- published: 14 Sep 2015
- views: 429
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If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A85 recommendations are covered in this video.
440 Hz tone: http://atsc.org/refs/a85/440Hz_left_Ch-20dB.wav
Filtered Pink Noise: http://atsc.org/refs/a85/MidRngPinkNoise_-20dB.wav
ATSC Guide: http://atsc.org/wp-content/uploads/2015/03/Techniques-for-establishing-and-maintaining-audio-loudness.pdf
Toneboosters EBULoudness: http://www.toneboosters.com/tb-ebuloudness/
Waves Loudness Meter (more expensive alternative to EBULoudness): http://www.waves.com/plugins/wlm-loudness-meter
IK Multimedia ARC System 2: http://www.ikmultimedia.com/products/arc/
iZotope RX Loudness Control: https://www.izotope.com/en/products/post-production/rx-loudness-control/
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ATSC 3.0 broadcast standard, which is being standardized by the Advanced Television Systems Committee. FUTURECAST was co-developed by LG Electronics, its U.S. R&D; subsidiary Zenith, and GatesAir as the foundation of next-generation terrestrial broadcasting in the United States and around the world.
Results from initial field tests completed in August 2014 – the first over-the-air broadcast trials of a compete ATSC 3.0 Physical Layer system – show how FUTURECAST can deliver 4K Ultra HD content and two robust mobile TV streams in a single 6-Megahertz channel, while optimizing indoor reception and offering unparalleled spectrum efficiency.
Visit http://www.gatesair.com/media-center/news/field-tests-of-futurecast-next-gen-tv-broadcast-system-first-to-demonstrate for more information about this exciting new technology.
- published: 21 Jan 2015
- views: 1169
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live at the 2016 Consumer Electronics Show, you will learn about ATSC 3.0's 4K Ultra HD resolution, its over-the-air capabilities, its compliance with Internet & mobile standards, and applications for viewer engagement. To learn more, visit http://www.pearltv.com or http://www.gatesair.com/solutions/are-you-ready-for-atsc-3.0
Originally recorded for Pearl by NewBay Studios (http://www.newbaymedia.com/)
- published: 29 Jan 2016
- views: 54
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R128 loudness standard (Europe) and ATSC's A/85 loudness recommendation (US) is that EBU's version contains a gating scheme. It was indicated by ATSC that they would be likely to implement the gating scheme of ITU BS.1770-2 and EBU R128 in a future revision. If/when that happens, it will definitely be great news, as we would then be taking a huge step towards actually having loudness guidelines that applies in a global perspective. Florian Camerer elaborates in this short video.
- published: 09 May 2012
- views: 1074
CISPR 32 Standard Test Stream for EMC Test
Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards.
Fully compliant to ITU BT-1729 Standard
Video:
BT-1729 Test Pattern with moving object
Audio:
Type 1: Continuous sinewave tones on each channel, using the following frequencies:
Left: 392 Hz (G)
Centre: 493.9 Hz (B)
Right: 587.3 Hz (D)
Surround (mono) or surround (left): 784 Hz (G)
Surround (right): 987.8 Hz (B)
LFE: 40 Hz
The Type 1 tone is used for channel identification and for checking audio-video synchronization.The right channel tone should be muted once per second for 25 ms to coincide with the visual synchronizing indication. The synchronization point should be at the start of the mute period.
- published: 16 Jul 2015
- views: 820
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmission over terrestrial, cable, and satellite networks.
The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. ATSC formats also include standard-definition formats, although initially only HDTV services were launched in the digital format.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 14 Oct 2015
- views: 24
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates the transmission of a UHD signal, an HD signal, and an ultra-robust SD mobile signal across a single, combined data stream of 6 MHz bandwidth. This OFDM standard uses a high-efficiency video coding with extremely low video termination thresholds.
Please visit http://www.GatesAir.com to learn more about broadcasting solutions for today and tomorrow.
- published: 17 Dec 2014
- views: 199
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by the Advanced Television Systems Committee (ATSC) with finding solutions to a problem that had irked millions of Americans -- the volume of TV commercials was sometimes much louder than the programs they supported.
- published: 20 Feb 2013
- views: 148
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Tango: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Tango: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Wiener Walzer: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Wiener Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Slowfox: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Slowfox: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
Ergebnis:
1. Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
2. Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
3. Nr.28 Wolfgang Kraus - Hildegard Kraus (Niederösterreich)
4. Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
5. Nr.56 Zsolt Szabo - Valéria Onodi, Sway STE ()
6. Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
7. Nr.58 Lubomir Turinic - Lubica Turinicova, Gala Dance Club Bratislava ()
8. Nr.50 Marek Simunek - Henrieta Kalmanova, TSK VIVA NOVE ZAMKY ()
9. Nr.43 Gerhard Pöschmann - Beatrix Buhl, UTSK Schwarz-Weiß Wien (Wien)
10. Nr.16 Kurt Hawlicek - Inge Hawlicek, TSK Juventus - Wien (Wien)
- published: 04 Jan 2015
- views: 261
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 standard to be implemented in the next few years. This Comark-Teamcast-Samsung candidate competes with the "Futurecast' Gates Air - LG candidate.
- published: 10 Jan 2015
- views: 482
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly.
References:
CERO: http://www.cero.gr.jp/e/
ESRB: http://www.esrb.org/index-js.jsp
PEGI: http://www.pegi.info/en/index/
CEA (CES Organizer): http://www.ce.org
ESA: http://www.theesa.com
ATSC: http://atsc.org
DCI: http://www.dcimovies.com
USB-IF: http://www.usb.org/developers/compliance/
HDMI/ATSC compliance: http://www.hdmi.org/learningcenter/faq.aspx#1
IEEE: https://www.ieee.org/index.html
ISO: http://www.iso.org/iso/home.html
Follow Shadow Fox:
PVG: http://purevideogames.net/blog
Twitter: http://www.twitter.com/tswanace
YouTube: http://www.youtube.com/user/shadowfoxinfinite
Gamers At Large Podcast: http://youtube.com/quanmanchu
Gamers At Large Network Channel: https://www.youtube.com/channel/UC9HxsliFrP7STXF_oeWu-SQ
All content contained in ShadowCasts are the property of their respective owners.
- published: 02 Jul 2015
- views: 403
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12:55Mixing for TV: ATSC A/85 Loudness Standards
Mixing for TV: ATSC A/85 Loudness StandardsMixing for TV: ATSC A/85 Loudness Standards
If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A85 recommendations are covered in this video. 440 Hz tone: http://atsc.org/refs/a85/440Hz_left_Ch-20dB.wav Filtered Pink Noise: http://atsc.org/refs/a85/MidRngPinkNoise_-20dB.wav ATSC Guide: http://atsc.org/wp-content/uploads/2015/03/Techniques-for-establishing-and-maintaining-audio-loudness.pdf Toneboosters EBULoudness: http://www.toneboosters.com/tb-ebuloudness/ Waves Loudness Meter (more expensive alternative to EBULoudness): http://www.waves.com/plugins/wlm-loudness-meter IK Multimedia ARC System 2: http://www.ikmultimedia.com/products/arc/ iZotope RX Loudness Control: https://www.izotope.com/en/products/post-production/rx-loudness-control/ -
3:41ATSC 3.0 4K Broadcast TV standard candidate at CES 2015
ATSC 3.0 4K Broadcast TV standard candidate at CES 2015 -
2:35FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and ZenithFUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ATSC 3.0 broadcast standard, which is being standardized by the Advanced Television Systems Committee. FUTURECAST was co-developed by LG Electronics, its U.S. R&D; subsidiary Zenith, and GatesAir as the foundation of next-generation terrestrial broadcasting in the United States and around the world. Results from initial field tests completed in August 2014 – the first over-the-air broadcast trials of a compete ATSC 3.0 Physical Layer system – show how FUTURECAST can deliver 4K Ultra HD content and two robust mobile TV streams in a single 6-Megahertz channel, while optimizing indoor reception and offering unparalleled spectrum efficiency. Visit http://www.gatesair.com/media-center/news/field-tests-of-futurecast-next-gen-tv-broadcast-system-first-to-demonstrate for more information about this exciting new technology. -
3:14ATSC 3.0 at CES 2016 - Presented by Pearl
ATSC 3.0 at CES 2016 - Presented by PearlATSC 3.0 at CES 2016 - Presented by Pearl
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live at the 2016 Consumer Electronics Show, you will learn about ATSC 3.0's 4K Ultra HD resolution, its over-the-air capabilities, its compliance with Internet & mobile standards, and applications for viewer engagement. To learn more, visit http://www.pearltv.com or http://www.gatesair.com/solutions/are-you-ready-for-atsc-3.0 Originally recorded for Pearl by NewBay Studios (http://www.newbaymedia.com/) -
1:32Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALMFlorian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R128 loudness standard (Europe) and ATSC's A/85 loudness recommendation (US) is that EBU's version contains a gating scheme. It was indicated by ATSC that they would be likely to implement the gating scheme of ITU BS.1770-2 and EBU R128 in a future revision. If/when that happens, it will definitely be great news, as we would then be taking a huge step towards actually having loudness guidelines that applies in a global perspective. Florian Camerer elaborates in this short video. -
1:31CISPR 32 BT-1729 Test Pattern - StreamSpark
CISPR 32 BT-1729 Test Pattern - StreamSparkCISPR 32 BT-1729 Test Pattern - StreamSpark
CISPR 32 Standard Test Stream for EMC Test Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards. Fully compliant to ITU BT-1729 Standard Video: BT-1729 Test Pattern with moving object Audio: Type 1: Continuous sinewave tones on each channel, using the following frequencies: Left: 392 Hz (G) Centre: 493.9 Hz (B) Right: 587.3 Hz (D) Surround (mono) or surround (left): 784 Hz (G) Surround (right): 987.8 Hz (B) LFE: 40 Hz The Type 1 tone is used for channel identification and for checking audio-video synchronization.The right channel tone should be muted once per second for 25 ms to coincide with the visual synchronizing indication. The synchronization point should be at the start of the mute period. -
25:53Advanced Television Systems Committee standards
Advanced Television Systems Committee standardsAdvanced Television Systems Committee standards
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmission over terrestrial, cable, and satellite networks. The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. ATSC formats also include standard-definition formats, although initially only HDTV services were launched in the digital format. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
2:41NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
NAB 2014 - Futurecast ATSC 3.0 Transmission SolutionNAB 2014 - Futurecast ATSC 3.0 Transmission Solution
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates the transmission of a UHD signal, an HD signal, and an ultra-robust SD mobile signal across a single, combined data stream of 6 MHz bandwidth. This OFDM standard uses a high-efficiency video coding with extremely low video termination thresholds. Please visit http://www.GatesAir.com to learn more about broadcasting solutions for today and tomorrow. -
1:43NBCUniversal Helps Set New Standards For TV Loudness
NBCUniversal Helps Set New Standards For TV LoudnessNBCUniversal Helps Set New Standards For TV Loudness
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by the Advanced Television Systems Committee (ATSC) with finding solutions to a problem that had irked millions of Americans -- the volume of TV commercials was sometimes much louder than the programs they supported. -
15:372015-01-04 - Senioren 2B - Standard - Semifinale
2015-01-04 - Senioren 2B - Standard - Semifinale2015-01-04 - Senioren 2B - Standard - Semifinale
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich) Tango: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Tango: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich) Wiener Walzer: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich) Wiener Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Slowfox: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich) Slowfox: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Quickstep: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Quickstep: Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien) Ergebnis: 1. Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich) 2. Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich) 3. Nr.28 Wolfgang Kraus - Hildegard Kraus (Niederösterreich) 4. Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) 5. Nr.56 Zsolt Szabo - Valéria Onodi, Sway STE () 6. Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien) 7. Nr.58 Lubomir Turinic - Lubica Turinicova, Gala Dance Club Bratislava () 8. Nr.50 Marek Simunek - Henrieta Kalmanova, TSK VIVA NOVE ZAMKY () 9. Nr.43 Gerhard Pöschmann - Beatrix Buhl, UTSK Schwarz-Weiß Wien (Wien) 10. Nr.16 Kurt Hawlicek - Inge Hawlicek, TSK Juventus - Wien (Wien) -
3:33ATSC 3.0 4K test at CES 2015
ATSC 3.0 4K test at CES 2015ATSC 3.0 4K test at CES 2015
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 standard to be implemented in the next few years. This Comark-Teamcast-Samsung candidate competes with the "Futurecast' Gates Air - LG candidate. -
20:32Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly. References: CERO: http://www.cero.gr.jp/e/ ESRB: http://www.esrb.org/index-js.jsp PEGI: http://www.pegi.info/en/index/ CEA (CES Organizer): http://www.ce.org ESA: http://www.theesa.com ATSC: http://atsc.org DCI: http://www.dcimovies.com USB-IF: http://www.usb.org/developers/compliance/ HDMI/ATSC compliance: http://www.hdmi.org/learningcenter/faq.aspx#1 IEEE: https://www.ieee.org/index.html ISO: http://www.iso.org/iso/home.html Follow Shadow Fox: PVG: http://purevideogames.net/blog Twitter: http://www.twitter.com/tswanace YouTube: http://www.youtube.com/user/shadowfoxinfinite Gamers At Large Podcast: http://youtube.com/quanmanchu Gamers At Large Network Channel: https://www.youtube.com/channel/UC9HxsliFrP7STXF_oeWu-SQ All content contained in ShadowCasts are the property of their respective owners. -
12:563D Audio Standard: ECMA-407 by Swissaudec
3D Audio Standard: ECMA-407 by Swissaudec3D Audio Standard: ECMA-407 by Swissaudec
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec solved with ECMA-407: NHK 22.2 sound is built with 24 channels, 22 speaker channels and 2 subwoofer channels, consuming 28'800kb/s bandwidth in PCM. With ECMA-407 Swissaudec provides the solution to compress this amout of data up to 600 times - holding the world record in audio compression! By internally multiplexing additional 2kb/s, they extend any HD 5.1 or 7.1 carrier to transmit UHD audio up to NHK 22.2. Swissaudec showcases NHK 22.2 satellite transmission over an MPEG-4 7.1 network at 256kb/s together with SES and France Télévision. Contrarily to non-backwards-compatible standalone standards like MPEG-H or ATSC, Swissaudec invisibly extends existing 2D structure by ECMA-407 to work seamlessly with any existing audio codec. This is also the reason why streaming NHK 22.2 audio with ECMA-407 requires no network changes, as a most efficient, smart and easy UHD audio solution, broadcasters can consider this upgrade for their sound. You can find out more about Swissaudec at: http://twitter.com/swissaudec http://www.swissaudec.com -
