- published: 28 Mar 2014
- views: 569695
Create your page here
-
remove the playlist1792 For
- remove the playlist1792 For
back to playlist
Free Netflix for the CTFxC http://Netflix.com/CTFxC
also get your badass shirts and stuff at http://CTFxCmerch.com
(↓↓ click show more ↓↓)
Tour Dates http://wethekingsmusic.com/tour
Twitter
Charles - http://twitter.com/CharlesTrippy
Alli - http://twitter.com/AlliTrippy
Subscribe To Our Other Channels:
http://youtube.com/CharlesTrippy
http://youtube.com/Alli
http://youtube.com/Trippy
Free month trial for CTFxCers on Netflix:
http://netflix.com/ctfxc
Also, thanks to Gamefly for hooking the CTFxC w/ a trial too:
http://gamefly.com/ctfxc
*Facebook:
http://facebook.com/InternetKilledTV
http://facebook.com/CharlesTrippy
Instagram:
http://instagram.com/CharlesTrippy
http://instagram.com/AlliTrippy
Google+:
http://gplus.to/charlestrippy
Tumblr:
http://charlestrippy.tumblr.com
This video is for entertainment purposes only. We don't condone anyone attempting the activities shown.
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi,
Orchestra of the Eastern Netherlands
Conductor: Gabriele Bellini
- published: 31 Aug 2014
- views: 8353
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42)
----------------------------------------------
Das Stabat mater (nach dem Gedichtanfang Stabat mater dolorosa, lat. für ‚Es stand die Mutter schmerzerfüllt‘) ist ein mittelalterliches Gedicht, das die Mutter Jesu in ihrem Schmerz um den Gekreuzigten besingt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben.
Das Stabat mater fand 1521 Eingang in das Missale Romanum, wurde aber wie fast alle Sequenzen durch das Konzil von Trient aus dem Gottesdienst verbannt. 1727 wurde es bei der Einführung des Festes Septem Dolorum Beatae Mariae Virginis als Sequenz in den Messtext und als Hymnus in das Brevier der katholischen Kirche aufgenommen und gehört seither wieder zur katholischen Liturgie. Allerdings wurde das 1727 auf den Freitag nach dem Passionssonntag gelegte Fest durch die Liturgiereform des 2. Vatikanischen Konzils abgeschafft, so dass das Stabat Mater als liturgisches Stück nur noch am 15. September, dem Gedächtnis der Schmerzen Mariä, – ad libitum – gesungen oder gebetet wird.
Die bekannteste deutsche Übertragung des Stabat mater stammt von Heinrich Bone (1847).
Lateinischer Originaltext
gedichtet um 1200–1300
1. Stabat mater dolorosa
Iuxta crucem lacrimosa,
Dum pendebat filius;
2. Cuius animam gementem,
Contristantem et dolentem
Pertransivit gladius.
3. O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti!
4. Quae maerebat et dolebat,
Et tremebat, cum videbat
Nati poenas incliti.
5. Quis est homo, qui non fleret,
Matrem Christi si videret
In tanto supplicio?
6. Quis non posset contristari,
Piam matrem contemplari
Dolentem cum filio?
7. Pro peccatis suae gentis
Iesum vidit in tormentis
Et flagellis subditum.
8. Vidit suum dulcem natum
Morientem, desolatum,
Cum emisit spiritum.
9. Eia, mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10. Fac, ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
11. Sancta mater, illud agas,
Crucifixi fige plagas
Cordi meo valide.
12. Tui nati vulnerati,
Iam dignati pro me pati,
Poenas mecum divide.
13. Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14. Iuxta crucem tecum stare,
Te libenter sociare
In planctu desidero.
15. Virgo virginum praeclara,
Mihi iam non sis amara,
Fac me tecum plangere.
16. Fac, ut portem Christi mortem,
Passionis eius sortem
Et plagas recolere.
17. Fac me plagis vulnerari,
Cruce hac inebriari
Ob amorem filii.
18. Inflammatus et accensus,
Per te, virgo, sim defensus
In die iudicii.
19. Fac me cruce custodiri,
Morte Christi praemuniri,
Confoveri gratia[1].
20. Quando corpus morietur,
Fac ut anima donetur
Paradisi gloriae.
----------------------------------------
Das Stabat Mater ist oft von klassischen Komponisten vertont worden. Nicht immer wurde der gesamte Text verwendet, unterschiedliche Anlässe der Stücke und persönliche Prägungen der Komponisten führten oft zur Akzentsetzung etwa unter den Themen: Trost, Leid, Klage. Die alte gregorianische Choralmelodie wurde von Josquin und Palestrina schon im 16. Jahrhundert polyphon vertont. Viele weitere Komponisten schufen Vertonungen des Stabat Mater, die auch heute noch oft aufgeführt werden (nach dem Komponistennamen folgt die Besetzung):
Josquin Desprez als Motette (1480)
Orlando di Lasso für Männerchor (1585)
Giovanni Pierluigi da Palestrina für zwei gemischte Chöre (ca. 1590)
Giovanni Felice Sances als Solo-Motette (1643)
Marc-Antoine Charpentier (1680)
Emanuele d’Astorga für Soli, Chor, Orchester und Orgel (1707)
Domenico Scarlatti für 10stimmigen Chor und Continuo (1715)
Alessandro Scarlatti für Sopran, Alt und Continuo (1723)
Antonio Caldara für Soli, Chor, Streicher und zwei Posaunen (± 1725)
Antonio Vivaldi für Alt, Streicher und Continuo (± 1727)
Agostino Steffani für Soli, Chor, Streicher und Orgel (1727)
Giovanni Battista Pergolesi für Alt, Sopran, Streicher und Cembalo (1736)
Johann Sebastian Bach für Sopran, Alt, Streicher (mit Viola) und Basso Continuo (1748) – eine Bearbeitung des Stabat Mater von Pergolesi
Tommaso Traetta Stabat mater (1750)
Giovanni Benedetto Platti (18. Jahrhundert)
Kurfürst Max III. Joseph von Bayern für Soli, Chor und Orchester (1766)
Joseph Haydn für Soli, Chor und Orchester (1767)
Franz Ignaz Beck für Alt, Sopran, Bariton, Chor und Orchester (1782)
Luigi Boccherini für Sopran und Streicher / Alt, Tenor und Streicher (1781/1800)... und weitere Komponisten der Neuzeit!
- published: 31 Mar 2015
- views: 2470
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animation templates help you create animated presentations and animated explainer videos from scratch. Anyone can produce awesome animations quickly with PowToon, without the cost or hassle other professional animation services require.
- published: 30 Nov 2015
- views: 419
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris)
More free lessons at: http://www.khanacademy.org/video?v=_w5NGOHbgTw
A stele is a vertical stone monument or marker often inscribed with text or with relief carving.
Speakers: Dr. Beth Harris and Dr. Steven Zucker
- published: 21 Jul 2011
- views: 132401
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE
- published: 05 Apr 2014
- views: 22468
Recorded on 12. 11. 2014
Teplice Conservatory, Czech Republic
camera operators
Michal Uhlíř Luboš Chyba
Miroslav Zvolský Ondřej Urban
Sound recording
Ondřej Urban
sound mix, masterig, DVD authoring
Michal Uhlíř ve studiu UHL RECORDS
Direction
Michal Uhlíř
www.milanrericha.com
www.konzervatorteplice.cz
www.rericha-zlesak.cz
© 2015 QMA International Production
- published: 10 Apr 2015
- views: 27195
Taken from the Dublin In international Piano Spectacular
All seven previous winners in a once-off performance.
