Handbags and Gladrags

"Handbags and Gladrags" is a song written in 1967 by Mike d'Abo, who was then the lead singer of Manfred Mann. D'Abo describes the song as "saying to a teenage girl that the way to happiness is not through being trendy. There are deeper values."

The original demo tape of the original version of the song was discovered in 2004 in a closet belonging to Mo Foster. It was amongst a collection of studio recordings d'Abo had recorded in the late 1960s and early 1970s. The collection, including the demo recording, was eventually released on the Angel Air label under the title of Missing Gems & Treasured Friends.

Chris Farlowe version

In November 1967, singer Chris Farlowe was the first to release a version of the song, produced by Mike d'Abo. It became a #33 hit in the United Kingdom for Immediate Records. This arrangement of the song featured Dave Greenslade's piano blues-scale riff. The song was included as track 13 (of 14) on Farlowe's 1969 album The Last Goodbye.

Rod Stewart version

Rod Stewart

Roderick David "Rod" Stewart, CBE (born 10 January 1945) is a British rock singer-songwriter. Born and raised in London, he is of Scottish and English ancestry. Stewart is one of the best-selling music artists of all time, having sold over 100 million records worldwide.

He has had six consecutive number one albums in the UK, and his tally of 62 UK hit singles includes 31 that reached the top 10, six of which gained the number one position. He has had 16 top ten singles in the US, with four reaching number one on the Billboard Hot 100. In 2007, he received a CBE at Buckingham Palace for services to music.

With his distinctive raspy singing voice, Stewart came to prominence in the late 1960s and early 1970s with The Jeff Beck Group and then with Faces, though his music career had begun in 1962 when he took up busking with a harmonica. In October 1963 he joined the Dimensions as a harmonica player and part-time vocalist, then in 1964 he joined Long John Baldry and the All Stars. Later, in August 1964, he also signed a solo contract, releasing his first solo single, "Good Morning Little Schoolgirl", in October of the same year. He maintained a solo career alongside a group career, releasing his debut solo album An Old Raincoat Won't Ever Let You Down (US: The Rod Stewart Album), in 1969. His early albums were a fusion of rock, folk music, soul music and R&B. His aggressive blues work with The Jeff Beck Group and the Faces influenced heavy metal genres. From the late 1970s through the 1990s, Stewart's music often took on a new wave or soft rock/middle-of-the-road quality, and in the early 2000s he released a series of successful albums interpreting the Great American Songbook.

Manfred Mann

Manfred Mann were an English beat, rhythm and blues and pop band (with a strong jazz foundation) of the 1960s, named after their keyboardist, Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. Manfred Mann were chart regulars in the 1960s, and the first south-of-England-based group to top the US Billboard Hot 100 during the British invasion. Three of the band's most successful singles, "Do Wah Diddy Diddy", "Pretty Flamingo" and "Mighty Quinn", topped the UK Singles Chart.

History

Beginnings (1962–1963)

The Mann-Hugg Blues Brothers were formed in London by keyboard player Manfred Mann and drummer/vibes/piano player Mike Hugg, who formed a house band in Clacton-on-Sea that also featured Graham Bond. Bringing a shared love of jazz to the British blues boom, then sweeping London's clubs (which also spawned Alexis Korner, the Rolling Stones and the Yardbirds), the band was completed by Mike Vickers on guitar, alto saxophone and flute, bassist Dave Richmond and Paul Jones as lead vocalist and harmonicist. By this time they had changed their name to Manfred Mann & the Manfreds. Gigging throughout late 1962 and early 1963 the band soon attracted attention for their distinctive sound.

Jon English

Jonathan James "Jon" English (born 26 March 1949) is an English-born Australian singer, songwriter, musician and actor. He emigrated to Australia with his parents in 1961. He was an early vocalist and rhythm guitarist for Sebastian Hardie but left to take on the role of Judas Iscariot in the Australian version of the stage musical Jesus Christ Superstar from May 1972, which was broadcast on television. English is also a noted solo singer; his Australian top twenty hit singles include "Turn the Page", "Hollywood Seven", "Words are Not Enough", "Six Ribbons" and "Hot Town".

English was acclaimed for his starring role in the 1978 Australian TV series Against the Wind – he won the TV Week Logie Award for 'Best New Talent in Australia'. He also co-wrote and performed the score with Mario Millo (ex-Sebastian Hardie). The series had international release, known as Mot alla vindar (1980) in Swedish, where both "Six Ribbons" and "Against the Wind" were released as singles, both singles and the soundtrack album peaked at No.1 on the Norwegian charts; the first single, "Six Ribbons" and the album, peaked at No.4 on the Swedish charts.

Mike d'Abo

Michael David "Mike" d'Abo (born 1 March 1944) is an English singer and songwriter, best known as the former lead vocalist of Manfred Mann and as the composer of the popular song "Handbags and Gladrags".

Early years

D'Abo was born in Betchworth, Surrey, the son of Dorothy Primrose (née Harbord) and Edward Nassau Nicolai d'Abo, a London stockbroker. His surname comes from his father's part Dutch ancestry. He was educated at Harrow School and Selwyn College, Cambridge. He is 5 ft 11 in (1.80 m), and has eyes "that honestly seem to change from blue to brown to green, depending on the light" (Pete Goodman, music journalist). D'Abo's original intention at Cambridge was to read theology and become a priest but, faced with "everything to learn" (not least Classical Greek and Hebrew), and a disconnect between the "strange, impractical philosophy" he was being taught and his idealism about "bringing comfort to people" and spreading "understanding in the world," he "became wholly disillusioned" (Rave, November 1966). He switched to economics, also unsuccessfully, and left Cambridge with "a first class jazz collection" but without completing his studies.