12:38Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
MPEG-H is a new about-to-be adopted standard that offers object oriented audio for TVs and mobile devices. It was demonstrated at the SMPTE Fall conference and is vying to be included in the next generation broadcast standard - ATSC 3.0 - Chris Chinnock
-
Mixing for TV: ATSC A/85 Loudness Standards
If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A85 recommendations are covered in this video. 440 Hz tone: http://atsc.org/refs/a85/440Hz_left_Ch-20dB.wav Filtered Pink Noise: http://atsc.org/refs/a85/MidRngPinkNoise_-20dB.wav ATSC Guide: http://atsc.org/wp-content/uploads/2015/03/Techniques-for-establishing-and-maintaining-audio-loudness.pdf Toneboosters EBULoudness: http://www.toneboosters.com/tb-ebuloudness/ Waves Loudness Meter (more expensive alternative to EBULoudness): http://www.waves.com/plugins/wlm-loudness-meter IK Multimedia ARC System 2: http://www.ikmultimedia.com/products/arc/ iZotope RX Loudness Control: https://www.izotope.com/en/products/post-production/rx... -
-
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ATSC 3.0 broadcast standard, which is being standardized by the Advanced Television Systems Committee. FUTURECAST was co-developed by LG Electronics, its U.S. R&D; subsidiary Zenith, and GatesAir as the foundation of next-generation terrestrial broadcasting in the United States and around the world. Results from initial field tests completed in August 2014 – the first over-the-air broadcast trials of a compete ATSC 3.0 Physical Layer system – show how FUTURECAST can deliver 4K Ultra HD content and two robust mobile TV streams in a single 6-Megahertz channel, while optimizing indoor reception and offering unparalleled spectrum effi... -
ATSC 3.0 at CES 2016 - Presented by Pearl
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live at the 2016 Consumer Electronics Show, you will learn about ATSC 3.0's 4K Ultra HD resolution, its over-the-air capabilities, its compliance with Internet & mobile standards, and applications for viewer engagement. To learn more, visit http://www.pearltv.com or http://www.gatesair.com/solutions/are-you-ready-for-atsc-3.0 Originally recorded for Pearl by NewBay Studios (http://www.newbaymedia.com/) -
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R128 loudness standard (Europe) and ATSC's A/85 loudness recommendation (US) is that EBU's version contains a gating scheme. It was indicated by ATSC that they would be likely to implement the gating scheme of ITU BS.1770-2 and EBU R128 in a future revision. If/when that happens, it will definitely be great news, as we would then be taking a huge step towards actually having loudness guidelines that applies in a global perspective. Florian Camerer elaborates in this short video. -
CISPR 32 BT-1729 Test Pattern - StreamSpark
CISPR 32 Standard Test Stream for EMC Test Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards. Fully compliant to ITU BT-1729 Standard Video: BT-1729 Test Pattern with moving object Audio: Type 1: Continuous sinewave tones on each channel, using the following frequencies: Left: 392 Hz (G) Centre: 493.9 Hz (B) Right: 587.3 Hz (D) Surround (mono) or surround (left): 784 Hz (G) Surround (right): 987.8 Hz (B) LFE: 40 Hz The Type 1 tone is used for channel identification and for checking audio-video synchronization.The right channel tone should be muted once per second for 25 ms to coincide with the visual synchronizing indication. The synchronization point should be at the start of the mute period. -
Advanced Television Systems Committee standards
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmission over terrestrial, cable, and satellite networks. The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. ATSC formats also include standard-definition formats, although initially only HDTV services were launched in the digital format. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates the transmission of a UHD signal, an HD signal, and an ultra-robust SD mobile signal across a single, combined data stream of 6 MHz bandwidth. This OFDM standard uses a high-efficiency video coding with extremely low video termination thresholds. Please visit http://www.GatesAir.com to learn more about broadcasting solutions for today and tomorrow. -
NBCUniversal Helps Set New Standards For TV Loudness
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by the Advanced Television Systems Committee (ATSC) with finding solutions to a problem that had irked millions of Americans -- the volume of TV commercials was sometimes much louder than the programs they supported. -
2015-01-04 - Senioren 2B - Standard - Semifinale
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich) Tango: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Tango: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich) Wiener Walzer: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich) Wiener Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Slowfox: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich) Slowfox: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Quickstep: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien) Quickstep: Nr.9 Wolfgang Fre... -
ATSC 3.0 4K test at CES 2015
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 standard to be implemented in the next few years. This Comark-Teamcast-Samsung candidate competes with the "Futurecast' Gates Air - LG candidate. -
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly. References: CERO: http://www.cero.gr.jp/e/ ESRB: http://www.esrb.org/index-js.jsp PEGI: http://www.pegi.info/en/index/ CEA (CES Organizer): http://www.ce.org ESA: http://www.theesa.com ATSC: http://atsc.org DCI: http://www.dcimovies.com USB-IF: http://www.usb.org/developers/compliance/ HDMI/ATSC compliance: http://www.hdmi.org/learningcenter/faq.aspx#1 IEEE: https://www.ieee.org/index.html ISO: http://www.iso.org/iso/home.html Follow Shadow Fox: PVG: http://purevideogames.net/blog Twitter: http://www.twitter.com/tswanace YouTube: http://www.youtube.com/user/shadowfoxinfinite Gamers At Large Podcast: http://youtube.com/quanma... -
3D Audio Standard: ECMA-407 by Swissaudec
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec solved with ECMA-407: NHK 22.2 sound is built with 24 channels, 22 speaker channels and 2 subwoofer channels, consuming 28'800kb/s bandwidth in PCM. With ECMA-407 Swissaudec provides the solution to compress this amout of data up to 600 times - holding the world record in audio compression! By internally multiplexing additional 2kb/s, they extend any HD 5.1 or 7.1 carrier to transmit UHD audio up to NHK 22.2. Swissaudec showcases NHK 22.2 satellite transmission over an MPEG-4 7.1 network at 256kb/s together with SES and France Télévision. Contrarily to non-backwards-compatible standalone standards like MPEG-H or ATSC, Swissaudec invisibly extends existing 2D structure by ECMA-407 to work seamlessly with ... -
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
MPEG-H is a new about-to-be adopted standard that offers object oriented audio for TVs and mobile devices. It was demonstrated at the SMPTE Fall conference and is vying to be included in the next generation broadcast standard - ATSC 3.0 - Chris Chinnock -
Loudness Seminar | Lisbon | Pt 2 - Loudness Standards & Measures
What is EBU R128, The CALM Act, ATSC A/85? What's the difference between LU and LKFS? Need to know what Integrated Long-term Loudness is? What is a True-peak meter? Dr Paul Tapper of NUGEN Audio introduces Loudness Standards and Measures in Part 2 of 3, taken from a seminar given at Futurália, Lisbon 2012. -
How To Select your HDMI Cable
This Video will guide you to select your HDMI cable for the Application in your home. You can check the entire range of MX HDMI Cables. We have categorized the HDMI according the Consumer applications such as PS3, Blu-ray Player, DVD player, Set top Box. Also you can check the standard different categories in HDMI. HDMI will be the single cable for Audio and the Video. What is HDMI? HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD... -
LCAST Loudness Meter Introduction
This video introduces MeterPlugs LCAST Loudness Meter and shows you how to take a loudness measurement. LCAST supports the latest loudness standards: ATSC A/85, EBU R128 and ITU BS.1770-2. It has everything you need to make sure that your audio is broadcast-ready. For more information, visit: http://www.meterplugs.com/lcast -
Wireless HDMI - 30 Meters
MX has come up with a new video known as MX Wireless HDMI. The video shows how you can connect your HDMI transmitter And receiver upto 30 meters without using a long distance HDMI cable. Step 1: Connect the transmitter to the input source with a small HDMI cable. Step 2: Connect the IR Booster. Step 3: Connect the Receiver to the Output Source. Now you can get good quality Audio Video Signal upto 30 meters with using long cable. What is HDMI? HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interf... -
HDMI Crimping Tool
MX HDMI Crimping Tool is use for crimp HDMI connectors.HDMI crimping tool is used where you want to conceal the HDMI cable as the HDMI Connector is bigger is size. It is suggested to have HDMI crimping tool at the time of installation. MDR Electronics is the First Company to have HDMI crimping tool in INDIA. What is HDMI? HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, su... -
HDMI extender over Fiber
Extend HDMI with Fiber upto 300 meters with MX High Definition Multimedia Interface HDMI over fiber is used to extend the HDMI cable up to 300 meters. This device converts the HDMI signal in to Fiber and Transmit and at the receivers end again it will convert back to HDMI for HD TV etc. This device supports FULL HD 1080p. HDMI is the latest digital technology for the Video Transmission. In this video you can check how anyone can extend the HDMI connection. What is HDMI? HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experie... -
EN: Mastering Engineer Tischmeyer presents Nugen Audio VisLM-H R-128 Loudness Meter
http://www.audiotechknowledge.com/product_info.php?products_id=108 If you are looking for a great cross platform audio metering solution covering all common loudness normalization standards from EBU R-128 through ITU BS 1770 to ATSC A/85, the Nugen Audio VisLM-H may be a great find. Mastering specialist and EBU PLOUD member Friedemann Tischmeyer leads you through the functions of this valuable tool. This meter will also become popular as affordable True Peak meter for audio Mastering in order to replace the out-dated Sample PPM measurement. If you want to learn everything about the new European and American standards for loudness normalization incl. the CALM act, this seminar training will guide you through this process with ease: R128 & BS1770 Loudness Normalization (lecture video) http:... -
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HDMI extender over Cat 5e / 6 cables upto 100 meters
Extend HDMI signals over Cat 5e / 6 cables with MX. This Video shows us How to you can transmit video and audio signals over a long distance with the Help of HDMI over Cat5e/Cat6 Transmitter and Receiver.This Device supports upto 100 meters Full HD Support. Steps for the Connection: 1. Connect the HDMI Cable to the transmitter and the other end to the input device(i.e laptop). 2. Connect another HDMI Cable to the Receiver and other end to the output device(i.e TV). 3. Connect a long length Cat5e/Cat6 cable(max 100 meters) between the transmitter and receiver as shown in the Video. What is HDMI? HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video ...
Mixing for TV: ATSC A/85 Loudness Standards
- Order: Reorder
- Duration: 12:55
- Updated: 14 Sep 2015
- views: 429
If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A8...
If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A85 recommendations are covered in this video.
440 Hz tone: http://atsc.org/refs/a85/440Hz_left_Ch-20dB.wav
Filtered Pink Noise: http://atsc.org/refs/a85/MidRngPinkNoise_-20dB.wav
ATSC Guide: http://atsc.org/wp-content/uploads/2015/03/Techniques-for-establishing-and-maintaining-audio-loudness.pdf
Toneboosters EBULoudness: http://www.toneboosters.com/tb-ebuloudness/
Waves Loudness Meter (more expensive alternative to EBULoudness): http://www.waves.com/plugins/wlm-loudness-meter
IK Multimedia ARC System 2: http://www.ikmultimedia.com/products/arc/
iZotope RX Loudness Control: https://www.izotope.com/en/products/post-production/rx-loudness-control/
wn.com/Mixing For Tv Atsc A 85 Loudness Standards
If you are mixing audio for television post production you will need to concern yourself with loudness standards. Fun topics such as ITU-R BS.1770-3 and ATSC A85 recommendations are covered in this video.
440 Hz tone: http://atsc.org/refs/a85/440Hz_left_Ch-20dB.wav
Filtered Pink Noise: http://atsc.org/refs/a85/MidRngPinkNoise_-20dB.wav
ATSC Guide: http://atsc.org/wp-content/uploads/2015/03/Techniques-for-establishing-and-maintaining-audio-loudness.pdf
Toneboosters EBULoudness: http://www.toneboosters.com/tb-ebuloudness/
Waves Loudness Meter (more expensive alternative to EBULoudness): http://www.waves.com/plugins/wlm-loudness-meter
IK Multimedia ARC System 2: http://www.ikmultimedia.com/products/arc/
iZotope RX Loudness Control: https://www.izotope.com/en/products/post-production/rx-loudness-control/
- published: 14 Sep 2015
- views: 429
ATSC 3.0 4K Broadcast TV standard candidate at CES 2015
- Order: Reorder
- Duration: 3:41
- Updated: 08 Jan 2015
- views: 516
Samsung booth at CES 2015 where a 65" curved 4k Samsung TV is set to show the Comark - Teamcast - Samsung ATSC 3.0 candidate demo live on the air via Ch. 28 KVP...
Samsung booth at CES 2015 where a 65" curved 4k Samsung TV is set to show the Comark - Teamcast - Samsung ATSC 3.0 candidate demo live on the air via Ch. 28 KVPX-LD
wn.com/Atsc 3.0 4K Broadcast Tv Standard Candidate At Ces 2015
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
- Order: Reorder
- Duration: 2:35
- Updated: 21 Jan 2015
- views: 1169
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ...
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ATSC 3.0 broadcast standard, which is being standardized by the Advanced Television Systems Committee. FUTURECAST was co-developed by LG Electronics, its U.S. R&D; subsidiary Zenith, and GatesAir as the foundation of next-generation terrestrial broadcasting in the United States and around the world.
Results from initial field tests completed in August 2014 – the first over-the-air broadcast trials of a compete ATSC 3.0 Physical Layer system – show how FUTURECAST can deliver 4K Ultra HD content and two robust mobile TV streams in a single 6-Megahertz channel, while optimizing indoor reception and offering unparalleled spectrum efficiency.
Visit http://www.gatesair.com/media-center/news/field-tests-of-futurecast-next-gen-tv-broadcast-system-first-to-demonstrate for more information about this exciting new technology.
wn.com/Futurecast™ Next Gen Tv Broadcast System Gatesair's Atsc 3.0 Collaboration With Lg And Zenith
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the optimal “physical layer” solution at the heart of the next-generation ATSC 3.0 broadcast standard, which is being standardized by the Advanced Television Systems Committee. FUTURECAST was co-developed by LG Electronics, its U.S. R&D; subsidiary Zenith, and GatesAir as the foundation of next-generation terrestrial broadcasting in the United States and around the world.