PHILIPPE CASSARD (1988),
PAVEL NERSESSIAN (1991),
DAVIDE FRANCESCHETTI (1994),
MAX LEVINSON (1997),
ALEXEI NABIOULIN (2000),
ANTTI SIIRALA (2003)
ROMAIN DESCHARMES (2006)
and featuring
JOHN O'CONOR (Artistic Director)
This piece: GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Performed by : All of the above
About this piece:
Having completed thirty-eight stage works Rossini moved to Paris in 1824. There he continued to reign as the
greatest living opera composer and agreed to undertake a major commission from the Paris Opèra. Huge excitement
was engendered and society vied to obtain tickets for the première of "William Tell", based on Schiller's drama, on
August 3rd, 1829. Although it was well received and achieved 500 performances during the composer's lifetime,
the work eventually vanished: no wonder when it is realised that the complete score is over four hours long and it
requires a large cast of first-rate singers.
Its much-loved Overture is a little tone poem in four sections, summarising the whole story of the legendary
Swiss patriot. It opens with a most imaginative sequence, originally for five solo cellos, a rare inspiration, followed by a
splendid storm. In the ensuing peace, Rossini introduces a folksy country song he uses extensively in the opera. A
fanfare heralds the arrival of the Swiss army and the famous galloping march brings this unusually well-constructed
overture to a lively finish.
For more information on this and all things in relation to the Dublin International Piano Competition, please go to www.DIPC.ie
- published: 08 Feb 2011
- views: 28673
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816)
Performed by:
Elfrida Anna Caterina Catenacci
Evelina Caterina Calvi
Adelvolto Alessandra Mantovani
Eggardo Paolo Barbacini
Sveno Ezio Pirovano
Osmondo Daniela Benori
Direttore Umberto Benedetti Michelangeli
I Filarmonici di Torino
Picture by: Queen Elizabeth
IMPORTANTE
Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie.
If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
- published: 20 Sep 2015
- views: 890
William Tell (opera)
Guillaume Tell (English: William Tell, Italian: Guglielmo Tell) is an opera in four acts by Gioachino Rossini to a French libretto by Étienne de Jouy and Hippolyte Bis. Based on Friedrich Schiller's play William Tell, which drew on the William Tell legend, the opera was Rossini's last, although he lived for nearly forty more years. The overture, in four sections and featuring a depiction of a storm as well as a vivacious finale, the "March of the Swiss Soldiers," is often played.
Charles Malherbe, archivist at the Paris Opéra, discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire.
Performance history
It was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts were being made and after a year only three acts were performed. The opera's length, roughly four hours of music, and casting requirements, such as the high range required for the tenor part, have contributed to the difficulty of producing the work. When performed, the opera is often cut. Performances have been given in both French and Italian. Political concerns have also contributed to the varying fortunes of the work.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/William_Tell_(opera)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
10:08GOODBYE MANHOOD (3.27.14 - Day 1792)
GOODBYE MANHOOD (3.27.14 - Day 1792)GOODBYE MANHOOD (3.27.14 - Day 1792)
Free Netflix for the CTFxC http://Netflix.com/CTFxC also get your badass shirts and stuff at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy Alli - http://twitter.com/AlliTrippy Subscribe To Our Other Channels: http://youtube.com/CharlesTrippy http://youtube.com/Alli http://youtube.com/Trippy Free month trial for CTFxCers on Netflix: http://netflix.com/ctfxc Also, thanks to Gamefly for hooking the CTFxC w/ a trial too: http://gamefly.com/ctfxc *Facebook: http://facebook.com/InternetKilledTV http://facebook.com/CharlesTrippy Instagram: http://instagram.com/CharlesTrippy http://instagram.com/AlliTrippy Google+: http://gplus.to/charlestrippy Tumblr: http://charlestrippy.tumblr.com This video is for entertainment purposes only. We don't condone anyone attempting the activities shown. -
191:40Domenico Cimarosa - Il matrimonio segreto (1792) - complete
Domenico Cimarosa - Il matrimonio segreto (1792) - completeDomenico Cimarosa - Il matrimonio segreto (1792) - complete
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi, Orchestra of the Eastern Netherlands Conductor: Gabriele Bellini -
65:09Gioachino Rossini (1792-1868) "Stabat Mater"
Gioachino Rossini (1792-1868) "Stabat Mater"Gioachino Rossini (1792-1868) "Stabat Mater"
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42) ---------------------------------------------- Das Stabat mater (nach dem Gedichtanfang Stabat mater dolorosa, lat. für ‚Es stand die Mutter schmerzerfüllt‘) ist ein mittelalterliches Gedicht, das die Mutter Jesu in ihrem Schmerz um den Gekreuzigten besingt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben. Das Stabat mater fand 1521 Eingang in das Missale Romanum, wurde aber wie fast alle Sequenzen durch das Konzil von Trient aus dem Gottesdienst verbannt. 1727 wurde es bei der Einführung des Festes Septem Dolorum Beatae Mariae Virginis als Sequenz in den Messtext und als Hymnus in das Brevier der katholischen Kirche aufgenommen und gehört seither wieder zur katholischen Liturgie. Allerdings wurde das 1727 auf den Freitag nach dem Passionssonntag gelegte Fest durch die Liturgiereform des 2. Vatikanischen Konzils abgeschafft, so dass das Stabat Mater als liturgisches Stück nur noch am 15. September, dem Gedächtnis der Schmerzen Mariä, – ad libitum – gesungen oder gebetet wird. Die bekannteste deutsche Übertragung des Stabat mater stammt von Heinrich Bone (1847). Lateinischer Originaltext gedichtet um 1200–1300 1. Stabat mater dolorosa Iuxta crucem lacrimosa, Dum pendebat filius; 2. Cuius animam gementem, Contristantem et dolentem Pertransivit gladius. 3. O quam tristis et afflicta Fuit illa benedicta Mater unigeniti! 4. Quae maerebat et dolebat, Et tremebat, cum videbat Nati poenas incliti. 5. Quis est homo, qui non fleret, Matrem Christi si videret In tanto supplicio? 6. Quis non posset contristari, Piam matrem contemplari Dolentem cum filio? 7. Pro peccatis suae gentis Iesum vidit in tormentis Et flagellis subditum. 8. Vidit suum dulcem natum Morientem, desolatum, Cum emisit spiritum. 9. Eia, mater, fons amoris, Me sentire vim doloris Fac, ut tecum lugeam. 10. Fac, ut ardeat cor meum In amando Christum Deum, Ut sibi complaceam. 11. Sancta mater, illud agas, Crucifixi fige plagas Cordi meo valide. 12. Tui nati vulnerati, Iam dignati pro me pati, Poenas mecum divide. 13. Fac me vere tecum flere, Crucifixo condolere, Donec ego vixero. 14. Iuxta crucem tecum stare, Te libenter sociare In planctu desidero. 15. Virgo virginum praeclara, Mihi iam non sis amara, Fac me tecum plangere. 16. Fac, ut portem Christi mortem, Passionis eius sortem Et plagas recolere. 17. Fac me plagis vulnerari, Cruce hac inebriari Ob amorem filii. 18. Inflammatus et accensus, Per te, virgo, sim defensus In die iudicii. 