida_Tu_(Official_Video)
Henriette Renié - Trio for harp, violin and violoncello
- Order: Reorder
- Duration: 31:17
- Updated: 14 Feb 2016
- views: 2128
Henriette Renié - Trio for harp, violin and violoncello
1. Allegro risoluto 00:00
2. Scherzo 10:35
3. Andante 16:14
4. Finale 23:42
Andres Izmaylov - harp
Vla...
Henriette Renié - Trio for harp, violin and violoncello
1. Allegro risoluto 00:00
2. Scherzo 10:35
3. Andante 16:14
4. Finale 23:42
Andres Izmaylov - harp
Vladimir Guentzelt - violin
Elena Grigorieva - violoncello
recorded LIVE in Small Hall of Saint-Petersburg Philharmonia Febuary 11, 2016
----------------------------------------
Генриэтта Ренье - Трио для арфы, скрипки и виолончели
Андрес Измайлов - арфа
Владимир Гентцельт - скрипка
Елена Григорьева - виолончель
Малый зал Санкт-Петербургской филармонии, 11 февраля 2016 года
https://wn.com/Henriette_Renié_Trio_For_Harp,_Violin_And_Violoncello
Henriette Renié - Trio for harp, violin and violoncello
1. Allegro risoluto 00:00
2. Scherzo 10:35
3. Andante 16:14
4. Finale 23:42
Andres Izmaylov - harp
Vladimir Guentzelt - violin
Elena Grigorieva - violoncello
recorded LIVE in Small Hall of Saint-Petersburg Philharmonia Febuary 11, 2016
----------------------------------------
Генриэтта Ренье - Трио для арфы, скрипки и виолончели
Андрес Измайлов - арфа
Владимир Гентцельт - скрипка
Елена Григорьева - виолончель
Малый зал Санкт-Петербургской филармонии, 11 февраля 2016 года
- published: 14 Feb 2016
- views: 2128
Jana Bouskova plays Danse des Lutins by H. Renié
- Order: Reorder
- Duration: 3:18
- Updated: 17 May 2015
- views: 2155
Jana Boušková - harp
Henriette Renié: Danse des Lutins
16. 5. 2015 - Libáň (CZ)
15th Foerster's Days Music Festival
2015 (c) Jana Boušková
Jana Boušková - harp
Henriette Renié: Danse des Lutins
16. 5. 2015 - Libáň (CZ)
15th Foerster's Days Music Festival
2015 (c) Jana Boušková
https://wn.com/Jana_Bouskova_Plays_Danse_Des_Lutins_By_H._Renié
Jana Boušková - harp
Henriette Renié: Danse des Lutins
16. 5. 2015 - Libáň (CZ)
15th Foerster's Days Music Festival
2015 (c) Jana Boušková
- published: 17 May 2015
- views: 2155
- Playlist
- Chat
- Playlist
- Chat
11:02
H. Renié: Légende (Anneleen Lenaerts, harp)
Henriette Renié:
Légende d'apres Les Elfes de Leconte de Lisle
Anneleen Lenaerts, harp
He...
published: 05 Mar 2013
H. Renié: Légende (Anneleen Lenaerts, harp)
H. Renié: Légende (Anneleen Lenaerts, harp)
- Report rights infringement
- published: 05 Mar 2013
- views: 15899
12:27
Henriette Renié - Ballade fantastique pour harpe
Sandrine Chatron
published: 07 Jun 2016
Henriette Renié - Ballade fantastique pour harpe
Henriette Renié - Ballade fantastique pour harpe
- Report rights infringement
- published: 07 Jun 2016
- views: 1183
20:03
Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
Henriette Renié (1875-1956) (France)
Concerto pour harpe et orchestre (1901)
Harpiste : Xa...