Results from initial field tests completed in August 2014 – the first over-the-air broadcast trials of a compete ATSC 3.0 Physical Layer system – show how FUTURECAST can deliver 4K Ultra HD content and two robust mobile TV streams in a single 6-Megahertz channel, while optimizing indoor reception and offering unparalleled spectrum efficiency.
Visit http://www.gatesair.com/media-center/news/field-tests-of-futurecast-next-gen-tv-broadcast-system-first-to-demonstrate for more information about this exciting new technology.
- published: 21 Jan 2015
- views: 1169
ATSC 3.0 at CES 2016 - Presented by Pearl
- Order: Reorder
- Duration: 3:14
- Updated: 29 Jan 2016
- views: 54
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live...
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live at the 2016 Consumer Electronics Show, you will learn about ATSC 3.0's 4K Ultra HD resolution, its over-the-air capabilities, its compliance with Internet & mobile standards, and applications for viewer engagement. To learn more, visit http://www.pearltv.com or http://www.gatesair.com/solutions/are-you-ready-for-atsc-3.0
Originally recorded for Pearl by NewBay Studios (http://www.newbaymedia.com/)
wn.com/Atsc 3.0 At Ces 2016 Presented By Pearl
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change and improve the future of television. From various interviews taken live at the 2016 Consumer Electronics Show, you will learn about ATSC 3.0's 4K Ultra HD resolution, its over-the-air capabilities, its compliance with Internet & mobile standards, and applications for viewer engagement. To learn more, visit http://www.pearltv.com or http://www.gatesair.com/solutions/are-you-ready-for-atsc-3.0
Originally recorded for Pearl by NewBay Studios (http://www.newbaymedia.com/)
- published: 29 Jan 2016
- views: 54
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
- Order: Reorder
- Duration: 1:32
- Updated: 09 May 2012
- views: 1074
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R...
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R128 loudness standard (Europe) and ATSC's A/85 loudness recommendation (US) is that EBU's version contains a gating scheme. It was indicated by ATSC that they would be likely to implement the gating scheme of ITU BS.1770-2 and EBU R128 in a future revision. If/when that happens, it will definitely be great news, as we would then be taking a huge step towards actually having loudness guidelines that applies in a global perspective. Florian Camerer elaborates in this short video.
wn.com/Florian Camerer On The Itu Bs.1770 2 Gating Scheme, Atsc A 85 And Calm
At NAB 2012, there was a very interesting development with regard to the international loudness standards. In short, one of the main differences between EBU's R128 loudness standard (Europe) and ATSC's A/85 loudness recommendation (US) is that EBU's version contains a gating scheme. It was indicated by ATSC that they would be likely to implement the gating scheme of ITU BS.1770-2 and EBU R128 in a future revision. If/when that happens, it will definitely be great news, as we would then be taking a huge step towards actually having loudness guidelines that applies in a global perspective. Florian Camerer elaborates in this short video.
- published: 09 May 2012
- views: 1074
CISPR 32 BT-1729 Test Pattern - StreamSpark
- Order: Reorder
- Duration: 1:31
- Updated: 16 Jul 2015
- views: 820
CISPR 32 Standard Test Stream for EMC Test
Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards.
Fully compliant to ITU BT-1729 Standa...
CISPR 32 Standard Test Stream for EMC Test
Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards.
Fully compliant to ITU BT-1729 Standard
Video:
BT-1729 Test Pattern with moving object
Audio:
Type 1: Continuous sinewave tones on each channel, using the following frequencies:
Left: 392 Hz (G)
Centre: 493.9 Hz (B)
Right: 587.3 Hz (D)
Surround (mono) or surround (left): 784 Hz (G)
Surround (right): 987.8 Hz (B)
LFE: 40 Hz
The Type 1 tone is used for channel identification and for checking audio-video synchronization.The right channel tone should be muted once per second for 25 ms to coincide with the visual synchronizing indication. The synchronization point should be at the start of the mute period.
wn.com/Cispr 32 Bt 1729 Test Pattern Streamspark
CISPR 32 Standard Test Stream for EMC Test
Available in Transport Stream format, in DVB, ISDB-T/Tb, DTMB, ATSC standards.
Fully compliant to ITU BT-1729 Standard
Video:
BT-1729 Test Pattern with moving object
Audio:
Type 1: Continuous sinewave tones on each channel, using the following frequencies:
Left: 392 Hz (G)
Centre: 493.9 Hz (B)
Right: 587.3 Hz (D)
Surround (mono) or surround (left): 784 Hz (G)
Surround (right): 987.8 Hz (B)
LFE: 40 Hz
The Type 1 tone is used for channel identification and for checking audio-video synchronization.The right channel tone should be muted once per second for 25 ms to coincide with the visual synchronizing indication. The synchronization point should be at the start of the mute period.
- published: 16 Jul 2015
- views: 820
Advanced Television Systems Committee standards
- Order: Reorder
- Duration: 25:53
- Updated: 14 Oct 2015
- views: 24
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmissio...
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmission over terrestrial, cable, and satellite networks.
The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. ATSC formats also include standard-definition formats, although initially only HDTV services were launched in the digital format.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Advanced Television Systems Committee Standards
Advanced Television Systems Committee standards are a set of standards developed by the Advanced Television Systems Committee for digital television transmission over terrestrial, cable, and satellite networks.
The ATSC standards were developed in the early 1990s by the Grand Alliance, a consortium of electronics and telecommunications companies that assembled to develop a specification for what is now known as HDTV. ATSC formats also include standard-definition formats, although initially only HDTV services were launched in the digital format.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 14 Oct 2015
- views: 24
NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
- Order: Reorder
- Duration: 2:41
- Updated: 17 Dec 2014
- views: 199
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates ...
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates the transmission of a UHD signal, an HD signal, and an ultra-robust SD mobile signal across a single, combined data stream of 6 MHz bandwidth. This OFDM standard uses a high-efficiency video coding with extremely low video termination thresholds.
Please visit http://www.GatesAir.com to learn more about broadcasting solutions for today and tomorrow.
wn.com/Nab 2014 Futurecast Atsc 3.0 Transmission Solution
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deployment. This collaboration between GatesAir, LG, and Zenith facilitates the transmission of a UHD signal, an HD signal, and an ultra-robust SD mobile signal across a single, combined data stream of 6 MHz bandwidth. This OFDM standard uses a high-efficiency video coding with extremely low video termination thresholds.
Please visit http://www.GatesAir.com to learn more about broadcasting solutions for today and tomorrow.
- published: 17 Dec 2014
- views: 199
NBCUniversal Helps Set New Standards For TV Loudness
- Order: Reorder
- Duration: 1:43
- Updated: 20 Feb 2013
- views: 148
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by...
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by the Advanced Television Systems Committee (ATSC) with finding solutions to a problem that had irked millions of Americans -- the volume of TV commercials was sometimes much louder than the programs they supported.
wn.com/Nbcuniversal Helps Set New Standards For Tv Loudness
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal audio engineer, took charge of a special sub-committee that was tasked by the Advanced Television Systems Committee (ATSC) with finding solutions to a problem that had irked millions of Americans -- the volume of TV commercials was sometimes much louder than the programs they supported.
- published: 20 Feb 2013
- views: 148
2015-01-04 - Senioren 2B - Standard - Semifinale
- Order: Reorder
- Duration: 15:37
- Updated: 04 Jan 2015
- views: 261
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Ni...
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Tango: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Tango: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Wiener Walzer: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Wiener Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Slowfox: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Slowfox: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
Ergebnis:
1. Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
2. Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
3. Nr.28 Wolfgang Kraus - Hildegard Kraus (Niederösterreich)
4. Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
5. Nr.56 Zsolt Szabo - Valéria Onodi, Sway STE ()
6. Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
7. Nr.58 Lubomir Turinic - Lubica Turinicova, Gala Dance Club Bratislava ()
8. Nr.50 Marek Simunek - Henrieta Kalmanova, TSK VIVA NOVE ZAMKY ()
9. Nr.43 Gerhard Pöschmann - Beatrix Buhl, UTSK Schwarz-Weiß Wien (Wien)
10. Nr.16 Kurt Hawlicek - Inge Hawlicek, TSK Juventus - Wien (Wien)
wn.com/2015 01 04 Senioren 2B Standard Semifinale
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Langsamer Walzer: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Tango: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Tango: Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
Wiener Walzer: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Wiener Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Slowfox: Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
Slowfox: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Quickstep: Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
Ergebnis:
1. Nr.37 Franz Ortner - Isabella Ortner, 1. TSGK Krems (Niederösterreich)
2. Nr.24 Friedrich Königstorfer - Michaela Heininger, TSC Grün Rot Wels (Oberösterreich)
3. Nr.28 Wolfgang Kraus - Hildegard Kraus (Niederösterreich)
4. Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
5. Nr.56 Zsolt Szabo - Valéria Onodi, Sway STE ()
6. Nr.9 Wolfgang Frey - Martina Frey, TSC Aktiv (Wien)
7. Nr.58 Lubomir Turinic - Lubica Turinicova, Gala Dance Club Bratislava ()
8. Nr.50 Marek Simunek - Henrieta Kalmanova, TSK VIVA NOVE ZAMKY ()
9. Nr.43 Gerhard Pöschmann - Beatrix Buhl, UTSK Schwarz-Weiß Wien (Wien)
10. Nr.16 Kurt Hawlicek - Inge Hawlicek, TSK Juventus - Wien (Wien)
- published: 04 Jan 2015
- views: 261
ATSC 3.0 4K test at CES 2015
- Order: Reorder
- Duration: 3:33
- Updated: 10 Jan 2015
- views: 482
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 ...
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 standard to be implemented in the next few years. This Comark-Teamcast-Samsung candidate competes with the "Futurecast' Gates Air - LG candidate.
wn.com/Atsc 3.0 4K Test At Ces 2015
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. This is a demo of a candidate standard for the ATSC committee for a 3.0 standard to be implemented in the next few years. This Comark-Teamcast-Samsung candidate competes with the "Futurecast' Gates Air - LG candidate.
- published: 10 Jan 2015
- views: 482
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
- Order: Reorder
- Duration: 20:32
- Updated: 02 Jul 2015
- views: 403
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly.
Referen...
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly.
References:
CERO: http://www.cero.gr.jp/e/
ESRB: http://www.esrb.org/index-js.jsp
PEGI: http://www.pegi.info/en/index/
CEA (CES Organizer): http://www.ce.org
ESA: http://www.theesa.com
ATSC: http://atsc.org
DCI: http://www.dcimovies.com
USB-IF: http://www.usb.org/developers/compliance/
HDMI/ATSC compliance: http://www.hdmi.org/learningcenter/faq.aspx#1
IEEE: https://www.ieee.org/index.html
ISO: http://www.iso.org/iso/home.html
Follow Shadow Fox:
PVG: http://purevideogames.net/blog
Twitter: http://www.twitter.com/tswanace
YouTube: http://www.youtube.com/user/shadowfoxinfinite
Gamers At Large Podcast: http://youtube.com/quanmanchu
Gamers At Large Network Channel: https://www.youtube.com/channel/UC9HxsliFrP7STXF_oeWu-SQ
All content contained in ShadowCasts are the property of their respective owners.
wn.com/Shadow Fox Shadowcasts Infernal Thought Process Invented Standards
A look at the misconceptions people seem to have when they coin COMMON things in an industry as INDUSTRY STANDARDS. They will be corrected thoroughly.
References:
CERO: http://www.cero.gr.jp/e/
ESRB: http://www.esrb.org/index-js.jsp
PEGI: http://www.pegi.info/en/index/
CEA (CES Organizer): http://www.ce.org
ESA: http://www.theesa.com
ATSC: http://atsc.org
DCI: http://www.dcimovies.com
USB-IF: http://www.usb.org/developers/compliance/
HDMI/ATSC compliance: http://www.hdmi.org/learningcenter/faq.aspx#1
IEEE: https://www.ieee.org/index.html
ISO: http://www.iso.org/iso/home.html
Follow Shadow Fox:
PVG: http://purevideogames.net/blog
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- published: 02 Jul 2015
- views: 403
3D Audio Standard: ECMA-407 by Swissaudec
- Order: Reorder
- Duration: 12:56
- Updated: 12 Oct 2015
- views: 360
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec solved with ECMA-407: NHK 22.2 sound is built with 24 channels, 22 speake...
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec solved with ECMA-407: NHK 22.2 sound is built with 24 channels, 22 speaker channels and 2 subwoofer channels, consuming 28'800kb/s bandwidth in PCM. With ECMA-407 Swissaudec provides the solution to compress this amout of data up to 600 times - holding the world record in audio compression! By internally multiplexing additional 2kb/s, they extend any HD 5.1 or 7.1 carrier to transmit UHD audio up to NHK 22.2. Swissaudec showcases NHK 22.2 satellite transmission over an MPEG-4 7.1 network at 256kb/s together with SES and France Télévision. Contrarily to non-backwards-compatible standalone standards like MPEG-H or ATSC, Swissaudec invisibly extends existing 2D structure by ECMA-407 to work seamlessly with any existing audio codec. This is also the reason why streaming NHK 22.2 audio with ECMA-407 requires no network changes, as a most efficient, smart and easy UHD audio solution, broadcasters can consider this upgrade for their sound.
You can find out more about Swissaudec at:
http://twitter.com/swissaudec
http://www.swissaudec.com
wn.com/3D Audio Standard Ecma 407 By Swissaudec
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec solved with ECMA-407: NHK 22.2 sound is built with 24 channels, 22 speaker channels and 2 subwoofer channels, consuming 28'800kb/s bandwidth in PCM. With ECMA-407 Swissaudec provides the solution to compress this amout of data up to 600 times - holding the world record in audio compression! By internally multiplexing additional 2kb/s, they extend any HD 5.1 or 7.1 carrier to transmit UHD audio up to NHK 22.2. Swissaudec showcases NHK 22.2 satellite transmission over an MPEG-4 7.1 network at 256kb/s together with SES and France Télévision. Contrarily to non-backwards-compatible standalone standards like MPEG-H or ATSC, Swissaudec invisibly extends existing 2D structure by ECMA-407 to work seamlessly with any existing audio codec. This is also the reason why streaming NHK 22.2 audio with ECMA-407 requires no network changes, as a most efficient, smart and easy UHD audio solution, broadcasters can consider this upgrade for their sound.