19. Fac me cruce custodiri, Morte Christi praemuniri, Confoveri gratia[1]. 20. Quando corpus morietur, Fac ut anima donetur Paradisi gloriae. ---------------------------------------- Das Stabat Mater ist oft von klassischen Komponisten vertont worden. Nicht immer wurde der gesamte Text verwendet, unterschiedliche Anlässe der Stücke und persönliche Prägungen der Komponisten führten oft zur Akzentsetzung etwa unter den Themen: Trost, Leid, Klage. Die alte gregorianische Choralmelodie wurde von Josquin und Palestrina schon im 16. Jahrhundert polyphon vertont. Viele weitere Komponisten schufen Vertonungen des Stabat Mater, die auch heute noch oft aufgeführt werden (nach dem Komponistennamen folgt die Besetzung): Josquin Desprez als Motette (1480) Orlando di Lasso für Männerchor (1585) Giovanni Pierluigi da Palestrina für zwei gemischte Chöre (ca. 1590) Giovanni Felice Sances als Solo-Motette (1643) Marc-Antoine Charpentier (1680) Emanuele d’Astorga für Soli, Chor, Orchester und Orgel (1707) Domenico Scarlatti für 10stimmigen Chor und Continuo (1715) Alessandro Scarlatti für Sopran, Alt und Continuo (1723) Antonio Caldara für Soli, Chor, Streicher und zwei Posaunen (± 1725) Antonio Vivaldi für Alt, Streicher und Continuo (± 1727) Agostino Steffani für Soli, Chor, Streicher und Orgel (1727) Giovanni Battista Pergolesi für Alt, Sopran, Streicher und Cembalo (1736) Johann Sebastian Bach für Sopran, Alt, Streicher (mit Viola) und Basso Continuo (1748) – eine Bearbeitung des Stabat Mater von Pergolesi Tommaso Traetta Stabat mater (1750) Giovanni Benedetto Platti (18. Jahrhundert) Kurfürst Max III. Joseph von Bayern für Soli, Chor und Orchester (1766) Joseph Haydn für Soli, Chor und Orchester (1767) Franz Ignaz Beck für Alt, Sopran, Bariton, Chor und Orchester (1782) Luigi Boccherini für Sopran und Streicher / Alt, Tenor und Streicher (1781/1800)... und weitere Komponisten der Neuzeit! -
4:04La Révolution française, 1ère partie (1789-1792)
La Révolution française, 1ère partie (1789-1792)La Révolution française, 1ère partie (1789-1792)
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animation templates help you create animated presentations and animated explainer videos from scratch. Anyone can produce awesome animations quickly with PowToon, without the cost or hassle other professional animation services require. -
3:17Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris) More free lessons at: http://www.khanacademy.org/video?v=_w5NGOHbgTw A stele is a vertical stone monument or marker often inscribed with text or with relief carving. Speakers: Dr. Beth Harris and Dr. Steven Zucker -
1:21Ozymandias, by Percy Bysshe Shelley [1792-1822]
Ozymandias, by Percy Bysshe Shelley [1792-1822]Ozymandias, by Percy Bysshe Shelley [1792-1822]
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE -
11:57MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and VariationsMILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
Recorded on 12. 11. 2014 Teplice Conservatory, Czech Republic camera operators Michal Uhlíř Luboš Chyba Miroslav Zvolský Ondřej Urban Sound recording Ondřej Urban sound mix, masterig, DVD authoring Michal Uhlíř ve studiu UHL RECORDS Direction Michal Uhlíř www.milanrericha.com www.konzervatorteplice.cz www.rericha-zlesak.cz © 2015 QMA International Production -
13:18GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
GIOACCHINO ROSSINI (1792-1868) Overture: William TellGIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Taken from the Dublin In international Piano Spectacular All seven previous winners in a once-off performance. PHILIPPE CASSARD (1988), PAVEL NERSESSIAN (1991), DAVIDE FRANCESCHETTI (1994), MAX LEVINSON (1997), ALEXEI NABIOULIN (2000), ANTTI SIIRALA (2003) ROMAIN DESCHARMES (2006) and featuring JOHN O'CONOR (Artistic Director) This piece: GIOACCHINO ROSSINI (1792-1868) Overture: William Tell Performed by : All of the above About this piece: Having completed thirty-eight stage works Rossini moved to Paris in 1824. There he continued to reign as the greatest living opera composer and agreed to undertake a major commission from the Paris Opèra. Huge excitement was engendered and society vied to obtain tickets for the première of "William Tell", based on Schiller's drama, on August 3rd, 1829. Although it was well received and achieved 500 performances during the composer's lifetime, the work eventually vanished: no wonder when it is realised that the complete score is over four hours long and it requires a large cast of first-rate singers. Its much-loved Overture is a little tone poem in four sections, summarising the whole story of the legendary Swiss patriot. It opens with a most imaginative sequence, originally for five solo cellos, a rare inspiration, followed by a splendid storm. In the ensuing peace, Rossini introduces a folksy country song he uses extensively in the opera. A fanfare heralds the arrival of the Swiss army and the famous galloping march brings this unusually well-constructed overture to a lively finish. For more information on this and all things in relation to the Dublin International Piano Competition, please go to www.DIPC.ie -
4:1517 janvier 1792 Verdict du procès de Louis XVI Copie
17 janvier 1792 Verdict du procès de Louis XVI Copie17 janvier 1792 Verdict du procès de Louis XVI Copie
-
70:01Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816) Performed by: Elfrida Anna Caterina Catenacci Evelina Caterina Calvi Adelvolto Alessandra Mantovani Eggardo Paolo Barbacini Sveno Ezio Pirovano Osmondo Daniela Benori Direttore Umberto Benedetti Michelangeli I Filarmonici di Torino Picture by: Queen Elizabeth IMPORTANTE Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
-
GOODBYE MANHOOD (3.27.14 - Day 1792)
Free Netflix for the CTFxC http://Netflix.com/CTFxC also get your badass shirts and stuff at http://CTFxCmerch.com (↓↓ click show more ↓↓) Tour Dates http://wethekingsmusic.com/tour Twitter Charles - http://twitter.com/CharlesTrippy Alli - http://twitter.com/AlliTrippy Subscribe To Our Other Channels: http://youtube.com/CharlesTrippy http://youtube.com/Alli http://youtube.com/Trippy Free month trial for CTFxCers on Netflix: http://netflix.com/ctfxc Also, thanks to Gamefly for hooking the CTFxC w/ a trial too: http://gamefly.com/ctfxc *Facebook: http://facebook.com/InternetKilledTV http://facebook.com/CharlesTrippy Instagram: http://instagram.com/CharlesTrippy http://instagram.com/AlliTrippy Google+: http://gplus.to/charlestrippy Tumblr: http://charlestrippy.tumblr.com This vide... -
Domenico Cimarosa - Il matrimonio segreto (1792) - complete
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi, Orchestra of the Eastern Netherlands Conductor: Gabriele Bellini -
Gioachino Rossini (1792-1868) "Stabat Mater"
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42) ---------------------------------------------- Das Stabat mater (nach dem Gedichtanfang Stabat mater dolorosa, lat. für ‚Es stand die Mutter schmerzerfüllt‘) ist ein mittelalterliches Gedicht, das die Mutter Jesu in ihrem Schmerz um den Gekreuzigten besingt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben. Das Stabat mater fand 1521 Eingang in das Missale Romanum, wurde aber wie fast alle Sequenzen durch das Konzil von Trient aus dem Gottesdienst verbannt. 1727 wurde es bei der Einführung des Festes Septem Dolorum Beatae Mariae Virginis als Sequenz in den... -