published: 26 Oct 2011
Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
Henriette Renié (1875-1956) : Concerto pour harpe et orchestre (1901)
- Report rights infringement
- published: 26 Oct 2011
- views: 17360
9:07
Henriette Renie: Legende for Harp
relax music for harp !!! by Henriette Renie
enjoy the music and the pictures :D
published: 06 Apr 2011
Henriette Renie: Legende for Harp
Henriette Renie: Legende for Harp
- Report rights infringement
- published: 06 Apr 2011
- views: 9962
4:36
吉野直子 / Contemplation (H.Renié)
published: 02 Nov 2014
吉野直子 / Contemplation (H.Renié)
吉野直子 / Contemplation (H.Renié)
- Report rights infringement
- published: 02 Nov 2014
- views: 1000
1:40
H. Renie: Danse d'autrefois (Willy Postma, harp)
Henriette Renié (1875-1956): Danse d' autrefois from Feuillets D'Album
Willy Postma, harp...
published: 27 Jan 2012
H. Renie: Danse d'autrefois (Willy Postma, harp)
H. Renie: Danse d'autrefois (Willy Postma, harp)
- Report rights infringement
- published: 27 Jan 2012
- views: 3840
1:51
H. Renie: Esquisse (Willy Postma, harp)
Henriette Renié (1875-1956): Esquisse from Feuillets D'Album
Willy Postma, harp
"Do y...
published: 27 Jan 2012
H. Renie: Esquisse (Willy Postma, harp)
H. Renie: Esquisse (Willy Postma, harp)
- Report rights infringement
- published: 27 Jan 2012
- views: 6004
3:38
RENIE - SHIDA TU (OFFICIAL VIDEO)
RENIE - SHIDA TU (OFFICIAL VIDEO)
published: 16 Sep 2016
RENIE - SHIDA TU (OFFICIAL VIDEO)
RENIE - SHIDA TU (OFFICIAL VIDEO)
- Report rights infringement
- published: 16 Sep 2016
- views: 1438
31:17
Henriette Renié - Trio for harp, violin and violoncello
Henriette Renié - Trio for harp, violin and violoncello
1. Allegro risoluto 00:00
2. Sche...
published: 14 Feb 2016
Henriette Renié - Trio for harp, violin and violoncello
Henriette Renié - Trio for harp, violin and violoncello
- Report rights infringement
- published: 14 Feb 2016
- views: 2128
3:18
Jana Bouskova plays Danse des Lutins by H. Renié
Jana Boušková - harp
Henriette Renié: Danse des Lutins
16. 5. 2015 - Libáň (CZ)
15th Foers...
published: 17 May 2015
Jana Bouskova plays Danse des Lutins by H. Renié
Jana Bouskova plays Danse des Lutins by H. Renié
- Report rights infringement
- published: 17 May 2015
- views: 2155
H. Renié: Légende (Anneleen Lenaerts, harp)...
Henriette Renié - Ballade fantastique pour harpe...
Henriette Renié (1875-1956) : Concerto pour harpe ...
Henriette Renie: Legende for Harp...
吉野直子 / Contemplation (H.Renié)...
H. Renie: Danse d'autrefois (Willy Postma, harp)...
H. Renie: Esquisse (Willy Postma, harp)...
RENIE - SHIDA TU (OFFICIAL VIDEO)...
Henriette Renié - Trio for harp, violin and violon...
Jana Bouskova plays Danse des Lutins by H. Renié...
See more photos of renié
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Lyrics list:lyrics
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Find Myself, Rooney
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Don't Come Around Again, Rooney
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I´m Shakin´, Rooney
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I´m A Terrible Person, Rooney
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Blueside, Rooney
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Popstars, Rooney
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Blue Side, Rooney
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When Did Your Heart Go Missing?, Rooney
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What For, Rooney
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The Floor, Rooney
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Find Myself
when will i learn to be alone
how can i learn to let go of you
everyone can see me
but i can't see myself
have you seen the key that
leads to me
'cause i need to find myself
i'm running out
i'm running out of time
to find myself
why do i suck at putting smiles on their faces
why am i only funny to myself
how come no one understands what i say
but i thought i didn't know myself
i hate everyone
only on certain days
i think you're all
annoyed by me
so i'll leave, and find myself