You can find out more about Swissaudec at:
http://twitter.com/swissaudec
http://www.swissaudec.com
- published: 12 Oct 2015
- views: 360
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
- Order: Reorder
- Duration: 12:38
- Updated: 18 Dec 2014
- views: 174
MPEG-H is a new about-to-be adopted standard that offers object oriented audio for TVs and mobile devices. It was demonstrated at the SMPTE Fall conference and ...
MPEG-H is a new about-to-be adopted standard that offers object oriented audio for TVs and mobile devices. It was demonstrated at the SMPTE Fall conference and is vying to be included in the next generation broadcast standard - ATSC 3.0 - Chris Chinnock
wn.com/Fraunhofer Iis Shows Virtues Of Mpeg H For Enhanced Audio In Atsc 3.0
Loudness Seminar | Lisbon | Pt 2 - Loudness Standards & Measures
- Order: Reorder
- Duration: 10:25
- Updated: 02 Apr 2012
- views: 1482
What is EBU R128, The CALM Act, ATSC A/85? What's the difference between LU and LKFS? Need to know what Integrated Long-term Loudness is? What is a True-peak me...
What is EBU R128, The CALM Act, ATSC A/85? What's the difference between LU and LKFS? Need to know what Integrated Long-term Loudness is? What is a True-peak meter? Dr Paul Tapper of NUGEN Audio introduces Loudness Standards and Measures in Part 2 of 3, taken from a seminar given at Futurália, Lisbon 2012.
wn.com/Loudness Seminar | Lisbon | Pt 2 Loudness Standards Measures
What is EBU R128, The CALM Act, ATSC A/85? What's the difference between LU and LKFS? Need to know what Integrated Long-term Loudness is? What is a True-peak meter? Dr Paul Tapper of NUGEN Audio introduces Loudness Standards and Measures in Part 2 of 3, taken from a seminar given at Futurália, Lisbon 2012.
- published: 02 Apr 2012
- views: 1482
How To Select your HDMI Cable
- Order: Reorder
- Duration: 5:33
- Updated: 11 Mar 2011
- views: 4109
This Video will guide you to select your HDMI cable for the Application in your home. You can check the entire range of MX HDMI Cables. We have categorized the ...
This Video will guide you to select your HDMI cable for the Application in your home. You can check the entire range of MX HDMI Cables. We have categorized the HDMI according the Consumer applications such as PS3, Blu-ray Player, DVD player, Set top Box. Also you can check the standard different categories in HDMI. HDMI will be the single cable for Audio and the Video.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Product Link: http://mdrelectronics.com/hdmi-series.asp
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
wn.com/How To Select Your Hdmi Cable
This Video will guide you to select your HDMI cable for the Application in your home. You can check the entire range of MX HDMI Cables. We have categorized the HDMI according the Consumer applications such as PS3, Blu-ray Player, DVD player, Set top Box. Also you can check the standard different categories in HDMI. HDMI will be the single cable for Audio and the Video.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Product Link: http://mdrelectronics.com/hdmi-series.asp
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
- published: 11 Mar 2011
- views: 4109
LCAST Loudness Meter Introduction
- Order: Reorder
- Duration: 2:05
- Updated: 31 Jul 2012
- views: 1821
This video introduces MeterPlugs LCAST Loudness Meter and shows you how to take a loudness measurement. LCAST supports the latest loudness standards: ATSC A/85...
This video introduces MeterPlugs LCAST Loudness Meter and shows you how to take a loudness measurement. LCAST supports the latest loudness standards: ATSC A/85, EBU R128 and ITU BS.1770-2. It has everything you need to make sure that your audio is broadcast-ready.
For more information, visit:
http://www.meterplugs.com/lcast
wn.com/Lcast Loudness Meter Introduction
This video introduces MeterPlugs LCAST Loudness Meter and shows you how to take a loudness measurement. LCAST supports the latest loudness standards: ATSC A/85, EBU R128 and ITU BS.1770-2. It has everything you need to make sure that your audio is broadcast-ready.
For more information, visit:
http://www.meterplugs.com/lcast
- published: 31 Jul 2012
- views: 1821
Wireless HDMI - 30 Meters
- Order: Reorder
- Duration: 2:11
- Updated: 21 Jun 2011
- views: 19542
MX has come up with a new video known as MX Wireless HDMI. The video shows how you can connect your HDMI transmitter
And receiver upto 30 meters without using ...
MX has come up with a new video known as MX Wireless HDMI. The video shows how you can connect your HDMI transmitter
And receiver upto 30 meters without using a long distance HDMI cable.
Step 1: Connect the transmitter to the input source with a small HDMI cable.
Step 2: Connect the IR Booster.
Step 3: Connect the Receiver to the Output Source.
Now you can get good quality Audio Video Signal upto 30 meters with using long cable.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Product Link: http://mdrelectronics.com/ProductDisplay.asp?PID=5286
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
wn.com/Wireless Hdmi 30 Meters
MX has come up with a new video known as MX Wireless HDMI. The video shows how you can connect your HDMI transmitter
And receiver upto 30 meters without using a long distance HDMI cable.
Step 1: Connect the transmitter to the input source with a small HDMI cable.
Step 2: Connect the IR Booster.
Step 3: Connect the Receiver to the Output Source.
Now you can get good quality Audio Video Signal upto 30 meters with using long cable.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Product Link: http://mdrelectronics.com/ProductDisplay.asp?PID=5286
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
- published: 21 Jun 2011
- views: 19542
HDMI Crimping Tool
- Order: Reorder
- Duration: 8:09
- Updated: 11 Nov 2010
- views: 34646
MX HDMI Crimping Tool is use for crimp HDMI connectors.HDMI crimping tool is used where you want to conceal the HDMI cable as the HDMI Connector is bigger is si...
MX HDMI Crimping Tool is use for crimp HDMI connectors.HDMI crimping tool is used where you want to conceal the HDMI cable as the HDMI Connector is bigger is size. It is suggested to have HDMI crimping tool at the time of installation. MDR Electronics is the First Company to have HDMI crimping tool in INDIA.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
wn.com/Hdmi Crimping Tool
MX HDMI Crimping Tool is use for crimp HDMI connectors.HDMI crimping tool is used where you want to conceal the HDMI cable as the HDMI Connector is bigger is size. It is suggested to have HDMI crimping tool at the time of installation. MDR Electronics is the First Company to have HDMI crimping tool in INDIA.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
- published: 11 Nov 2010
- views: 34646
HDMI extender over Fiber
- Order: Reorder
- Duration: 2:15
- Updated: 08 Dec 2010
- views: 22633
Extend HDMI with Fiber upto 300 meters with MX
High Definition Multimedia Interface HDMI over fiber is used to extend the HDMI cable up to 300 meters. This dev...
Extend HDMI with Fiber upto 300 meters with MX
High Definition Multimedia Interface HDMI over fiber is used to extend the HDMI cable up to 300 meters. This device converts the HDMI signal in to Fiber and Transmit and at the receivers end again it will convert back to HDMI for HD TV etc. This device supports FULL HD 1080p. HDMI is the latest digital technology for the Video Transmission. In this video you can check how anyone can extend the HDMI connection.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
What is Fiber Optics?
Fiber optic cable in essence, is a hair-like glass conduit that carries virtually any type of signal from one point to another at light speed. In case you are wondering why light traveling through fiber optic cable does not actually travel at true light speed, it is because the glass that makes up fiber optic cable is denser than the vacuum of outer space where light can travel without disruption. Needless to say, a fiber optic light signal is still much faster and far superior to a copper based signal, which is why it has become so popular in the cable television, telecommunications and computer networking. Unlike copper based signals, fiber signals are not affected by external power sources or surges and there is no need for shielding or grounding.
Product Link: http://mdrelectronics.com/ProductDisplay.asp?PID=4978
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
wn.com/Hdmi Extender Over Fiber
Extend HDMI with Fiber upto 300 meters with MX
High Definition Multimedia Interface HDMI over fiber is used to extend the HDMI cable up to 300 meters. This device converts the HDMI signal in to Fiber and Transmit and at the receivers end again it will convert back to HDMI for HD TV etc. This device supports FULL HD 1080p. HDMI is the latest digital technology for the Video Transmission. In this video you can check how anyone can extend the HDMI connection.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
What is Fiber Optics?
Fiber optic cable in essence, is a hair-like glass conduit that carries virtually any type of signal from one point to another at light speed. In case you are wondering why light traveling through fiber optic cable does not actually travel at true light speed, it is because the glass that makes up fiber optic cable is denser than the vacuum of outer space where light can travel without disruption. Needless to say, a fiber optic light signal is still much faster and far superior to a copper based signal, which is why it has become so popular in the cable television, telecommunications and computer networking. Unlike copper based signals, fiber signals are not affected by external power sources or surges and there is no need for shielding or grounding.
Product Link: http://mdrelectronics.com/ProductDisplay.asp?PID=4978
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
- published: 08 Dec 2010
- views: 22633
EN: Mastering Engineer Tischmeyer presents Nugen Audio VisLM-H R-128 Loudness Meter
- Order: Reorder
- Duration: 15:21
- Updated: 14 Mar 2012
- views: 17519
http://www.audiotechknowledge.com/product_info.php?products_id=108
If you are looking for a great cross platform audio metering solution covering all common lo...
http://www.audiotechknowledge.com/product_info.php?products_id=108
If you are looking for a great cross platform audio metering solution covering all common loudness normalization standards from EBU R-128 through ITU BS 1770 to ATSC A/85, the Nugen Audio VisLM-H may be a great find. Mastering specialist and EBU PLOUD member Friedemann Tischmeyer leads you through the functions of this valuable tool.
This meter will also become popular as affordable True Peak meter for audio Mastering in order to replace the out-dated Sample PPM measurement.
If you want to learn everything about the new European and American standards for loudness normalization incl. the CALM act, this seminar training will guide you through this process with ease:
R128 & BS1770 Loudness Normalization (lecture video) http://www.audiotechknowledge.com/product_info.php?products_id=108
wn.com/En Mastering Engineer Tischmeyer Presents Nugen Audio Vislm H R 128 Loudness Meter
http://www.audiotechknowledge.com/product_info.php?products_id=108
If you are looking for a great cross platform audio metering solution covering all common loudness normalization standards from EBU R-128 through ITU BS 1770 to ATSC A/85, the Nugen Audio VisLM-H may be a great find. Mastering specialist and EBU PLOUD member Friedemann Tischmeyer leads you through the functions of this valuable tool.
This meter will also become popular as affordable True Peak meter for audio Mastering in order to replace the out-dated Sample PPM measurement.
If you want to learn everything about the new European and American standards for loudness normalization incl. the CALM act, this seminar training will guide you through this process with ease:
R128 & BS1770 Loudness Normalization (lecture video) http://www.audiotechknowledge.com/product_info.php?products_id=108
- published: 14 Mar 2012
- views: 17519
eFF from Emotion Systems - Introduction
- Order: Reorder
- Duration: 3:19
- Updated: 27 May 2015
- views: 245
An introduction to eFF, for File-based loudness compliance, to various standards including EBU R128, DPP, ATSC A85, TR-B32
An introduction to eFF, for File-based loudness compliance, to various standards including EBU R128, DPP, ATSC A85, TR-B32
wn.com/Eff From Emotion Systems Introduction
HDMI extender over Cat 5e / 6 cables upto 100 meters
- Order: Reorder
- Duration: 2:30
- Updated: 30 Jul 2011
- views: 24746
Extend HDMI signals over Cat 5e / 6 cables with MX.
This Video shows us How to you can transmit video and audio signals over a long distance with the Help of HD...
Extend HDMI signals over Cat 5e / 6 cables with MX.
This Video shows us How to you can transmit video and audio signals over a long distance with the Help of HDMI over Cat5e/Cat6 Transmitter and Receiver.This Device supports upto 100 meters Full HD Support.
Steps for the Connection:
1. Connect the HDMI Cable to the transmitter and the other end to the input device(i.e laptop).
2. Connect another HDMI Cable to the Receiver and other end to the output device(i.e TV).
3. Connect a long length Cat5e/Cat6 cable(max 100 meters) between the transmitter and receiver as shown in the Video.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
wn.com/Hdmi Extender Over Cat 5E 6 Cables Upto 100 Meters
Extend HDMI signals over Cat 5e / 6 cables with MX.
This Video shows us How to you can transmit video and audio signals over a long distance with the Help of HDMI over Cat5e/Cat6 Transmitter and Receiver.This Device supports upto 100 meters Full HD Support.
Steps for the Connection:
1. Connect the HDMI Cable to the transmitter and the other end to the input device(i.e laptop).
2. Connect another HDMI Cable to the Receiver and other end to the output device(i.e TV).
3. Connect a long length Cat5e/Cat6 cable(max 100 meters) between the transmitter and receiver as shown in the Video.
What is HDMI?
HDMI (High-Definition Multimedia Interface) is the first and only industry-supported, uncompressed, all-digital audio/video interface. By delivering crystal-clear, all-digital audio and video via a single cable, HDMI dramatically simplifies cabling and helps provide consumers with the highest-quality home theater experience. HDMI provides an interface between any audio/video source, such as a set-top box, DVD player, or A/V receiver and an audio and/or video monitor, such as a digital television (DTV), over a single cable.
HDMI supports standard, enhanced, or high-definition video, plus multi-channel digital audio on a single cable. It transmits all ATSC HDTV standards and supports 8-channel, 192kHz, uncompressed digital audio and all currently-available compressed formats (such as Dolby Digital and DTS), HDMI 1.3 adds additional support for new lossless digital audio formats Dolby® TrueHD and DTS-HD Master Audio™ with bandwidth to spare to accommodate future enhancements and requirements.
HDMI is the de facto standard digital interface for HD and the consumer electronics market: More than 700 companies have become adopters, and nearly 200 million devices featuring HDMI are expected to ship in 2008, with an installed based of nearly one billion HDMI devices by 2010 (conservative estimates by In-Stat).