La Révolution française, 1ère partie (1789-1792)
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animation templates help you create animated presentations and animated explainer videos from scratch. Anyone can produce awesome animations quickly with PowToon, without the cost or hassle other professional animation services require. -
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris) More free lessons at: http://www.khanacademy.org/video?v=_w5NGOHbgTw A stele is a vertical stone monument or marker often inscribed with text or with relief carving. Speakers: Dr. Beth Harris and Dr. Steven Zucker -
Ozymandias, by Percy Bysshe Shelley [1792-1822]
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE -
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
Recorded on 12. 11. 2014 Teplice Conservatory, Czech Republic camera operators Michal Uhlíř Luboš Chyba Miroslav Zvolský Ondřej Urban Sound recording Ondřej Urban sound mix, masterig, DVD authoring Michal Uhlíř ve studiu UHL RECORDS Direction Michal Uhlíř www.milanrericha.com www.konzervatorteplice.cz www.rericha-zlesak.cz © 2015 QMA International Production -
GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Taken from the Dublin In international Piano Spectacular All seven previous winners in a once-off performance. PHILIPPE CASSARD (1988), PAVEL NERSESSIAN (1991), DAVIDE FRANCESCHETTI (1994), MAX LEVINSON (1997), ALEXEI NABIOULIN (2000), ANTTI SIIRALA (2003) ROMAIN DESCHARMES (2006) and featuring JOHN O'CONOR (Artistic Director) This piece: GIOACCHINO ROSSINI (1792-1868) Overture: William Tell Performed by : All of the above About this piece: Having completed thirty-eight stage works Rossini moved to Paris in 1824. There he continued to reign as the greatest living opera composer and agreed to undertake a major commission from the Paris Opèra. Huge excitement was engendered and society vied to obtain tickets for the première of "William Tell", based on Schiller's dr... -
17 janvier 1792 Verdict du procès de Louis XVI Copie
-
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816) Performed by: Elfrida Anna Caterina Catenacci Evelina Caterina Calvi Adelvolto Alessandra Mantovani Eggardo Paolo Barbacini Sveno Ezio Pirovano Osmondo Daniela Benori Direttore Umberto Benedetti Michelangeli I Filarmonici di Torino Picture by: Queen Elizabeth IMPORTANTE Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
GOODBYE MANHOOD (3.27.14 - Day 1792)
- Order: Reorder
- Duration: 10:08
- Updated: 28 Mar 2014
- views: 569695
Free Netflix for the CTFxC http://Netflix.com/CTFxC
also get your badass shirts and stuff at http://CTFxCmerch.com
(↓↓ click show more ↓↓)
Tour Dates http://w...
Free Netflix for the CTFxC http://Netflix.com/CTFxC
also get your badass shirts and stuff at http://CTFxCmerch.com
(↓↓ click show more ↓↓)
Tour Dates http://wethekingsmusic.com/tour
Twitter
Charles - http://twitter.com/CharlesTrippy
Alli - http://twitter.com/AlliTrippy
Subscribe To Our Other Channels:
http://youtube.com/CharlesTrippy
http://youtube.com/Alli
http://youtube.com/Trippy
Free month trial for CTFxCers on Netflix:
http://netflix.com/ctfxc
Also, thanks to Gamefly for hooking the CTFxC w/ a trial too:
http://gamefly.com/ctfxc
*Facebook:
http://facebook.com/InternetKilledTV
http://facebook.com/CharlesTrippy
Instagram:
http://instagram.com/CharlesTrippy
http://instagram.com/AlliTrippy
Google+:
http://gplus.to/charlestrippy
Tumblr:
http://charlestrippy.tumblr.com
This video is for entertainment purposes only. We don't condone anyone attempting the activities shown.
wn.com/Goodbye Manhood (3.27.14 Day 1792)
Free Netflix for the CTFxC http://Netflix.com/CTFxC
also get your badass shirts and stuff at http://CTFxCmerch.com
(↓↓ click show more ↓↓)
Tour Dates http://wethekingsmusic.com/tour
Twitter
Charles - http://twitter.com/CharlesTrippy
Alli - http://twitter.com/AlliTrippy
Subscribe To Our Other Channels:
http://youtube.com/CharlesTrippy
http://youtube.com/Alli
http://youtube.com/Trippy
Free month trial for CTFxCers on Netflix:
http://netflix.com/ctfxc
Also, thanks to Gamefly for hooking the CTFxC w/ a trial too:
http://gamefly.com/ctfxc
*Facebook:
http://facebook.com/InternetKilledTV
http://facebook.com/CharlesTrippy
Instagram:
http://instagram.com/CharlesTrippy
http://instagram.com/AlliTrippy
Google+:
http://gplus.to/charlestrippy
Tumblr:
http://charlestrippy.tumblr.com
This video is for entertainment purposes only. We don't condone anyone attempting the activities shown.
- published: 28 Mar 2014
- views: 569695
Domenico Cimarosa - Il matrimonio segreto (1792) - complete
- Order: Reorder
- Duration: 191:40
- Updated: 31 Aug 2014
- views: 8353
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi,
Orchestra of the Eastern Netherlands
Conductor: Ga...
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi,
Orchestra of the Eastern Netherlands
Conductor: Gabriele Bellini
wn.com/Domenico Cimarosa Il Matrimonio Segreto (1792) Complete
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Alfonso Antoniozzi,
Orchestra of the Eastern Netherlands
Conductor: Gabriele Bellini
- published: 31 Aug 2014
- views: 8353
Gioachino Rossini (1792-1868) "Stabat Mater"
- Order: Reorder
- Duration: 65:09
- Updated: 31 Mar 2015
- views: 2470
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42)
----------------------------------------------
Das Stabat mater (nach dem Gedichtanfang Stabat ...
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42)
----------------------------------------------
Das Stabat mater (nach dem Gedichtanfang Stabat mater dolorosa, lat. für ‚Es stand die Mutter schmerzerfüllt‘) ist ein mittelalterliches Gedicht, das die Mutter Jesu in ihrem Schmerz um den Gekreuzigten besingt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben.
Das Stabat mater fand 1521 Eingang in das Missale Romanum, wurde aber wie fast alle Sequenzen durch das Konzil von Trient aus dem Gottesdienst verbannt. 1727 wurde es bei der Einführung des Festes Septem Dolorum Beatae Mariae Virginis als Sequenz in den Messtext und als Hymnus in das Brevier der katholischen Kirche aufgenommen und gehört seither wieder zur katholischen Liturgie. Allerdings wurde das 1727 auf den Freitag nach dem Passionssonntag gelegte Fest durch die Liturgiereform des 2. Vatikanischen Konzils abgeschafft, so dass das Stabat Mater als liturgisches Stück nur noch am 15. September, dem Gedächtnis der Schmerzen Mariä, – ad libitum – gesungen oder gebetet wird.
Die bekannteste deutsche Übertragung des Stabat mater stammt von Heinrich Bone (1847).
Lateinischer Originaltext
gedichtet um 1200–1300
1. Stabat mater dolorosa
Iuxta crucem lacrimosa,
Dum pendebat filius;
2. Cuius animam gementem,
Contristantem et dolentem
Pertransivit gladius.
3. O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti!
4. Quae maerebat et dolebat,
Et tremebat, cum videbat
Nati poenas incliti.
5. Quis est homo, qui non fleret,
Matrem Christi si videret
In tanto supplicio?