Convergence -- HDMI is the interface for convergence of PC and consumer electronics devices: HDMI enables PCs to deliver premium media content including high definition movies and multi-channel audio formats. HDMI is the only interface enabling connections to both HDTVs and digital PC monitors implementing the DVI and HDMI standards.
Please subscribe to our YOUTUBE Channel: MX Electronics (MDRElex)
You can also Like our Facebook Page: http://www.facebook.com/mxelectronics
This video is a complete guide, however if you have any questions feel free to comment or send us an email on info@mdrelectronics.com or visit our website www.mdrelectronics.com
If You Have Any Complaints, Queries Or Suggestion, Call Us On
(022) 4253 6666 Or You Can Mail Us At info@mdrelectronics.com
- published: 30 Jul 2011
- views: 24746
-
NTSC
NTSC, named after the National Television System Committee, is the analog television system that was used in most of the Americas (except Brazil, Argentina, Paraguay, Uruguay and French Guiana); Myanmar; South Korea; Taiwan; Japan; the Philippines; and some Pacific island nations and territories (see map). Most countries using the NTSC standard, as well as those using other analog television standards, have switched to newer digital television standards, there being at least four different standards in use around the world. North America, parts of Central America, and South Korea are adopting the ATSC standards, while other countries are adopting or have adopted other standards. This standard is slowly being replaced by HDTV. This video is targeted to blind users. Attribution: Article t... -
Broadcast television systems
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s: NTSC, PAL, and SECAM. Now in digital television, there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
-
Loudness Standards in Broadcast
Loudness Standards in Broadcast presented by Kevin Teoh (Studio.MB) Kevin demystifies the new broadcast audio standard (based on loudness metering), and demonstrates how to approach mixing for it. Recorded during the Media Productivity Series — Forum #5 DELIVERING FOR BROADCAST IN A TAPELESS WORLD Proudly organised by: Reelisations Pte Ltd Singapore Workforce Development Agency (WDA) Sponsored by: HGST NTUC Membership ATTO Technology, Inc Shot & Edited by: Skipping Stones Media About the Media Productivity Series: The Media Productivity Series was a line-up of creative sharing sessions organised by Reelisations Pte Ltd and the Singapore Workforce Development Agency (WDA) in collaboration with industry leaders & practitioners. The purpose? To feature in-depth insights on new t... -
Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at similar bit rates. AAC has been standardized by ISO and IEC, as part of the MPEG-2 and MPEG-4 specifications. Part of the AAC known as High Efficiency Advanced Audio Coding (HE-AAC) which is part of MPEG-4 Audio is also adopted into digital radio standards like DAB+ and Digital Radio Mondiale, as well as mobile television standards DVB-H and ATSC-M/H. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
-
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funny [23 Jan 2015]
TV SHOW:CTN Somnerch Tam Phum | Pekmi Comedy [23 Jan 2015] | Khmer funny 2015 រឿង ប្តីខ្ញុំ ភាគ០១ Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s (expected): NTSC, PAL, and SECAM. Now in digital television (DTV), there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB. More Infor: http://en.wikipedia.org/wiki/Broadcast_television_systems -
Documentary Reality TV Show Audio Mixing Basics Tutorial
It's time to mix audio for your documentary or reality TV show. Here's a video full of tips to getting a great sounding broadcast quality mix. Lots of location recording tips as well! Loudness Standards video: https://youtube.com/watch?v=bwJYoBDX87s RealHomeRecording.com social media links: Twitter: https://twitter.com/RealHomeRecordn Facebook: https://www.facebook.com/RealHomeRecording/ -
Audio workflows and signalflows in broadcasting - Alessandro Travaglini
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintaining consistent loudness levels in television broadcasting when faced with a wide variety of content - from cinema productions to live feeds - and proposes workflow solutions to dealing with various formats and avoiding pitfalls like excessive compression. About Alessandro Travaglini Alessandro Travaglini has worked extensively as a researcher and educator on audio production and post-production, as a supervisor of audio post-production at Fox Int. Channel, Italy, and as a sound designer and composer on films, documentaries, commercials and promos. http://www.alessandrotravaglini.it About 'Rome Calling - Audio Seminar of The Year' TC Electronic has gathered some of the industry's most influe... -
SMPTE 2014 Annual Technical Conference & Exhibition - Industry Luncheon
Mark Aitken - Vice President of Advanced Technology, Sinclair Broadcast Group Mark Aitken is Vice President of Advanced Technology at Sinclair Broadcast Group, Chairman of the ATSC TSG/S4 Codec Working Group, and a member of both the Mobile 500 Alliance Executive Committee and the NAB TV Technology Committee. Since 1987, he also has been involved in the FCC Advisory Committee on Advanced Television Services. Prior to joining Sinclair, Aitken held various positions with Comark Communications, where he was part of the Emmy® Award-winning team that brought IoT technology to the marketplace. He is currently a member of the AFCCE, the IEEE, and SMPTE. He has authored numerous papers on innovative RF product developments, advanced digital television system design, and related implementation str... -
ISDB
The Integrated Services Digital Broadcasting is a Japanese standard for digital television and digital radio used by the country's radio and television networks. ISDB replaced the previously used MUSE Hi-vision analogue HDTV system. Digital Terrestrial Television Broadcasting services using ISDB-T started in Japan in December 2003 and in Brazil in December 2007 as a trial. Since many countries have adopted ISDB over other digital broadcasting standards. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
EBU R128 in Transmission and Production - Thomas Lund
The EBU R128 Loudness Recommendation provides a robust and versatile framework for assessing the loudness of a wide range of different sources. In this talk, Thomas Lund demonstrates its deployment in a variety of production and transmission scenarios, explains terms like LU and LUFS and compares it with previous loudness standards and recommendations, e.g. BS. 1770-2 and A/85. Please note To get the most from the audio examples in this talk, we recommend that you select the highest possible playback quality. About Thomas Lund Thomas Lund has studied medicine, specializing in perception, has written more than 30 scientific papers on topics such as audio loudness, spatialization and distortion, and has worked with organizations like AES, ITU and EBU on international audio production... -
EBU R128 Introduction - Florian Camerer
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normalization, loudness normalization, etc. -
PAL
PAL, short for Phase Alternating Line, is a colour encoding system for analogue television used in broadcast television systems in most countries broadcasting at 576i. Other common colour encoding systems are NTSC and SECAM. This page primarily discusses the PAL colour encoding system. The articles on broadcast television systems and analogue television further describe frame rates, image resolution and audio modulation. For discussion of the 625-line / 50 field (25 frame) per second television standard, see 576i. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
Digital Audio Broadcasting
Digital Audio Broadcasting (DAB) is a digital radio technology for broadcasting radio stations, used in several countries, particularly in Europe. As of 2006, approximately 1,002 stations worldwide broadcast in the DAB format. The DAB standard was initiated as a European research project in the 1980s. The Norwegian Broadcasting Corporation (NRK) launched the very first DAB channel in the world on 1 June 1995 (NRK Klassisk), and the BBC and SR launched their first DAB digital radio broadcasts in September 1995. DAB receivers have been available in many countries since the end of the 1990s. DAB may offer more radio programmes over a specific spectrum than analogue FM radio. DAB is more robust with regard to noise and multipath fading for mobile listening , since DAB reception quality first d... -
R128: Are You Ready? Part 1
Part 1 of 3. On Sept 25th 2012, the UK Screen Association hosted an awareness event to discuss the implementation of the EBU R128 audio loudness standard for UK Broadcast UK Screen and member representatives have been heavily involved with the Digital Production Partnership (DPP) broadcasters to discuss the implementation of the loudness standard. It was agreed that they would work together to smooth the path towards the day when all broadcast programme commissions must be delivered to the new audio specification for BBC, Channel 4, ITV, Channel 5, S4C, UKTV and BskyB. In this first session, Andy Quested of BBC Technology outlines the DPP's case for the need to change to R128 and John Heraty of the BBC Academy gives a briefing on the technical basics of R128. In part 2, a panel of dubbi... -
Florian Camerer, Senior Sound Engineer, ORF & PLOUD
10:15 - 10:45 Topic: Pitfalls and misunderstandings about implementation ■ Peculiarities of the algorithm (1770) itself ■ Which consequence has the gate? ■ What is Loudness Range for and what not? ■ Active normalization or Metadata? ■ What to do with the archive? ■ Dangers of a 'one-size-fits-all' processor solution ■ Quality aspects of processor solutions -
Meter Plugins
Wer auf der Suche nach einem Meter Plugin ist dürfte hier fündig werden. Es sind dabei Meter Plugins von: - Toneboosters - Brainworx - Apple - Sonalksis, - IK Multimedia - PSP Audioware - StillWell - Klanghelm - Flux - Voxengo - Sonnox Oxford - Sample Magic -
Integraudio - Adaptive Audio Processing
Mixed content demonstration of audio processing using Integraudio Adaptive Audio Processor, which processes audio in real time with low latency. Audio processor is algorithmically ITU BS 1770-3 compliant in loudness monitoring and leveling. A proprietary perceptual model is applied to allow adaptive content management without loss of source audio signature, while increasing audibility, leveling audio, adaptive de-essing, density compensating, and employing a distortion-canceled de-clipping algorithm. No algorithmic settings were adjusted during the processing of the source tracks. The source tracks are shown in the lower half of the video (muted), and the contiguous output is displayed in the upper half of the video. Content ranges from punchy and loud (Lauryn Hill), to persistent and ... -
Randy Conrod, Product Manager, Digital Products, Harris
09:15 - 09:45 Keynote: Loudness Management in Today's Systems ■ Why the loudness issue is a collision of biology and technology ■ Equal loudness curves / Weighted curves (LEQ) / Dialnorm related to ITU BS 1770 loudness measurement ■ Why dialnorm doesn't work well ■ AGC versus 5 band compression with limiting versus perceptual loudness control ■ Recommendations for loudness management ■ Measurement, Logging, Control -
NTSC
- Order: Reorder
- Duration: 47:11
- Updated: 18 Aug 2014
- views: 54
NTSC, named after the National Television System Committee, is the analog television system that was used in most of the Americas (except Brazil, Argentina, Par...
NTSC, named after the National Television System Committee, is the analog television system that was used in most of the Americas (except Brazil, Argentina, Paraguay, Uruguay and French Guiana); Myanmar; South Korea; Taiwan; Japan; the Philippines; and some Pacific island nations and territories (see map).
Most countries using the NTSC standard, as well as those using other analog television standards, have switched to newer digital television standards, there being at least four different standards in use around the world. North America, parts of Central America, and South Korea are adopting the ATSC standards, while other countries are adopting or have adopted other standards. This standard is slowly being replaced by HDTV.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Ntsc
NTSC, named after the National Television System Committee, is the analog television system that was used in most of the Americas (except Brazil, Argentina, Paraguay, Uruguay and French Guiana); Myanmar; South Korea; Taiwan; Japan; the Philippines; and some Pacific island nations and territories (see map).
Most countries using the NTSC standard, as well as those using other analog television standards, have switched to newer digital television standards, there being at least four different standards in use around the world. North America, parts of Central America, and South Korea are adopting the ATSC standards, while other countries are adopting or have adopted other standards. This standard is slowly being replaced by HDTV.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 18 Aug 2014
- views: 54
Broadcast television systems
- Order: Reorder
- Duration: 30:36
- Updated: 27 Dec 2015
- views: 28
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main an...
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s: NTSC, PAL, and SECAM. Now in digital television, there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Broadcast Television Systems
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s: NTSC, PAL, and SECAM. Now in digital television, there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 27 Dec 2015
- views: 28
FCC Making ATSC A/85:2013 The Law
- Order: Reorder
- Duration: 52:10
- Updated: 18 Mar 2014
- views: 255
Loudness Standards in Broadcast
- Order: Reorder
- Duration: 31:22
- Updated: 14 Aug 2015
- views: 49
Loudness Standards in Broadcast
presented by Kevin Teoh (Studio.MB)
Kevin demystifies the new broadcast audio standard (based on loudness metering), and demons...
Loudness Standards in Broadcast
presented by Kevin Teoh (Studio.MB)
Kevin demystifies the new broadcast audio standard (based on loudness metering), and demonstrates how to approach mixing for it.
Recorded during the Media Productivity Series — Forum #5
DELIVERING FOR BROADCAST IN A TAPELESS WORLD
Proudly organised by:
Reelisations Pte Ltd
Singapore Workforce Development Agency (WDA)
Sponsored by:
HGST
NTUC Membership
ATTO Technology, Inc
Shot & Edited by:
Skipping Stones Media
About the Media Productivity Series:
The Media Productivity Series was a line-up of creative sharing sessions organised by Reelisations Pte Ltd and the Singapore Workforce Development Agency (WDA) in collaboration with industry leaders & practitioners.
The purpose? To feature in-depth insights on new trends & techniques in media. It ran from 2013 to 2015.
To find out more about the series, click here:
https://www.facebook.com/groups/301177010028939/
wn.com/Loudness Standards In Broadcast
Loudness Standards in Broadcast
presented by Kevin Teoh (Studio.MB)
Kevin demystifies the new broadcast audio standard (based on loudness metering), and demonstrates how to approach mixing for it.
Recorded during the Media Productivity Series — Forum #5
DELIVERING FOR BROADCAST IN A TAPELESS WORLD
Proudly organised by:
Reelisations Pte Ltd
Singapore Workforce Development Agency (WDA)
Sponsored by:
HGST
NTUC Membership
ATTO Technology, Inc
Shot & Edited by:
Skipping Stones Media
About the Media Productivity Series:
The Media Productivity Series was a line-up of creative sharing sessions organised by Reelisations Pte Ltd and the Singapore Workforce Development Agency (WDA) in collaboration with industry leaders & practitioners.
The purpose? To feature in-depth insights on new trends & techniques in media. It ran from 2013 to 2015.
To find out more about the series, click here:
https://www.facebook.com/groups/301177010028939/
- published: 14 Aug 2015
- views: 49
Advanced Audio Coding
- Order: Reorder
- Duration: 35:46
- Updated: 12 Aug 2014
- views: 594
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achie...
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at similar bit rates.
AAC has been standardized by ISO and IEC, as part of the MPEG-2 and MPEG-4 specifications. Part of the AAC known as High Efficiency Advanced Audio Coding (HE-AAC) which is part of MPEG-4 Audio is also adopted into digital radio standards like DAB+ and Digital Radio Mondiale, as well as mobile television standards DVB-H and ATSC-M/H.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves better sound quality than MP3 at similar bit rates.
AAC has been standardized by ISO and IEC, as part of the MPEG-2 and MPEG-4 specifications. Part of the AAC known as High Efficiency Advanced Audio Coding (HE-AAC) which is part of MPEG-4 Audio is also adopted into digital radio standards like DAB+ and Digital Radio Mondiale, as well as mobile television standards DVB-H and ATSC-M/H.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 12 Aug 2014
- views: 594
Florian Camerer Talks About Loudness and the EBU R128 Broadcast Standard, Part 3
- Order: Reorder
- Duration: 23:11
- Updated: 01 Jul 2011
- views: 4760
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normaliz...
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normalization, loudness normalization, etc. Part 3 of 4.
wn.com/Florian Camerer Talks About Loudness And The Ebu R128 Broadcast Standard, Part 3
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funny [23 Jan 2015]
- Order: Reorder
- Duration: 20:13
- Updated: 31 Jan 2015
- views: 55
TV SHOW:CTN Somnerch Tam Phum | Pekmi Comedy [23 Jan 2015] | Khmer funny 2015 រឿង ប្តីខ្ញុំ ភាគ០១
Broadcast television systems are encoding or formatting standa...
TV SHOW:CTN Somnerch Tam Phum | Pekmi Comedy [23 Jan 2015] | Khmer funny 2015 រឿង ប្តីខ្ញុំ ភាគ០១
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s (expected): NTSC, PAL, and SECAM. Now in digital television (DTV), there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB.
More Infor: http://en.wikipedia.org/wiki/Broadcast_television_systems
wn.com/Ctn Somnerch Tam Phum | Pekmi Comedy | Khmer Funny 23 Jan 2015
TV SHOW:CTN Somnerch Tam Phum | Pekmi Comedy [23 Jan 2015] | Khmer funny 2015 រឿង ប្តីខ្ញុំ ភាគ០១
Broadcast television systems are encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until late 2010s (expected): NTSC, PAL, and SECAM. Now in digital television (DTV), there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB.
More Infor: http://en.wikipedia.org/wiki/Broadcast_television_systems
- published: 31 Jan 2015
- views: 55
Documentary Reality TV Show Audio Mixing Basics Tutorial
- Order: Reorder
- Duration: 39:35
- Updated: 23 Dec 2015
- views: 337
It's time to mix audio for your documentary or reality TV show. Here's a video full of tips to getting a great sounding broadcast quality mix. Lots of location ...
It's time to mix audio for your documentary or reality TV show. Here's a video full of tips to getting a great sounding broadcast quality mix. Lots of location recording tips as well!
Loudness Standards video: https://youtube.com/watch?v=bwJYoBDX87s
RealHomeRecording.com social media links:
Twitter: https://twitter.com/RealHomeRecordn
Facebook: https://www.facebook.com/RealHomeRecording/
wn.com/Documentary Reality Tv Show Audio Mixing Basics Tutorial
It's time to mix audio for your documentary or reality TV show. Here's a video full of tips to getting a great sounding broadcast quality mix. Lots of location recording tips as well!
Loudness Standards video: https://youtube.com/watch?v=bwJYoBDX87s
RealHomeRecording.com social media links:
Twitter: https://twitter.com/RealHomeRecordn
Facebook: https://www.facebook.com/RealHomeRecording/
- published: 23 Dec 2015
- views: 337
Audio workflows and signalflows in broadcasting - Alessandro Travaglini
- Order: Reorder
- Duration: 23:57
- Updated: 21 Oct 2011
- views: 1699
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintaining consistent loudness levels in television broadcasting when faced ...
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintaining consistent loudness levels in television broadcasting when faced with a wide variety of content - from cinema productions to live feeds - and proposes workflow solutions to dealing with various formats and avoiding pitfalls like excessive compression.
About Alessandro Travaglini
Alessandro Travaglini has worked extensively as a researcher and educator on audio production and post-production, as a supervisor of audio post-production at Fox Int. Channel, Italy, and as a sound designer and composer on films, documentaries, commercials and promos.
http://www.alessandrotravaglini.it
About 'Rome Calling - Audio Seminar of The Year'
TC Electronic has gathered some of the industry's most influential speakers in order to cover, from a multitude of angles, the radical changes now taking place in production and distribution of broadcast, film and music as a consequence of the new ITU and EBU standards and recommendations. The seminars focus strictly on technology rather than specific products.
http://www.tcelectronic.com/rome
wn.com/Audio Workflows And Signalflows In Broadcasting Alessandro Travaglini
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintaining consistent loudness levels in television broadcasting when faced with a wide variety of content - from cinema productions to live feeds - and proposes workflow solutions to dealing with various formats and avoiding pitfalls like excessive compression.
About Alessandro Travaglini
Alessandro Travaglini has worked extensively as a researcher and educator on audio production and post-production, as a supervisor of audio post-production at Fox Int. Channel, Italy, and as a sound designer and composer on films, documentaries, commercials and promos.
http://www.alessandrotravaglini.it
About 'Rome Calling - Audio Seminar of The Year'
TC Electronic has gathered some of the industry's most influential speakers in order to cover, from a multitude of angles, the radical changes now taking place in production and distribution of broadcast, film and music as a consequence of the new ITU and EBU standards and recommendations. The seminars focus strictly on technology rather than specific products.
http://www.tcelectronic.com/rome
- published: 21 Oct 2011
- views: 1699
SMPTE 2014 Annual Technical Conference & Exhibition - Industry Luncheon
- Order: Reorder
- Duration: 94:32
- Updated: 21 Oct 2014
- views: 426
Mark Aitken - Vice President of Advanced Technology, Sinclair Broadcast Group
Mark Aitken is Vice President of Advanced Technology at Sinclair Broadcast Group,...
Mark Aitken - Vice President of Advanced Technology, Sinclair Broadcast Group
Mark Aitken is Vice President of Advanced Technology at Sinclair Broadcast Group, Chairman of the ATSC TSG/S4 Codec Working Group, and a member of both the Mobile 500 Alliance Executive Committee and the NAB TV Technology Committee. Since 1987, he also has been involved in the FCC Advisory Committee on Advanced Television Services. Prior to joining Sinclair, Aitken held various positions with Comark Communications, where he was part of the Emmy® Award-winning team that brought IoT technology to the marketplace. He is currently a member of the AFCCE, the IEEE, and SMPTE. He has authored numerous papers on innovative RF product developments, advanced digital television system design, and related implementation strategies, and holds patents for various RF devices. Aitken is a recipient of the 2008 Broadcasting and Cable Technology Leadership Award and the 2013 ATSC Bernard J. Lechner Outstanding Contributor Award.
wn.com/Smpte 2014 Annual Technical Conference Exhibition Industry Luncheon
Mark Aitken - Vice President of Advanced Technology, Sinclair Broadcast Group
Mark Aitken is Vice President of Advanced Technology at Sinclair Broadcast Group, Chairman of the ATSC TSG/S4 Codec Working Group, and a member of both the Mobile 500 Alliance Executive Committee and the NAB TV Technology Committee. Since 1987, he also has been involved in the FCC Advisory Committee on Advanced Television Services. Prior to joining Sinclair, Aitken held various positions with Comark Communications, where he was part of the Emmy® Award-winning team that brought IoT technology to the marketplace. He is currently a member of the AFCCE, the IEEE, and SMPTE. He has authored numerous papers on innovative RF product developments, advanced digital television system design, and related implementation strategies, and holds patents for various RF devices. Aitken is a recipient of the 2008 Broadcasting and Cable Technology Leadership Award and the 2013 ATSC Bernard J. Lechner Outstanding Contributor Award.
- published: 21 Oct 2014
- views: 426
ISDB
- Order: Reorder
- Duration: 32:35
- Updated: 16 Dec 2015
- views: 9
The Integrated Services Digital Broadcasting is a Japanese standard for digital television and digital radio used by the country's radio and television networks...
The Integrated Services Digital Broadcasting is a Japanese standard for digital television and digital radio used by the country's radio and television networks. ISDB replaced the previously used MUSE Hi-vision analogue HDTV system. Digital Terrestrial Television Broadcasting services using ISDB-T started in Japan in December 2003 and in Brazil in December 2007 as a trial. Since many countries have adopted ISDB over other digital broadcasting standards.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Isdb
The Integrated Services Digital Broadcasting is a Japanese standard for digital television and digital radio used by the country's radio and television networks. ISDB replaced the previously used MUSE Hi-vision analogue HDTV system. Digital Terrestrial Television Broadcasting services using ISDB-T started in Japan in December 2003 and in Brazil in December 2007 as a trial. Since many countries have adopted ISDB over other digital broadcasting standards.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 16 Dec 2015
- views: 9
EBU R128 in Transmission and Production - Thomas Lund
- Order: Reorder
- Duration: 50:25
- Updated: 13 Oct 2011
- views: 7820
The EBU R128 Loudness Recommendation provides a robust and versatile framework for assessing the loudness of a wide range of different sources. In this talk, Th...
The EBU R128 Loudness Recommendation provides a robust and versatile framework for assessing the loudness of a wide range of different sources. In this talk, Thomas Lund demonstrates its deployment in a variety of production and transmission scenarios, explains terms like LU and LUFS and compares it with previous loudness standards and recommendations, e.g. BS. 1770-2 and A/85.
Please note
To get the most from the audio examples in this talk, we recommend that you select the highest possible playback quality.
About Thomas Lund
Thomas Lund has studied medicine, specializing in perception, has written more than 30 scientific papers on topics such as audio loudness, spatialization and distortion, and has worked with organizations like AES, ITU and EBU on international audio production and broadcast standardization. Lund has worked with high definition audio at TC Electronic for 15 years, and holds position as HD development manager.
About 'Rome Calling - Audio Seminar of The Year'
TC Electronic has gathered some of the industry's most influential speakers in order to cover, from a multitude of angles, the radical changes now taking place in production and distribution of broadcast, film and music as a consequence of the new ITU and EBU standards and recommendations. The seminars focus strictly on technology rather than specific products.
http://www.tcelectronic.com/rome
wn.com/Ebu R128 In Transmission And Production Thomas Lund
The EBU R128 Loudness Recommendation provides a robust and versatile framework for assessing the loudness of a wide range of different sources. In this talk, Thomas Lund demonstrates its deployment in a variety of production and transmission scenarios, explains terms like LU and LUFS and compares it with previous loudness standards and recommendations, e.g. BS. 1770-2 and A/85.
Please note
To get the most from the audio examples in this talk, we recommend that you select the highest possible playback quality.
About Thomas Lund
Thomas Lund has studied medicine, specializing in perception, has written more than 30 scientific papers on topics such as audio loudness, spatialization and distortion, and has worked with organizations like AES, ITU and EBU on international audio production and broadcast standardization. Lund has worked with high definition audio at TC Electronic for 15 years, and holds position as HD development manager.
About 'Rome Calling - Audio Seminar of The Year'
TC Electronic has gathered some of the industry's most influential speakers in order to cover, from a multitude of angles, the radical changes now taking place in production and distribution of broadcast, film and music as a consequence of the new ITU and EBU standards and recommendations. The seminars focus strictly on technology rather than specific products.
http://www.tcelectronic.com/rome
- published: 13 Oct 2011
- views: 7820
EBU R128 Introduction - Florian Camerer
- Order: Reorder
- Duration: 58:06
- Updated: 27 Oct 2011
- views: 26857
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normaliz...
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normalization, loudness normalization, etc.
wn.com/Ebu R128 Introduction Florian Camerer
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast Standard and speaks in general about perceived loudness, peak normalization, loudness normalization, etc.
- published: 27 Oct 2011
- views: 26857
PAL
- Order: Reorder
- Duration: 23:59
- Updated: 01 Aug 2014
- views: 653
PAL, short for Phase Alternating Line, is a colour encoding system for analogue television used in broadcast television systems in most countries broadcasting a...
PAL, short for Phase Alternating Line, is a colour encoding system for analogue television used in broadcast television systems in most countries broadcasting at 576i. Other common colour encoding systems are NTSC and SECAM. This page primarily discusses the PAL colour encoding system. The articles on broadcast television systems and analogue television further describe frame rates, image resolution and audio modulation. For discussion of the 625-line / 50 field (25 frame) per second television standard, see 576i.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Pal
PAL, short for Phase Alternating Line, is a colour encoding system for analogue television used in broadcast television systems in most countries broadcasting at 576i. Other common colour encoding systems are NTSC and SECAM. This page primarily discusses the PAL colour encoding system. The articles on broadcast television systems and analogue television further describe frame rates, image resolution and audio modulation. For discussion of the 625-line / 50 field (25 frame) per second television standard, see 576i.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 01 Aug 2014
- views: 653
Digital Audio Broadcasting
- Order: Reorder
- Duration: 36:36
- Updated: 01 Oct 2014
- views: 1282
Digital Audio Broadcasting (DAB) is a digital radio technology for broadcasting radio stations, used in several countries, particularly in Europe. As of 2006, a...
Digital Audio Broadcasting (DAB) is a digital radio technology for broadcasting radio stations, used in several countries, particularly in Europe. As of 2006, approximately 1,002 stations worldwide broadcast in the DAB format.
The DAB standard was initiated as a European research project in the 1980s. The Norwegian Broadcasting Corporation (NRK) launched the very first DAB channel in the world on 1 June 1995 (NRK Klassisk), and the BBC and SR launched their first DAB digital radio broadcasts in September 1995. DAB receivers have been available in many countries since the end of the 1990s. DAB may offer more radio programmes over a specific spectrum than analogue FM radio. DAB is more robust with regard to noise and multipath fading for mobile listening , since DAB reception quality first degrades rapidly when the signal strength falls below a critical threshold, whereas FM reception quality degrades slowly with the decreasing signal.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
wn.com/Digital Audio Broadcasting
Digital Audio Broadcasting (DAB) is a digital radio technology for broadcasting radio stations, used in several countries, particularly in Europe. As of 2006, approximately 1,002 stations worldwide broadcast in the DAB format.