6. Quis non posset contristari,
Piam matrem contemplari
Dolentem cum filio?
7. Pro peccatis suae gentis
Iesum vidit in tormentis
Et flagellis subditum.
8. Vidit suum dulcem natum
Morientem, desolatum,
Cum emisit spiritum.
9. Eia, mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10. Fac, ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
11. Sancta mater, illud agas,
Crucifixi fige plagas
Cordi meo valide.
12. Tui nati vulnerati,
Iam dignati pro me pati,
Poenas mecum divide.
13. Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14. Iuxta crucem tecum stare,
Te libenter sociare
In planctu desidero.
15. Virgo virginum praeclara,
Mihi iam non sis amara,
Fac me tecum plangere.
16. Fac, ut portem Christi mortem,
Passionis eius sortem
Et plagas recolere.
17. Fac me plagis vulnerari,
Cruce hac inebriari
Ob amorem filii.
18. Inflammatus et accensus,
Per te, virgo, sim defensus
In die iudicii.
19. Fac me cruce custodiri,
Morte Christi praemuniri,
Confoveri gratia[1].
20. Quando corpus morietur,
Fac ut anima donetur
Paradisi gloriae.
----------------------------------------
Das Stabat Mater ist oft von klassischen Komponisten vertont worden. Nicht immer wurde der gesamte Text verwendet, unterschiedliche Anlässe der Stücke und persönliche Prägungen der Komponisten führten oft zur Akzentsetzung etwa unter den Themen: Trost, Leid, Klage. Die alte gregorianische Choralmelodie wurde von Josquin und Palestrina schon im 16. Jahrhundert polyphon vertont. Viele weitere Komponisten schufen Vertonungen des Stabat Mater, die auch heute noch oft aufgeführt werden (nach dem Komponistennamen folgt die Besetzung):
Josquin Desprez als Motette (1480)
Orlando di Lasso für Männerchor (1585)
Giovanni Pierluigi da Palestrina für zwei gemischte Chöre (ca. 1590)
Giovanni Felice Sances als Solo-Motette (1643)
Marc-Antoine Charpentier (1680)
Emanuele d’Astorga für Soli, Chor, Orchester und Orgel (1707)
Domenico Scarlatti für 10stimmigen Chor und Continuo (1715)
Alessandro Scarlatti für Sopran, Alt und Continuo (1723)
Antonio Caldara für Soli, Chor, Streicher und zwei Posaunen (± 1725)
Antonio Vivaldi für Alt, Streicher und Continuo (± 1727)
Agostino Steffani für Soli, Chor, Streicher und Orgel (1727)
Giovanni Battista Pergolesi für Alt, Sopran, Streicher und Cembalo (1736)
Johann Sebastian Bach für Sopran, Alt, Streicher (mit Viola) und Basso Continuo (1748) – eine Bearbeitung des Stabat Mater von Pergolesi
Tommaso Traetta Stabat mater (1750)
Giovanni Benedetto Platti (18. Jahrhundert)
Kurfürst Max III. Joseph von Bayern für Soli, Chor und Orchester (1766)
Joseph Haydn für Soli, Chor und Orchester (1767)
Franz Ignaz Beck für Alt, Sopran, Bariton, Chor und Orchester (1782)
Luigi Boccherini für Sopran und Streicher / Alt, Tenor und Streicher (1781/1800)... und weitere Komponisten der Neuzeit!
wn.com/Gioachino Rossini (1792 1868) Stabat Mater
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42)
----------------------------------------------
Das Stabat mater (nach dem Gedichtanfang Stabat mater dolorosa, lat. für ‚Es stand die Mutter schmerzerfüllt‘) ist ein mittelalterliches Gedicht, das die Mutter Jesu in ihrem Schmerz um den Gekreuzigten besingt. Die Verfasserschaft ist ungeklärt, das Gedicht wurde in der Vergangenheit unter anderem Papst Innozenz III. († 1216) sowie den Franziskanermönchen Iacopone da Todi († 1306) und Johannes Bonaventura († 1274) zugeschrieben.
Das Stabat mater fand 1521 Eingang in das Missale Romanum, wurde aber wie fast alle Sequenzen durch das Konzil von Trient aus dem Gottesdienst verbannt. 1727 wurde es bei der Einführung des Festes Septem Dolorum Beatae Mariae Virginis als Sequenz in den Messtext und als Hymnus in das Brevier der katholischen Kirche aufgenommen und gehört seither wieder zur katholischen Liturgie. Allerdings wurde das 1727 auf den Freitag nach dem Passionssonntag gelegte Fest durch die Liturgiereform des 2. Vatikanischen Konzils abgeschafft, so dass das Stabat Mater als liturgisches Stück nur noch am 15. September, dem Gedächtnis der Schmerzen Mariä, – ad libitum – gesungen oder gebetet wird.
Die bekannteste deutsche Übertragung des Stabat mater stammt von Heinrich Bone (1847).
Lateinischer Originaltext
gedichtet um 1200–1300
1. Stabat mater dolorosa
Iuxta crucem lacrimosa,
Dum pendebat filius;
2. Cuius animam gementem,
Contristantem et dolentem
Pertransivit gladius.
3. O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti!
4. Quae maerebat et dolebat,
Et tremebat, cum videbat
Nati poenas incliti.
5. Quis est homo, qui non fleret,
Matrem Christi si videret
In tanto supplicio?
6. Quis non posset contristari,
Piam matrem contemplari
Dolentem cum filio?
7. Pro peccatis suae gentis
Iesum vidit in tormentis
Et flagellis subditum.
8. Vidit suum dulcem natum
Morientem, desolatum,
Cum emisit spiritum.
9. Eia, mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10. Fac, ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
11. Sancta mater, illud agas,
Crucifixi fige plagas
Cordi meo valide.
12. Tui nati vulnerati,
Iam dignati pro me pati,
Poenas mecum divide.
13. Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14. Iuxta crucem tecum stare,
Te libenter sociare
In planctu desidero.
15. Virgo virginum praeclara,
Mihi iam non sis amara,
Fac me tecum plangere.
16. Fac, ut portem Christi mortem,
Passionis eius sortem
Et plagas recolere.
17. Fac me plagis vulnerari,
Cruce hac inebriari
Ob amorem filii.
18. Inflammatus et accensus,
Per te, virgo, sim defensus
In die iudicii.
19. Fac me cruce custodiri,
Morte Christi praemuniri,
Confoveri gratia[1].
20. Quando corpus morietur,
Fac ut anima donetur
Paradisi gloriae.