The DAB standard was initiated as a European research project in the 1980s. The Norwegian Broadcasting Corporation (NRK) launched the very first DAB channel in the world on 1 June 1995 (NRK Klassisk), and the BBC and SR launched their first DAB digital radio broadcasts in September 1995. DAB receivers have been available in many countries since the end of the 1990s. DAB may offer more radio programmes over a specific spectrum than analogue FM radio. DAB is more robust with regard to noise and multipath fading for mobile listening , since DAB reception quality first degrades rapidly when the signal strength falls below a critical threshold, whereas FM reception quality degrades slowly with the decreasing signal.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 01 Oct 2014
- views: 1282
R128: Are You Ready? Part 1
- Order: Reorder
- Duration: 24:10
- Updated: 25 Oct 2012
- views: 1373
Part 1 of 3.
On Sept 25th 2012, the UK Screen Association hosted an awareness event to discuss the implementation of the EBU R128 audio loudness standard for U...
Part 1 of 3.
On Sept 25th 2012, the UK Screen Association hosted an awareness event to discuss the implementation of the EBU R128 audio loudness standard for UK Broadcast
UK Screen and member representatives have been heavily involved with the Digital Production Partnership (DPP) broadcasters to discuss the implementation of the loudness standard. It was agreed that they would work together to smooth the path towards the day when all broadcast programme commissions must be delivered to the new audio specification for BBC, Channel 4, ITV, Channel 5, S4C, UKTV and BskyB.
In this first session, Andy Quested of BBC Technology outlines the DPP's case for the need to change to R128 and John Heraty of the BBC Academy gives a briefing on the technical basics of R128.
In part 2, a panel of dubbing mixers and sound supervisors discuss the creative challenges and opportunities of mixing programmes to R128. In part 3 a panel of broadcasters reveal their plans and timescales for commissioning and transmitting programmes with the R128 standard.
UK Screen would like to thank our sponsors - DK Technologies, Emotion Systems, Sound Network, HHB, Junger, Wohler, TSL and RTW - for supporting this event.
If you are interested in becoming a member of UK Screen Association please contact angela@ukscreenassociation.co.uk for further details.
wn.com/R128 Are You Ready Part 1
Part 1 of 3.
On Sept 25th 2012, the UK Screen Association hosted an awareness event to discuss the implementation of the EBU R128 audio loudness standard for UK Broadcast
UK Screen and member representatives have been heavily involved with the Digital Production Partnership (DPP) broadcasters to discuss the implementation of the loudness standard. It was agreed that they would work together to smooth the path towards the day when all broadcast programme commissions must be delivered to the new audio specification for BBC, Channel 4, ITV, Channel 5, S4C, UKTV and BskyB.
In this first session, Andy Quested of BBC Technology outlines the DPP's case for the need to change to R128 and John Heraty of the BBC Academy gives a briefing on the technical basics of R128.
In part 2, a panel of dubbing mixers and sound supervisors discuss the creative challenges and opportunities of mixing programmes to R128. In part 3 a panel of broadcasters reveal their plans and timescales for commissioning and transmitting programmes with the R128 standard.
UK Screen would like to thank our sponsors - DK Technologies, Emotion Systems, Sound Network, HHB, Junger, Wohler, TSL and RTW - for supporting this event.
If you are interested in becoming a member of UK Screen Association please contact angela@ukscreenassociation.co.uk for further details.
- published: 25 Oct 2012
- views: 1373
Florian Camerer, Senior Sound Engineer, ORF & PLOUD
- Order: Reorder
- Duration: 26:03
- Updated: 13 Jan 2012
- views: 464
10:15 - 10:45 Topic: Pitfalls and misunderstandings about implementation
■ Peculiarities of the algorithm (1770) itself
■ Which consequence has the gate?
■ Wha...
10:15 - 10:45 Topic: Pitfalls and misunderstandings about implementation
■ Peculiarities of the algorithm (1770) itself
■ Which consequence has the gate?
■ What is Loudness Range for and what not?
■ Active normalization or Metadata?
■ What to do with the archive?
■ Dangers of a 'one-size-fits-all' processor solution
■ Quality aspects of processor solutions
wn.com/Florian Camerer, Senior Sound Engineer, Orf Ploud
10:15 - 10:45 Topic: Pitfalls and misunderstandings about implementation
■ Peculiarities of the algorithm (1770) itself
■ Which consequence has the gate?
■ What is Loudness Range for and what not?
■ Active normalization or Metadata?
■ What to do with the archive?
■ Dangers of a 'one-size-fits-all' processor solution
■ Quality aspects of processor solutions
- published: 13 Jan 2012
- views: 464
Meter Plugins
- Order: Reorder
- Duration: 24:23
- Updated: 22 Jul 2015
- views: 63
Wer auf der Suche nach einem Meter Plugin ist dürfte hier fündig werden. Es sind dabei Meter Plugins von:
- Toneboosters
- Brainworx
- Apple
- Sonalksis,
- IK ...
Wer auf der Suche nach einem Meter Plugin ist dürfte hier fündig werden. Es sind dabei Meter Plugins von:
- Toneboosters
- Brainworx
- Apple
- Sonalksis,
- IK Multimedia
- PSP Audioware
- StillWell
- Klanghelm
- Flux
- Voxengo
- Sonnox Oxford
- Sample Magic
wn.com/Meter Plugins
Wer auf der Suche nach einem Meter Plugin ist dürfte hier fündig werden. Es sind dabei Meter Plugins von:
- Toneboosters
- Brainworx
- Apple
- Sonalksis,
- IK Multimedia
- PSP Audioware
- StillWell
- Klanghelm
- Flux
- Voxengo
- Sonnox Oxford
- Sample Magic
- published: 22 Jul 2015
- views: 63
Integraudio - Adaptive Audio Processing
- Order: Reorder
- Duration: 23:37
- Updated: 02 May 2015
- views: 27
Mixed content demonstration of audio processing using Integraudio Adaptive Audio Processor, which processes audio in real time with low latency.
Audio processor...
Mixed content demonstration of audio processing using Integraudio Adaptive Audio Processor, which processes audio in real time with low latency.
Audio processor is algorithmically ITU BS 1770-3 compliant in loudness monitoring and leveling. A proprietary perceptual model is applied to allow adaptive content management without loss of source audio signature, while increasing audibility, leveling audio, adaptive de-essing, density compensating, and employing a distortion-canceled de-clipping algorithm. No algorithmic settings were adjusted during the processing of the source tracks. The source tracks are shown in the lower half of the video (muted), and the contiguous output is displayed in the upper half of the video. Content ranges from punchy and loud (Lauryn Hill), to persistent and loud (Maroon 5), to "brick walled" (System Of A Down), to dynamic and peak-level (The Alan Parsons Project), to punchy and energetic (The Doobie Brothers), to soft and dynamic (The Doors). Output target is -4.25dB; sufficient for MPEG audio coding, as necessary to avoid overshoots (which cause intermodulation distortion).
Some annotations are provided within the video, where some of the algorithms can be demonstrated.
The set list is below. If you want to skip to a part within the video, please select the noted position within the track (or use a quick link below, if your YouTube viewing settings allow it):
Doo Wop (That Thing)/Lauryn Hill from The Miseducation of Lauryn Hill (CD) @ 0:00:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=0m0s
Sugar/Maroon 5 from V (CD) @ 5:20:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=5m20s
B.Y.O.B/System Of A Down from Kill Rock N' Roll (CD) @ 9:14:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=9m14s
Eye In The Sky/The Alan Parsons Project from Eye In The Sky (CD) @ 13:31:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=13m31s
What A Fool Believes/The Doobie Brothers from The Very Best Of The Doobie Brothers (CD) @ 17:27:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=17m27s
Break On Through/The Doors from The Very Best Of The Doors (CD) @ 21:08:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=21m08s
wn.com/Integraudio Adaptive Audio Processing
Mixed content demonstration of audio processing using Integraudio Adaptive Audio Processor, which processes audio in real time with low latency.
Audio processor is algorithmically ITU BS 1770-3 compliant in loudness monitoring and leveling. A proprietary perceptual model is applied to allow adaptive content management without loss of source audio signature, while increasing audibility, leveling audio, adaptive de-essing, density compensating, and employing a distortion-canceled de-clipping algorithm. No algorithmic settings were adjusted during the processing of the source tracks. The source tracks are shown in the lower half of the video (muted), and the contiguous output is displayed in the upper half of the video. Content ranges from punchy and loud (Lauryn Hill), to persistent and loud (Maroon 5), to "brick walled" (System Of A Down), to dynamic and peak-level (The Alan Parsons Project), to punchy and energetic (The Doobie Brothers), to soft and dynamic (The Doors). Output target is -4.25dB; sufficient for MPEG audio coding, as necessary to avoid overshoots (which cause intermodulation distortion).
Some annotations are provided within the video, where some of the algorithms can be demonstrated.
The set list is below. If you want to skip to a part within the video, please select the noted position within the track (or use a quick link below, if your YouTube viewing settings allow it):
Doo Wop (That Thing)/Lauryn Hill from The Miseducation of Lauryn Hill (CD) @ 0:00:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=0m0s
Sugar/Maroon 5 from V (CD) @ 5:20:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=5m20s
B.Y.O.B/System Of A Down from Kill Rock N' Roll (CD) @ 9:14:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=9m14s
Eye In The Sky/The Alan Parsons Project from Eye In The Sky (CD) @ 13:31:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=13m31s
What A Fool Believes/The Doobie Brothers from The Very Best Of The Doobie Brothers (CD) @ 17:27:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=17m27s
Break On Through/The Doors from The Very Best Of The Doors (CD) @ 21:08:
http://www.youtube.com/watch?v=TuENSqnA_z0&t;=21m08s
- published: 02 May 2015
- views: 27
Randy Conrod, Product Manager, Digital Products, Harris
- Order: Reorder
- Duration: 32:57
- Updated: 13 Jan 2012
- views: 211
09:15 - 09:45 Keynote: Loudness Management in Today's Systems
■ Why the loudness issue is a collision of biology and technology
■ Equal loudness curves / Wei...
09:15 - 09:45 Keynote: Loudness Management in Today's Systems
■ Why the loudness issue is a collision of biology and technology
■ Equal loudness curves / Weighted curves (LEQ) / Dialnorm related to ITU BS 1770 loudness measurement
■ Why dialnorm doesn't work well
■ AGC versus 5 band compression with limiting versus perceptual loudness control
■ Recommendations for loudness management
■ Measurement, Logging, Control
wn.com/Randy Conrod, Product Manager, Digital Products, Harris
09:15 - 09:45 Keynote: Loudness Management in Today's Systems
■ Why the loudness issue is a collision of biology and technology
■ Equal loudness curves / Weighted curves (LEQ) / Dialnorm related to ITU BS 1770 loudness measurement
■ Why dialnorm doesn't work well
■ AGC versus 5 band compression with limiting versus perceptual loudness control
■ Recommendations for loudness management
■ Measurement, Logging, Control
- published: 13 Jan 2012
- views: 211
Arcade Death By Fantacy Rock the Cabinet
- Order: Reorder
- Duration: 51:19
- Updated: 26 Oct 2015
- views: 60
Arcade Death By Fantasy Rock the Cabinet By Rut, Wargirl and Moustro
Low Sound sorry Im not a pro at making videos.
Arcade Death By Fantasy Rock the Cabinet By Rut, Wargirl and Moustro
Low Sound sorry Im not a pro at making videos.
wn.com/Arcade Death By Fantacy Rock The Cabinet
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12:55
Mixing for TV: ATSC A/85 Loudness Standards
If you are mixing audio for television post production you will need to concern yourself w...
published: 14 Sep 2015
Mixing for TV: ATSC A/85 Loudness Standards
Mixing for TV: ATSC A/85 Loudness Standards
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- published: 14 Sep 2015
- views: 429
3:41
ATSC 3.0 4K Broadcast TV standard candidate at CES 2015
Samsung booth at CES 2015 where a 65" curved 4k Samsung TV is set to show the Comark - Tea...
published: 08 Jan 2015
ATSC 3.0 4K Broadcast TV standard candidate at CES 2015
2:35
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
The FUTURECAST™ Universal Terrestrial Broadcasting System is a leading contributor to the ...
published: 21 Jan 2015
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
FUTURECAST™ Next-Gen TV Broadcast System: GatesAir's ATSC 3.0 Collaboration with LG and Zenith
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- published: 21 Jan 2015
- views: 1169
3:14
ATSC 3.0 at CES 2016 - Presented by Pearl
Find out about the new US digital TV standard, ATSC 3.0, and how it is poised to change an...
published: 29 Jan 2016
ATSC 3.0 at CES 2016 - Presented by Pearl
ATSC 3.0 at CES 2016 - Presented by Pearl
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- published: 29 Jan 2016
- views: 54
1:32
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
At NAB 2012, there was a very interesting development with regard to the international lou...
published: 09 May 2012
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
Florian Camerer on the ITU BS.1770-2 Gating Scheme, ATSC A/85 and CALM
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- published: 09 May 2012
- views: 1074
1:31
CISPR 32 BT-1729 Test Pattern - StreamSpark
CISPR 32 Standard Test Stream for EMC Test
Available in Transport Stream format, in DVB, I...
published: 16 Jul 2015
CISPR 32 BT-1729 Test Pattern - StreamSpark
CISPR 32 BT-1729 Test Pattern - StreamSpark
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- published: 16 Jul 2015
- views: 820
25:53
Advanced Television Systems Committee standards
Advanced Television Systems Committee standards are a set of standards developed by the Ad...
published: 14 Oct 2015
Advanced Television Systems Committee standards
Advanced Television Systems Committee standards
- Report rights infringement
- published: 14 Oct 2015
- views: 24
2:41
NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
Geoff Mendenhall introduces you to Futurecast, a new proposed solution for ATSC 3.0 deploy...
published: 17 Dec 2014
NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
NAB 2014 - Futurecast ATSC 3.0 Transmission Solution
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- published: 17 Dec 2014
- views: 199
1:43
NBCUniversal Helps Set New Standards For TV Loudness
In April of 2007 Jim Starzynski, NBCU's director of advanced engineering and principal aud...
published: 20 Feb 2013
NBCUniversal Helps Set New Standards For TV Loudness
NBCUniversal Helps Set New Standards For TV Loudness
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- published: 20 Feb 2013
- views: 148
15:37
2015-01-04 - Senioren 2B - Standard - Semifinale
Langsamer Walzer: Nr.21 Franz Klaghofer - Ingrid Klaghofer, ATSC Imperial Wien (Wien)
Lan...