----------------------------------------
Das Stabat Mater ist oft von klassischen Komponisten vertont worden. Nicht immer wurde der gesamte Text verwendet, unterschiedliche Anlässe der Stücke und persönliche Prägungen der Komponisten führten oft zur Akzentsetzung etwa unter den Themen: Trost, Leid, Klage. Die alte gregorianische Choralmelodie wurde von Josquin und Palestrina schon im 16. Jahrhundert polyphon vertont. Viele weitere Komponisten schufen Vertonungen des Stabat Mater, die auch heute noch oft aufgeführt werden (nach dem Komponistennamen folgt die Besetzung):
Josquin Desprez als Motette (1480)
Orlando di Lasso für Männerchor (1585)
Giovanni Pierluigi da Palestrina für zwei gemischte Chöre (ca. 1590)
Giovanni Felice Sances als Solo-Motette (1643)
Marc-Antoine Charpentier (1680)
Emanuele d’Astorga für Soli, Chor, Orchester und Orgel (1707)
Domenico Scarlatti für 10stimmigen Chor und Continuo (1715)
Alessandro Scarlatti für Sopran, Alt und Continuo (1723)
Antonio Caldara für Soli, Chor, Streicher und zwei Posaunen (± 1725)
Antonio Vivaldi für Alt, Streicher und Continuo (± 1727)
Agostino Steffani für Soli, Chor, Streicher und Orgel (1727)
Giovanni Battista Pergolesi für Alt, Sopran, Streicher und Cembalo (1736)
Johann Sebastian Bach für Sopran, Alt, Streicher (mit Viola) und Basso Continuo (1748) – eine Bearbeitung des Stabat Mater von Pergolesi
Tommaso Traetta Stabat mater (1750)
Giovanni Benedetto Platti (18. Jahrhundert)
Kurfürst Max III. Joseph von Bayern für Soli, Chor und Orchester (1766)
Joseph Haydn für Soli, Chor und Orchester (1767)
Franz Ignaz Beck für Alt, Sopran, Bariton, Chor und Orchester (1782)
Luigi Boccherini für Sopran und Streicher / Alt, Tenor und Streicher (1781/1800)... und weitere Komponisten der Neuzeit!
- published: 31 Mar 2015
- views: 2470
La Révolution française, 1ère partie (1789-1792)
- Order: Reorder
- Duration: 4:04
- Updated: 30 Nov 2015
- views: 419
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is ...
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animation templates help you create animated presentations and animated explainer videos from scratch. Anyone can produce awesome animations quickly with PowToon, without the cost or hassle other professional animation services require.
wn.com/La Révolution Française, 1Ère Partie (1789 1792)
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Create animated videos and animated presentations for free. PowToon is a free tool that allows you to develop cool animated clips and animated presentations for your website, office meeting, sales pitch, nonprofit fundraiser, product launch, video resume, or anything else you could use an animated explainer video. PowToon's animation templates help you create animated presentations and animated explainer videos from scratch. Anyone can produce awesome animations quickly with PowToon, without the cost or hassle other professional animation services require.
- published: 30 Nov 2015
- views: 419
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
- Order: Reorder
- Duration: 3:17
- Updated: 21 Jul 2011
- views: 132401
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris)
More free lessons at: http://www.khanacademy.org/video?v=_w5NGO...
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris)
More free lessons at: http://www.khanacademy.org/video?v=_w5NGOHbgTw
A stele is a vertical stone monument or marker often inscribed with text or with relief carving.
Speakers: Dr. Beth Harris and Dr. Steven Zucker
wn.com/Law Code Stele Of King Hammurabi, 1792 1750 B.C.E.
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, Paris)
More free lessons at: http://www.khanacademy.org/video?v=_w5NGOHbgTw
A stele is a vertical stone monument or marker often inscribed with text or with relief carving.
Speakers: Dr. Beth Harris and Dr. Steven Zucker
- published: 21 Jul 2011
- views: 132401
Ozymandias, by Percy Bysshe Shelley [1792-1822]
- Order: Reorder
- Duration: 1:21
- Updated: 05 Apr 2014
- views: 22468
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE
wn.com/Ozymandias, By Percy Bysshe Shelley 1792 1822
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE
- published: 05 Apr 2014
- views: 22468
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
- Order: Reorder
- Duration: 11:57
- Updated: 10 Apr 2015
- views: 27195
Recorded on 12. 11. 2014
Teplice Conservatory, Czech Republic
camera operators
Michal Uhlíř Luboš Chyba
Miroslav Zvolský Ondřej Urban
Sound recording
Ondřej...
Recorded on 12. 11. 2014
Teplice Conservatory, Czech Republic
camera operators
Michal Uhlíř Luboš Chyba
Miroslav Zvolský Ondřej Urban
Sound recording
Ondřej Urban
sound mix, masterig, DVD authoring
Michal Uhlíř ve studiu UHL RECORDS
Direction
Michal Uhlíř
www.milanrericha.com
www.konzervatorteplice.cz
www.rericha-zlesak.cz
© 2015 QMA International Production
wn.com/Milan Rericha, Clarinet Gioachino Rossini (1792 1868) Introduction, Theme And Variations
Recorded on 12. 11. 2014
Teplice Conservatory, Czech Republic
camera operators
Michal Uhlíř Luboš Chyba
Miroslav Zvolský Ondřej Urban
Sound recording
Ondřej Urban
sound mix, masterig, DVD authoring
Michal Uhlíř ve studiu UHL RECORDS
Direction
Michal Uhlíř
www.milanrericha.com
www.konzervatorteplice.cz
www.rericha-zlesak.cz
© 2015 QMA International Production
- published: 10 Apr 2015
- views: 27195
GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
- Order: Reorder
- Duration: 13:18
- Updated: 08 Feb 2011
- views: 28673
Taken from the Dublin In international Piano Spectacular
All seven previous winners in a once-off performance.
PHILIPPE CASSARD (1988),
PAVEL NERSESSIAN (1...
Taken from the Dublin In international Piano Spectacular
All seven previous winners in a once-off performance.
PHILIPPE CASSARD (1988),
PAVEL NERSESSIAN (1991),
DAVIDE FRANCESCHETTI (1994),
MAX LEVINSON (1997),
ALEXEI NABIOULIN (2000),
ANTTI SIIRALA (2003)
ROMAIN DESCHARMES (2006)
and featuring
JOHN O'CONOR (Artistic Director)
This piece: GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Performed by : All of the above
About this piece:
Having completed thirty-eight stage works Rossini moved to Paris in 1824. There he continued to reign as the
greatest living opera composer and agreed to undertake a major commission from the Paris Opèra. Huge excitement
was engendered and society vied to obtain tickets for the première of "William Tell", based on Schiller's drama, on
August 3rd, 1829. Although it was well received and achieved 500 performances during the composer's lifetime,
the work eventually vanished: no wonder when it is realised that the complete score is over four hours long and it
requires a large cast of first-rate singers.
Its much-loved Overture is a little tone poem in four sections, summarising the whole story of the legendary
Swiss patriot. It opens with a most imaginative sequence, originally for five solo cellos, a rare inspiration, followed by a
splendid storm. In the ensuing peace, Rossini introduces a folksy country song he uses extensively in the opera. A
fanfare heralds the arrival of the Swiss army and the famous galloping march brings this unusually well-constructed
overture to a lively finish.
For more information on this and all things in relation to the Dublin International Piano Competition, please go to www.DIPC.ie
wn.com/Gioacchino Rossini (1792 1868) Overture William Tell
Taken from the Dublin In international Piano Spectacular
All seven previous winners in a once-off performance.
PHILIPPE CASSARD (1988),
PAVEL NERSESSIAN (1991),
DAVIDE FRANCESCHETTI (1994),
MAX LEVINSON (1997),
ALEXEI NABIOULIN (2000),
ANTTI SIIRALA (2003)
ROMAIN DESCHARMES (2006)
and featuring
JOHN O'CONOR (Artistic Director)
This piece: GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Performed by : All of the above
About this piece:
Having completed thirty-eight stage works Rossini moved to Paris in 1824. There he continued to reign as the
greatest living opera composer and agreed to undertake a major commission from the Paris Opèra. Huge excitement
was engendered and society vied to obtain tickets for the première of "William Tell", based on Schiller's drama, on
August 3rd, 1829. Although it was well received and achieved 500 performances during the composer's lifetime,
the work eventually vanished: no wonder when it is realised that the complete score is over four hours long and it
requires a large cast of first-rate singers.
Its much-loved Overture is a little tone poem in four sections, summarising the whole story of the legendary
Swiss patriot. It opens with a most imaginative sequence, originally for five solo cellos, a rare inspiration, followed by a
splendid storm. In the ensuing peace, Rossini introduces a folksy country song he uses extensively in the opera. A
fanfare heralds the arrival of the Swiss army and the famous galloping march brings this unusually well-constructed
overture to a lively finish.
For more information on this and all things in relation to the Dublin International Piano Competition, please go to www.DIPC.ie
- published: 08 Feb 2011
- views: 28673
17 janvier 1792 Verdict du procès de Louis XVI Copie
- Order: Reorder
- Duration: 4:15
- Updated: 08 Oct 2012
- views: 41397
- published: 08 Oct 2012
- views: 41397
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
- Order: Reorder
- Duration: 70:01
- Updated: 20 Sep 2015
- views: 890
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816)
Performed by:
Elfrida Anna Caterina Catenacci
Evelina Caterina Calvi
Adelvolto Alessand...
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816)
Performed by:
Elfrida Anna Caterina Catenacci
Evelina Caterina Calvi
Adelvolto Alessandra Mantovani
Eggardo Paolo Barbacini
Sveno Ezio Pirovano
Osmondo Daniela Benori
Direttore Umberto Benedetti Michelangeli
I Filarmonici di Torino
Picture by: Queen Elizabeth
IMPORTANTE
Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie.
If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
wn.com/Giovanni Paisiello Elfrida 1 2 (4 Novembre 1792)
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816)
Performed by:
Elfrida Anna Caterina Catenacci
Evelina Caterina Calvi
Adelvolto Alessandra Mantovani
Eggardo Paolo Barbacini
Sveno Ezio Pirovano
Osmondo Daniela Benori
Direttore Umberto Benedetti Michelangeli
I Filarmonici di Torino
Picture by: Queen Elizabeth
IMPORTANTE
Se ritenete che questo video leda i vostri diritti di proprietà, vogliate comunicarmelo e sarà mio dovere eliminare il video dal web. Grazie.
If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
- published: 20 Sep 2015
- views: 890
close fullscreen
- Playlist
- Chat
close fullscreen
- Playlist
- Chat
10:08
GOODBYE MANHOOD (3.27.14 - Day 1792)
Free Netflix for the CTFxC http://Netflix.com/CTFxC
also get your badass shirts and stuff ...
published: 28 Mar 2014
GOODBYE MANHOOD (3.27.14 - Day 1792)
GOODBYE MANHOOD (3.27.14 - Day 1792)
- Report rights infringement
- published: 28 Mar 2014
- views: 569695
191:40
Domenico Cimarosa - Il matrimonio segreto (1792) - complete
Susan Patterson, Janet Williams, Gloria Banditelli, William Matteuzzi, Petteri Salomaa, Al...
published: 31 Aug 2014
Domenico Cimarosa - Il matrimonio segreto (1792) - complete
Domenico Cimarosa - Il matrimonio segreto (1792) - complete
- Report rights infringement
- published: 31 Aug 2014
- views: 8353
65:09
Gioachino Rossini (1792-1868) "Stabat Mater"
Gioachino Rossini für Soloquartett, Chor und Orchester (1832/42)
-------------------------...
published: 31 Mar 2015
Gioachino Rossini (1792-1868) "Stabat Mater"
Gioachino Rossini (1792-1868) "Stabat Mater"
- Report rights infringement
- published: 31 Mar 2015
- views: 2470
4:04
La Révolution française, 1ère partie (1789-1792)
Chap 4ème-- Created using PowToon -- Free sign up at http://www.powtoon.com/youtube/ -- Cr...
published: 30 Nov 2015
La Révolution française, 1ère partie (1789-1792)
La Révolution française, 1ère partie (1789-1792)
- Report rights infringement
- published: 30 Nov 2015
- views: 419
3:17
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
Law Code Stele of King Hammurabi, basalt, Babylonian, 1792-1750 B.C.E. (Musée du Louvre, ...
published: 21 Jul 2011
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
Law Code Stele of King Hammurabi, 1792-1750 B.C.E.
- Report rights infringement
- published: 21 Jul 2011
- views: 132401
1:21
Ozymandias, by Percy Bysshe Shelley [1792-1822]
A riff on the Cranston recording found at https://www.youtube.com/watch?v=T3dpghfRBHE
published: 05 Apr 2014
Ozymandias, by Percy Bysshe Shelley [1792-1822]
Ozymandias, by Percy Bysshe Shelley [1792-1822]
- Report rights infringement
- published: 05 Apr 2014
- views: 22468
11:57
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
Recorded on 12. 11. 2014
Teplice Conservatory, Czech Republic
camera operators
Michal Uh...
published: 10 Apr 2015
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 - 1868) - Introduction, Theme and Variations
- Report rights infringement
- published: 10 Apr 2015
- views: 27195
13:18
GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
Taken from the Dublin In international Piano Spectacular
All seven previous winners in ...
published: 08 Feb 2011
GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
GIOACCHINO ROSSINI (1792-1868) Overture: William Tell
- Report rights infringement
- published: 08 Feb 2011
- views: 28673
4:15
17 janvier 1792 Verdict du procès de Louis XVI Copie
published: 08 Oct 2012
17 janvier 1792 Verdict du procès de Louis XVI Copie
17 janvier 1792 Verdict du procès de Louis XVI Copie
- Report rights infringement
- published: 08 Oct 2012
- views: 41397
70:01
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
Giovanni Paisiello (Taranto, 9 maggio 1740 -- Napoli, 5 giugno 1816)
Performed by:
Elfri...
published: 20 Sep 2015
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)
- Report rights infringement
- published: 20 Sep 2015
- views: 890
GOODBYE MANHOOD (3.27.14 - Day 1792)...
Domenico Cimarosa - Il matrimonio segreto (1792) -...
Gioachino Rossini (1792-1868) "Stabat Mater"...
La Révolution française, 1ère partie (1789-1792)...
Law Code Stele of King Hammurabi, 1792-1750 B.C.E....
![Ozymandias, by Percy Bysshe Shelley [1792-1822]](http://web.archive.org./web/20160730213049/http://i.ytimg.com/vi/RuG8oolTOxg/0.jpg)
Ozymandias, by Percy Bysshe Shelley [1792-1822]...
MILAN RERICHA, Clarinet - Gioachino Rossini (1792 ...
GIOACCHINO ROSSINI (1792-1868) Overture: William T...
17 janvier 1792 Verdict du procès de Louis XVI C...
Giovanni Paisiello - Elfrida 1_2 (4 novembre 1792)...