published: 04 Jan 2015
2015-01-04 - Senioren 2B - Standard - Semifinale
2015-01-04 - Senioren 2B - Standard - Semifinale
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- published: 04 Jan 2015
- views: 261
3:33
ATSC 3.0 4K test at CES 2015
CES 2015 demonstration of live over the air channel 28 KVPX-LD Las Vegas 4k television. Th...
published: 10 Jan 2015
ATSC 3.0 4K test at CES 2015
ATSC 3.0 4K test at CES 2015
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- published: 10 Jan 2015
- views: 482
20:32
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
A look at the misconceptions people seem to have when they coin COMMON things in an indust...
published: 02 Jul 2015
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
Shadow Fox ShadowCasts- Infernal Thought Process "Invented Standards"
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- published: 02 Jul 2015
- views: 403
12:56
3D Audio Standard: ECMA-407 by Swissaudec
Smart transmitting of 3D audio up to unrestricted NHK 22.2 sound, a problem Swissaudec sol...
published: 12 Oct 2015
3D Audio Standard: ECMA-407 by Swissaudec
3D Audio Standard: ECMA-407 by Swissaudec
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- published: 12 Oct 2015
- views: 360
12:38
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
MPEG-H is a new about-to-be adopted standard that offers object oriented audio for TVs and...
published: 18 Dec 2014
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
Fraunhofer IIS Shows Virtues of MPEG-H for Enhanced Audio in ATSC 3.0
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- published: 18 Dec 2014
- views: 174
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47:11
NTSC
NTSC, named after the National Television System Committee, is the analog television syste...
published: 18 Aug 2014
NTSC
NTSC
- Report rights infringement
- published: 18 Aug 2014
- views: 54
30:36
Broadcast television systems
Broadcast television systems are encoding or formatting standards for the transmission and...
published: 27 Dec 2015
Broadcast television systems
Broadcast television systems
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- published: 27 Dec 2015
- views: 28
52:10
FCC Making ATSC A/85:2013 The Law
FCC Making ATSC A/85:2013 The Law - Stay CALM and Remain Compliant Even When Downmixed
published: 18 Mar 2014
FCC Making ATSC A/85:2013 The Law
31:22
Loudness Standards in Broadcast
Loudness Standards in Broadcast
presented by Kevin Teoh (Studio.MB)
Kevin demystifies the...
published: 14 Aug 2015
Loudness Standards in Broadcast
Loudness Standards in Broadcast
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- published: 14 Aug 2015
- views: 49
35:46
Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compressio...
published: 12 Aug 2014
Advanced Audio Coding
Advanced Audio Coding
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- published: 12 Aug 2014
- views: 594
23:11
Florian Camerer Talks About Loudness and the EBU R128 Broadcast Standard, Part 3
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast ...
published: 01 Jul 2011
Florian Camerer Talks About Loudness and the EBU R128 Broadcast Standard, Part 3
Florian Camerer Talks About Loudness and the EBU R128 Broadcast Standard, Part 3
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- published: 01 Jul 2011
- views: 4760
20:13
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funny [23 Jan 2015]
TV SHOW:CTN Somnerch Tam Phum | Pekmi Comedy [23 Jan 2015] | Khmer funny 2015 រឿង ប្តីខ្ញុ...
published: 31 Jan 2015
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funny [23 Jan 2015]
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funny [23 Jan 2015]
- Report rights infringement
- published: 31 Jan 2015
- views: 55
39:35
Documentary Reality TV Show Audio Mixing Basics Tutorial
It's time to mix audio for your documentary or reality TV show. Here's a video full of tip...
published: 23 Dec 2015
Documentary Reality TV Show Audio Mixing Basics Tutorial
Documentary Reality TV Show Audio Mixing Basics Tutorial
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- published: 23 Dec 2015
- views: 337
23:57
Audio workflows and signalflows in broadcasting - Alessandro Travaglini
Sound designer and audio engineer Alessandro Travaglini explains the challenges of maintai...
published: 21 Oct 2011
Audio workflows and signalflows in broadcasting - Alessandro Travaglini
Audio workflows and signalflows in broadcasting - Alessandro Travaglini
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- published: 21 Oct 2011
- views: 1699
94:32
SMPTE 2014 Annual Technical Conference & Exhibition - Industry Luncheon
Mark Aitken - Vice President of Advanced Technology, Sinclair Broadcast Group
Mark Aitken...
published: 21 Oct 2014
SMPTE 2014 Annual Technical Conference & Exhibition - Industry Luncheon
SMPTE 2014 Annual Technical Conference & Exhibition - Industry Luncheon
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- published: 21 Oct 2014
- views: 426
32:35
ISDB
The Integrated Services Digital Broadcasting is a Japanese standard for digital television...
published: 16 Dec 2015
ISDB
ISDB
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- published: 16 Dec 2015
- views: 9
50:25
EBU R128 in Transmission and Production - Thomas Lund
The EBU R128 Loudness Recommendation provides a robust and versatile framework for assessi...
published: 13 Oct 2011
EBU R128 in Transmission and Production - Thomas Lund
EBU R128 in Transmission and Production - Thomas Lund
- Report rights infringement
- published: 13 Oct 2011
- views: 7820
58:06
EBU R128 Introduction - Florian Camerer
Florian Camerer gives an introduction to the European Broadcasting Union's R128 Broadcast ...
published: 27 Oct 2011
EBU R128 Introduction - Florian Camerer
EBU R128 Introduction - Florian Camerer
- Report rights infringement
- published: 27 Oct 2011
- views: 26857
23:59
PAL
PAL, short for Phase Alternating Line, is a colour encoding system for analogue television...
published: 01 Aug 2014
PAL
PAL
- Report rights infringement
- published: 01 Aug 2014
- views: 653
NTSC...
Broadcast television systems...
FCC Making ATSC A/85:2013 The Law...
Loudness Standards in Broadcast...
Advanced Audio Coding...
Florian Camerer Talks About Loudness and the EBU R...
CTN Somnerch Tam Phum | Pekmi Comedy | Khmer funn...
Documentary Reality TV Show Audio Mixing Basics Tu...
Audio workflows and signalflows in broadcasting - ...
SMPTE 2014 Annual Technical Conference & Exhibitio...
ISDB...
EBU R128 in Transmission and Production - Thomas L...
EBU R128 Introduction - Florian Camerer...
PAL...
Digital Audio Broadcasting...
R128: Are You Ready? Part 1...
Florian Camerer, Senior Sound Engineer, ORF & PLOU...
Meter Plugins...
Integraudio - Adaptive Audio Processing...
Randy Conrod, Product Manager, Digital Products, H...
Arcade Death By Fantacy Rock the Cabinet...
photo: Via YouTube
Google's April Fools' joke went so wrong that it might have cost someone their job
Edit TechRadar 01 Apr 2016
We try to avoid as much of April Fools' day as possible on techradar. In fact, as a rule, we'd advise sleeping in until midday, that way you'll avoid all the terrible "jokes" entirely. We can imagine there are a few people at Google who would like to go to bed and start the day again though after its latest feature went south very quickly ... Not so funny ... Meanwhile, Abdus Salam wrote ... ....
photo: AP / Paul Vernon
Inequality Even Before Birth And After Death: How The Koch Empire Impacted Me
Edit WorldNews.com 01 Apr 2016
Years later, and as a church minister, I counseled a family injured by the Koch Dynasty and its heavy-handed, manufactured duress ... Nor did my grandmother like to discuss his death. She did, however, let me know that he was laid-off during the Great Depression. Like others desperate for work, he was willing to labor in the oil fields around Wichita, Kan., without any job training or knowledge of safety standards ... January 17, 2016.....
photo: AP / Ahn Young-joon
South Korea says North fired missile, as US hosts nuclear summit
Edit The Times of India 01 Apr 2016
WASHINGTON ... Barack Obama confers with PM Narendra Modi during a working dinner with World leaders in White House on March 31 ... ....
photo: WN / Aruna Mirasdar
Porn and the Threat to Virility
Edit Time Magazine 31 Mar 2016
Noah Church is a 26-year-old part-time wildland firefighter in Portland, Ore. When he was 9, he found naked pictures on the Internet. He learned how to download explicit videos. When he was 15, streaming videos arrived, and he watched those. Often. Several times a day, doing that which people often do while watching that genre by themselves ... After the appeal of those waned, he moved on to the next level, more intense, often more violent ... ....
photo: AP / Owen Sweeney
WN.com Week In Review For March 27-April 2, 2016
Edit WorldNews.com 01 Apr 2016
The end of the week comes with the start of a new month and a look back at the Top 5 most viewed stories on WN.com.Maybe you saw these stories when they first appeared on our pages – maybe you didn’t. Either way, let’s take a look back at the past week.. + A report claims Indian priest Thomas Uzhunnalil was crucified by ISIS on Good Friday ... The animal was discovered by a biker ... – WN.com. ....
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Our Group 29 March, 2016 Independent Governance Committee reports on Standard Life's workplace personal pensions Read more (Standard Life plc)
Edit Public Technologies 01 Apr 2016
Standard Life plc) ... Standard Life's Independent Governance Committee (IGC), an independent body created in 2015 to oversee the governance of its workplace pensions, has today published its first annual report assessing the charges, investment strategy and service levels of its workplace personal pension schemes ... Rene Poisson, Chair of Standard Life's IGC, said ... Jamie Jenkins, Head of Pensions Strategy at Standard Life, said....
Contradictions abound in OK academic standards process
Edit The Oklahoman 01 Apr 2016
ONE hopes a rational process was used to develop and approve Oklahoma's new academic standards, but the conflicting and even self-contradictory comments of those involved suggest otherwise. In 2014, the Legislature approved House Bill 3399, repealing Common Core academic standards in English and math, replacing them with a prior set of state standards for two years, and requiring that new standards be developed....
American Standard Named Plumbing Vendor of the Year by Winsupply (American Standard - AS America Inc)
Edit Public Technologies 01 Apr 2016
American Standard - AS America Inc) ... American Standard Named Plumbing Vendor of the Year by Winsupply ... (April 1, 2016) ― American Standard Brands was recently recognized as Plumbing Vendor of the Year by Winsupply, one of the nation's largest distributors of residential and commercial construction supplies and equipment ... ABOUT AMERICAN STANDARD BRANDS ... LIXIL, INAX, GROHE, American Standard, and JAXSON ... American Standard - AS America Inc....
Intesa Sanpaolo: submission of second list of candidates for appointment to Board of Directors and Management Control Committee (Intesa Sanpaolo SpA)
Edit Public Technologies 01 Apr 2016
... Azionario Europa and Pioneer Italia Azionario Crescita; Standard Life Investment fund manager of Standard Life DC Pension Managed Asset, Standard Life Investments Global Absolute Return Strategies Fund, Standard Life European Trust II, Standard Life Investment Company European Equity Income Fund, Standard Life Investments Global SICAV - Global....
Retired general: New standards won't challenge Oklahoma students
Edit The Oklahoman 01 Apr 2016
It is with that directness that I must address the new academic standards in Oklahoma and say that they will not better prepare students for college or employment ... The result? A set of standards that aren't as strong as those that exist in the majority of the country ... Oklahoma has now adopted standards that appear to be inferior in both math and English....
Shining a light on management consultancies with new standard in development (ISO - International Organization for Standardization)
Edit Public Technologies 01 Apr 2016
ISO - International Organization for Standardization) ... The upcoming standard ISO 20700, Guidelines for management consultancy services, aims to help consultancies and their clients improve transparency and understanding in their consultancy projects in order to achieve better business results ... 'The standard will offer best practice guidance to both ......
Our Group 30 March, 2016 Standard Life named "Social Mobility Champion" for work with young people Read more (Standard Life plc)
Edit Public Technologies 01 Apr 2016
Standard Life plc) ... Standard Life has today been recognised as one of 11 Social Mobility Business Compact Champions across the UK by the Department of Business, Innovation and Skills (BIS) ... The Social Mobility Business Compact aims to give all young people fair and open access to employment opportunities and Standard Life is the only company based in Scotland and the only investment company to have achieved the 'Champion' status....
Our Group 30 March, 2016 UK small manufacturing businesses reveal their recipe for success Read more (Standard Life plc)
Edit Public Technologies 01 Apr 2016
Standard Life plc) ... A new report published by Standard Life reveals some of the key drivers of success for UK SMEs (small-to-medium-sized enterprises) in the manufacturing sector, with research showing an evolution in working practices, company culture and innovation ... Stephen Ingledew, Standard Life Managing Director, Marketing said ... An industry roundtable discussion took place to mark the launch of Standard Life's Business....
HDFC completes 9% stake sale in HDFC Life to JV partner for over Rs 1700 crore
Edit DNA India 01 Apr 2016Quarterly Disclosure (Standard Life European Private Equity Trust plc)
Edit Public Technologies 01 Apr 2016ANSI/ISEA 107- 2015 High - Visibility Safety Apparel and Accessories Standard Update (SGS SA)
Edit Public Technologies 01 Apr 2016
Home›News Center›ANSI/ISEA 107- 2015 High - Visibility Safety Apparel and Accessories Standard Update ... As of 1st February 2016, the ANSI/ISEA 107-2015 American National Standard for High-Visibility Safety Apparel and Accessories is in effect ... The standard also provides criteria for apparel design, care labeling, general marking and instruction for use requirements....
Government takes action to protect the safety and dignity of persons with developmental disabilities (Government of Alberta)
Edit Public Technologies 01 Apr 2016
During the public consultation on the standards of safety for Albertans receiving supports through the PDD program, participants said the Regulation was confusing and caused undue stress in the community ... Repeal the PDD Safety Standards Regulation in its entirety ... Extend the Consultation Team's mandate to oversee Phase Two of the Safety Standards Consultation....
ICBA: FASB Reforms to CECL Standard Support Community Bank Accounting Methods (ICBA - Independent Community Bankers of America)
Edit Public Technologies 01 Apr 2016
FASB revises standard to address local market knowledge, flexibility and scalability ... Zimmerman today told the Financial Accounting Standards Board that it has made important ICBA-advocated revisions to its proposed accounting update ... 'The revised standard includes important changes that address concerns with the irreversible damage the CECL model would have had on community bank lending to local consumers....
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