-
Lyrics list:lyrics
-
Moonshine
-
Fire and Water
-
Shook Up
-
Mourning Sad Morning
-
Honky Tonk Women
-
Free Me
-
Soldier Boy
-
Oh I Wept
-
Spread Your Wings
-
Mr. Big
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Moonshine
Sitting in a graveyard
Waiting for the dawn
Leaning on my tombstone
Till the night is gone
Oh how the moon
Hangs in black sky
Wish i could find out
The reason why
I sit here alone
And cry
My woman was so lovely
Together we were one
No sunshine in my weary eyes
Now that she has gone
Oh how the moon
Hangs in black sky
Wish I could find out
The reason why
I sit here alone
And cry
Palm trees whisper to me
From your spreading height
Tell me all the loney stories
Of the world at night
Oh how the moon
Hangs in black sky
Wish I could find out
The reason why
I sit here alone
photo: WN / Periasamy
Hot air balloon carrying at least 16 people crashes in Texas
Edit San Francisco Chronicle 30 Jul 2016
LOCKHART, Texas (AP) — Federal officials say a hot air balloon carrying at least 16 people caught on fire and crashed in Central Texas, and it is unclear whether there are injuries or deaths. Lynn Lunsford with the Federal Aviation Administration said in a statement that the accident happened about 8.40 a.m. Saturday near Lockhart, Texas, when the hot air balloon crashed into a pasture ... Lockhart is about 30 miles south of Austin ... ....
photo: Creative Commons / Gage Skidmore
Convention over, Clinton faces hacking, Trump criticism
Edit The Virginian-Pilot 30 Jul 2016
HARRISBURG, Pa. (AP) — A giddy if exhausted Hillary Clinton embarked on a post-convention Rust Belt bus tour just hours after becoming the first female presidential nominee of a major political party ... ....
photo: Public Domain / Avibliz
Stephen Hawking Issues Warning For What Brexit Could Mean For The Human Species
Edit WorldNews.com 29 Jul 2016
Stephen Hawking has penned a thoughtful appeal for post-Brexit Britain to reconsider the role that wealth plays in society, warning that isolationism and envy could even lead to the end of the human species, Mashable reports. In a Guardian essay, the world-renowned physicist made the case for a more comprehensive and generous definition of wealth "to include knowledge, natural resources and human capacity."...
photo: WN / jamal
Fighting between Turkish forces, Kurdish rebels kills 43
Edit The Roanoke Times 30 Jul 2016photo: Creative Commons / Salkin0122
Air France strike grounds 20 pct of flights
Edit Daily Star Lebanon 30 Jul 2016
Air France Saturday cancelled around 20 percent of its flights on the fourth day of a strike by flight attendants during the peak summer travel season, the airline said ... ....
« back to news headlines
Sunnyside-Hillcrest Construction Traffic Update (City of Montrose, CO)
Edit Public Technologies 29 Jul 2016
The current traffic detour will remain in effect for the duration of the project ... The City would like to thank residents for their patience throughout this project. For everyone's safety, they also ask motorists and pedestrians to please respect all coned off areas and to obey all posted speed limits along project detour routes. Any questions regarding the project may be directed to Scott Murphy, City Engineer at (970) 901-1792....
Form 8.5 (EPT/NON-RI) - ANHEUSER-BUSCH INBEV SA/NV (Barclays plc)
Edit Public Technologies 29 Jul 2016
If there are positions or rights to subscribe to disclose in more than one class of relevant securities of the offeror or offeree named in 1(b), copy table 2(a) or (b) (as appropriate) for each additional class of relevant security ... (b) Rights to subscribe for new securities (including directors' and other employee options) Class of relevant security in relation to which subscription right exists. ... ORD SWAP Short 1,551 110.1792 EUR....
Thursday's Show
Edit National Public Radio 28 Jul 2016
A drawing of the first White House designed by architect James Hoban, who won the competition to design the president's new house in 1792 ... Lauren Frayer for NPR hide caption. toggle caption Lauren Frayer for NPR ... For six weeks, the visitors continued to come by the busload ... A drawing of the first White House designed by architect James Hoban, who won the competition to design the president's new house in 1792....
SAS and Samsung make flying simpler (SAS AB)
Edit Public Technologies 28 Jul 2016
'We're constantly trying to make life easier for our customers ... The SAS app has been available on iOS for some time, and Smart Pass is already a feature of the Android version ... Working in conjunction with SAS, we've now created a solution that we hope will make traveling both easier and less stressful,' says Adam Fors, Nordic Marketing Manager at Samsung ... For more information, please contact.....
Allen Opposes Proposed Transmission Line (City of Allen, TX)
Edit Public Technologies 28 Jul 2016
The project calls for 1.6 to 5.6 miles of transmission lines, along with a five-acre substation located in the vicinity of Alma Drive and Exchange Parkway. Brazos is in the process of selecting alternative sites for the project to be submitted to the Public Utility Commission of Texas (PUCT) ... solely responsible for the information contained herein....
Another FLOTUS confirms White House was built by slaves, discredits Bill O'Reilly comments
Edit Springfield News-Sun 28 Jul 2016
During Michelle Obama's Democratic National Convention speech on Monday, she talked about her family's time in the White House, a house that she said "was built by slaves.". Read more trending stories. After her speech, people began fact-checking to see if her comment was true. It was. Construction on the White House began in 1792 by black slaves, free black men, laborers and European immigrants ... "But reporting the story behind Mrs ... ....
A Thermidorian Reaction
Edit The Atlantic 28 Jul 2016
On Tuesday, July 26, 2016, Hillary Clinton formally became the Democratic Party’s nominee for president, winning a yearlong struggle with Senator Bernie Sanders for control of the nation’s center-left political party ... Most western cultures use the Gregorian calendar, named for the 16th-century pope who commissioned it ... But republican activists during the French Revolution despised the calendar for its religious framework....
What We Owe the White House Slaves: $83 Million
Edit The Daily Beast 28 Jul 2016
For these labors, their owners—or the middlemen who had leased the slaves—were paid as much as $60 a year ... Fairness demands that the government pay the descendants of the slaves for their labors ... That is simply paying people honest wages for honest work ... At 5 percent compounded annually for 224 years, the $60 would become $3,346,218.08 ... We will not share your email with anyone for any reason....
Hillary Clinton is bad at speeches for the exact reasons she'd be a good president
Edit Vox 28 Jul 2016
It’s a process that’s really bad at delivering memorable oratory, but actually makes a lot of sense as a model for running the executive branch. Clinton highly values collaborative work — which makes for bad speeches ... Why mention one of her policy ideas for helping working mothers in Ohio when she could mention three? Why mention working mothers in Ohio without also mentioning a policy for manufacturing jobs?....
Slave Labor And The 'Longer History' Of The White House
Edit National Public Radio 27 Jul 2016
A drawing of the first White House designed by architect James Hoban, who won the competition to design the president's new house in 1792 ... the competition to design the president's new house in 1792....
How Abigail Adams Proves Bill O'Reilly Wrong About Slavery
Edit The Atlantic 27 Jul 2016
George Washington selected the site in 1791, and as president laid the cornerstone in 1792 ... But the riff is notable for the way it resuscitates two common threads of apology for slavery ... This defense of slavery as essentially benign runs, for example, through Senator John C ... The difference between us is, that our slaves are hired for life and well ......
Slaves built the White House, say Obama and historians
Edit WPTV 26 Jul 2016
Slaves were used in the construction of the exterior and the interior of the White House when work began to on the edifice in 1792 and until it was opened in 1800 ... Letters from the commission in charge of constructing the nation's capital show that slaves were rented from nearby plantations in Maryland and Virginia to dig the foundation of the White House and quarry clay for the bricks used in the original....
Fact-checking Michelle Obama: Did slaves really build the White House?
Edit Springfield News-Sun 26 Jul 2016
And because of Hillary Clinton, my daughters and all our sons and daughters now take for granted that a woman can be president of the United States ... According to the White House Historical Association, a private nonprofit founded by first lady Jacqueline Kennedy, commissioners in Washington, D.C., were tasked with building the capitol in 1792 under direction of the president....
- 1
- 2
- 3
- 4
- 5
- Next page »
